Andrew Horton. 1994. Writing the Character-Centered Screenplay. Berkeley: University of California Press.
Anon. n.d.-a. ‘BBC - Home - Writers Room’. Retrieved (http://www.bbc.co.uk/writersroom/).
Anon. n.d.-b. ‘Broadcast’. Single Journals.
Anon. n.d.-c. ‘Drew’s Script-O-Rama: Free Movie Scripts and Screenplays, Baby!’
Anon. n.d.-d. ‘Romeo & Juliet’.
Anon. n.d.-e. ‘Screen International - Film Industry News from UK, US, Europe, Asia and The World’.
Anon. n.d.-f. ‘The Internet Movie Database (IMDb)’.
Anon. n.d.-g. ‘TwelvePoint.Com | ScriptWriter Magazine Online Insider Knowledge and Networking for Screenwriters’.
Aristotle, Baxter, John, Atherton, Patrick, Whalley, George, and ebrary, Inc. 1997a. Aristotle’s Poetics. Buffalo: McGill-Queen’s University Press.
Aristotle, Baxter, John, Atherton, Patrick, Whalley, George, and ebrary, Inc. 1997b. Aristotle’s Poetics. Buffalo: McGill-Queen’s University Press.
Benedetti, Jean. 1982. Stanislavski: An Introduction. London: Methuen.
Brady, Ben. 1994. Principles of Adaptation for Film and Television. Austin: University of Texas Press.
Campbell, Joseph and Joseph Campbell Foundation. 2008. The Hero with a Thousand Faces. Vol. Bollingen series. 3rd ed. Novato, Calif: New World Library.
Cowgill, Linda J. 1999. Secrets of Screenplay Structure: How to Recognize and Emulate the Structural Frameworks of Great Films. Los Angeles, CA: Lone Eagle Pub. Co.
Cowgill, Linda J. 2005. Writing Short Films: Structure & Content for Screenwriters. 2nd ed. Los Angeles: Lone Eagle Pub.
Egri, Lajos and Egri, Lajos. 2008. The Art of Dramatic Writing: Its Basis in the Creative Interpretation of Human Motives. [S.l.]: BN.
Field, Syd. 1984. The Screenwriter’s Workbook. Vol. A Dell trade paperback. New York, N.Y.: Dell.
Froug, William. 1996. Zen and the Art of Screenwriting: Insights and Interviews. 1st ed. Los Angeles: Silman-James Press.
Goldman, William. 1995. William Goldman: Four Screenplays with Essays. London: Applause.
Goldman, William. 1996. Adventures in the Screen Trade. London: Abacus.
Horton, Andrew. 1999. Writing the Character-Centered Screenplay. Updated and expanded ed. Berkeley, Calif: University of California Press.
Johnstone, Keith. 2007. Impro: Improvisation and the Theatre. London: Methuen Drama.
Lodge, David. 1996. ‘Adapting Martin Chuzzlewit’. Pp. 230–59 in The practice of writing. London: Secker & Warburg.
Luhrmann, Baz and Shakespeare, William. 2002. ‘Romeo and Juliet’.
McKee, Robert. 1998. Story: Substance, Structure, Style, and the Principles of Screenwriting. Vol. Methuendrama. London: Methuen.
Melville, Herman. 2004. Bartleby, the Scrivener. Hoboken, NJ: Melville House Pub.
Parker, Philip. 2006. The Art and Science of Screenwriting. 2nd ed. Bristol: Intellect.
Portnoy, Kenneth. 1998. Screen Adaptation: A Scriptwriting Handbook. 2nd ed. Boston: Focal Press.
Ray Bradbury. 1ADa. Ray Bradbury Stories Volume 1: V. 1. HarperVoyager.
Ray Bradbury. 1ADb. Ray Bradbury Stories Volume 2: V. 2. HarperVoyager.
Seger, Linda. 1990. Creating Unforgettable Characters. New York: H. Holt.
Seger, Linda. 1992. The Art of Adaptation: Turning Fact and Fiction into Film. New York: Holt.
Shakespeare, William and Zeffirelli, Franco. 2003. ‘Romeo & Juliet’.
Swain, Dwight V. and Swain, Joye R. 1988. Film Scriptwriting: A Practical Manual. 2nd ed. London: Focal.
Vogler, Christopher. 2007. Writer’s Journey : Mythic Structure for Writers. 3rd ed. Studio City, CA: Michael Wiese Productions.
Vorhaus, John. 1994. The Comic Toolbox: How to Be Funny Even If You’re Not. Los Angeles: Silman-James Press.
Wise, Robert, Robbins, Jerome, Bernstein, Leonard, and Sondheim, Stephen. 2003. ‘West Side Story’.