[1]
Alton, J. 1995. Painting With Light. University of California Press.
[2]
Barnwell, J. 2004. Production Design: Architects of the Screen. Wallflower.
[3]
Barsam, R.M. et al. 2013. Looking at movies: an introduction to film. W. W. Norton.
[4]
Bazin, A. 2005. What is Cinema? Volume 1. University of California Press.
[5]
Bazin, A. 2005. What is Cinema? Volume 1. University of California Press.
[6]
Beck, J. and Grajeda, T. 2008. Lowering the Boom: Critical Studies in Film Sound. University of Illinois Press.
[7]
Bergfelder, Tim et al. 2002. The German cinema book. British Film Institute.
[8]
Bordwell, D. et al. 2017. Film art: an introduction. McGraw-Hill Education.
[9]
Bordwell, D. 1985. Principles of Narration. Narration in the fiction film. Routledge. 48–62.
[10]
Bose, Mihir 2007. Bollywood: a history. Tempus.
[11]
Branigan, E. 1992. Narration. Narrative comprehension and film. Routledge. 63–85.
[12]
Brown, B. 2002. Cinematography: Theory and Practice: Imagemaking for cinematographers, directors & videographers. Focal Press.
[13]
Caughie, John and British Film Institute 1981. Theories of authorship: a reader. Routledge.
[14]
Christie, I. 1998. Formalism and neo-formalism. The Oxford guide to film studies. Oxford University Press. 58–64.
[15]
Christie, I. 1998. Formalism and Neo-Formalism. The Oxford Guide to Film Studies. Oxford University Press. 58–63.
[16]
Collins, Jim et al. 1993. Film theory goes to the movies. Routledge.
[17]
Coppola, F.F. 1974. The Conversation.
[18]
Corrigan, T. 2007. A short guide to writing about film. Pearson Longman.
[19]
Corrigan, T. 2012. A short guide to writing about film. Pearson.
[20]
Corrigan, T. 2007. A Short Guide to Writing About Film. Pearson Longman.
[21]
Coutard, R. 1965. Light of Day. Sight & Sound. 35, 1 (1965).
[22]
Crittenden, Roger 1995. Film and video editing. Blueprint.
[23]
Crittenden, Roger and NetLibrary, Inc 2006. Fine cuts: the art of European film editing. Focal Press.
[24]
Decordova, Richard 2001. Picture personalities: the emergence of the star system in America. University Presses Marketing [distributor].
[25]
Dickinson, Kay 2002. Movie music: the film reader. Routledge.
[26]
Donnelly, K. J 2001. Film music: critical approaches. Continuum.
[27]
Dreyer, C.T. 1928. The Passion of Joan of Arc.
[28]
Dudrah, Rajinder Kumar 2006. Bollywood: sociology goes to the movies. SAGE.
[29]
Dyer, Richard 2004. Heavenly bodies: film stars and society. Routledge.
[30]
Dyer, Richard and McDonald, Paul 1997. Stars. British Film Institute.
[31]
Dyer, Richard and Vincendeau, Ginette 1992. Popular European cinema. Routledge.
[32]
Eberwein, Robert T. 2010. Acting for America: movie stars of the 1980s. Rutgers University Press.
[33]
Eisenstein, S. 1969. Film Form. Faber.
[34]
Ellis, John 1992. Visible fictions: cinema, television, video. Routledge.
[35]
Fowler, Catherine 2002. The European cinema reader. Routledge.
[36]
Furtado, J. 1989. Ilha das Flores/Island of Flowers.
[37]
Ganti, Tejaswini 2004. Bollywood: a guidebook to popular Hindi cinema. Routledge.
[38]
Gibbs, J. 2002. Mise-en-Scène: Film Style and Interpretation. Wallflower.
[39]
Glassman, A. 2006. Visions of Light: The Art of Cinematography. BFI Video Publishing.
[40]
Gledhill, Christine 1991. Stardom: industry of desire. Routledge.
[41]
Grant, Barry Keith 1995. Film genre reader II. University of Texas Press.
[42]
Hayward, Philip and ebrary, Inc 2009. Terror tracks: music, sound and horror cinema. Equinox.
[43]
Hayward, S. 2000. Cinema Studies : Key Concepts. Routledge.
[44]
Hill, J. and Church Gibson, P. 1998. The Oxford Guide to Film Studies. Oxford University Press.
[45]
Hill, J. and Church Gibson, P. 1998. The Oxford Guide to Film Studies. Oxford University Press.
[46]
Hollows, Joanne et al. 2000. The film studies reader. Arnold.
[47]
Hollows, Joanne and Jancovich, Mark 1995. Approaches to popular film. Manchester University Press.
[48]
Hollows, Joanne and Jancovich, Mark 1995. Approaches to popular film. Manchester University Press.
[49]
Hollows, Joanne and Jancovich, Mark 1995. Approaches to popular film. Manchester University Press.
[50]
Hollows, Joanne and Jancovich, Mark 1995. Approaches to popular film. Manchester University Press.
[51]
Jones, C. 1953. Duck Amuck.
[52]
Kar-wai, W. 2000. In the Mood for Love.
[53]
Leone, Sergio and Eastwood, Clint 2001. A fistful of dollars. MGM Home Entertainment.
[54]
Lovell, Alan and Krämer, Peter 1999. Screen acting. Routledge.
[55]
Macnab, Geoffrey 2000. Searching for stars: stardom and screen acting in British cinema. Cassell.
[56]
Malkiewicz, J. Kris et al. 2005. Cinematography: a guide for filmmakers and film teachers. Fireside.
[57]
Mesch, C. 2000. M/C: A Journal of Media and Culture 3/3. Racing Berlin: The Games of Run Lola Run. (2000).
[58]
Miller, Toby and Stam, Robert 1999. A companion to film theory. Blackwell.
[59]
Mishra, Vijay 2002. Bollywood cinema: temples of desire. Routledge.
[60]
Monaco, J. 2000. How to read a film: the world of movies, media, and multimedia: language, history, theory. Oxford University Press.
[61]
Murch, W. 2001. In the Blink of an Eye: A Perspective on Film Editing. Silman-James.
[62]
Naremore, James Acting in the Cinema. Univ.California P.
[63]
Neale, Stephen and NetLibrary, Inc 2000. Genre and Hollywood. Routledge.
[64]
Ondaatje, Michael et al. 2004. The conversations: Walter Murch and the art of editing film. Knopf.
[65]
Orpen, V. 2003. Film Editing: The Art of the Expressive. Wallflower.
[66]
Palmer, R. Barton 2010. Larger than life: movie stars of the 1950s. Rutgers University Press.
[67]
Rai, Amit 2009. Untimely Bollywood: globalization and India’s new media assemblage. Duke University Press.
[68]
Reay, P. 2004. Music in Film: Soundtracks and Synergy. Wallflower.
[69]
Richard Meran Barsam 2010. Looking at movies. W.W. Norton & Co.
[70]
Richard Meran Barsam 2010. Looking at movies. W.W. Norton & Co.
[71]
Richard Meran Barsam 2010. Looking at movies. W.W. Norton & Co.
[72]
Richard Meran Barsam 2010. Looking at movies. W.W. Norton & Co.
[73]
Richard Meran Barsam 2010. Looking at movies. W.W. Norton & Co.
[74]
Richard Meran Barsam 2010. Looking at movies. W.W. Norton & Co.
[75]
Richard Meran Barsam 2010. Looking at movies. W.W. Norton & Co.
[76]
Richard Meran Barsam 2010. Looking at movies. W.W. Norton & Co.
[77]
Richard Meran Barsam 2010. Looking at movies. W.W. Norton & Co.
[78]
Smith, Jeff 1998. The sounds of commerce: marketing popular film music. Columbia University Press.
[79]
Stringer, Julian 2003. Movie blockbusters. Routledge.
[80]
del Toro, G. 2006. Pan’s Labryrinth.
[81]
Truffaut, François et al. 1986. Hitchcock. Paladin.
[82]
Tykwer, T. 1998. Run, Lola, Run.
[83]
Understanding film texts: meaning and experience: 2000. .
[84]
Undressing Cinema: Clothing and Identity in the Movies: 1997. .
[85]
Vertov, D. 1929. Man with a Movie Camera.
[86]
Vincendeau, Ginette 2000. Stars and stardom in French cinema. Continuum.
[87]
Weis, E. and Belton, J. 1985. Film Sound: Theory and Practice. Columbia University Press.
[88]
Weis, Elisabeth and Belton, John 1985. Film sound: theory and practice. Columbia University Press.
[89]
Widrich, V. 2003. Fast Film.
[90]
Sholay (Burning Flames) [DVD] [NTSC].
[91]
The Cary Grant Collection 3 DVD Set [2007].