[1]
Abbotson, Susan C. W. and ebrary, Inc 2000. Student companion to Arthur Miller. Greenwood Press.
[2]
Allderidge, Patricia and Tate Gallery 1974. The late Richard Dadd, 1817-1886. Tate Gallery Publications.
[3]
Anderson, Carolyn and Benson, Thomas W. 1991. Documentary dilemmas: Frederick Wiseman’s Titicut Follies. Southern Illinois University Press.
[4]
Annas, Pamela J. 1988. A disturbance in mirrors: the poetry of Sylvia Plath. Greenwood.
[5]
Anthony W. Clare and Richard Webster Freud (Great Philosophers). Weidenfeld & Nicolson.
[6]
Auping, Michael et al. 2003. Philip Guston retrospective. Thames & Hudson.
[7]
Barr, Alfred H. et al. 1968. Fantastic Art, Dada, Surrealism. Arno Press.
[8]
Bennett, A. 1992. The madness of George III. Faber.
[9]
Bennett, Edward and Arts Council of Great Britain 1976. Hogarth. Arts Council of Great Britain.
[10]
Bergman, I. 1992. Through a glass darkly. Channel 4.
[11]
Bergman, I. 1992. Through a glass darkly. Channel 4.
[12]
Bigsby, C. W. E. 1984. A critical introduction to twentieth-century American drama. Cambridge University Press.
[13]
Bigsby, C. W. E. 1997. The Cambridge companion to Arthur Miller. Cambridge University Press.
[14]
Bindman, David et al. 1997. Hogarth and his times: serious comedy. Published for the Trustees of the British Museum by British Museum Press in association with the Parnassus Foundation.
[15]
Breton, André and Rosemont, Franklin 1978. What is surrealism?: selected writings (of) André Breton. Pluto Press.
[16]
Brontë, C. 199AD. Jane Eyre. Project Gutenberg.
[17]
Brontë, C. and ebrary, Inc 2001. Jane Eyre. Electric Book Co.
[18]
Brontë, C. and ebrary, Inc 2001. Jane Eyre. Electric Book Co.
[19]
Brontë, C. and Stevenson, R. 2007. Jane Eyre. Channel 4.
[20]
Brontë, Charlotte and Smith, Margaret 1998. Jane Eyre. Oxford University Press.
[21]
Brontë, Charlotte and Stevenson, Robert 1998. Jane Eyre. BBC2.
[22]
Brontë, Charlotte and White, Susanna 2006. Jane Eyre. BBC1.
[23]
Brook, Peter and Brook, Peter 2002. Evoking (and forgetting) Shakespeare. Nick Hern.
[24]
Campion, J. and Frame, J. 1995. An angel at my table. Channel 4.
[25]
Carson, N. 1982. The Crucible. Arthur Miller. Macmillan. 60–76.
[26]
Carson, Neil 1982. Arthur Miller. Macmillan.
[27]
Chadwick, Whitney 1985. Women artists and the Surrealist Movement. Thames and Hudson.
[28]
Charlotte Brontë 2001. Jane Eyre. Norton.
[29]
Chesler, Phyllis 1972. Women and madness. Avon.
[30]
Corrigan, Robert W. 1969. Arthur Miller: a collection of critical essays. Prentice-Hall.
[31]
Cukor, G. 1998. Gaslight. BBC2.
[32]
Cukor, George 1998. Gaslight. Channel 4.
[33]
Davis, Derek Russell and NetLibrary, Inc 1995. Scenes of madness: a psychiatrist at the theatre. Routledge.
[34]
Dunn, S. et al. 1996. Mind readings: writers’ journeys through mental states. Minerva.
[35]
Dunn, Sara et al. 1996. Mind readings: writers’ journeys through mental states. Minerva.
[36]
Edward Butscher Sylvia Plath: Method and Madness. Schaffner Press.
[37]
Edwards, B. 1988. Drawing on the artist within: a guide to innovation, invention, imagination and creativity. HarperCollins.
[38]
Edwards, B. 1995. Drawing Out Insight. Drawing on the artist within: a guide to innovation, invention, imagination and creativity. HarperCollins. 66–95.
[39]
Edwards, Betty 1988. Drawing on the artist within: a guide to innovation, invention, imagination and creativity. HarperCollins.
[40]
Eigen, Joel Peter 1995. Witnessing insanity: madness and mad-doctors in the English court. Yale University Press.
[41]
Ester Coen Metaphysica. Electa.
[42]
Feder, L. 1980. Madness in literature. Princeton University Press.
[43]
Feder, Lillian 1980. Madness in literature. Princeton University Press.
[44]
Feder, Lillian 1980. Madness in literature. Princeton University Press.
[45]
Felstiner, Mary Lowenthal 1997. To paint her life: Charlotte Salomon in the Nazi era. University of California Press.
[46]
Fer, Briony 1993. Surrealism, myth and psychoanalysis. Realism, rationalism, surrealism: art between the wars, pp.171–180, (1993).
[47]
Forman, M. and Kesey, K. 1995. One flew over the cuckoo’s nest. BBC.
[48]
Foucault, M. 2001. Madness and civilization: a history of insanity in the Age of Reason. Routledge.
[49]
Frame, J. et al. 1990. An autobiography. Women’s.
[50]
Freud, S. and Crick, J. 1999. The interpretation of dreams. (1999).
[51]
Freud, Sigmund et al. 1976. The interpretation of dreams. Penguin Books.
[52]
Freud, Sigmund and Breuer, Josef 2004. Studies in hysteria. Penguin.
[53]
Galloway, David 1970. The absurd hero in American fiction: Updike, Styron, Bellow, Salinger. University of Texas Press.
[54]
Gaunt, William 1972. The surrealists. Thames and Hudson.
[55]
George Rosen Madness in Society. Univ of Chicago Pr (Tx).
[56]
Gilbert, S.M. et al. 2000. The madwoman in the attic: the woman writer and the nineteenth-century literary imagination. Yale Nota Bene.
[57]
Gilbert, S.M. et al. 2000. The madwoman in the attic: the woman writer and the nineteenth-century literary imagination. Yale Nota Bene.
[58]
Gillray, James and Hill, Draper 1966. Fashionable contrasts: caricatures by James Gillray. Phaidon Press.
[59]
Godard, Jean-Luc et al. 1989. King Lear. Swiss TV.
[60]
Gogol’, N. V. and Wilks, Ronald 1972. Diary of a madman, and other stories. Penguin.
[61]
Green, V. 2005. Mad George. The madness of kings. Sutton. 215-234-342–344.
[62]
Green, V. H. H. 1993. The madness of kings: personal trauma and the fate of nations. Alan Sutton.
[63]
Green, V. H. H. 1993. The madness of kings: personal trauma and the fate of nations. Alan Sutton.
[64]
Green, V.H.H. 2005. The madness of kings. Sutton.
[65]
Gussow, Mel 2001. Conversations with Miller. Nick Hern.
[66]
Halio, Jay L. and ebrary, Inc 2001. King Lear: a guide to the play. Greenwood Press.
[67]
Hamilton, Ian 1988. In search of J.D. Salinger. Heinemann.
[68]
Hanly, Francis 2001. Surreal film. BBC 2.
[69]
Hawthorn, J. 1983. The Bell Jar and the Larger Things: Sylvia Plath. Multiple personality and the disintegration of literary character: from Oliver Goldsmith to Sylvia Plath. Edward Arnold. 117–134.
[70]
Hawthorn, Jeremy 1983. Multiple personality and the disintegration of literary character: from Oliver Goldsmith to Sylvia Plath. Edward Arnold.
[71]
Hayman, Ronald 1973. Arthur Miller. Heinemann.
[72]
Heller, Reinhold 1973. Edvard Munch: ‘The scream’. Allen Lane.
[73]
Hill, Draper 1965. Mr.Gillray the caricaturist: a biography with 147 illustrations. Phaidon.
[74]
Hitchcock, A. et al. 2000. Vertigo. Columbia Tristar Home Video.
[75]
Hitchcock, Alfred 2003. Psycho. Universal.
[76]
Hopkins, David 2004. Dada and Surrealism: a very short introduction. Oxford University Press.
[77]
Howard, R. 2002. A beautiful mind. Dreamworks Home Entertainment.
[78]
Hytner, N. and Bennett, A. 2007. The madness of King George. Channel 4.
[79]
Irish Museum of Modern Art et al. 2006. Inner worlds outside. Irish Museum of Modern Art.
[80]
Jaffa, H.V. 1957. The Limits of Politics: An Interpretation of King Lear, Act I, Scene 1. American Political Science Review. 51, 02 (Jun. 1957), 405–427. DOI:https://doi.org/10.2307/1952200.
[81]
Jay, M. 2016. This way madness lies : the asylumand beyond. Thames & Hudson.
[82]
Johnson, Terry 1995. Hysteria: or fragments of an analysis of an obsessional neurosis. Methuen Drama in association with the Royal Court Theatre.
[83]
Johnson, Terry 1998. Plays 2. Methuen Drama.
[84]
Jung, C. G. 1978. Man and his symbols. Pan Books.
[85]
Jung, C.G. and Franz, M.-L. von 1968. Man and his symbols. Dell.
[86]
Kachur, Lewis 2001. Displaying the marvelous: Marcel Duchamp, Salvador Dalí, and surrealist exhibition installations. MIT.
[87]
King Lear, Spark Notes are available on the Internet: http://www.sparknotes.com/shakespeare/lear: .
[88]
Koster, H. 2002. Harvey. ITV1.
[89]
Koster, Henry 2002. Harvey. ITV1.
[90]
Kromm, Jane 2002. The art of frenzy: public madness in the visual culture, 1500-1850. Continuum.
[91]
Kuenzli, Rudolf E. 1996. Dada and surrealist film. MIT Press.
[92]
Laing, R. D. and ebrary, Inc 1999. The divided self: an existential study in sanity and madness. Routledge.
[93]
Laing, R. D. and Laing, R. D. 1990. The politics of experience: and, The bird of paradise. Penguin.
[94]
Laser, Marvin and Fruman, Norman Studies in J. D. Salinger, reviews, essays, and critiques of The catcher in the rye, and other fiction. Odyssey Press.
[95]
Lauer, D.A. 1990. Design basics. Holt, Rinehart, and Winston.
[96]
Lawson, J. 2016. Furiously happy : a funny book about horrible things. Jenny Lawson. Picador.
[97]
Lawson, J. 2013. Let’s pretend this never happened : (a mostly true memoir). Jenny Lawson, the Bloggess. Picador.
[98]
Lidz, Theodore 1976. Hamlet’s enemy: madness and myth in ‘Hamlet’. Vision Press.
[99]
Litvak, A. 1997. The snake pit. Channel4.
[100]
Litvak, Anatole 1997. The snake pit. Channel4.
[101]
Lomas, David 2000. The haunted self: surrealism, psychoanalysis, subjectivity. Yale University Press.
[102]
Lubin, Albert J. Stranger on the earth; a psychological biography of Vincent van Gogh. Holt, Rinehart Winston.
[103]
Lunacy and Mad Doctors | Psychology Today UK: https://www.psychologytoday.com/gb/blog/lunacy-and-mad-doctors.
[104]
MacGregor, John M. 1989. The discovery of the art of the insane. Princeton University Press.
[105]
Marcus, Laura 1999. Sigmund Freud’s the interpretation of dreams: new interdisciplinary essays. Manchester University Press.
[106]
Marsh, Jan et al. 1998. Pre-Raphaelite women artists. Thames & Hudson.
[107]
Marsh, Jan 1987. Pre-Raphaelite women: images of femininity in pre-Raphaelite art. Weidenfeld & Nicolson.
[108]
Matthews, J. H. 1977. The imagery of surrealism. Syracuse University Press.
[109]
Miller, A. 1994. Broken glass. Methuen Drama.
[110]
Miller, Arthur 1994. Broken glass. Methuen Drama.
[111]
Miller, Arthur 1968. The crucible: a play in four acts. Penguin.
[112]
Miller, Arthur 2000. The Crucible in history and other essays. Methuen.
[113]
Miller, Arthur 1987. Timebends: a life. Methuen.
[114]
Miller, Arthur and Centola, Steve 2000. Echoes down the corridor: collected essays, 1944-2000. Methuen.
[115]
Miller, Arthur and Miller, Arthur 1961. A view from the bridge: All my sons. Penguin Books.
[116]
Miller, James E. and ebrary, Inc 1965. J.D. Salinger. University of Minnesota Press.
[117]
Minnelli, Vincente 1999. Lust for life. Channel 4.
[118]
Muir, K. 1982. Madness in King Lear. Aspects of King Lear: articles reprinted from Shakespeare survey. Cambridge University Press. 23–33.
[119]
Muir, K. and Wells, S. 1982. Aspects of King Lear: articles reprinted from Shakespeare survey. Cambridge University Press.
[120]
Nettle, Daniel 2002. Strong imagination: madness, creativity and human nature. Oxford University Press.
[121]
Packard, V. 1991. So Ad Men Become Depth Men. The hidden persuaders. Penguin. 27–37.
[122]
Penfold, S.P. and Walker, G.A. 1984. Woman: The Universal Scapegoat. Women and the psychiatric paradox. Open University Press. 59-91-257–262.
[123]
Pialat, Maurice 1992. Van Gogh. Artificial Eye.
[124]
Plath, Sylvia et al. 1981. Collected poems. Faber.
[125]
Plath, Sylvia The bell jar. Faber.
[126]
Porter, R. 2003. Madness: a brief history. Oxford University Press.
[127]
Porter, Roy 1989. A social history of madness: stories of the insane. Weidenfeld and Nicolson.
[128]
Porter, Roy 1991. English society in the eighteenth century. Penguin.
[129]
Porter, Roy 1987. Mind-forg’d manacles: a history of madness in England from the Restoration to the Regency. Athlone.
[130]
Porter, Roy et al. 1985. The anatomy of madness: essays in the history of psychiatry. Tavistock.
[131]
Porter, Roy 1991. The Faber book of madness. Faber and Faber.
[132]
Rebello, Stephen 1990. Alfred Hitchcock and the making of Psycho. Boyars.
[133]
Redmond, James 1993. Madness in drama. Cambridge University Press.
[134]
Rego, Paula and Marlborough Fine Art (London) Ltd 2003. Jane Eyre and other stories. Marlborough Fine Art (London).
[135]
Robert McCrum 2013. The 100 best novels: No 12 – Jane Eyre by Charlotte Brontë (1847). Guardian. (Dec. 2013).
[136]
Rose, Jacqueline 1991. The haunting of Sylvia Plath. Virago.
[137]
Rosoff, M. 2005. How I live now. Penguin.
[138]
Rowland, Antony 2005. Holocaust poetry: awkward poetics in the work of Sylvia Plath, Geoffrey Hill, Tony Harrison and Ted Hughes. Edinburgh University Press.
[139]
Russell, Anita et al. The Crucible: study guide. Film Education.
[140]
Russell, D. 1995. Contrasting Feminist Philosophies of Women and Madness: Oppression and Repression. Women, madness and medicine. Polity Press. 112-126-183–185.
[141]
Salinger, J. D. 1953. For Esmé - with love and squalor: and other stories. Hamilton.
[142]
Salinger, J. D. 1962. Franny and Zooey. Heinemann.
[143]
Salinger, J. D. 1994. The catcher in the rye. Penguin.
[144]
Salinger, J. D. and Salinger, J. D. 1963. Raise high the roof beam, carpenters: and, Seymour, an introduction. Heinemann.
[145]
Salkeld, Duncan 1993. Madness and drama in the age of Shakespeare. Manchester University Press.
[146]
Salomon, Charlotte and Royal Academy of Arts 1998. Life? or theatre?. Royal Academy of Arts.
[147]
Salzman, Jack 1991. New essays on The Catcher in the Rye. Cambridge University Press.
[148]
Sayer, Karen 1998. Jane Eyre, Charlotte Brontë: notes. Longman.
[149]
Sayer, Paul 1988. The comforts of madness. Constable.
[150]
Schlueter, June 1995. Dramatic closure: reading the end. Associated University Presses.
[151]
Scull, Andrew T. 1982. Museums of madness: the social organization of insanity in nineteenth-century England. Penguin.
[152]
Shakespeare, W. et al. 2005. King Lear. BBC Worldwide.
[153]
Shakespeare, W. et al. 2005. King Lear. BBC Worldwide.
[154]
Shakespeare, W. and Brook, P. 1994. King Lear. BSkyB.
[155]
Shakespeare, W. and Kozintsev, G.M. 2007. King Lear. Facets Video.
[156]
Shakespeare, William et al. 2005. King Lear. BBC Worldwide.
[157]
Shakespeare, William and Brook, Peter 1994. King Lear. BSkyB.
[158]
Shakespeare, William and Brook, Peter 1994. King Lear. BSkyB.
[159]
Shakespeare, William and Brook, Peter 1994. King Lear. BSkyB.
[160]
Shakespeare, William and Foakes, R. A. 1997. King Lear. Nelson.
[161]
Shakespeare, William and Foakes, R. A. 1997. King Lear. Nelson.
[162]
Shakespeare, William and Foakes, R. A. 1997. King Lear. Nelson.
[163]
Shakespeare, William and Kozintsev, Grigoriĭ 1997. King Lear. Tartan Video.
[164]
Shakespeare, William and Kozintsev, Grigoriĭ 1997. King Lear. Tartan Video.
[165]
Shapiro, J. 2016. 1606 : Shakespeare and the year of Lear. Faber & Faber.
[166]
Showalter, E. 1986. The female malady: women, madness, and culture in England, 1830-1980. Pantheon Books.
[167]
Showalter, E. 1987. Women and Psychiatric Modernism. The female malady: women, madness, and culture in England, 1830-1980. Pantheon Books. 195-219-280–284.
[168]
Showalter, Elaine 1987. The female malady: women, madness, and English culture, 1830-1980. Virago.
[169]
Skultans, Vieda 1975. Madness and morals: ideas on insanity in the nineteenth century. Routledge and Kegan Paul.
[170]
Small, Helen 1996. Love’s madness: medicine, the novel, and female insanity, 1800-1865. Clarendon Press.
[171]
Snowden, Ruth 2006. Freud. Contemporary.
[172]
Sontag, Susan and Sontag, Susan 2002. Illness as metaphor: and, AIDS and its metaphors. Penguin.
[173]
Stevenson, Anne 1989. Bitter fame: a life of Sylvia Plath. Viking.
[174]
Stone, Irving 1935. Lust for life: a life of Vincent van Gogh. Bodley Head.
[175]
Storr, Anthony 2001. Freud: a very short introduction. Oxford University Press.
[176]
Swales, Peter 1995. Bad ideas of the 20th century: Freudism. Channel 4.
[177]
Swales, Peter 1995. Bad ideas of the 20th century: Freudism. Channel 4.
[178]
Szasz, Thomas 1971. The manufacture of madness: a comparative study of the Inquisition and the Mental Health Movement. Routledge and K. Paul.
[179]
Tashjian, Dickran 1995. A Boatload of madmen: surrealism and the American avant-garde, 1920-1950. Thames & Hudson.
[180]
Thacker, D. and Miller, A. 1997. Broken glass. BBC.
[181]
Thacker, David and Miller, Arthur 1997. Broken glass. BBC.
[182]
The element of social tragedy in King Lear - World Socialist Web Site: https://www.wsws.org/en/articles/2002/11/lear-n21.html.
[183]
Ussher, J. 1991. Dissension and Revolt: Antipsychiatry and psychopolitics. Women’s madness: misogyny or mental illness? Harvester Wheatsheaf. 129–159.
[184]
Ussher, J.M. 1991. Women’s madness: misogyny or mental illness? Harvester Wheatsheaf.
[185]
Van Sant, G. 2002. Psycho. BBC1.
[186]
Walker, John A. 1981. Van Gogh studies: five critical essays. JAW.
[187]
Webster, Richard 1996. Why Freud was wrong: sin, science and psychoanalysis. HarperCollins.
[188]
William Styron Darkness Visible. Modern Library.
[189]
Winterson, J. 2014. Oranges are not the only fruit. Vintage Books.
[190]
Winterson, J. 2012. Why be happy when you could be normal?. Vintage.
[191]
Wiseman, Frederick 1993. Titicut follies. BBC 2.
[192]
Wu, Duncan 2000. Making plays: interviews with contemporary British dramatists and their directors. Macmillan.
[193]
Zeffirelli, F. and Brontë, C. 1998. Jane Eyre. Sky Movies.
[194]
Zeffirelli, Franco and Brontë, Charlotte 1998. Jane Eyre. Sky Movies.
[195]
An introduction to Wide Sargasso Sea.
[196]
BBC Radio 4 - Mad Houses.
[197]
2001. Culture fix: Surrealism on film. BBC Knowledge.
[198]
1990. Holden Caulfield. Chelsea House Publishers.
[199]
Paradoxical Undressing: Amazon.co.uk: Kristin Hersh: Books.
[200]
Partridge, C. (1971) The Crucible (Arthur Miller), Oxford : Blackwell, 812.52/MIL/PAR (1 x copy).
[201]
Shakespeare, W. edited by R. A. Foakes (1997) King Lear,  (The Arden Shakespeare) Walton-on-Thames: Nelson,  822.33/SHA.
[202]
The Madness of King George (Nicholas Hytner 1995) Based on the play ‘The Madness of George III’ by Alan Bennett.
[203]
The Madness of King George [Videorecording] (Nicholas Hytner 1995)  [U.K.] : Channel Four, 1996  (791.4372) Based on the play ‘The madness of George III’ by Alan Bennett.
[204]
Vincent: The Life and Death of Vincent Van Gogh,  (film by Paul Cox, Channel 4, 1994)  Media Collection  791.4372/COX (1x copy Reference).