1.
Read, Alan. Theatre and everyday life: an ethics of performance. New ed. London: Taylor & Francis Ltd; 1995.
2.
Reinelt, Janelle G., Roach, Joseph R. Critical theory and performance. Rev. and enl. ed. Ann Arbor: University of Michigan Press; 2007.
3.
Massumi, Brian. Parables for the virtual: movement, affect, sensation. Durham, NC: Duke University Press; 2002.
4.
Agacinski, Sylviane. Time passing: modernity and nostalgia. Chichester: Columbia University Press; 2003.
5.
Agamben, Giorgio, Agamben, Giorgio. State of exception. Chicago: University of Chicago Press; 2005.
6.
Agamben, Giorgio, ebrary, Inc. The open: man and animal. Stanford, Calif: Stanford University Press; 2004.
7.
Agamben, Giorgio. Remnants of Auschwitz: the witness and the archive. New York: Zone Books; 1999.
8.
Agamben, Giorgio. Homo Sacer: sovereign power and bare life. Stanford, Calif: Stanford University Press; 1998.
9.
Ahmed, Sara. Uprootings/regroundings: questions of home and migration. Oxford: Berg; 2003.
10.
Antze, Paul, Lambek, Michael. Tense past: cultural essays in trauma and memory. London: Routledge; 1996.
11.
Augé, Marc. Non-places: introduction to an anthropology of supermodernity. London: Verso; 2009.
12.
Azoulay, Ariella. Death’s showcase: the power of image in contemporary democracy. Cambridge, Mass: MIT; 2003.
13.
Bataille, Georges, Stoekl, Allan. Visions of excess: selected writings, 1927-1939. Minneapolis: University of Minnesota Press; 1985.
14.
Bennington, Geoffrey. Lyotard: writing the event. Manchester: Manchester University Press; 1988.
15.
Bergson, Henri. Time and free will: an essay on the immediate data of consciousness. Mineola, N.Y.: Dover Publications; 2001.
16.
Bergson, Henri. Matter and memory. Mineola, N.Y.: Dover Publications; 2004.
17.
Berlant, Lauren Gail. Intimacy. Chicago, Ill: University of Chicago Press; 2000.
18.
Best, Steven, Kellner, Douglas. Postmodern theory: critical interrogations. London: Macmillan Education; 1991.
19.
Birringer, Johannes H., ebrary, Inc. Performance on the edge: transformations of culture. London: Athlone Press; 2000.
20.
Birringer, Johannes H. Theatre, theory, postmodernism. Bloomington: Indiana University Press; 1991.
21.
Blanchot, Maurice. The writing of the disaster =: Écriture du désastre. New ed. Lincoln, Neb: University of Nebraska Press; 1995.
22.
Blau, Herbert. The audience. Baltimore: Johns Hopkins University Press; 1990.
23.
Braidotti, Rosi. Metamorphoses: towards a materialist theory of becoming. Cambridge: Polity; 2002.
24.
Braidotti, Rosi. Transpositions: on nomadic ethics. Cambridge: Polity; 2006.
25.
Bürger, Peter. Theory of the avant-garde. Minneapolis: University of Minnesota Press; 1984.
26.
Buber, Martin. I And Thou. Alcester: Read Books; 2006.
27.
Cage, John. Silence: lectures and writings. London: Marion Boyars; 1978.
28.
Caillois, Roger. Man, play and games. Urbana, Ill: University of Illinois Press; 2001.
29.
Carlson, Marvin A. The haunted stage: the theatre as memory machine. Ann Arbor, [Mich.]: University of Michigan Press; 2003.
30.
Caruth, Cathy. Trauma: explorations in memory. Baltimore, Md: Johns Hopkins University Press; 1995.
31.
Caruth, Cathy. Unclaimed experience: trauma, narrative, and history. Baltimore, Md: Johns Hopkins University Press; 1996.
32.
Clément, Catherine. Syncope: the philosophy of rapture. Minneapolis: University of Minnesota Press; 1994.
33.
Coetzee, J. M., Gutmann, Amy, ebrary, Inc. The lives of animals. Princeton, N.J.: Princeton University Press; 1999.
34.
Connor, Steven. The book of skin. Ithaca, NY: Cornell University Press; 2004.
35.
Coverley, Merlin. Psychogeography. Harpenden: Pocket Essentials; 2006.
36.
Fisher, Philip. The vehement passions. Oxford: Princeton University Press; 2002.
37.
Gordon, Avery. Ghostly matters: haunting and the sociological imagination. 2nd University of Minnesota Press ed. Minneapolis: University of Minnesota Press; 2008.
38.
Grosz, Elizabeth. Volatile bodies: toward a corporeal feminism. Bloomington, [Ind.]: Indiana University Press; 1994.
39.
Goodeve, Thyrza Nichols. How like a leaf: an interview with Donna Haraway. London: Routledge; 1999.
40.
Jay, Martin. Downcast eyes: the denigration of vision in twentieth-century French thought. Berkeley: University of California Press; 1993.
41.
Kelleher, Joe, Ridout, Nick. Contemporary theatres in Europe: a critical companion. London: Routledge; 2006.
42.
Kester, Grant H. Conversation pieces: community and communication in modern art. Berkeley, Calif: University of California Press; 2004.
43.
Kocur, Zoya, Leung, Simon. Theory in contemporary art since 1985. Malden, MA: Blackwell; 2005.
44.
Latour, Bruno, Porter, Catherine. Aramis or the love of technology. Cambridge, Mass: Harvard University Press; 1996.
45.
Lepecki, Andr.̌. Exhausting dance: performance and the politics of movement. London: Routledge; 2006.
46.
Lepecki, Andre. Of the presence of the body: essays on dance and performance theory. Hanover, N.H.: Eurospan [distributor]; 2004.
47.
Lévinas, Emmanuel. Entre nous: on thinking-of-the-other. London: Athlone; 1998.
48.
Lévinas, Emmanuel, Hand, Seán. The Levinas reader. Oxford: Basil Blackwell; 1989.
49.
Lingis, Alphonso, ebrary, Inc. Dangerous emotions. Berkeley: University of California Press; 2000.
50.
Lingis, Alphonso. Foreign bodies. London: Routledge; 1994.
51.
Lingis, Alphonso. Excesses: eros and culture. Albany: State University of New York Press; 1983.
52.
Lomax, Yve. Sounding the event: escapades in dialogue and matters of art, nature and time. London: I. B. Tauris; 2005.
53.
Lyotard, Jean-Franois. The inhuman: reflections on time. Cambridge: Polity Press; 1993.
54.
Lyotard, Jean-François. The postmodern condition: a report on knowledge. Manchester: Manchester University Press; 1984.
55.
Lyotard, Jean-François, Benjamin, Andrew. The Lyotard reader. Oxford: Blackwell; 1989.
56.
Marks, Elaine, Courtivron, Isabelle de. New French feminisms: an anthology. Hemel Hempstead: Harvester Wheatsheaf; 1981.
57.
Massumi, Brian. A shock to thought: expression after Deleuze and Guattari. London: Routledge; 2002.
58.
McKenzie, Jon. Perform or else: from discipline to performance. London: Routledge; 2001.
59.
Merleau-Ponty, Maurice. Phenomenology of perception. London: Routledge Classics; 2003.
60.
Mirzoeff, Nicholas. The visual culture reader. 2nd ed. London: Routledge; 2002.
61.
Nancy, Jean-Luc. Being singular plural. Cambridge: Stanford University Press; 2000.
62.
Nancy, Jean-Luc, ebrary, Inc. The ground of the image. New York: Fordham University Press; 2005.
63.
Nancy, Jean-Luc, Connor, Peter. The inoperative community. Minneapolis: University of Minnesota Press; 1991.
64.
Nowotny, Helga. Time: the modern and postmodern experience. Oxford: Polity; 1996.
65.
Phelan, Peggy. Mourning sex: performing public memories. London: Routledge; 1997.
66.
Pizzato, Mark. Edges of loss: from modern drama to postmodern theory. Ann Arbor: University of Michigan Press; 1998.
67.
Rancière, Jacques. The flesh of words: the politics of writing. Stanford, Calif: Stanford University Press; 2004.
68.
Rancier̀e, Jacques, Rockhill, Gabriel. The politics of aesthetics. London: Continuum; 2006.
69.
Rayner, Alice. To act, to do, to perform: drama and the phenomenology of action. Ann Arbor: University of Michigan Press; 1994.
70.
Rimmon-Kenan, Shlomith. Narrative fiction: contemporary poetics. 2nd ed. London: Routledge; 2002.
71.
Rutherford, Jonathan. The art of life: on living, love and death. London: Lawrence & Wishart; 2000.
72.
Said, Edward W. Culture and imperialism. London: Vintage; 1994.
73.
Said, Edward W. Orientalism. [New ed.]. London: Penguin; 2003.
74.
Salecl, Renata. (Per)versions of Love and Hate. Pbk. ed. London: Verso; 2000.
75.
Seremetakis, C. Nadia. The senses still: perception and memory as material culture in modernity. University of Chicago Press ed. Chicago: University of Chicago Press; 1996.
76.
Silverman, Kaja. The threshold of the visible world. London: Routledge; 1996.
77.
Steyn, Juliet. Other than identity: the subject, politics and art. Manchester: Manchester University Press; 1997.
78.
Weiss, Gail. Body images: embodiment as intercorporeality. London: Routledge; 1999.
79.
Ziarek, Krzysztof. The force of art. London: Eurospan [distributor]; 2004.
80.
Lippard, Lucy R. The lure of the local: senses of place in a multicentered society. New York: New Press; 1997.
