1
Day Kirsten. Introduction. Arethusa 2008;41:1–9. doi:10.1353/are.2008.0009
2
The Ancient World in the Cinema by Jon Solomon - Yale University Press. http://yalebooks.co.uk/display.asp?k=9780300083378
3
Blanshard A, Shahabudin K. Classics on screen: ancient Greece and Rome on film. Bristol: : Bristol Classical 2011.
4
Winkler MM. Cinema and classical texts: Apollo’s new light. Cambridge: : Cambridge University Press 2012. https://doi.org/10.1017/CBO9780511575723
5
Winkler MM. Cinema and classical texts: Apollo’s new light. Cambridge, UK: : Cambridge University Press 2009.
6
Galinsky K. ‘Film’ Chapter. In: A companion to the Classical tradition. Malden, Mass: : Blackwell 2007.
7
Review by: Maria Wyke. Review: Classics and Contempt: Redeeming Cinema for the Classical Tradition. Arion: A Journal of Humanities and the Classics 1998;6:124–36.http://www.jstor.org/stable/20163713?seq=1#page_scan_tab_contents
8
Wyke, Maria1. Are you not entertained?: Classicists and Cinema. International Journal of the Classical Tradition 2003;9:430–45.http://search.ebscohost.com/login.aspx?direct=true&db=aph&AN=19070907&site=ehost-live
9
Solomon J. Film Philology: Towards Effective Theories and Methodologies. International Journal of the Classical Tradition 2010;17:435–49. doi:10.1007/s12138-010-0205-4
10
WINKLER, MARTIN M.1. Neo-Mythologism: Apollo and the Muses on the Screen. International Journal of the Classical Tradition 2005;11:383–423.http://search.ebscohost.com/login.aspx?direct=true&db=aph&AN=19114748&site=ehost-live
11
Pomeroy AJ. ’Then it was destroyed by the volcano’ : the ancient world in film and on television. London, UK: : Duckworth 2008.
12
Richards J. Hollywood’s ancient worlds. London: : Continuum 2008. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780826435385
13
Robert Burgoyne. The epic film in world culture. New York: : Routledge 2010.
14
Cary J. Spectacular!: The Story of Epic Films. Castle Books 1974.
15
Cyrino MS, editor. Screening love and sex in the ancient world. New York, NY: : Palgrave Macmillan 2013. https://www.dawsonera.com/abstract/9781137299604
16
Cyrino MS, editor. Screening love and sex in the ancient world. First edition. New York: : Palgrave Macmillan 2013. https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.roehampton.ac.uk/shibboleth&target=https://www.dawsonera.com/depp/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137299604
17
Cornelius, Michael G. Of muscles and men: essays on the sword and sandal film. Jefferson, N.C.: : McFarland & Company, Inc., Publishers 2011.
18
Elley, Derek. The epic film: myth and history. London: : Routledge & Kegan Paul 1984.
19
Andrew B. R. Elliott. Return of the Epic Film. Edinburgh University Press; 1 edition 5AD. https://www.amazon.co.uk/Return-Epic-Film-Andrew-Elliot-ebook/dp/B01C36GOOE/ref=tmm_kin_swatch_0?_encoding=UTF8&qid=1486723487&sr=1-1
20
Almut-Barbara Renger, Jon Solomon. Ancient Worlds in Film and Television: Gender and Politics (Metaforms) [Hardcover]. Brill Academic Publishers (30 Nov 2012) http://www.amazon.co.uk/Ancient-Worlds-Film-Television-Metaforms/dp/9004183205/ref=sr_1_fkmr0_3?s=books&ie=UTF8&qid=1363804550&sr=1-3-fkmr0
21
Pantelis Michelakis. The ancient world in silent cinema. Cambridge: : Cambridge University Press 2013. https://doi.org/10.1017/CBO9781139060073
22
Paul, Joanna. Film and the classical epic tradition. Oxford: : Oxford University Press 2013.
23
Paul J. Working with Film: Theories and Methodologies. In: Companion to classical receptions. Chichester, West Sussex: : Wiley-Blackwell 2011. 303–14.https://contentstore.cla.co.uk/secure/link?id=122e4501-a1c3-e611-80c7-005056af4099
24
García Morcillo M, Hanesworth P, Marchena OL, editors. Imagining ancient cities on film: from Babylon to Cinecitta. London: : Routledge 2014.
25
Lane Fox R. History and Fiction. In: Making of ‘Alexander’ : The Official Guide to the Epic Alexander Film. Lyneham: : R & L (Lane Fox) 2004. 157–69.https://contentstore.cla.co.uk/secure/link?id=fcdfd611-2abe-e611-80c7-005056af4099
26
Natalie Zemon Davis. Slaves on Screen. Harvard University Press
27
Miller C. Cult TV Heroines. London: : I.B.Tauris & Co Ltd 2017.
28
O’Brien D. Classical masculinity and the spectacular body on film: the mighty sons of Hercules. Houndmills, Basingstoke, Hampshire: : Palgrave Macmillan 2014. http://lib.myilibrary.com/?id=660815&entityid=https//dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth
29
Williams M. Film Stardom and the Ancient Past - Idols, | Michael Williams | Palgrave Macmillan. doi:10.1057/978-1-137-39002-8978-1-137-39001-11
30
Tony Keen. Memorabilia Antonina: An alternative model for looking at classical movies. http://tonykeen.blogspot.co.uk/2015/09/an-alternative-model-for-looking-at.html
31
Dyer R, Vincendeau G. LAGNY, M., 1992, "Popular taste: the peplum”, in Popular European cinema. Published Online First: 1992.http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9781135084967
32
Seymour M. The Babylon of D.W. Griffith’s Intolerance. In: Imagining ancient cities on film :from Babylon to Cinecitta. edited by Marta Garcia Morcillo, Pauline Hanesworth, Oscar Lapena Marchena. London: : Routledge 2013. 18–34.https://contentstore.cla.co.uk/secure/link?id=4775392a-5fbd-e611-80c7-005056af4099
33
Keen T. Designing a Classics and Cinema Module | Classical Reception Studies Network. http://www.open.ac.uk/blogs/CRSN/?p=496
34
Isaacs ND. The Triumph of Artifice. In: Modern European filmmakers and the art of adaptation. New York: : F. Ungar Pub. Co 1981. 130–8.https://contentstore.cla.co.uk/secure/link?id=290ba220-1922-e811-80cd-005056af4099
35
Santas, Constantine. The epic in film: from myth to blockbuster. Lanham, Md: : Rowman & Littlefield 2008.
36
Alvares J author. Classical myth and film in the newmillennium. New York: : Oxford University Press 2018.
37
Winkler, Martin M. Classical myth & culture in the cinema. Oxford: : Oxford University Press 2001.
38
Tsakiridou CA. Reviewing Orpheus: essays on the cinema and art of Jean Cocteau. Lewisburg: : Bucknell University Press 1997.
39
James J. Clauss. A Course on Classical Mythology in Film. The Classical Journal 1996;91:287–95.http://www.jstor.org/stable/3297607
40
Goodman P. Jason and the Argonauts (1963), dir. Don Chaffey « Penelope’s Weavings and Unpickings. https://weavingsandunpickings.wordpress.com/2011/12/22/jason-and-the-argonauts-1963-dir-don-chaffey/
41
Llewellyn-Jones L. RAY HARRYHAUSEN AND OTHER GODS: GREEK DIVINITY IN JASON AND THE ARGONAUTS AND CLASH OF THE TITANS. http://www2.open.ac.uk/ClassicalStudies/GreekPlays/newvoices/proceedings/volume1/Llewellyn-Jones-2013.pdf
42
Trzaskoma SM. "FROM GAMER TO ANIMATOR: THE EVOLVING ROLE OF ZEUS IN HARRYHAUSEN’S JASON AND THE ARGONAUTS AND CLASH OF THE TITANS. http://www2.open.ac.uk/ClassicalStudies/GreekPlays/newvoices/proceedings/volume1/Trzaskoma-2013.pdf
43
Keen A. Greek Elements in the Sinbad Movies of Ray Harryhausen. http://www2.open.ac.uk/ClassicalStudies/GreekPlays/newvoices/proceedings/volume1/Keen-2013-formatted.pdf
44
Nisbet, Gideon. Ancient Greece in film and popular culture. Updated 2nd ed. Exeter: : Bristol Phoenix 2008.
45
R. Content. O Brother, Where Art Thou?, Film Quarterly, 55.1: 41-8 (2001).
46
Berti, Irene, García Morcillo, Marta. Hellas on screen: cinematic receptions of ancient history, literature and myth. Stuttgart: : Franz Steiner 2008. http://www.oliverstone.com/uploads/files/Hellas_on_Screen.pdf
47
Aperlo P. 300 : rise of an empire : the art of the film. London: : Titan 2014.
48
Paul Cartledge, Fiona Rose Greenland. Responses to Oliver Stone’s Alexander. Madison, Wis: : University of Wisconsin Press 2010.
49
Lane Fox R. The making of Alexander. Oxford: : R & L 2004.
50
MacKinnon, Kenneth. Greek tragedy into film. London: : Croom Helm 1986.
51
McDonald M. Euripides in cinema: the heart made visible. Philadelphia: : Centrum Philadelphia 1983.
52
Pantelis Michelakis. Greek Tragedy on Screen (Classical Presences) [Hardcover]. OUP Oxford (29 Aug 2013) http://www.amazon.co.uk/Greek-Tragedy-Screen-Classical-Presences/dp/019923907X/ref=sr_1_1?s=books&ie=UTF8&qid=1383323885&sr=1-1&keywords=Michelakis%252C+Pantelis.+Greek+tragedy+on+screen.
53
Nikoloutsos, Konstantinos P. Ancient greek women in film. Oxford: : Oxford University Press 2013.
54
Winkler MM, editor. Return to Troy: new essays on the Hollywood epic. Leiden, Netherlands: : Brill 2015. http://site.ebrary.com/lib/roehampton/Doc?id=11061970
55
Tony Keen. Troy: A Reflection. https://www.academia.edu/1193533/Troy_A_Reflection
56
Winkler, Martin M. Troy: from Homer’s Iliad to Hollywood epic. Oxford: : Blackwell 2007. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781405178549
57
BAKOGIANNI A. VOICES OF RESISTANCE: MICHAEL CACOYANNIS’ THE TROJAN WOMEN (1971). Bulletin of the Institute of Classical Studies 2010;52:45–68. doi:10.1111/j.2041-5370.2009.tb00746.x
58
Bakogianni A. The anti-war Spectacle: denouncing war in Michael Cacoyannis’ Euripidean Trilogy. In: Bakogianni A, Hope VM, eds. War as spectacle: ancient and modern perspectives on the display of armed conflict. London: : Bloomsbury 2015. 291–311.https://contentstore.cla.co.uk/secure/link?id=f16fc0f3-5a21-e811-80cd-005056af4099
59
Blondell R. ‘Third cheerleader from the left’: from Homer’s Helen to Helen of Troy. Classical Receptions Journal 2009;1:4–22. doi:10.1093/crj/clp003
60
Easterling PE. BURIAN, P. 1997, "Tragedy adapted for stages and screens: the Renaissance to the present”, in The Cambridge companion to Greek tragedy. Cambridge: : Cambridge University Press 1997.
61
Monica Cyrino. She’ll Always Have Paris: Helen in Wolfgang Petersen’s Troy, Amphora 4.1:10-11, 18 (2005).
62
Kevin Day. ‘What Makes a Man to Wander?’: The Searchers as a Western Odyssey. Arethusa, Volume 41, 2008 - Table of Contentshttp://muse.jhu.edu/journals/arethusa/toc/are41.1.html
63
Coates, Paul. Le Mépris: Women, Statues, Gods. Le Mépris: Women, Statues, Gods;22.http://search.ebscohost.com/login.aspx?direct=true&db=aph&AN=31316553&site=ehost-live
64
R. Content. O Brother, Where Art Thou?, Film Quarterly, 55.1: 41-8 (2001).
65
Review by: Peter Green. Review: Heroic Hype, New Style: Hollywood Pitted against Homer. Arion: A Journal of Humanities and the Classics 2004;12:171–87.http://www.jstor.org/stable/20163961?seq=1#page_scan_tab_contents
66
Kadivar D. THE IRANIAN: Film, Alexander the Great, Darius Kadivar. http://www.iranian.com/Arts/2001/August/Alexander/
67
Keen T. Troy: A Reflection. https://www.academia.edu/1193533/Troy_A_Reflection
68
Keen T. Homoeroticism in Troy and Alexander. ;CA News 34 (June 2006).https://moodle.roehampton.ac.uk/pluginfile.php/62088/mod_resource/content/2/CC9%20Keen%20Troy%20Alexander.pdf
69
Kerns S. O Homer, Where Art Thou? A Greek Classic Becomes an American Original. http://xchanges.org/xchanges_archive/xchanges/1.2/kerns.html
70
Eccleston S-M. Doing the Right Thing in Chi-Raq (2015) | Classical Reception Studies Network. http://www.open.ac.uk/blogs/CRSN/?p=381
71
Easterling PE, Budelmann F, Michelakis P, et al. MICHELAKIS, P. 2001, "The Past as a Foreign Country? Greek Tragedy, Cinema and the Politics of Space”, in Homer, tragedy and beyond: essays in honour of P.E. Easterling. London: : Society for the Promotion of Hellenic Studies 2001.
72
Boys-Stones GR, Graziosi B, Vasunia P. P. MICHELAKIS, 2009, "Film Studies” in: The Oxford handbook of Hellenic studies. Oxford: : Oxford University Press 2009.
73
Pantelis Michaelakis. FusilloM.: La Grecia secondo Pasolini: mito e cinema. (Biblioteca di Cultura, 209.) Pp. vi 273. Florence: La Nuova Italia, 1996. Paper, L. 25,000. ISBN: 88-221-1760-3. The Classical Review 2000;50:377–8.https://www.cambridge.org/core/journals/classical-review/article/fusillom-la-grecia-secondo-pasolini-mito-e-cinema-biblioteca-di-cultura-209-pp-vi-273-florence-la-nuova-italia-1996-paper-l-25000-isbn-88-221-1760-3/F4EC22431208F7B22AA4F3E682199867
74
Myrsiades K. Reading the gunfighter as Homeric epic. http://gateway.proquest.com/openurl?ctx_ver=Z39.88-2003&xri:pqil:res_ver=0.2&res_id=xri:lion&rft_id=xri:lion:ft:abell:R03925304:0
75
Nikoloutsos, Konstantinos P. The Alexander Bromance: Male Desire and Gender Fluidity in Oliver Stone’s Historical Epic. Published Online First: 2008.http://capitadiscovery.co.uk/roehampton/items/eds/edspmu/edspmu.S1935022809200055?query=alexander+bromance&resultsUri=items%3Fquery%3Dalexander%2Bbromance%26target%3Deds&target=eds
76
Review by: Gideon Nisbet. Review: Towards a Philology of Body Oil: Martin Winkler and Troy. Arion: A Journal of Humanities and the Classics 2007;15:157–62.http://www.jstor.org/stable/29737351?origin=JSTOR-pdf&seq=1#page_scan_tab_contents
77
Paglia, C. (1997) Homer on Film: The Odyssey, Ulysses, Helen of Troy and Contempt,Arion 5, no. 2: 166-197.
78
Lianeri A, Zajko V. PAUL, J. 2008, ‘Translating Homer for the Cinema’, in Translation and the classic: identity as change in the history of culture. Oxford: : Oxford University Press 2008.
79
Roisman HM. Helen and the Power of Erotic Love: From Homeric Contemplation to Hollywood Fantasy. College Literature 2008;35:127–50. doi:10.1353/lit.0.0028
80
Rose M. Trojan Wars: On the Big and Little Screen - Archaeology Magazine Archive. http://archive.archaeology.org/online/reviews/troy/
81
Viano M. Medea. In: A certain realism: making use of Pasolini’s film theory and practice. Berkeley: : University of California Press 1993. 236–49.https://contentstore.cla.co.uk//secure/link?id=7236dd3c-874a-e611-80bd-0cc47a6bddeb
82
Weinlich, B. P. (2005) Odyssey, Where Art Thou?: Myth and Mythmaking in the Twenty-First Century Classical and Modern Literature: A Quarterly, vol. 25, Fall, no. 2: 89-108.
83
Wetta FJ. 300 (review). The Journal of Military History 2008;72:631–2. doi:10.1353/jmh.2008.0111
84
Shapiro A, Burian P, Euripides, et al. Trojan women. Oxford: : Oxford University Press 2009. http://site.ebrary.com/lib/roehampton/Doc?id=10272979
85
Bakogianni A. The anti-war Spectacle: denouncing war in Michael Cacoyannis’ Euripidean Trilogy. In: Bakogianni A, Hope VM, eds. War as spectacle: ancient and modern perspectives on the display of armed conflict. London: : Bloomsbury 2015. 291–311.https://contentstore.cla.co.uk/secure/link?id=f16fc0f3-5a21-e811-80cd-005056af4099
86
Wyke, Maria. Projecting the past: ancient Rome, cinema and history. London: : Routledge 1997.
87
Monica Cyrino. Big Screen Rome. https://www.wiley.com/en-gb/Big+Screen+Rome-p-9781405116848
88
Elena Theodorakopoulos. Ancient Rome at the Cinema: Story and Spectacle in Hollywood and Rome.
89
Cyrino MS. Rome, season one: history makes television. Malden, MA: : Blackwell Pub 2008. http://www.loc.gov/catdir/enhancements/fy0805/2007032666-b.html
90
CYRINO MONICA. ROME SEASON TWO. EDINBURGH UNIVERSITY PRESS 2015.
91
Wrigely, Richard. Cinematic Rome. Leicester: : Troubador 2008.
92
Winkler MM. Gladiator: film and history. Oxford: : Blackwell 2004.
93
Landau, Diana, Scott, Ridley, Black, Sharon. Gladiator: the making of the Ridley Scott epic. London: : Boxtree 2000.
94
Winkler MM. Spartacus: film and history. Oxford: : Blackwell 2006. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780470777268
95
Winkler M. The Fall of the Roman Empire: Film and History. https://www.wiley.com/en-gb/The+Fall+of+the+Roman+Empire%3A+Film+and+History-p-9781405182232
96
Monty Python (Comedy troupe). The life of Brian: screenplay. London: : Methuen 2001.
97
Russell, James. The historical epic and contemporary Hollywood: from Dances with wolves to Gladiator. New York: : Continuum 2007.
98
Solomon J. Ben-Hur : the original blockbuster. Edinburgh: : Edinburgh University Press 2016.
99
Cooper D. The Kubrick Site: Duncan Cooper on ‘Spartacus’: Dalton Trumbo vs. Stanley Kubrick: Their Debate Over The Political Meaning of Spartacus. http://www.visual-memory.co.uk/amk/doc/0101.html
100
Cooper D. The Kubrick Site: Duncan Cooper on ‘Spartacus’: Who Killed Spartacus? http://www.visual-memory.co.uk/amk/doc/0102.html
101
Cull NJ. Infamy! Infamy! They’ve All Got It in for Me Carry on Cleo and the British Camp Comedies of Ancient Rome. In: Imperial projections: ancient Rome in modern popular culture. Baltimore, Md: : Johns Hopkins University Press 2001. 162–90.https://contentstore.cla.co.uk//secure/link?id=8bcf1b08-894a-e611-80bd-0cc47a6bddeb
102
Devore, G. (1999),I’M QUEER!’ ’No! I’M QUEER!: Hollywood Homosexuality and Roman Epic Films, Popular Culture Review. 10 (1): 127-38.
103
Friedman, Michael D. The Hurt Roman: Homoeroticism, Intimacy, and Fratriarchy in Ralph Fiennes’s Coriolanus. Literature/Film Quarterly 2015;43:86–103.http://search.proquest.com/docview/1685879899?pq-origsite=gscholar
104
Tony Keen. Veni, vidi, video: Screen portrayals of the Roman empire. Banana Wings (edited by Mark Plummer and Claire Brialey) 29 (February 2007), pp 16-21, and 30 (May 2007), 12-16https://www.academia.edu/2437692/Veni_vidi_video_Screen_portrayals_of_the_Roman_empire
105
Robin Lane Fox. The don’s desert adventure. The Timeshttp://find.galegroup.com/ttda/newspaperRetrieve.do?sgHitCountType=None&sort=DateAscend&tabID=T003&prodId=TTDA&resultListType=RESULT_LIST&searchId=R2&searchType=AdvancedSearchForm&currentPosition=2&qrySerId=Locale%28en%2C%2C%29%3AFQE%3D%28tx%2CNone%2C9%29alexander%3AAnd%3ALQE%3D%28da%2CNone%2C10%2905%2F08%2F2004%3AAnd%3ALQE%3D%28gs%2CNone%2C10%29%22Features%22%24&retrieveFormat=MULTIPAGE_DOCUMENT&userGroupName=roe_ttda&inPS=true&contentSet=LTO&&docId=&docLevel=FASCIMILE&workId=&relevancePageBatch=IF503418014&contentSet=TDA&callistoContentSet=TDA&docPage=article&hilite=y
106
Joanna Paul. Fellini-Satyricon: Petronius and Film. In: Petronius: a handbook. Oxford: : Wiley-Blackwell 2013. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781444306071
107
Phillips JE. ‘Julius Caesar’: Shakespeare as a Screen Writer. The Quarterly of Film Radio and Television 1953;8:125–30. doi:10.2307/1209865
108
Sadashige J. Gladiator. The American Historical Review 2000;105. doi:10.2307/2651601
109
Jon Solomon. In the Wake of ‘Cleopatra’: The Ancient World in the Cinema since 1963. The Classical Journal 1996;91:113–40.http://www.jstor.org/stable/3298476?seq=1#page_scan_tab_contents
110
Winkler M. Cinema and the fall of Rome, Transactions of the American Philological Association.(1974), Vol.125, (1995) pp.135-154.
111
Winkler, Martin M. ‘Gladiator and the Traditions of Historical Cinema’ in ‘Gladiator: film and history’. Oxford: : Blackwell 2004. https://contentstore.cla.co.uk//secure/link?id=5bbe76c0-8a4a-e611-80bd-0cc47a6bddeb
112
Wyke M. Playing Roman Soldiers: The Martyred Body, Derek Jarman’s Sebastiane, and the Representation of Male Homosexuality. In: Parchments of gender: deciphering the bodies of antiquity. Oxford: : Clarendon Press 1998. 243–66.https://contentstore.cla.co.uk//secure/link?id=2c026f35-854a-e611-80bd-0cc47a6bddeb
113
Wyke, Ancient Rome and the traditions of film history. http://tlweb.latrobe.edu.au/humanities/screeningthepast/firstrelease/fr0499/mwfr6b.htm
114
Martin M. Winkler. The Roman Empire in American Cinema after 1945. The Classical Journal 1998;93:167–96.http://www.jstor.org/stable/3298137?seq=1#page_scan_tab_contents
115
Alastair, Shahabudin K. Satirising Cine-Antiquity: Monty Python’s Life of Brian (1979). In: Classics on screen: ancient Greece and Rome on film. Bristol: : Bristol Classical 2011. 172–93.https://contentstore.cla.co.uk/secure/link?id=b893e7b3-5b20-e811-80cd-005056af4099
116
Graves R, Pulman J, Wise H. I, Claudius. 1996.
117
Ancient Rome: the rise and fall of an empire. 2006.
118
Winkler MM. Spartacus: film and history. Malden, MA, USA: : Blackwell Pub 2007. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780470777268
119
Houseman J. ‘Julius Caesar’: Mr. Mankiewicz’ Shooting Script. The Quarterly of Film Radio and Television 1953;8:109–24. doi:10.2307/1209864
120
Pomeroy AJ. A companion to ancient Greece and Rome on screen. Hoboken, New Jersey: : John Wiley & Sons 2017.
121
Barta, Tony. Screening the Past : Film and the Representation of History. Westport, Conn : Praeger. 1998 1998. http://site.ebrary.com/lib/roehampton/Doc?id=10005700
122
Burgoyne R. The Hollywood historical film. Malden, Mass: : Blackwell 2008.
123
Cartmell D, Hunter IQ, Whelehan I, et al. Retrovisions: reinventing the past in film and fiction. London: : Pluto Press 2001. http://site.ebrary.com/lib/roehampton/Doc?id=10479786
124
Hughes-Warrington, Marnie. History goes to the movies: studying history on film. London: : Routledge 2007.
125
Rosenstone RA. Revisioning history: film and the construction of a new past. Princeton, N.J.: : Princeton University Press 1995.
126
Rosenstone RA. Visions of the past: the challenge of film to our idea of history. Cambridge, Mass: : Harvard University Press 1995.
127
Sorlin P. The film in history: restaging the past. Oxford: : Blackwell 1980.
128
Tashiro CS. Pretty pictures: production design and the history film. Austin: : University of Texas Press 1998.
129
Vidal G. Screening History (Paper) (Cobe). Cambridge, Mass: : Harvard University Press 1994.
130
Simon Jenkins. We laugh at Russian propaganda. But Hollywood history is just as fake. https://www.theguardian.com/commentisfree/2018/jan/11/hollywood-history-churchill-getty-trust-fiction
131
Cyrino MS, editor. Screening love and sex in the ancient world. First edition. New York: : Palgrave Macmillan 2013. https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.roehampton.ac.uk/shibboleth&target=https://www.dawsonera.com/depp/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137299604
132
Adams J. Cinema of the Coen Brothers : Hard-Boiled Entertainments. New York: : Columbia University Press 2015.
133
Bersani, Leo, Dutoit, Ulysse. Forms of being: cinema, aesthetics, subjectivity. London: : BFI 2004.
134
Bergan, Ronald. The Coen brothers. Rev. ed. London: : Orion 2004.
135
Peter E. Bondanella. Federico Fellini, essays in criticism. New York: : Oxford University Press 1978.
136
Bondanella, Peter. The cinema of Federico Fellini. Oxford: : Princeton University Press 1992.
137
Gian Piero Brunetta. The history of Italian cinema. Princeton: : Princeton University Press 2009.
138
Butler, Andrew M. Film Studies. In Pocket Essentials. Film.Harpenden : Pocket Essentials. 2011 2011. http://capitadiscovery.co.uk/roehampton/items/eds/edsebk/481382?query=butler+film+pocket&resultsUri=items%3Fquery%3Dbutler%2Bfilm%2Bpocket%26target%3Deds&target=eds
139
Campbell M. Carry On films. [New ed.]. Harpenden: : Pocket Essentials 2005.
140
Cardullo, Bert. Federico Fellini: interviews. Jackson, Miss: : University Press of Mississippi 2006.
141
Corrigan, Timothy. A short guide to writing about film. 6th ed. London: : Pearson Longman 2007.
142
Corrigan, Timothy, White, Patricia. The film experience: an introduction. Basingstoke: : Palgrave Macmillan 2004.
143
Curran, James, Porter, Vincent. British cinema history. London: : Weidenfeld and Nicolson 1983.
144
Dillon, Steven. Derek Jarman and lyric film: the mirror and the sea. Austin, Tex: : University of Texas Press 2004.
145
Giannetti, Louis D. Understanding movies. 11th ed. Harlow: : Prentice Hall 2007.
146
Hanson E. Out takes: essays on queer theory and film. Durham, N.C.: : Duke University Press 1999.
147
Harries, Dan, British Film Institute. Film parody. London: : British Film Institute 2000.
148
Hart K-PR. Queer males in contemporary cinema: becoming visible. Lanham, Maryland: : Scarecrow Press 2013. https://www.dawsonera.com/abstract/9780810891197
149
Hayward, Susan, Vincendeau, Ginette. French film: texts and contexts. 2nd ed. London: : Routledge 2000.
150
Hayward S. Cinema studies: the key concepts. 4th ed. London: : Routledge 2012. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203075555
151
Hill J, Gibson PC. The Oxford guide to film studies. Oxford: : Oxford University Press 1998.
152
Hill J, Gibson PC. Film studies: critical approaches. Oxford: : Oxford University Press 2000.
153
Horton, Andrew, Maeretta, Joan. Modern European Film Makers and the Art of Adaptation. F.Ungar Pub.Co.,N.Y.
154
I.Q. Hunter. British comedy cinema. New York: : Routledge 2012.
155
Landy, Marcia. Italian film. Cambridge: : Cambridge University Press 2000. https://doi.org/10.1017/CBO9780511624377
156
Leach, Jim. British film. Cambridge: : Cambridge University Press 2004. https://doi.org/10.1017/CBO9780511606953
157
Lev, Peter. The Euro-American cinema. Austin: : University of Texas Press 1993.
158
Barbara Mennel. Queer Cinema: Schoolgirls, Vampires, and Gay Cowboys (Short Cuts). Columbia University Press (26 Oct. 2012) http://www.amazon.co.uk/Queer-Cinema-Schoolgirls-Vampires-Cowboys/dp/0231163134/ref=sr_1_44?s=books&ie=UTF8&qid=1422276143&sr=1-44&keywords=queer+theory+film
159
Monaco, James. How to read a film: the world of movies, media, and multimedia : language, history, theory. 3rd ed., completely rev. and expanded. New York: : Oxford University Press 2000.
160
Mottram, James. The Coen Brothers: The Life of the Mind.
161
Murphy, Robert. Sixties British cinema. London: : BFI 1992.
162
Nathan I. Ethan and Joel Coen. Paris: : Cahiers du cinema-Editions de l’Etoile 2012.
163
Palmer, R. Barton. Joel and Ethan Coen. Urbana, Ill: : University of Illinois Press 2004.
164
Pencak, William. The films of Derek Jarman. Jefferson, N.C.: : McFarland 2002.
165
Powrie, Phil, Davies, Ann, Babington, Bruce. The trouble with men: masculinities in European and Hollywood cinema. London: : Wallflower 2004.
166
Richardson N. The queer cinema of Derek Jarman: critical and cultural readings. London: : I. B. Tauris 2009.
167
Robson E. Coen brothers. Eddie Robson. New. London: : Virgin 2007.
168
Ross, Andrew. Carry on actors. Clacton-on-Sea: : Apex 2011.
169
Vito Russo. The Celluloid Closet: Homosexuality in the Movies (2nd Revised edition). HarperPaperbacks; 2nd Revised edition edition (15 Sept. 1987) http://www.amazon.co.uk/Vito-Russo-Celluloid-Homosexuality-Revised/dp/B000PRBXD6/ref=sr_1_2?s=books&ie=UTF8&qid=1422276365&sr=1-2&keywords=celluloid+closet
170
Snyder, Stephen. The transparent I: self/subject in European cinema. New York: : Peter Lang 1994.
171
Waller, Marguerite R., Burke, Frank. Federico Fellini: contemporary perspectives. Toronto, ON: : University of Toronto Press 2002. http://lib.myilibrary.com?id=200317
172
Williams, Michael. Film stardom, myth and classicism: the rise of Hollywood’s gods. Basingstoke: : Palgrave Macmillan 2013. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137291493
173
Wood M. Film: a very short introduction. Oxford: : Oxford University Press 2012.
174
Sutton D. The Black Box: From Jacques-Louis David to Ridley Scott. In: Screen methods: comparative readings in film studies. London: : Wallflower 2005. 27–37.
175
Cousins M. The story of film: an odyssey. 2012.
176
Bakogianni A, University of London. Electra: ancient and modern aspects of the reception of the tragic heroine. London: : Institute of Classical Studies, University of London 2011. http://onlinelibrary.wiley.com/
177
Bakogianni A, Hope VM, editors. War as spectacle: ancient and modern perspectives on the display of armed conflict. London: : Bloomsbury 2015.
178
Bridges, Emma, Hall, Edith, Rhodes, P. J. Cultural responses to the Persian Wars. Oxford: : Oxford University Press 2007.
179
Edwards C. Roman presences: receptions of Rome in European culture, 1789-1945. Cambridge: : Cambridge University Press 2007.
180
García Morcillo, Marta, Knippschild, Silke. Seduction and power: antiquity in the visual and performing arts. London: : Continuum 2012.
181
Hales S, Paul J. Pompeii in the public imagination from its rediscovery to today. Oxford: : Oxford University Press 2011. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780191618093
182
Hall E. Return of Ulysses : a cultural history of Homer’s Odyssey. Edith Hall. London: : I.B. Tauris 2012.
183
Hall, Edith, Macintosh, Fiona, Taplin, Oliver, et al. Medea in performance 1500-2000. Oxford: : Legenda 2000.
184
Hall E, Macintosh F, Wrigley A. Dionysus since 69: Greek tragedy at the dawn of the third millennium. Oxford: : Oxford University Press 2004.
185
Hardwick, Lorna, Classical Association (Great Britain). Reception studies. New York: : Published for the Classical Association by Oxford University Press 2003.
186
Hardwick L. Classics in the modern world. First edition. Oxford: : Oxford University Press 2013.
187
Stephen Hodkinson, Ian Macgregor Morris, Paul Christesen. Sparta in modern thought. Oakville, CT: : Distributor in the United States of America The David Brown Book Co. 2012.
188
Hughes-Hallett L. Cleopatra: queen, lover, legend. [New] ed. London: : Pimlico 2006.
189
Jennifer Inglehart. Ancient Rome and the construction of modern homosexual identities. Oxford: : Oxford University Press 2015.
190
Joshel, Sandra R., Malamud, Margaret, McGuire, Donald T. Imperial projections: ancient Rome in modern popular culture. Baltimore, Md: : Johns Hopkins University Press 2006.
191
Kelly, Rachael. MARK ANTONY AND POPULAR CULTURE. London: : I.B.Tauris & Co Ltd 2013.
192
Lowe D, Shahabudin K. Classics for all: reworking antiquity in mass culture. Newcastle upon Tyne: : Cambridge Scholars Publishing 2009. http://lib.myilibrary.com?id=203567&entityid=https%3A%2F%2Fdmz-shib-dg-01.dmz.roehampton.ac.uk%2Fidp%2Fshibboleth
193
Willis I. Reception. London: : Routledge 2018.
194
ARMSTRONG, R.H. 1999, "Oedipus as Evidence. The Theatrical Background to Freud’s Oedipus Complex”, PsyArt: An Online Journal for the Psychological Study of the Arts. http://psyartjournal.com/article/show/armstrong-oedipus_as_evidence_the_theatrical_backg
195
Reames J. Beyond Renault: Alexander the Great in fiction 1920 - Present. http://web.archive.org/web/20140428031007/http://myweb.unomaha.edu/~mreames/Beyond_Renault/beyondrenault.html
196
Maria Wyke. Herculean Muscle!: The Classicizing Rhetoric of Bodybuilding. Arion: A Journal of Humanities and the Classics 1997;4:51–79.http://www.jstor.org/stable/20163635?seq=1#page_scan_tab_contents
197
Juliette Harrisson. Pop Classics: Reviews of the use of classics in popular culture. http://popclassicsjg.blogspot.co.uk/
198
Pyy E. The Semiotics of Caesar Augustus (Bloomsbury Advances in Semiotics) Elina Pyy: Bloomsbury Academic. https://www.bloomsbury.com/uk/the-semiotics-of-caesar-augustus-9781474277259/
199
EBSCOhost. War as spectacle: ancient and modern perspectives on the display of armed conflict. London: : Bloomsbury Academic 2015. http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1055041
200
Apollonius. Jason and the golden fleece. Oxford: : Oxford University Press 2009.
201
Sommerstein AH, Aristophanes. The Acharnians The clouds Lysistrata. Harmondsworth: : Penguin 1973.
202
Aristophanes, Lysistrata (e-text). https://records.viu.ca/~johnstoi/aristophanes/lysistrata.htm
203
Collier M, Machemer G, Euripides, et al. Medea. Oxford: : Oxford University Press 2006. http://site.ebrary.com/lib/roehampton/Doc?id=10271432
204
Harrison J, Euripides. Medea. Cambridge: : Cambridge University Press 1999.
205
Euripides, Davie, John, Euripides, et al. Medea & other plays. London: : Penguin 2003.
206
Shapiro A, Burian P, Euripides, et al. Trojan women. Oxford: : Oxford University Press 2009. http://site.ebrary.com/lib/roehampton/Doc?id=10272979
207
Holland T, Herodotus. The histories. New edition. London: : Penguin Classics 2014.
208
Fagles R, Knox B, Homer. The Iliad. London: : Penguin 2000.
209
Fagles R, Homer. The Odyssey. New York: : Penguin 2006.
210
Walsh PG, Petronius. The satyricon. Oxford: : Oxford University Press 1999.
211
Amenábar A. Agora. 2010.
212
Wyler W. Ben-Hur. 2001.
213
Wyler W, Niblo F. Ben-Hur. 2005.
214
Pastrone G. Cabiria. 2000.
215
Pascal G, Shaw B. Caesar and Cleopatra. 1994.
216
Thomas, Gerald. Carry on Cleo. 2001.
217
Marshall N, Eshkeri I. Centurion. 2010.
218
CLEOPATRA (Masters of Cinema) (DVD). https://www.amazon.co.uk/CLEOPATRA-Masters-Cinema-Cecil-DeMILLE/dp/B008O5CRZO/ref=sr_1_8?s=dvd&ie=UTF8&qid=1486722233&sr=1-8&keywords=cleopatra
219
Mankiewicz JL. Cleopatra. 2000.
220
Shakespeare W, Moshinsky E, British Broadcasting Corporation, et al. Coriolanus. 2005;The Shakespeare collection.
221
Fiennes R. Coriolanus. 2011.
222
Shakespeare W, Moshinsky E, British Broadcasting Corporation, et al. Cymbeline. 2005;The Shakespeare Collection.
223
Dragon Blade [DVD]. https://www.amazon.co.uk/Dragon-Blade-Jackie-Cusack-Adrien/dp/B017KUQ37Q/ref=sr_1_1?s=dvd&ie=UTF8&qid=1486724972&sr=1-1&keywords=dragon+blade
224
Macdonald K, Sutcliff R. The eagle. 2011.
225
The Fall Of The Roman Empire [DVD]. https://www.amazon.co.uk/Fall-Roman-Empire-DVD/dp/B004OWWZ26/ref=sr_1_1?s=dvd&ie=UTF8&qid=1486722905&sr=1-1&keywords=fall+of+the+roman+empire
226
Fellini, Federico, Petronius Arbiter. Fellini Satyricon. 2004.
227
Kellett B, Howerd F. Frankie Howerd double bill. 2007.
228
Lester R, Sondheim S, Shevelove B. A funny thing happened on the way to the forum. 2016.
229
Scott, Ridley. Gladiator. 2006.
230
Shakespeare W, Mankiewicz JL. Julius Caesar. 2004.
231
Ray N. King of Kings. 2003.
232
Lefler D, Doyle P. The last legion. 2008.
233
Jones T, Burgon G, Jacquemin A, et al. Monty Python’s Life of Brian. 2003.
234
Anderson PWS. Pompeii. 2014.
235
LeRoy M, Sienkiewicz H. Quo vadis. 2003.
236
Koster H, Douglas LC. The robe. 2005;Studio classics.
237
Wyler W. Roman holiday. 2009.
238
Rohmer E, D’Urfe H. The romance of Astrea and Celadon. 2009.
239
Jarman, Derek, Humfress, Paul, Whaley, James, et al. Sebastiane. 2001.
240
Donen S, Benét SV. Seven brides for seven brothers. 2003.
241
Kubrick, Stanley. Spartacus. 2005.
243
Lee S, Aristophanes. Chi-raq. 2016.
244
Snyder, Zack, Miller, Frank. 300. 2007.
245
Miller F, Murro N. 300: Rise Of An Empire. 2014.
246
Maté R. The 300 Spartans. 2007.
247
Kubrick S, Clarke AC. 2001: a space odyssey. 2008.
248
Freedman G, Anouilh J, Galantière L, et al. Antigone. 2004.
249
Lee S, Aristophanes. Chi-raq. 2016.
250
Wise R, Steiner M. Helen of Troy. 2004.
251
HERCULES (1959) (STEVE REEVES) (region2) Plays in english. https://www.amazon.co.uk/HERCULES-STEVE-REEVES-region2-english/dp/B00C4Y8F66/ref=sr_1_3?s=dvd&ie=UTF8&qid=1480884716&sr=1-3&keywords=Hercules+reeves
252
Clements R, Musker J, Walt Disney Studios. Hercules (Disney). 2014.
253
Seidelman AA. Hercules in New York. 2006.
254
Jason & the Argonauts [DVD] [1963]. https://www.amazon.co.uk/Jason-Argonauts-DVD-Todd-Armstrong/dp/B00004CZ9U/ref=sr_1_1?s=dvd&ie=UTF8&qid=1480880193&sr=1-1&keywords=jason+and+the+argonauts+dvd
255
Pasolini, Pier Paolo, Callas, Maria. Medea. 2006.
256
Trier L von, Dreyer CT, Euripides. Medea. 2008.
257
Godard J-L, Godard J-L, Moravia A. Le Mepris. 2010.
258
Shaw GB, Cukor G. My fair lady. 2009.
259
Coen J, Coen E, Clooney G, et al. O brother, where art thou? 2001.
260
Columbus C, Riordan R. Percy Jackson & the Olympians:the lightning thief/Percy Jackson, sea of monsters. 2013.
261
Dassin, Jules. Phaedra. 2011.
262
Mulvey L, Wollen P. Riddles of the sphinx. 2013.
263
Cacoyannis M. The Trojan women. 2004.
264
Cacoyannis M, Euripides. Las troyanas: The Trojan women. 2014.
265
Petersen, Wolfgang. Troy. 2005.
266
Wonder Woman [DVD Digital Download] [2017]. https://www.amazon.co.uk/Wonder-Woman-DVD-Digital-Download/dp/B01N0O72Y7
267
Auguet R. Cruelty and civilization : the Roman games. London: : Routledge 1994. http://lib.myilibrary.com/?id=415994&entityid=https//dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth
268
Barton, Carlin A. The sorrows of the ancient Romans: the gladiator and the monster. Princeton, N.J.: : Princeton University Press 1996.
269
Borza E. Multimedia: Alexander’s Epic March - Archaeology Magazine Archive. http://archive.archaeology.org/9805/etc/multimedia.html
270
Paul Cartledge. Thermopylae: the battle that changed the world. Vintage
271
Clauss, James J., Johnston, Sarah Iles. Medea: essays on Medea in myth, literature, philosophy, and art. Princeton, N.J.: : Princeton University Press 1997.
272
Clauss M. Roman cult of Mithras : the god and his mysteries. London: : Routledge 2001.
273
Roger Dunkle. Gladiators: violence and spectacle in Ancient Rome. Harlow, United Kingdom: : Pearson Education Limited 2008.
274
Everitt, Anthony. Hadrian and the triumph of Rome. New York: : Random House 2009.
275
Fagan GG. The lure of the arena: social psychology and the crowd at the Roman games. Cambridge: : Cambridge University Press 2011.
276
Futrell A. Blood in the Arena. New edition. Austin, TX: : University of Texas Press 2001.
277
Alison Futrell. The Roman games: Historical Sources in Translation. Malden, MA: : Blackwell Pub. 2006.
278
Griffiths, Emma. Medea. London: : Routledge 2006.
279
Hekster, Olivier. Commodus: an emperor at the crossroads. Amsterdam: : Gieben 2002.
280
Paul Innes. Epic (The New Critical Idiom). Routledge (11 Feb 2013) http://www.amazon.co.uk/Epic-New-Critical-Idiom-ebook/dp/B00BEGC3WC/ref=sr_1_22?s=books&ie=UTF8&qid=1369857604&sr=1-22&keywords=epic+film
281
Jennison, George. Animals for show and pleasure in Ancient Rome. Philadelphia, Pa: : University of Pennsylvania Press 2005.
282
Johns-Putra, Adeline. HISTORY OF THE EPIC. BASINGSTOKE: : PALGRAVE MACMILLAN
283
Joshel, Sandra R. Slavery in the Roman world. Cambridge: : Cambridge University Press 2010.
284
Joshel, Sandra R., Murnaghan, Sheila. Women and slaves in Greco-Roman culture: differential equations. London: : Routledge 1998.
285
Nigel M. Kennell. Spartans. Chichester, West Sussex, U.K: : Wiley-Blackwell 2010.
286
Knapp RC. Invisible Romans: prostitutes, outlaws, slaves, gladiators, ordinary men and women ... the Romans that history forgot. London: : Profile Books 2013.
287
Eckhart Köhne, Cornelia Ewigleben. Gladiators and Caesars : The Powerof the Spectacle. London: : British Museum Press 2000.
288
Meijer F. Gladiators : history’s most deadlysport. London: : Souvenir Press Ltd 2004.
289
Antony Powell. Euripides, Women and Sexuality. 2011.
290
Pritchard, David. Sport, democracy and war in classical Athens. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781139783392
291
Rabinowitz, Nancy Sorkin. Anxiety veiled: Euripides and the traffic in women. Ithaca: : Cornell University Press 1993.
292
Nothing is as it Seems: The Tragedy of the Implicit in Euripides’ ‘Hippolytus’ Greek Studies: Interdisciplinary Approaches: Hanna M. Roisman.
293
Shadrake S. The world of the gladiator. Stroud: : Tempus 2005.
294
Toner J. Day Commodus Killed a Rhino. Baltimore, MD: : Johns Hopkins University Press 2014.
295
Trow, M. J. Spartacus. Stroud: : Sutton 2006.
296
Urbainczyk, Theresa. Spartacus. Bristol: : Bristol Classical 2004.
297
Valerie M. Warrior. Roman religion. Cambridge: : Cambridge University Press 2006.
298
Wiedemann, Thomas E. J., ebrary, Inc. Emperors and gladiators. London: : Routledge 1992.
299
Wiedemann TEJ. Greek and Roman slavery. London: : Routledge 1994. https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.roehampton.ac.uk/shibboleth&target=https://www.dawsonera.com/depp/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203358993
300
Woodford, Susan. The Trojan War in ancient art. London: : Duckworth 1993.
301
Wyke, Maria. Parchments of gender: deciphering the bodies of antiquity. Oxford: : Clarendon Press 1998.
302
Powell A, London Classical Society. WYKE, M. 1992, "Augustan Cleopatras: Female Power and Poetic Authority”, in Roman poetry and propaganda in the age of Augustus. 2004.
303
The Spartacus War: An Interview with Barry Strauss. Historically Speaking 2009;10:28–30. doi:10.1353/hsp.0.0034
304
Coleman K. BBC - History - Ancient History in depth: Gladiators: Heroes of the Roman Amphitheatre. http://www.bbc.co.uk/history/ancient/romans/gladiators_01.shtml
305
Hopkins K. BBC - History - The Colosseum: Emblem of Rome. http://www.bbc.co.uk/history/ancient/romans/colosseum_01.shtml
306
McManus B. Gladiatorial Games. http://www.vroma.org/~bmcmanus/arena.html
307
Boschung D, Shapiro A. Bodies in Transition: Dissolving the Boundaries of Embodied Knowledge. Fink Wilhelm Gmbh Co.Kg
308
Fabio Cleto. Camp: queer aesthetics and the performing subject: a reader. Ann Arbor: : University of Michigan Press 1999.
309
Dyer, Richard. The culture of queers. London: : Routledge 2002. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203996393
310
Dyer, Richard. Pastiche. London: : Routledge 2007.
311
Lewis, Reina, Horne, Peter. Outlooks: Lesbian and gay visual cultures. London: : Routledge 1996.
312
Lianeri, Alexandra, Zajko, Vanda. Translation and the classic: identity as change in the history of culture. Oxford: : Oxford University Press 2008.
313
Marwick, Arthur. The sixties: cultural revolution in Britain, France, Italy, and the United States, c.1958-c.1974. Oxford: : Oxford University Press 1999.
314
Medhurst, Andy. A national joke: popular comedy and English cultural identities. London: : Routledge 2007.
315
Franco Mormando. Bernini. Chicago: : University of Chicago Press 2011.
316
Nicholas L. Queer post-gender ethics : the shape of selves to come. Houndmills, Basingstoke, Hampshire: : Palgrave Macmillan 2014. http://lib.myilibrary.com/?id=648111&entityid=https//dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth
317
Wagg, Stephen. Because I tell a joke or two: comedy, politics and social difference. London: : Routledge 1998.
318
Lane Fox R. History and Fiction. In: Making of ‘Alexander’ : The Official Guide to the Epic Alexander Film. Lyneham: : R & L (Lane Fox) 2004. 157–69.https://contentstore.cla.co.uk/secure/link?id=fcdfd611-2abe-e611-80c7-005056af4099
319
Blanshard A, Shahabudin K. Classics on screen: ancient Greece and Rome on film. Bristol: : Bristol Classical 2011.
320
Butler AM. Film studies. Harpenden: : Pocket Essentials 2005.
321
Monica Cyrino. Big Screen Rome. https://www.wiley.com/en-gb/Big+Screen+Rome-p-9781405116848
322
Hayward S. Cinema studies: the key concepts. 4th ed. London: : Routledge 2012. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203075555
323
Hill J, Gibson PC. The Oxford guide to film studies. Oxford: : Oxford University Press 1998.
324
Hill J, Gibson PC. Film studies: critical approaches. Oxford: : Oxford University Press 2000.
325
Pomeroy AJ. Then it was destroyed by the volcano: the ancient world in film and on television. London: : Duckworth 2007.
326
Richards J. Hollywood’s ancient worlds. Continuum
327
The Ancient World in the Cinema by Jon Solomon - Yale University Press. http://yalebooks.co.uk/display.asp?k=9780300083378
328
Wyke M. Projecting the past: ancient Rome, cinema and history. New York: : Routledge 1997.
