[1]
50 Great Works of Video Art That You Can Watch Online – Flavorwire: http://flavorwire.com/399191/50-great-works-of-video-art-that-you-can-watch-online/view-all.
[2]
Alex Garland 2015. Ex Machina. United International Pictures.
[3]
Allen, Woody 1993. Crimes and misdemeanors. BBC.
[4]
Baggini, J. 2006. The pig that wants to be eaten: 100 experiments for the armchair philosopher. Plume.
[5]
Ballardian » Retrospecto: La Jetée: http://www.ballardian.com/la-jetee.
[6]
Baudrillard, J. 1994. Simulacra and simulation. University of Michigan Press.
[7]
Baudrillard, J. 1994. Simulacra and simulation. University of Michigan Press.
[8]
Beckett, S. 2006. Film. The complete dramatic works. Faber and Faber. 321–334.
[9]
Bergson, H. 2007. Time and free will: an essay on the immediate data of consciousness. Routledge.
[10]
Blake, W. et al. 1975. The marriage of heaven and hell. Oxford University Press.
[11]
Bliss, M. 19991001. Keeping a Sense of Wonder: Interview with Peter Weir. Film Quarterly. 53, 1 (19991001).
[12]
Bloom, Harold 1958. Dialectic in the Marriage of Heaven and Hell. (1958).
[13]
Bogue, R. and ebrary, Inc 2003. Deleuze on literature. Routledge.
[14]
Borges, J.L. et al. 1970. Labyrinths: selected stories and other writings. Penguin.
[15]
Bowker, M.H. 2014. Albert Camus’s The stranger: critical essays. Cambridge Scholars Publishing.
[16]
Brée, G. Camus: a collection of critical essays. Prentice-Hall.
[17]
Brée, Germaine Camus: a collection of critical essays. Prentice-Hall.
[18]
Brée, Germaine 1974. Camus and Sartre: crisis and commitment. Calder and Boyars.
[19]
Buddhists, Existentialists and Situationists: Waking up in Waking Life: http://publish.uwo.ca/~dmann/waking_essay.htm.
[20]
Bukatman, S. 2019. Blade Runner. British Film Institute.
[21]
Camus, A. 2006. Caligula: Cross purpose ; The just ; The possessed. Penguin.
[22]
Camus, A. 2000. The myth of Sisyphus. Penguin.
[23]
Camus, A. 2000. The outsider. Penguin.
[24]
Carroll, N. and Choi, J. 2006. The philosophy of film and motion pictures: an anthology. Blackwell Publishing.
[25]
Carroll, Noël and Choi, Jinhee 2006. The philosophy of film and motion pictures: an anthology. Blackwell Publishing.
[26]
Cassam, Q. 2019. Conspiracy theories. Polity.
[27]
Cassam, Q. 2019. Vices of the mind: from the intellectual to the political. Oxford University Press.
[28]
Cavell, S. 1981. Pursuits of happiness: the Hollywood comedy of remarriage. Harvard University Press.
[29]
Cavell, S. 1979. The world viewed: reflections on the ontology of film : Stanley Cavell. Harvard University Press.
[30]
Cavell, Stanley and Mulhall, Stephen 1996. The Cavell reader. Blackwell.
[31]
Chalmers, D.J. 1996. The conscious mind: in search of a fundamental theory. Oxford University Press.
[32]
Christopher Grau 2006. ‘Eternal Sunshine of the Spotless Mind’ and the Morality of Memory. The Journal of Aesthetics and Art Criticism. 64, 1 (2006), 119–134.
[33]
Colman, F. 2009. Film, theory and philosophy: the key thinkers. Acumen.
[34]
Colman, F. 2009. Film, theory and philosophy: the key thinkers. Acumen Publishing Limited.
[35]
Conard, Mark T. and Skoble, Aeon J. 2004. Woody Allen and philosophy. Eurospan [distributor].
[36]
Coplan, A. and Davies, D. eds. 2015. Blade Runner. Routledge.
[37]
Critchley, S. 2007. To be or not to be is not the question — On Beckett’s. Film-Philosophy. 11, 2 (Jun. 2007), 108–121. DOI:https://doi.org/10.3366/film.2007.0013.
[38]
Currie, G. 2008. Image and mind: film, philosophy and cognitive science. Cambridge University Press.
[39]
Danto, Arthur C. 1975. Sartre. Fontana.
[40]
Debord, G. and Nicholson-Smith, D. 1994. The society of the spectacle. Zone Books.
[41]
Debord, G. and Nicholson-Smith, D. 1994. The society of the spectacle. Zone Books.
[42]
Deleuze, G. 2013. Cinema II: the time-image. Bloomsbury Academic.
[43]
Deleuze, G. et al. 2013. The movement-image. Bloomsbury.
[44]
Dentith, M.R.X. 2014. The philosophy of conspiracy theories. Palgrave Macmillan.
[45]
Descartes, R. et al. 1993. Meditations on first philosophy in focus. Routledge.
[46]
Dick, P.K. 2010. Do androids dream of electric sheep?. Gollancz.
[47]
Dick, P.K. 1995. Shifting realities of Philip K. Dick : selected literary and philosophical writings. Vintage Books.
[48]
Dick, P.K. 2012. Time out of joint. Mariner Books.
[49]
Dick, P.K. and Hoopla digital 2015. Do Androids Dream of Electric Sheep? Omnibus. BOOM! Studios.
[50]
Dostoevskiĭ, F. M. and Dostoevskiĭ, F. M. 1991. Notes from the underground: and, The gambler. Oxford University Press.
[51]
Eagleton, T. 2013. How to Read Literature. Yale University Press.
[52]
Eldridge, R.T. and ebrary, Inc 2008. Literature, life, and modernity. Columbia University Press.
[53]
Falzon, C. and ebrary, Inc 2002. Philosophy goes to the movies: an introduction to philosophy. Routledge.
[54]
Feinberg, J. Freedom and fulfillment: philosophical essays. Princeton University Press.
[55]
Film-Philosophy: open access online journal: http://www.film-philosophy.com/index.php/f-p/issue/archive.
[56]
Fish, S. 1994. There’s No Such Thing As Free Speech: And It’s a Good Thing, Too. Oxford University Press.
[57]
Foucault, M. Discipline and Punish, Panopticism.
[58]
Freeze Frames and Stasis in La jetée | Electric Sheep: http://www.electricsheepmagazine.co.uk/features/2010/12/20/freeze-frames-and-stasis-in-la-jetee/.
[59]
Freud, S. et al. 1991. The interpretation of dreams. Penguin.
[60]
Freud, S. and Crick, J. 1999. The interpretation of dreams. (1999).
[61]
Fussell, P. The Great War and modern memory. Oxford University Press, USA.
[62]
Gillies, M.A. and Mahood, A.D. Modernist literature: an introduction. Edinburgh University Press.
[63]
Glasgow, Joshua 2009. A Theory of Race. Routledge. 2009; Print/Save 60 pagesCopy/Paste.
[64]
Goldman, A.H. Philosophy and the novel. Oxford University Press.
[65]
Grau, C. 2009. Eternal sunshine of the spotless mind. Routledge.
[66]
Gruen, L. 2011. Ethics and animals: an introduction. Cambridge University Press.
[67]
Hamermesh, D.S. Beauty pays: why attractive people are more successful. Princeton University Press.
[68]
Harris J 2011. Moral enhancement and freedom. Bioethics. 25, 2 (2011).
[69]
Her | Issue 110 | Philosophy Now: 2015. https://philosophynow.org/issues/110/Her.
[70]
Hills, M. 2012. Blade Runner. Columbia University Press.
[71]
Holland, E.W. et al. 2009. Gilles Deleuze: image and text. Continuum.
[72]
Hossick (Dir.), M. Blake [DVD].
[73]
How to Use There, Their and They’re (with Examples) - wikiHow: http://www.wikihow.com/Use-There,-Their-and-They%27re.
[74]
It’s and Its.: http://www.bristol.ac.uk/arts/exercises/grammar/grammar_tutorial/page_13.htm.
[75]
Jackson, F. 1986. What Mary Didn’t Know. The Journal of Philosophy. 83, 5 (May 1986). DOI:https://doi.org/10.2307/2026143.
[76]
Jeff McMahan 2008. Eating Animals the Nice Way. Daedalus. 137, 1 (2008).
[77]
John, E. and Lopes, D. 2003. The philosophy of literature: classic and contemporary readings : an anthology. Blackwell.
[78]
Jollimore, T. 201509. "This Endless Space between the Words”: The Limits of Love in Spike Jonze’s Her "This Endless Space between the Words”. Midwest Studies In Philosophy. 39, 1 (201509). DOI:https://doi.org/10.1111/misp.12039.
[79]
Jollimore, T.A. Love’s vision. Princeton University Press.
[80]
Kafka, F. et al. 2009. The trial. Oxford University Press.
[81]
Kail, P.J.E. 2014. Berkeley’s a Treatise on the principles of human knowledge. Cambridge University Press.
[82]
Keeley, B.L. 19990301. Of Conspiracy Theories. The Journal of Philosophy. 96, 3 (19990301).
[83]
Keller, M. et al. 2015. Reading Spike Jonze’s Her: A Discursion.
[84]
King, Adele 1992. Camus’s ‘L’Etranger’: fifty years on. Macmillan.
[85]
Kirk, R. 2003. Mind and body. Acumen.
[86]
Klemke, E. D. and Cahn, Steven M. 2008. The meaning of life: a reader. Oxford University Press.
[87]
Lavoie, D. 2011. Escaping the Panopticon: Utopia, Hegemony, and Performance in Peter Weir’s The Truman Show. Utopian Studies. 22, 1 (2011).
[88]
Lawrence, Matt 2004. Like a splinter in your mind: the philosophy behind the Matrix trilogy. Blackwell.
[89]
Leach, S.D. and Tartaglia, J. eds. 2018. The meaning of life and the great philosophers. Routledge.
[90]
Levy Neil 2011. Changing One’s Mind. The Ethics of Memory Erasure in Eternal Sunshine of the Spotless Mind. S&F_scienzaefilosofia.it. 5 (2011), 29–50.
[91]
Liao, S.M. and Sandberg, A. 2008. The Normativity of Memory Modification. Neuroethics. 1, 2 (Jul. 2008), 85–99. DOI:https://doi.org/10.1007/s12152-008-9009-5.
[92]
Litch, M.M. 2010. Philosophy through film. Routledge.
[93]
Livingston, P. and Plantinga, C.R. 2008. The Routledge companion to philosophy and film. Routledge.
[94]
Lovett, Frank 2006. Republicanism. (2006).
[95]
Lucille P. Fultz 2003. Toni Morrison. University of Illinois Press.
[96]
Marker, C. 2013. La jetée: Sans soleil. Arte Editions.
[97]
Marker, C. La Jetee (The Pier).
[98]
markertext.com : Chris Marker : La Jetée: http://www.markertext.com/la_jetee.htm.
[99]
Martha C. Nussbaum 1995. Objectification. Philosophy & Public Affairs. 24, 4 (1995).
[100]
Martin-Jones, D. and Brown, W.J.R.C. 2012. Deleuze and film. Edinburgh University Press.
[101]
McCarthy, P. and ebrary, Inc 2004. Albert Camus, The stranger. Cambridge University Press.
[102]
McEvoy, A. et al. 2011. Sex, love, and friendship: studies of the Society for the Philosophy of Sex and Love, 1993-2003. Rodopi.
[103]
Michel Gondry Eternal Sunshine Of The Spotless Mind [DVD] [2004].
[104]
Mill, J.S. et al. 2003. On liberty. Yale University Press.
[105]
Miller, J.H. and ProQuest (Firm) 2002. On literature. Routledge.
[106]
Mills, C.W. 1998. Blackness visible: essays on philosophy and race. Cornell University Press.
[107]
Monoskop: https://monoskop.org/Monoskop.
[108]
Moving Image Archive : Internet Archive: https://archive.org/details/movies.
[109]
Mulhall, S. 2008. On film. Routledge.
[110]
Mulhall, Stephen 2008. On film. Routledge.
[111]
Mulhall, Stephen 1998. Stanley Cavell: philosophy’s recounting of the ordinary. Clarendon.
[112]
Mulvey, L. 2012. Citizen Kane. British Film Institute.
[113]
Murdoch, Iris 1999. Sartre: romantic rationalist. Vintage.
[114]
Murphy, P. "You Feel Real to Me, Samantha”: The Matter of Technology in Spike Jonze’s Her | Technoculture.
[115]
Nagel, T. 1974. What Is It Like to Be a Bat? The Philosophical Review. 83, 4 (Oct. 1974).
[116]
Nancy Etcoff Survival of the Prettiest: The Science of Beauty. Anchor.
[117]
New, C. and ebrary, Inc 2001. Philosophy of literature: an introduction. Routledge.
[118]
Ney, Alyssa 2014. Metaphysics : An Introduction. Routledge. 2014; Print/Save 60 pagesCopy/Paste.
[119]
Nozick, Robert 1989. The examined life : philosophical meditations.
[120]
Nussbaum, M.C. and ebrary, Inc 1990. Love’s knowledge: essays on philosophy and literature. Oxford University Press.
[121]
O’Brien, Conor Cruise 1970. Camus. Fontana.
[122]
On La Jetée by Jean-Louis Schefer ~ Chris Marker: https://chrismarker.org/chris-marker-2/jean-louis-schefer-on-la-jete/.
[123]
Open Culture: http://www.openculture.com/freemoviesonline.
[124]
Palmer, C. 2003. Philip K. Dick. Liverpool University Press.
[125]
Papadaki, Evangelia (Lina) 2010. Feminist Perspectives on Objectification. (2010).
[126]
Persson, I. and Savulescu, J. 2019. The Duty to be Morally Enhanced. Topoi. 38, 1 (Mar. 2019), 7–14. DOI:https://doi.org/10.1007/s11245-017-9475-7.
[127]
Peter Weir 1998. The Truman Show. United International Pictures.
[128]
Piette, A. and Rawlinson, M. eds. 2012. The Edinburgh companion to twentieth-century British and American war literature. Edinburgh University Press.
[129]
Plato and Lindsay, A.D. 1935. Plato’s republic. Dent.
[130]
Plutarch 2014. Moralia. Harvard University Press.
[131]
Rachel WeiszTom WilkinsonMick Jackson&                  0                  more Denial [DVD].
[132]
Rhode, D.L. and Oxford University Press 2011. Book The beauty bias: the injustice of appearance in life and law. Oxford University Press.
[133]
Robitzsch, J.M. 2020. Real and Simulated Relationships in Spike Jonze’s Her. Film and Philosophy. 24, (2020), 120–133. DOI:https://doi.org/10.5840/filmphil2020248.
[134]
Sartre, Jean-Paul 2007. Existentialism and Humanism. Methuen Publishing Ltd.
[135]
Sartre, Jean-Paul and Frechtman, Bernard 2001. What is literature?. Routledge.
[136]
Sartre, J.-P. 2007. Existentialism and humanism. Methuen.
[137]
Sartre, J.-P. and Baldick, R. 2000. Nausea. Penguin.
[138]
Sartre, J.-P. and Frechtman, B. 2001. What is literature?. Routledge.
[139]
Schock, Peter A 1993. The Marriage of Heaven and Hell: Blake’s Myth of Satan and Its Cultural Matrix. (1993).
[140]
Scientists find evidence for ‘chronesthesia,’ or mental time travel: https://medicalxpress.com/news/2010-12-scientists-evidence-chronesthesia-mental.html.
[141]
Scott, R. and Dick, P.K. 2007. Blade runner: the final cut. Warner Bros Entertainment.
[142]
Searle, J.R. 1992. Minds, brains and science: the 1984 Reith lectures. Penguin.
[143]
Shapshay, S. ed. 2008. Bioethics at the movies. Johns Hopkins University Press.
[144]
Sherry, V.B. 2003. The Great War and the language of modernism. Oxford University Press.
[145]
Singer, P. 2015. Animal liberation. The Bodley Head.
[146]
Singer, P. 2003. The moral of the story: an anthology of ethics through literature. Blackwell.
[147]
Sinnerbrink, R. New philosophies of film: thinking images. Continuum International Pub. Group.
[148]
Sinnerbrink, R. 2011. New philosophies of film : thinking images. Continuum International Pub. Group.
[149]
Society of Control: https://www.nadir.org/nadir/archiv/netzkritik/societyofcontrol.html.
[150]
Solomon, R.C. 2006. Dark feelings, grim thoughts: experience and reflection in Camus and Sartre. Oxford University Press.
[151]
Solomon, R.C. 2006. Dark feelings, grim thoughts: experience and reflection in Camus and Sartre. Oxford University Press.
[152]
Solomon, R.C. 1993. The passions: emotions and the meaning of life. Hackett Pub. Co.
[153]
Solomon, R.C. and Higgins, K.M. 1991. The philosophy of (erotic) love. University Press of Kansas.
[154]
Spike Jonze Her [DVD].
[155]
Stanford Encyclopedia of Philosophy: https://plato.stanford.edu/.
[156]
Stevenson, R. 2013. Literature and the Great War, 1914-1918. Oxford University Press.
[157]
Stoppard, T. and DramaOnline 2019. The hard problem. Faber & Faber.
[158]
Telfer, E. 2004. ‘Animals Do It Too!’: The Franklin Defence of Meat-Eating. Journal of Moral Philosophy. 1, 1 (2004).
[159]
The Marriage of Heaven and Hell by William Blake (with introduction): 16AD. https://www.youtube.com/watch?v=6BqmpmmXw3Q.
[160]
The Palgrave Handbook of Philosophy and Literature | Barry Stocker | Palgrave Macmillan: https://www.palgrave.com/gb/book/9781137547934.
[161]
The Philosophy of ‘Her’ - The New York Times: 2014. https://opinionator.blogs.nytimes.com/2014/03/02/the-philosophy-of-her/.
[162]
time, memory and time travel in chris marker’s ‘la jetée’ | space zoetrope: https://zoetrope0.wordpress.com/2007/06/25/time-memory-and-time-travel-in-chris-markers-la-jetee/.
[163]
Tolstoĭ, L. N. et al. The death of Ivan Ilyich: The Cossacks ; Happy ever after. Penguin.
[164]
Tolstoy, Leo and Katz, Michael R. 2008. Tolstoy’s short fiction. W. W. Norton.
[165]
Toni Morrison and Zadie Smith 2022. Recitatif. Knopf Doubleday Publishing Group.
[166]
UbuWeb Film & Video: http://www.ubu.com/film/.
[167]
Uscinski, J.E. ed. 2019. Conspiracy theories and the people who believe them. Oxford University Press.
[168]
Vdrome: http://www.vdrome.org/about.html.
[169]
Vertov, D. and Michelson, A. 1984. Kino-eye: the writings of Dziga Vertov. University of California Press.
[170]
Vest, J.P. The postmodern humanism of Philip K. Dick. Scarecrow Press.
[171]
Wachowski, Andy and Wachowski, Larry 1999. The Matrix. Warner Home Video.
[172]
Waking Life Movie Transcript: http://wakinglifemovie.net/.
[173]
Wartenberg, T.E. 2007. Thinking on screen: film as philosophy. Routledge.
[174]
Wartenberg, T.E. and Curran, A. 2005. The philosophy of film: introductory text and readings. Blackwell.
[175]
West, R. and Hynes, S. 1998. The return of the soldier. Penguin Books.
[176]
West, R. and Norton, A.V. 2012. Return of the Soldier (Barnes & Noble Digital Library). Barnes & Noble.
[177]
Widdows, H. 2018. Perfect me: beauty as an ethical ideal. Princeton University Press.
[178]
William Blake (1757–1827) | Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art: http://www.metmuseum.org/toah/hd/blke/hd_blke.htm.
[179]
Wilson, D.H. They live. Wallflower Press.
[180]
Winter, J.M. and Prost, A. 2005. The Great War in history: debates and controversies, 1914 to the present. Cambridge University Press.
[181]
Wolf, N. 2002. The beauty myth: how images of beauty are used against women. Perennial.
[182]
Wolf, Susan R 2014. Understanding Love : Philosophy, Film, and Fiction.
[183]
Yeffeth, Glenn 2003. Taking the red pill: science, philosophy and religion in The matrix. Summersdale.
[184]
Zack, N. ed. 2017. The Oxford handbook of philosophy and race. Oxford University Press.
[185]
Zack, N. and Donner, J. 2002. Philosophy of science and race. Routledge.
[186]
A culture of hyper-reality made paranoid delusions true | Aeon Essays.
[187]
Beckett on Film: PLAY (Dir. Anthony Minghella, 2001) on Vimeo.
[188]
Berkeley - A Treatise Concerning the Principles of Human Knowledge.
[189]
Blade Runner - Roehampton Online Broadcasts.
[190]
Denial - Roehampton Online Broadcasts.
[191]
Eternal Sunshine of the... - Roehampton Online Broadcasts.
[192]
Examined Life [DVD].
[193]
2008. Film And Philosophy Taking Movies Seriously. Wallflower Press.
[194]
Her - Roehampton Online Broadcasts.
[195]
IMDb: movies about philosophers - a list by zoticoss.
[196]
Inception.
[197]
LUX Online.
[198]
Okja | Netflix Official Site.
[199]
2018. Race. The Oxford Handbook of Distributive Justice. Oxford University Press.
[200]
Samuel Beckett’s Film (1965).
[201]
1996. Skin deep. Anchor Books.
[202]
2015. Stories of Your Life and Others. Pan Macmillan.
[203]
The Matrix - Roehampton Online Broadcasts.
[204]
They Live [DVD] [1989].
[205]
Topoi - special issue on Moral Enhancement. 38, 1.
[206]
Twelve Angry Men - Roehampton Online Broadcasts.
[207]
Waking Life (2001). FilmFour.