Bibliography for Classics and Cinema (HSA020X312A)

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Alison Futrell. The Roman Games: Historical Sources in Translation. Malden, MA: Blackwell Pub., 2006. Print.

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‘ARMSTRONG, R.H. 1999, "Oedipus as Evidence. The Theatrical Background to Freud’s Oedipus Complex”, PsyArt: An Online Journal for the Psychological Study of the Arts’. n. pag. Web. <http://psyartjournal.com/article/show/armstrong-oedipus_as_evidence_the_theatrical_backg>.

Auguet, Roland. Cruelty and Civilization : The Roman Games. London: Routledge, 1994. Web. <http://lib.myilibrary.com/?id=415994&entityid=https//dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth>.

Bakogianni, Anastasia. ‘The Anti-War Spectacle: Denouncing War in Michael Cacoyannis’ Euripidean Trilogy’. War as Spectacle: Ancient and Modern Perspectives on the Display of Armed Conflict. Ed. Anastasia Bakogianni and Valerie M. Hope. London: Bloomsbury, 2015. 291–311. Web. <https://contentstore.cla.co.uk/secure/link?id=f16fc0f3-5a21-e811-80cd-005056af4099>.

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BAKOGIANNI, ANASTASIA. ‘VOICES OF RESISTANCE: MICHAEL CACOYANNIS’ THE TROJAN WOMEN (1971)’. Bulletin of the Institute of Classical Studies 52.1 (2010): 45–68. Web.

Bakogianni, Anastasia, and Valerie M. Hope, eds. War as Spectacle: Ancient and Modern Perspectives on the Display of Armed Conflict. London: Bloomsbury, 2015. Print.

Bakogianni, Anastasia and University of London. Electra: Ancient and Modern Aspects of the Reception of the Tragic Heroine. Bulletin of the Institute of Classical Studies supplement. London: Institute of Classical Studies, University of London, 2011. Web. <http://onlinelibrary.wiley.com/>.

Barbara Mennel. Queer Cinema: Schoolgirls, Vampires, and Gay Cowboys (Short Cuts). Columbia University Press (26 Oct. 2012). Web. <http://www.amazon.co.uk/Queer-Cinema-Schoolgirls-Vampires-Cowboys/dp/0231163134/ref=sr_1_44?s=books&ie=UTF8&qid=1422276143&sr=1-44&keywords=queer+theory+film>.

Barta, Tony. Screening the Past : Film and the Representation of History. Westport, Conn : Praeger. 1998, 1998. Web. <http://site.ebrary.com/lib/roehampton/Doc?id=10005700>.

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Bergan, Ronald. The Coen Brothers. Rev. ed. London: Orion, 2004. Print.

Bersani, Leo and Dutoit, Ulysse. Forms of Being: Cinema, Aesthetics, Subjectivity. London: BFI, 2004. Print.

Berti, Irene and García Morcillo, Marta. Hellas on Screen: Cinematic Receptions of Ancient History, Literature and Myth. HABES. Stuttgart: Franz Steiner, 2008. Web. <http://www.oliverstone.com/uploads/files/Hellas_on_Screen.pdf>.

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Blondell, Ruby. ‘“Third Cheerleader from the Left”: From Homer’s Helen to Helen of Troy’. Classical Receptions Journal 1.1 (2009): 4–22. Web.

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Boschung, Dietrich, and Alan Shapiro. Bodies in Transition: Dissolving the Boundaries of Embodied Knowledge. Fink Wilhelm Gmbh Co.Kg. Print.

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Cacoyannis, Michael. ‘The Trojan Women’. 2004 : n. pag. Print.

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Collier, Michael et al. Medea. The Greek tragedy in new translations. Oxford: Oxford University Press, 2006. Web. <http://site.ebrary.com/lib/roehampton/Doc?id=10271432>.

Columbus, Chris, and Rick Riordan. ‘Percy Jackson & the Olympians:The Lightning Thief/Percy Jackson, Sea of Monsters’. 2013 : n. pag. Print.

Cooper, Duncan. ‘The Kubrick Site: Duncan Cooper on “Spartacus”: Dalton Trumbo vs. Stanley Kubrick: Their Debate Over The Political Meaning of Spartacus’. n. pag. Web. <http://www.visual-memory.co.uk/amk/doc/0101.html>.

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Cornelius, Michael G. Of Muscles and Men: Essays on the Sword and Sandal Film. Jefferson, N.C.: McFarland & Company, Inc., Publishers, 2011. Print.

Corrigan, Timothy. A Short Guide to Writing about Film. 6th ed. The short guide series. London: Pearson Longman, 2007. Print.

Corrigan, Timothy and White, Patricia. The Film Experience: An Introduction. Basingstoke: Palgrave Macmillan, 2004. Print.

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Cull, Nicholas J. ‘Infamy! Infamy! They’ve All Got It in for Me Carry on Cleo and the British Camp Comedies of Ancient Rome’. Imperial Projections: Ancient Rome in Modern Popular Culture. Baltimore, Md: Johns Hopkins University Press, 2001. 162–190. Web. <https://contentstore.cla.co.uk//secure/link?id=8bcf1b08-894a-e611-80bd-0cc47a6bddeb>.

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Day, Kirsten. ‘Introduction’. Arethusa 41.1 (2008): 1–9. Web.

‘Devore, G. (1999),I’M QUEER!’ ’No! I’M QUEER!: Hollywood Homosexuality and Roman Epic Films, Popular Culture Review. 10 (1): 127-38’. n. pag. Print.

Dillon, Steven. Derek Jarman and Lyric Film: The Mirror and the Sea. Austin, Tex: University of Texas Press, 2004. Print.

Donen, Stanley, and Stephen Vincent Benét. ‘Seven Brides for Seven Brothers’. 2003 : n. pag. Print.

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Eccleston, Sasha-Mae. ‘Doing the Right Thing in Chi-Raq (2015) | Classical Reception Studies Network’. n. pag. Web. <http://www.open.ac.uk/blogs/CRSN/?p=381>.

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