[1]
Armes, Roy 1987. Third World film making and the West. University of California Press.
[2]
Arslan, Savas 2010. Cinema in Turkey: a new critical history. Oxford University Press.
[3]
Atkinson, M. Exile cinema: filmmakers at work beyond Hollywood. State University of New York Press.
[4]
Badley, Linda et al. 2006. Traditions in world cinema. Edinburgh University Press.
[5]
Barrot, P. (EDT) 2008. Nollywood : the video phenomenon in Nigeria. Indiana University Press.
[6]
Beller, J. 2008. Acquiring Eyes. Ateneo de Manila University Press.
[7]
Bordwell, David 2000. Planet Hong Kong: popular cinema and the art of entertainment. Harvard University Press.
[8]
Browne, Nick 1994. New Chinese cinemas: forms, identities, politics. Cambridge University Press.
[9]
Buckland, Warren 2008. Complex storytelling in contemporary world cinema. Wiley-Blackwell.
[10]
Chaudhuri, Shohini 2005. Contemporary world cinema: Europe, the Middle East, East Asia and South Asia. Edinburgh University Press.
[11]
Choi, Jinhee and ebrary, Inc 2010. The South Korean film renaissance: local hitmakers, global provocateurs. Wesleyan University Press.
[12]
Chow, Rey 1995. Primitive passions: visuality, sexuality, ethnography and contemporary Chinese cinema. Columbia University Press.
[13]
Dabashi, Hamid 2001. Close up: Iranian cinema, past, present and future. Verso.
[14]
Davis, D.W. 2008. East Asian screen industries. BFI.
[15]
Della Coletta, C. 2012. When stories travel : cross-cultural encounters between fiction and film. Johns Hopkins University Press.
[16]
Dennison, Stephanie and Lim, Song Hwee 2006. Remapping world cinema: identity, culture and politics in film. Wallflower Press.
[17]
Diawara, Manthia 1992. African cinema: politics & culture. Indiana University Press.
[18]
Diawara, Manthia 1992. African cinema: politics & culture. Indiana University Press.
[19]
Edwards, M. 2007. Film out of bounds. McFarland.
[20]
Eleftheriotis, Dimitris and Needham, Gary 2006. Asian cinemas: a reader and guide. Edinburgh University Press.
[21]
Fu, Poshek and Desser, David 2000. The cinema of Hong Kong: history, arts, identity. Cambridge University Press.
[22]
Ganti, Tejaswini 2004. Bollywood: a guidebook to popular Hindi cinema. Routledge.
[23]
Gokulsing, K. Moti and Dissanayake, Wimal 1998. Indian popular cinema: a narrative of cultural change. Trentham.
[24]
Gopal, Sangita and Moorti, Sujata 2008. Global Bollywood: travels of Hindi song and dance. University of Minnesota Press.
[25]
Grant, Catherine and Kuhn, Annette 2006. Screening world cinema. Routledge.
[26]
Guneratne, Anthony R. and Dissanayake, Wimal 2003. Rethinking Third Cinema. Routledge.
[27]
Hill, John et al. 2000. World cinema: critical approaches. Oxford University Press.
[28]
Hunt, Leon et al. 2008. East Asian cinemas: exploring transnational connections on film. New York.
[29]
Hunt, Leon 2003. Kung fu cult masters. Wallflower.
[30]
Khoo, Olivia et al. 2009. Futures of Chinese cinema: technologies and temporalities in Chinese screen cultures. Intellect.
[31]
Lee, Ang 2001. Crouching tiger hidden dragon. Columbia TriStar Home Entertainment.
[32]
Marchetti, Gina and See Kam, Tan 2007. Hong Kong film, Hollywood and the new global cinema: no film is an island. Routledge.
[33]
McRoy, Jay 2005. Japanese horror cinema. Edinburgh University Press.
[34]
Meaghan Morris Hong Kong Connections. Duke University Press.
[35]
Mendes, A.C. 2014. Salman Rushdie and visual culture : celebrating impurity, disrupting borders. edited by Ana Cristina Mendes. Routledge.
[36]
Mersmann, B. and Schneider, A. 2009. Transmission image : visual translation and cultural agency. Cambridge Scholars.
[37]
Nagib, Lúcia et al. 2003. The new Brazilian cinema. I.B. Tauris in Association with the Centre for Brazilian Studies, University of Oxford.
[38]
Nakata, Hideo et al. 2002. Ring. Tartan.
[39]
Pauwels, H.R.M. 2009. Indian literature and popular cinema: recasting classics. Routledge.
[40]
Pickowicz, Paul and Zhang, Yingjin 2006. From underground to independent: alternative film culture in contemporary China. Rowman & Littlefield.
[41]
Richie, Donald 2001. A hundred years of Japanese film: a concise history, with a selective guide to videos and DVDs. Kodansha International.
[42]
Roy, A.G. 2012. The magic of Bollywood : at home and abroad. SAGE Publications.
[43]
Salles, Walter et al. 2002. Central Station: Central do Brasil. Buena Vista Home Entertainment.
[44]
Schaefer, D.J. and Karan, K. 2013. Bollywood and globalisation: the global power of popular Hindi cinema. Routledge.
[45]
Sen, M. and Basu, A. eds. 2013. Figurations in Indian film. Palgrave Macmillan.
[46]
Shin, Chi-Yun and Stringer, Julian 2005. New Korean cinema. Edinburgh University Press.
[47]
Shohat, Ella and Stam, Robert 1994. Unthinking Eurocentrism: multiculturalism and the media. Routledge.
[48]
Silbergeld, Jerome 2004. Hitchcock with a Chinese face: cinematic doubles, Oedipal triangles, and China’s moral voice. University of Washington Press.
[49]
Sissako, Abderrahmane 2006. Bamako. Artificial Eye.
[50]
Skelton, Tracey and Allen, Tim 1999. Culture and global change. Routledge.
[51]
Stokes, L.O. 1999. City on fire : Hong Kong cinema. Verso.
[52]
Tapper, Richard 2002. The new Iranian cinema: politics, representation and identity. I. B. Tauris.
[53]
Teo, Stephen and British Film Institute 1997. Hong Kong cinema: the extra dimensions. BFI Publishing.
[54]
Teo, Stephen and ebrary, Inc 2009. Chinese martial arts cinema: the Wuxia tradition. Edinburgh Univ. Press.
[55]
Ukadike, Nwachukwu Frank 1994. Black African cinema. University of California Press.
[56]
Velayutham, S. 2008. Tamil cinema: the cultural politics of India’s other film industry. Routledge.
[57]
Wasserman, H. 2011. Popular media, democracy and development in Africa. Routledge.
[58]
Wayne, Mike 2001. Political film: the dialectics of third cinema. Pluto.
[59]
Yau, Ching-Mei Esther 2001. At full speed: Hong Kong cinema in a borderless world. University of Minnesota Press.
[60]
Ye, Lou 2002. Suzhou River. BBC 4.
[61]
Zhang, Yingjin 2004. Chinese national cinema. Routledge.
[62]
Zhang, Zhen 2007. The urban generation: Chinese cinema and society at the turn of the twenty-first century. Duke University Press.
[65]
Head On [2004] [DVD].
[66]
Headless Woman [DVD].
[67]
Kung Fu Hustle [DVD] [2005].
[68]
No One Knows about Persian Cats [DVD] [2009].
[69]
Oldboy (Park Chan-wook, 2003) DVD.
[70]
Queen (Vikas Bahl, 2014) DVD.
[71]
Save The Green Planet [DVD] [2003].