Bibliography for World Cinemas (FLM020N238S)

[1]
Nakata, Hideo, Suzuki, Koji, and Junichiro, Hayashi, ‘Ring’. Tartan, 2002.

[2]
Ye, Lou, ‘Suzhou River’. BBC 4, [London], 2002.

[3]
‘Kung Fu Hustle [DVD] [2005]’. [Online]. Available: http://www.amazon.co.uk/Kung-Hustle-DVD-Stephen-Chow/dp/B000AAVDGA/ref=sr_1_1?s=dvd&ie=UTF8&qid=1359129726&sr=1-1

[4]
‘No One Knows about Persian Cats [DVD] [2009]’. [Online]. Available: http://www.amazon.co.uk/One-Knows-about-Persian-Cats/dp/B003DQ1372/ref=sr_1_1?s=dvd&ie=UTF8&qid=1359129838&sr=1-1

[5]
‘Save The Green Planet [DVD] [2003]’. [Online]. Available: http://www.amazon.co.uk/Save-The-Green-Planet-DVD/dp/B0006VYF1I/ref=sr_1_1?s=dvd&ie=UTF8&qid=1359129569&sr=1-1

[6]
Sissako, Abderrahmane, ‘Bamako’. Artificial Eye, [London], 2006.

[7]
‘Head On [2004] [DVD]’. [Online]. Available: http://www.amazon.co.uk/Head-DVD-Birol-Unel/dp/B0009M9F64/ref=sr_1_1?s=dvd&ie=UTF8&qid=1359130001&sr=1-1

[8]
‘Headless Woman [DVD]’. [Online]. Available: http://www.amazon.co.uk/Headless-Woman-DVD-Maria-Onetto/dp/B003JT19QS/ref=sr_1_1?s=dvd&ie=UTF8&qid=1359130313&sr=1-1

[9]
‘Delhi Belly [DVD]’. [Online]. Available: http://www.amazon.co.uk/Delhi-Belly-DVD-Imran-Khan/dp/B006TWXOB0/ref=sr_1_1?s=dvd&ie=UTF8&qid=1359129944&sr=1-1

[10]
‘Elite Squad [DVD]’. [Online]. Available: http://www.amazon.co.uk/Elite-Squad-DVD/dp/B001KWHO92/ref=sr_1_1?s=dvd&ie=UTF8&qid=1359130274&sr=1-1

[11]
Lee, Ang, ‘Crouching tiger hidden dragon’. Columbia TriStar Home Entertainment, [U.K.], 2001.

[12]
Salles, Walter, Montenegro, Fernanda, Pera, Marília, and Oliveira, Vinícius de, ‘Central Station: Central do Brasil’. Buena Vista Home Entertainment, 2002.

[13]
Badley, Linda, Palmer, R. Barton, Schneider, Steven Jay, and NetLibrary, Inc, Traditions in world cinema, vol. Traditions in world cinema. Edinburgh: Edinburgh University Press, 2006 [Online]. Available: http://www.netLibrary.com/urlapi.asp?action=summary&v=1&bookid=175455

[14]
Diawara, Manthia, African cinema: politics & culture, vol. Blacks in the diaspora. Bloomington: Indiana University Press, 1992.

[15]
Buckland, Warren, Complex storytelling in contemporary world cinema. Oxford: Wiley-Blackwell, 2008.

[16]
Skelton, Tracey and Allen, Tim, Culture and global change. London: Routledge, 1999.

[17]
Hunt, Leon, Leung, Wing-Fai, and ebrary, Inc, East Asian cinemas: exploring transnational connections on film, vol. Tauris world cinema series. London: New York, 2008 [Online]. Available: http://site.ebrary.com/lib/roehampton/Doc?id=10267549

[18]
Shin, Chi-Yun and Stringer, Julian, New Korean cinema. Edinburgh: Edinburgh University Press, 2005.

[19]
Dennison, Stephanie and Lim, Song Hwee, Remapping world cinema: identity, culture and politics in film. London: Wallflower Press, 2006.

[20]
Chaudhuri, Shohini, Contemporary world cinema: Europe, the Middle East, East Asia and South Asia. Edinburgh: Edinburgh University Press, 2005.

[21]
Grant, Catherine and Kuhn, Annette, Screening world cinema, vol. The screen readers. London: Routledge, 2006.

[22]
Eleftheriotis, Dimitris and Needham, Gary, Asian cinemas: a reader and guide. Edinburgh: Edinburgh University Press, 2006.

[23]
Armes, Roy, Third World film making and the West. Berkeley, Calif: University of California Press, 1987.

[24]
Bordwell, David, Planet Hong Kong: popular cinema and the art of entertainment. Cambridge, Mass: Harvard University Press, 2000.

[25]
Browne, Nick, New Chinese cinemas: forms, identities, politics. Cambridge: Cambridge University Press, 1994.

[26]
Dabashi, Hamid, Close up: Iranian cinema, past, present and future. London: Verso, 2001.

[27]
Diawara, Manthia, African cinema: politics & culture, vol. Blacks in the diaspora. Bloomington: Indiana University Press, 1992.

[28]
Hill, John, Gibson, Pamela Church, Dyer, Richard, Kaplan, E. Ann, and Willemen, Paul, World cinema: critical approaches. Oxford: Oxford University Press, 2000.

[29]
Richie, Donald, A hundred years of Japanese film: a concise history, with a selective guide to videos and DVDs. Tokyo: Kodansha International, 2001.

[30]
Shohat, Ella and Stam, Robert, Unthinking Eurocentrism: multiculturalism and the media, vol. Sightlines. London: Routledge, 1994.

[31]
Tapper, Richard, The new Iranian cinema: politics, representation and identity. London: I. B. Tauris, 2002.

[32]
Teo, Stephen and British Film Institute, Hong Kong cinema: the extra dimensions. London: BFI Publishing, 1997.

[33]
Wayne, Mike, Political film: the dialectics of third cinema. London: Pluto, 2001.

[34]
McRoy, Jay, Japanese horror cinema, vol. Traditions in world cinema. Edinburgh: Edinburgh University Press, 2005.

[35]
Choi, Jinhee and ebrary, Inc, The South Korean film renaissance: local hitmakers, global provocateurs, vol. Wesleyan film. Middletown, Conn: Wesleyan University Press, 2010 [Online]. Available: http://site.ebrary.com/lib/roehampton/Doc?id=10468426

[36]
Zhang, Zhen, The urban generation: Chinese cinema and society at the turn of the twenty-first century. Durham, NC: Duke University Press, 2007 [Online]. Available: http://www.loc.gov/catdir/toc/ecip072/2006032812.html

[37]
Chow, Rey, Primitive passions: visuality, sexuality, ethnography and contemporary Chinese cinema, vol. Film and culture series. New York: Columbia University Press, 1995.

[38]
Khoo, Olivia, Metzger, Sean, and ebrary, Inc, Futures of Chinese cinema: technologies and temporalities in Chinese screen cultures. Bristol, UK: Intellect, 2009 [Online]. Available: http://site.ebrary.com/lib/roehampton/Doc?id=10354166

[39]
Pickowicz, Paul and Zhang, Yingjin, From underground to independent: alternative film culture in contemporary China, vol. Asia/Pacific/perspective. Lanham, Md: Rowman & Littlefield, 2006 [Online]. Available: http://www.loc.gov/catdir/toc/ecip0610/2006009574.html

[40]
Silbergeld, Jerome, Hitchcock with a Chinese face: cinematic doubles, Oedipal triangles, and China’s moral voice. Seattle, Wash: University of Washington Press, 2004.

[41]
Zhang, Yingjin, Chinese national cinema, vol. National cinemas series. New York: Routledge, 2004 [Online]. Available: http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203645833

[42]
Fu, Poshek and Desser, David, The cinema of Hong Kong: history, arts, identity. Cambridge: Cambridge University Press, 2000.

[43]
Hunt, Leon, Kung fu cult masters. London: Wallflower, 2003.

[44]
Marchetti, Gina and See Kam, Tan, Hong Kong film, Hollywood and the new global cinema: no film is an island, vol. Media, culture and social change in Asia. London: Routledge, 2007 [Online]. Available: http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203967362

[45]
Meaghan Morris, Hong Kong Connections. Duke University Press.

[46]
Teo, Stephen and ebrary, Inc, Chinese martial arts cinema: the Wuxia tradition, vol. Traditions in world cinema. Edinburgh: Edinburgh Univ. Press, 2009 [Online]. Available: http://site.ebrary.com/lib/roehampton/Doc?id=10288224

[47]
Yau, Ching-Mei Esther, At full speed: Hong Kong cinema in a borderless world. Minneapolis: University of Minnesota Press, 2001.

[48]
Guneratne, Anthony R. and Dissanayake, Wimal, Rethinking Third Cinema. London: Routledge, 2003.

[49]
Ganti, Tejaswini, Bollywood: a guidebook to popular Hindi cinema, vol. Routledge film guidebooks. New York: Routledge, 2004.

[50]
Gokulsing, K. Moti and Dissanayake, Wimal, Indian popular cinema: a narrative of cultural change. Stoke-on-Trent: Trentham, 1998.

[51]
Gopal, Sangita and Moorti, Sujata, Global Bollywood: travels of Hindi song and dance. Minneapolis, Minn: University of Minnesota Press, 2008.

[52]
Arslan, Savas, Cinema in Turkey: a new critical history. New York: Oxford University Press, 2010.

[53]
Ukadike, Nwachukwu Frank, Black African cinema. Berkeley: University of California Press, 1994.

[54]
Nagib, Lúcia, University of Oxford, and ebrary, Inc, The new Brazilian cinema. London: I.B. Tauris in Association with the Centre for Brazilian Studies, University of Oxford, 2003 [Online]. Available: http://site.ebrary.com/lib/roehampton/Doc?id=10133076

[55]
‘Oldboy (Park Chan-wook, 2003) DVD’. [Online]. Available: http://www.amazon.co.uk/Oldboy-DVD-Choi-Min-Sik/dp/B0006GVJLM/ref=sr_1_3?ie=UTF8&qid=1413296988&sr=8-3&keywords=oldboy

[56]
‘Queen (Vikas Bahl, 2014) DVD’. [Online]. Available: http://www.amazon.co.uk/QUEEN-BOLLYWOOD-FEATURES-Kangana-Ranaut/dp/B00JXOU5DG/ref=sr_1_11?s=dvd&ie=UTF8&qid=1413297157&sr=1-11&keywords=queen

[57]
J. Beller, Acquiring Eyes. Metro Manila: Ateneo de Manila University Press, 2008.

[58]
D. J. Schaefer and K. Karan, Bollywood and globalisation: the global power of popular Hindi cinema, vol. Routledge contemporary South Asia series. London: Routledge, 2013 [Online]. Available: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203085141

[59]
L. O. Stokes, City on fire : Hong Kong cinema. London: Verso, 1999.

[60]
D. W. Davis, East Asian screen industries. London, UK: BFI, 2008.

[61]
M. Atkinson, Exile cinema: filmmakers at work beyond Hollywood. Albany: State University of New York Press.

[62]
M. Sen and A. Basu, Eds., Figurations in Indian film. Houndmills, Basingstoke, Hampshire [England]: Palgrave Macmillan, 2013.

[63]
M. Edwards, Film out of bounds. Jefferson, N.C.: McFarland, 2007.

[64]
H. R. M. Pauwels, Indian literature and popular cinema: recasting classics, Digital printing., vol. 6. London: Routledge, 2009.

[65]
A. G. Roy, The magic of Bollywood : at home and abroad. New Delhi: SAGE Publications, 2012.

[66]
P. (EDT) Barrot, Nollywood : the video phenomenon in Nigeria, Revised English ed. Bloomington, IN: Indiana University Press, 2008.

[67]
H. Wasserman, Popular media, democracy and development in Africa, vol. Internationalizing media studies. London: Routledge, 2011.

[68]
A. C. Mendes, Salman Rushdie and visual culture : celebrating impurity, disrupting borders. edited by Ana Cristina Mendes. London: Routledge, 2014.

[69]
S. Velayutham, Tamil cinema: the cultural politics of India’s other film industry, 1. publ., vol. 14. London: Routledge, 2008.

[70]
B. Mersmann and A. Schneider, Transmission image : visual translation and cultural agency. Newcastle upon Tyne: Cambridge Scholars, 2009.

[71]
C. Della Coletta, When stories travel : cross-cultural encounters between fiction and film. Baltimore: Johns Hopkins University Press, 2012.

Bibliography for World Cinemas (FLM020N238S) BETA