2014 MTV Video Music Awards. (n.d.). VIVA. http://bobnational.net/record/416366
Adichie, C. N. (12 C.E.). We should all be feminists - TEDxEuston. https://www.youtube.com/watch?v=hg3umXU_qWc
Adichie, C. N. (2005). Purple hibiscus: a novel. Harper Perennial. https://roeuni.overdrive.com/media/1135150
Adichie, C. N. (2014). Americanah. Fourth Estate. https://roeuni.overdrive.com/media/1091303
An Exhibition About Black Lives, with a Gendered Focus. (n.d.). http://hyperallergic.com/297075/an-exhibition-about-black-lives-with-a-gendered-focus/
Angelou, M. (1984). I know why the caged bird sings. Virago.
Angelou, M. (1999). Even the Stars Look Lonesome (New ed). Little, Brown & Company (UK).
Angelou, M., & Angelou, M. (1988). Just give me a cool drink of water ’fore I diiie: the poetry of Maya Angelou. Virago.
Bambara, T. C. (1987). Salt Eaters (Reissue). The Women’s Press.
Beasts of the Southern Wild. (n.d.). https://rob.roehampton.ac.uk/View.aspx?id=27688~5s~m9nQgnrrzO
Beyoncé. (n.d.-a). LEMONADE. http://listen.tidal.com/album/59727856
Beyoncé - ‘Formation’ - Full Performance at Super Bowl 2016. (7 C.E.). https://www.youtube.com/watch?v=lMAISeUGcyY
Black woman : an anthology (1st Washington Square Press trade pbk. ed). (2005). Washington Square Press.
Blanco Borelli, M. (2016). She is Cuba. Oxford University Press Inc. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=5731868
Boylorn, R. M. (2013). Sweetwater : black women and narratives of resilience. Peter Lang.
Brooks, D. (2006). Bodies in dissent: spectacular performances of race and freedom, 1850-1910. Duke University Press.
Brooks, G. (1963). Selected poems. Harper & Row.
Brown, C. (2006). Piece of cake : a memoir. Bantam.
Brown, R. N., & Kwakye, C. J. (Eds.). (2012). Wish to live: the hip-hop feminism pedagogy reader: Vol. Educational Psychology: Critical Pedagogical Perspectives. Peter Lang.
Browne, S. (2015). Dark Matters: On the Surveillance of Blackness. Duke University Press.
Butler, O. E. (2003). Kindred. Beacon Press. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=3118004
Butler, O. E. (2014). Kindred. Headline.
Callaloo. (n.d.).
Campbell, B. M. (2000). Brothers and sisters (Berkley trade pbk. ed). Berkley Books. https://archive.org/details/brotherssisters00camp_0
Carmen Jones. (n.d.). https://rob.roehampton.ac.uk/View.aspx?id=3893~4x~8yS78NtS
Carrie Mae Weems. (n.d.). http://carriemaeweems.net/
Chireau, Y. P. & ebrary, Inc. (2003). Black magic: religion and the African American conjuring tradition [Electronic resource]. University of California Press. http://site.ebrary.com/lib/roehampton/Doc?id=10057093
Clark, V. A., & Johnson, S. E. (2006). Kaiso! University of Wisconsin Press.
Cleage, P. (2009). What looks like crazy on an ordinary day. Harper Collins Avon. https://roeuni.overdrive.com/media/22521
Cooper, C. (2004). Sound Clash: Jamaican Dancehall Culture at Large. Palgrave USA.
Copeland, M. S. (Mary S. (2010). Enfleshing freedom : body, race, and being. Fortress Press.
Crawford, A. E. B. (Anna E. B. (2002). Hope in the holler : a womanist theology (1st ed). Westminster John Knox Press.
Crumpton, S. M. (2013). Womanist pastoral theology against intimate and cultural violence. Palgrave Macmillan.
Dash, J. (1999). Daughters of the Dust (Deluxe edition) [Videorecording]. Kino International.
Davies, C. B. (1994). Black women, writing and identity: migrations of the subject. Routledge.
Davis, A. (1982). Women, race & class. Women’s Press.
Davis, A. Y. (2016). Freedom is a constant struggle : Ferguson, Palestine, and the foundations of a movement. Haymarket Books.
Davis, A. Y. (Angela Y. (2012). Meaning of freedom. City Lights Books.
DeFrantz, T. (2016). Afrofuturist Remains: A Speculative Rendering of Social Dance Futures, v. 2.0. In T. DeFrantz & P. Rothfield (Eds.), Choreography and corporeality: relay in motion: Vol. New world choreographies (pp. 209–222). Palgrave Macmillan.
Defrantz, T. F. (2002). Dancing Many Drums. University of Wisconsin Press.
Defrantz, T., & Gonzalez, A. (2014). Black Performance Theory. Not Avail. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=1666607
Douglas, K. B. (1999). Sexuality and the Black church: a womanist perspective. Orbis Books.
Douglas, K. B. (2015). Stand your ground: Black bodies and the justice of God. Orbis Books.
Durham, A. (2012). "Check On It”: Beyoncé, Southern booty, and Black femininities in music video. Feminist Media Studies, 12(1), 35–49. https://doi.org/10.1080/14680777.2011.558346
Durham, A. S. (2014). Home with Hip Hop Feminism : Performances in Communication and Culture: 26. Peter Lang Publishing Inc.
Emejulu, A., & Sobande, F. (Eds.). (2019a). To exist is to resist: black feminism in Europe. Pluto Press. https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=5760914
Emejulu, A., & Sobande, F. (Eds.). (2019b). To exist is to resist: black feminism in Europe. Pluto Press. https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=5760914
Eve’s Bayou: Part 1. (n.d.). https://rob.roehampton.ac.uk/View.aspx?id=11387~5h~zBbDwS8WBB
Eve’s Bayou: Part 2. (n.d.). https://rob.roehampton.ac.uk/View.aspx?id=11388~5i~adrfgRki8r
Faye, S. (2015). Mourner’s Bench. University of Arkansas Press. https://roeuni.overdrive.com/media/4130940?cid=1223697
Frederick, M. F. (2003). Between Sundays : Black women and everyday struggles of faith. University of California Press.
Fulton, D. S. & ebrary, Inc. (2006). Speaking power: Black feminist orality in women’s narratives of slavery [Electronic resource]. State University of New York Press. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=3407840
Giovanni, N. (2007). Collected poetry of Nikki Giovanni, 1968-1998 (1st Harper Perennial ed). Harper Perennial.
Gottschild, B. (2016). The Black Dancing Body: a Geography from Coon to Cool. Palgrave Macmillan. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=6302846
Grant, J. (1989). White women’s Christ and black women’s Jesus: feminist christology and womanist response: Vol. American Academy of Religion academy series. Scholars Press.
Guy-Sheftall, B. (1995). Words of fire: an anthology of African-American feminist thought. New Press.
Harris, H. & ebrary, Inc. (2006). Yoruba in diaspora: an African church in London: Vol. Contemporary anthropology of religion (1st ed) [Electronic resource]. Palgrave Macmillan. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=308420
Harris-Perry, M. V. & ebrary, Inc. (2011). Sister citizen: shame, stereotypes, and Black women in America [Electronic resource]. Yale University Press. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=3420728
Hartman, S. V. (2008). Lose your mother : a journey alongthe Atlantic slave route (First paperback edition). Farrar, Straus & Giroux.
Hartman, S. V. (Assistant P. (1997a). Scenes of Subjection. Oxford University Press, Incorporated.
Hartman, S. V. (Assistant P. (1997b). Scenes of Subjection. Oxford University Press, Incorporated.
Hester, H. (2018). Xenofeminism. Polity. https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=5325069
Hill Collins, P. (2008). Black feminist thought: knowledge, consciousness, and the politics of empowerment: Vol. Routledge classics. Routledge.
Hobson, J. (2005). Venus in the dark : blackness and beauty in popular culture (New Ed). Routledge. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=5259834
Holland, S. P. (2012). Erotic life of racism. Duke University Press.
hooks, bell. (2016). Moving Beyond Pain. http://www.bellhooksinstitute.com/blog/2016/5/9/moving-beyond-pain
Hooks, B. (1982). Ain’t I a woman: black women and feminism. Pluto.
Hooks, B. (1993). Sisters of the yam: black women and self-recovery. South End Press.
Hooks, B. (1997). Bone black: memories of girlhood. Women’s Press.
Hooks, B. (2005). Will to Change : Men, Masculinity,and Love (01 ed.). Simon & Schuster Inc.
Hooks, B. (2006). Outlaw culture: resisting representations: Vol. Routledge classics. Routledge.
Hooks, B. (2016). All about love : new visions. William Morrow Paperbacks.
Howard, Z. (5 C.E.). Waffles. https://www.youtube.com/watch?v=huAcgBNCz3c
Howard, Z. (12 C.E.). ‘On Things of Which I am Ashamed’. https://www.youtube.com/watch?v=2uQMywa1TrY
Hurston, Z. N. (2007). Their eyes were watching God: Vol. Virago modern classics ([New ed.]). Virago. https://roeuni.overdrive.com/media/51182
Hurston, Z. N. (2008). Mules and men. Harper Perennial Modern Classics.
Hurston, Z. N. (2009). Tell my horse: voodoo and life in Haiti and Jamaica. (1st Harper Perennial Modern Classics ed). Perennial.
Imitation of Life (1959). (n.d.). Drama. https://learningonscreen.ac.uk/ondemand/index.php/prog/0015C089?bcast=121198249
Jacobs, H. A. (2012). Incidents in the Life of a Slave Girl : Illustrated & Annotated. Coda Books Ltd.
Jacobs, M. R. (2007). Gender, power, and persuasion : the Genesis narratives and contemporary portraits. Baker Academic.
Jones, T. (2012). Silver sparrow. Algonquin. https://roeuni.overdrive.com/media/5077257?cid=1223697
Joseph, P. E. (2006). The Black power movement: rethinking the civil rights-Black power era. Routledge. http://www.loc.gov/catdir/toc/ecip065/2005035654.html
Junior, N. (2015). Introduction to womanist biblical interpretation. (First edition). Westminster John Knox Press.
Kay, J. (1999). Trumpet. Picador.
Kealiinohomoku, J. W. (2008). Theory and Methods for an Anthropological Study of Dance. Cross-Cultural Dance Resources.
Knowles-Carter, B. (2015). Gender Equality is a Myth! https://assets.documentcloud.org/documents/1004710/beyonce-final.pdf
Laborde, L. (n.d.). Mapping the Louisiana Locations in Beyonce’s ‘Lemonade’. http://nola.curbed.com/maps/beyonce-lemonade-louisiana-filming-locations
Lacy, M. D. & American Dance Festival. (2007). Dancing in the light: six dances by African-American choreographers. Kultur.
Larsen, N. (2002). Passing: Vol. The Modern Library classics. Modern Library. https://roeuni.overdrive.com/media/1347977?cid=1223697
Lorde, A. (1984). Sister outsider: essays and speeches: Vol. The Crossing Press feminist series. The Crossing Press.
Lordi, E. J. (2013). Black resonance: iconic women singers and African American literature: Vol. American Literatures Initiative. Rutgers University Press. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=1562501
Macauley, D. J. (1996). Reconstructing womanhood, reconstructing feminism: writings on black women. Routledge.
Maya Angelou Recites Her Poem ‘Phenomenal Woman’. (12 C.E.). https://www.youtube.com/watch?v=VeFfhH83_RE
McGuire, D. L. (2011). At the dark end of the street : black women, rape, and resistance-- a new history of the Civil Rights movement from Rosa Parks to the rise of black power (1st Vintage Books ed). Vintage Books.
Mirza, H. S. (1992). Young, female and black. Routledge. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203976883&uid=^u
Mirza, H. S. (1997). Black British feminism: a reader. Routledge.
Mitchell, K. (2008). Mamie Bradley’s Unbearable Burden: Sexual and Aesthetic Politics in Bebe Moore Campbell’s Your Blues Ain’t Like Mine. Callaloo, 31(4), 1048–1067. https://doi.org/10.1353/cal.0.0244
Morrison, T. (1990). The bluest eye. Picador. https://roe.idm.oclc.org/login?url=https://www-vlebooks-com.roe.idm.oclc.org/Vleweb/Product/Index/671962?page=0&uid=^u
Morrison, T. (1993a). Playing in the dark: whiteness and the literary imagination: Vol. William E. Massey sr. lectures in the history of American civilization. Picador.
Morrison, T. (1993b). Sula. Chatto & Windus. https://roeuni.overdrive.com/media/1980890
Morrison, T. (2007). Beloved: Vol. Vintage classics. Vintage. https://roeuni.overdrive.com/media/1980585
Moten, F. & ebrary, Inc. (2003). In the break: the aesthetics of the Black radical tradition [Electronic resource]. University of Minnesota Press. http://site.ebrary.com/lib/roehampton/Doc?id=10151178
Mullen, H. R. & ebrary, Inc. (2012). The cracks between what we are and what we are supposed to be: essays and interviews: Vol. Modern and contemporary poetics [Electronic resource]. University Alabama Press. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=997588
Munoz, J. E. (1997). ‘The White to Be Angry’: Vaginal Davis’s Terrorist Drag. Social Text, 52/53. https://doi.org/10.2307/466735
Nichols, G. (2000). The fat black woman’s poems. Virago.
Nina Simone: A Tribute. (n.d.). BBC4. https://learningonscreen.ac.uk/ondemand/index.php/prog/001FA35F?bcast=44558555
Nina Simone and Me with Laura Mvula. (n.d.). BBC4. https://learningonscreen.ac.uk/ondemand/index.php/prog/0A0E9B3B?bcast=116406932
Nur-Amin, T. (2014). Beyoncé, Girl Power, Real Politics: Dis/Respectability, Post-Raciality and the Politics of Inclusion, (Chapter 15 in The Oxford handbook of dance and the popular screen). The Oxford Handbook of Dance and the Popular Screen. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=5847874
Nur-Amin, T. (2017). ’African-American Dance Revisited: Undoing Master Narratives in the Studying and Teaching Dance History. In Rethinking Dance History (2nd New edition, pp. 44–55). Taylor & Francis Ltd.
Odom, G. (2015). Yoruba performance, theatre and politics. Palgrave Macmillan.
Olajubu, O. & ebrary, Inc. (2003). Women in the Yoruba religious sphere: Vol. McGill studies in the history of religions [Electronic resource]. State University of New York Press. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=3408550
Osumare, H. (2013). The hiplife in Ghana: West African indigenization of hip-hop. Palgrave Macmillan.
Oyeyemi, H. (2015). Boy, Snow, Bird. (Main market ed). Picador.
Page, A. E. (7 C.E.). Love in my language. CreateSpace.
Painter, N. I. (2005). Creating Black Americans: African American history and its meanings, 1619 to the present. Oxford University Press.
Patton, V. K. & ebrary, Inc. (2013). The grasp that reaches beyond the grave: the ancestral call in black women’s texts [Electronic resource]. State University of New York Press. http://site.ebrary.com/lib/roehampton/Doc?id=10733843
Petry, A. (2008). Miss Muriel and other stories (New ed). Dafina.
Pierce, Y. (n.d.). Black Women and the Sacred: With ‘Lemonade’ Beyoncé Takes Us to Church. Religion Dispatches. http://religiondispatches.org/black-women-and-the-sacred-beyonce-takes-us-to-church/
Pipilotti Rist - Ever is Over All. (11 C.E.). https://www.youtube.com/watch?v=a56RPZ_cbdc
Poetry Society. (2014). The pity. The Poetry Society.
Richie, B. & ebrary, Inc. (2012). Arrested justice: black women, violence, and America’s prison nation [Electronic resource]. New York University Press. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=865420
Roberts, D. E. (1999). Killing the black body : race, reproduction, and the meaning of liberty (1st Vintage Books ed). Vintage Books.
Rosa, C. F. (2015). Brazilian bodies and their choreographies of identification: swing nation. Palgrave Macmillan. https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=4008719
Sanchez, S. & ebrary, Inc. (2010). Morning Haiku [Electronic resource]. Beacon Press. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=3118075
Scott, J. (2008). Moments, the minutes, the hours : the poetry of Jill Scott (1st St. Martin's Griffin ed). St Martin’s Griffin.
Shange, N. (1978). For colored girls who have considered suicide when the rainbow is enuf: a choreopoem. Eyre Methuen.
Shire, W. (n.d.). for women who are difficult to love. https://vimeo.com/36289832
Shire, W. (2011). Teaching my mother how to give birth: Vol. Mouthmark series. Flipped Eye.
Skin. (n.d.). https://rob.roehampton.ac.uk/View.aspx?id=8488~4C~FdpGz7xx
Smith, B. (1983). Home girls: a Black feminist anthology. Kitchen Table: Women of Color Press.
Smith, Z. (2006). On beauty: a novel. Penguin. https://roeuni.overdrive.com/media/275833
Smith, Z. (2017). Swing Time. Penguin Books Ltd. https://roeuni.overdrive.com/media/2640838
Spotify. (n.d.-b). Lemonade Syllabus Playlist. https://play.spotify.com/user/ur_library/playlist/09fQklU3vbybC5MikR2RWJ
Terence Nance. (n.d.). http://terencenance.com/
The Color Purple: Part 1. (n.d.). https://rob.roehampton.ac.uk/View.aspx?id=13691~5h~zBbFwV8XBv
The Color Purple: Part 2. (n.d.). https://rob.roehampton.ac.uk/View.aspx?id=13692~5i~adrhgUkj8l
The Combahee River Collective. (n.d.-c). A Black Feminist Statement. http://circuitous.org/scraps/combahee.html
The Princess and the Frog. (n.d.). https://rob.roehampton.ac.uk/View.aspx?id=22233~59~q5KnSzoqWb
The Secret Life of Bees. (n.d.). https://rob.roehampton.ac.uk/View.aspx?id=26913~5i~aerkgXkb8m
Their Eyes Were Watching God. (n.d.). https://rob.roehampton.ac.uk/View.aspx?id=10656~5f~xexBbKDnGJ
Thompson, L. B. (2012). Beyond the Black Lady: Sexuality and the New African American Middle Class. University of Illinois Press.
Tillmon, J. (n.d.). Welfare is a Women’s Issue. http://www.msmagazine.com/spring2002/tillmon.asp
Townes, E. M. & ebrary, Inc. (2006). Womanist ethics and the cultural production of evil: Vol. Black religion, womanist thought, social justice [Electronic resource]. Palgrave Macmillan. http://site.ebrary.com/lib/roehampton/Doc?id=10167448
‘Under Construction’: Identifying Foundations of Hip-Hop Feminism and Exploring Bridges between Black Second-Wave and Hip-Hop Feminisms1. (n.d.). Meridians: Feminism, Race, Transnationalism, 8(1), 19–52. https://roe.idm.oclc.org/login?url=http://muse.jhu.edu/article/235562
Valdes, V. K. (2015). Oshun’s Daughters : The Search for Womanhood in the Americas. State University of New York Press.
Waheed, N. (24 C.E.). Salt. CreateSpace.
Walker, A. (1992). Possessing the secret of joy. Cape.
Walker, A. (1997). Anything we love can be saved: a writer’s activism. Women’s Press.
Walker, A. (2005). In search of our mothers’ garden :womanist prose (New Ed). Phoenix.
Walker, A. (2009). The color purple (25th anniversary ed). Weidenfeld & Nicolson.
Walker-Barnes, C. (2014). Too Heavy a Yoke: Black Women and the Burden of Strength. Cascade Books.
Wasafiri. (n.d.).
Weidhase, N. (2015). ‘Beyoncé feminism’ and the contestation of the black feminist body. Celebrity Studies, 6(1), 128–131. https://doi.org/10.1080/19392397.2015.1005389
Williams, D. S. (1993). Sisters in the wilderness: the challenge of womanist God-talk. Orbis Books.
Winfrey Harris, T. (2015). Sisters Are Alright: Changing the Broken Narrative of Black Women in America (First edition). Berrett-Koehler Publishers.
Womack, Y. (2013). Afrofuturism: the world of black sci-fi and fantasy culture (First edition). Chicago Review Press. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=1381831
Womanist theological ethics : a reader (1st ed). (2011). Westminster John Knox Press.
You Must Remember This. (n.d.-d). Lena Horne: You Must Remember This. http://www.youmustrememberthispodcast.com/episodes/youmustrememberthispodcastblog/2015/2/17/star-wars-episode-vii-lena-horne
Zink, S. (n.d.). Twerking and Cultural Appropriation: Miley Cyrus’ Display of Racial Ignorance. https://journals.macewan.ca/muse/article/view/158
