1.
Christie I. Formalism and neo-formalism. In: The Oxford guide to film studies [Internet]. Oxford: Oxford University Press; 1998. p. 58–64. Available from: http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=7c5e1f1b-a2e5-4d2b-830c-7c92767bd06b
2.
Barsam RM, Monahan D, Gocsik KM. Looking at movies: an introduction to film. 4th ed. New York: W. W. Norton; 2013.
3.
Corrigan T. A short guide to writing about film. 6th ed. Vol. The short guide series. New York: Pearson Longman; 2007.
4.
Corrigan T. A short guide to writing about film. 8th ed., [International ed.]. Boston, [Mass.]: Pearson; 2012.
5.
Richard Meran Barsam. Looking at movies. New York: W.W. Norton & Co.; 2010.
6.
Bazin A. What is Cinema? Volume 1. Berkeley: University of California Press; 2005.
7.
Bordwell D, Thompson K, Smith J. Film art: an introduction. Eleventh edition. New York, NY: McGraw-Hill Education; 2017.
8.
Corrigan T. A Short Guide to Writing About Film. New York/London: Pearson Longman; 2007.
9.
Hayward S. Cinema Studies : Key Concepts. 3rd ed. London: Routledge; 2000.
10.
Hill J, Church Gibson P. The Oxford Guide to Film Studies. Oxford: Oxford University Press; 1998.
11.
Monaco J. How to read a film: the world of movies, media, and multimedia: language, history, theory. New York/Oxford: Oxford University Press; 2000.
12.
Phillips P. Understanding film texts: meaning and experience. London: British Film Institute; 2000.
13.
Jones C. Duck Amuck. 1953.
14.
Richard Meran Barsam. Looking at movies. New York: W.W. Norton & Co.; 2010.
15.
Alton J. Painting With Light. Berkeley/London: University of California Press; 1995.
16.
Brown B. Cinematography: Theory and Practice: Imagemaking for cinematographers, directors & videographers. Oxford/Amsterdam: Focal Press; 2002.
17.
Coutard R. Light of Day. Sight & Sound. 1965;35(1).
18.
Glassman A. Visions of Light: The Art of Cinematography. London: BFI Video Publishing; 2006.
19.
Malkiewicz, J. Kris, Mullen, M. David, Fletcher, Jim. Cinematography: a guide for filmmakers and film teachers. 3rd ed. London: Fireside; 2005.
20.
Dreyer CT. The Passion of Joan of Arc. 1928.
21.
Richard Meran Barsam. Looking at movies. New York: W.W. Norton & Co.; 2010.
22.
Barnwell J. Production Design: Architects of the Screen. London: Wallflower; 2004.
23.
Bruzzi S. Undressing Cinema: Clothing and Identity in the Movies. London: Routledge; 1997.
24.
Gibbs J. Mise-en-Scène: Film Style and Interpretation. London: Wallflower; 2002.
25.
del Toro G. Pan’s Labryrinth. 2006.
26.
Richard Meran Barsam. Looking at movies. New York: W.W. Norton & Co.; 2010.
27.
Bazin A. What is Cinema? Volume 1. Berkeley: University of California Press; 2005.
28.
Crittenden, Roger. Film and video editing. 2nd ed. London: Blueprint; 1995.
29.
Crittenden, Roger, NetLibrary, Inc. Fine cuts: the art of European film editing. Amsterdam: Focal Press; 2006.
30.
Eisenstein S. Film Form. London: Faber; 1969.
31.
Murch W. In the Blink of an Eye: A Perspective on Film Editing. Los Angeles: Silman-James; 2001.
32.
Ondaatje, Michael, Murch, Walter, ebrary, Inc. The conversations: Walter Murch and the art of editing film. 1st pbk. ed. New York: Knopf; 2004.
33.
Orpen V. Film Editing: The Art of the Expressive. London: Wallflower; 2003.
34.
Vertov D. Man with a Movie Camera. 1929.
35.
Richard Meran Barsam. Looking at movies. New York: W.W. Norton & Co.; 2010.
36.
Beck J, Grajeda T. Lowering the Boom: Critical Studies in Film Sound. Urbana: University of Illinois Press; 2008.
37.
Dickinson, Kay. Movie music: the film reader. Vol. In focus : Routledge film readers. London: Routledge; 2002.
38.
Donnelly, K. J. Film music: critical approaches. New York: Continuum; 2001.
39.
Hayward, Philip, ebrary, Inc. Terror tracks: music, sound and horror cinema. Vol. Genre, music and sound. London: Equinox; 2009.
40.
Reay P. Music in Film: Soundtracks and Synergy. London: Wallflower; 2004.
41.
Smith, Jeff. The sounds of commerce: marketing popular film music. Vol. Film and culture. New York: Columbia University Press; 1998.
42.
Weis, Elisabeth, Belton, John. Film sound: theory and practice. New York: Columbia University Press; 1985.
43.
Weis E, Belton J. Film Sound: Theory and Practice. New York: Columbia University Press; 1985.
44.
Coppola FF. The Conversation. 1974.
45.
Richard Meran Barsam. Looking at movies. New York: W.W. Norton & Co.; 2010.
46.
Bergfelder, Tim, Carter, Erica, Göktürk, Deniz. The German cinema book. London: British Film Institute; 2002.
47.
Bordwell D. Principles of Narration. In: Narration in the fiction film [Internet]. London: Routledge; 1985. p. 48–62. Available from: https://contentstore.cla.co.uk/secure/link?id=c2a42ade-a510-e811-80cd-005056af4099
48.
Branigan E. Narration. In: Narrative comprehension and film [Internet]. London: Routledge; 1992. p. 63–85. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9781136129247
49.
Ellis, John. Visible fictions: cinema, television, video. Rev. ed. London: Routledge; 1992.
50.
Mesch C. M/C: A Journal of Media and Culture 3/3. Racing Berlin: The Games of Run Lola Run. 2000;
51.
Furtado J. Ilha das Flores/Island of Flowers. 1989.
52.
Widrich V. Fast Film. 2003.
53.
Tykwer T. Run, Lola, Run. 1998.
54.
Richard Meran Barsam. Looking at movies. New York: W.W. Norton & Co.; 2010.
55.
Dyer, Richard, Vincendeau, Ginette. Popular European cinema. London: Routledge; 1992.
56.
Grant, Barry Keith. Film genre reader II. Austin: University of Texas Press; 1995.
57.
Hollows, Joanne, Hutchings, Peter, Jancovich, Mark. The film studies reader. London: Arnold; 2000.
58.
Hollows, Joanne, Jancovich, Mark. Approaches to popular film. Vol. Inside popular film. Manchester: Manchester University Press; 1995.
59.
Neale, Stephen, NetLibrary, Inc. Genre and Hollywood. Vol. Sightlines. London: Routledge; 2000.
60.
Leone, Sergio, Eastwood, Clint. A fistful of dollars. Uncut full length feature version. [U.S.]: MGM Home Entertainment; 2001.
61.
Richard Meran Barsam. Looking at movies. New York: W.W. Norton & Co.; 2010.
62.
Decordova, Richard. Picture personalities: the emergence of the star system in America. Urbana, Ill: University Presses Marketing [distributor]; 2001.
63.
Dyer, Richard, McDonald, Paul. Stars. 2nd rev. ed. London: British Film Institute; 1997.
64.
Dyer, Richard. Heavenly bodies: film stars and society. 2nd ed. London: Routledge; 2004.
65.
Eberwein, Robert T. Acting for America: movie stars of the 1980s. London: Rutgers University Press; 2010.
66.
Gledhill, Christine. Stardom: industry of desire. London: Routledge; 1991.
67.
Hollows, Joanne, Jancovich, Mark. Approaches to popular film. Vol. Inside popular film. Manchester: Manchester University Press; 1995.
68.
Hollows, Joanne, Jancovich, Mark. Approaches to popular film. Vol. Inside popular film. Manchester: Manchester University Press; 1995.
69.
Lovell, Alan, Krämer, Peter. Screen acting. London: Routledge; 1999.
70.
Macnab, Geoffrey. Searching for stars: stardom and screen acting in British cinema. Vol. Rethinking British cinema. London: Cassell; 2000.
71.
Naremore, James. Acting in the Cinema. Univ.California P.;
72.
Palmer, R. Barton. Larger than life: movie stars of the 1950s. Vol. Star decades: American culture/American cinema. New Brunswick, N.J.: Rutgers University Press; 2010.
73.
Vincendeau, Ginette. Stars and stardom in French cinema. London: Continuum; 2000.
74.
The Cary Grant Collection 3 DVD Set [2007].
75.
Miller, Toby, Stam, Robert. A companion to film theory. Vol. Blackwell companions in cultural studies, Authorship. Oxford: Blackwell; 1999.
76.
Caughie, John, British Film Institute. Theories of authorship: a reader. Vol. British Film Institute readers in film studies. London: Routledge; 1981.
77.
Collins, Jim, Radner, Hilary, Collins, Ava Preacher. Film theory goes to the movies. Vol. AFI film readers. London: Routledge; 1993.
78.
Fowler, Catherine. The European cinema reader. London: Routledge; 2002.
79.
Hill J, Church Gibson P. The Oxford Guide to Film Studies. Oxford: Oxford University Press; 1998.
80.
Hollows, Joanne, Jancovich, Mark. Approaches to popular film. Vol. Inside popular film. Manchester: Manchester University Press; 1995.
81.
Truffaut, François, Scott, Helen G., Hitchcock, Alfred. Hitchcock. Rev. ed. London: Paladin; 1986.
82.
Kar-wai W. In the Mood for Love. 2000.
83.
Richard Meran Barsam. Looking at movies. New York: W.W. Norton & Co.; 2010.
84.
Bose, Mihir. Bollywood: a history. Stroud: Tempus; 2007.
85.
Christie I. Formalism and Neo-Formalism. In: The Oxford Guide to Film Studies. Oxford: Oxford University Press; 1998. p. 58–63.
86.
Dudrah, Rajinder Kumar. Bollywood: sociology goes to the movies. Delhi: SAGE; 2006.
87.
Ganti, Tejaswini. Bollywood: a guidebook to popular Hindi cinema. Vol. Routledge film guidebooks. London: Routledge; 2004.
88.
Mishra, Vijay. Bollywood cinema: temples of desire. London: Routledge; 2002.
89.
Rai, Amit. Untimely Bollywood: globalization and India’s new media assemblage. Durham [NC]: Duke University Press; 2009.
90.
Stringer, Julian. Movie blockbusters. London: Routledge; 2003.
91.
Sholay (Burning Flames) [DVD] [NTSC].