[1]
Shakespeare, William and Foakes, R. A., King Lear, [New ed.]., vol. The Arden Shakespeare. Walton-on-Thames: Nelson, 1997 [Online]. Available: https://www-dramaonlinelibrary-com.roe.idm.oclc.org/playtext-overview?docid=do-9781408160268&tocid=do-9781408160268-div-00000006
[2]
‘The element of social tragedy in King Lear - World Socialist Web Site’. [Online]. Available: https://www.wsws.org/en/articles/2002/11/lear-n21.html
[3]
J. Shapiro, 1606 : Shakespeare and the year of Lear, Main. London: Faber & Faber, 2016.
[4]
Brontë, Charlotte and Smith, Margaret, Jane Eyre, vol. Oxford world’s classics. Oxford: Oxford University Press, 1998.
[5]
C. Brontë, Jane Eyre. Champaign, Ill: Project Gutenberg, 199AD.
[6]
C. Brontë and ebrary, Inc, Jane Eyre. London: Electric Book Co, 2001 [Online]. Available: http://site.ebrary.com/lib/roehampton/Doc?id=2001733
[7]
R. Porter, Madness: a brief history. Oxford: Oxford University Press, 2003.
[8]
M. Foucault, Madness and civilization: a history of insanity in the Age of Reason. London: Routledge, 2001.
[9]
L. Feder, Madness in literature. Princeton: Princeton University Press, 1980.
[10]
J. M. Ussher, Women’s madness: misogyny or mental illness? New York: Harvester Wheatsheaf, 1991.
[11]
Shakespeare, William and Foakes, R. A., King Lear, [New ed.]., vol. The Arden Shakespeare. Walton-on-Thames: Nelson, 1997 [Online]. Available: https://www-dramaonlinelibrary-com.roe.idm.oclc.org/playtext-overview?docid=do-9781408160268&tocid=do-9781408160268-div-00000006
[12]
W. Shakespeare, J. Miller, British Broadcasting Corporation, and BBC Worldwide Ltd, ‘King Lear’, vol. 16. BBC Worldwide, London, 2005.
[13]
W. Shakespeare and P. Brook, ‘King Lear’. BSkyB, [UK], 1994.
[14]
W. Shakespeare and G. M. Kozintsev, ‘King Lear’. Facets Video, [U.K.], 2007.
[15]
W. Shakespeare, J. Miller, British Broadcasting Corporation, and BBC Worldwide Ltd, ‘King Lear’, vol. 16. BBC Worldwide, London, 2005.
[16]
H. V. Jaffa, ‘The Limits of Politics: An Interpretation of King Lear, Act I, Scene 1.’, American Political Science Review, vol. 51, no. 02, pp. 405–427, Jun. 1957, doi: 10.2307/1952200.
[17]
Halio, Jay L. and ebrary, Inc, King Lear: a guide to the play, vol. Greenwood guides to Shakespeare. Westport, Conn: Greenwood Press, 2001.
[18]
Green, V. H. H., The madness of kings: personal trauma and the fate of nations. Stroud: Alan Sutton, 1993.
[19]
Lidz, Theodore, Hamlet’s enemy: madness and myth in ‘Hamlet’. London: Vision Press, 1976.
[20]
Redmond, James, Madness in drama, vol. Themes in drama. Cambridge: Cambridge University Press, 1993.
[21]
Salkeld, Duncan, Madness and drama in the age of Shakespeare. Manchester: Manchester University Press, 1993.
[22]
Shakespeare, W. edited by R. A. Foakes (1997) King Lear, (The Arden Shakespeare) Walton-on-Thames: Nelson, 822.33/SHA. .
[23]
Shakespeare, William and Brook, Peter, ‘King Lear’. BSkyB, [UK], 1994.
[24]
Shakespeare, William and Brook, Peter, ‘King Lear’. BSkyB, [UK], 1994.
[25]
Shakespeare, William, Miller, Jonathan, British Broadcasting Corporation, and BBC Worldwide Ltd, ‘King Lear’, vol. The Shakespeare collection. BBC Worldwide, London, 2005.
[26]
Shakespeare, William and Kozintsev, Grigoriĭ, ‘King Lear’. Tartan Video, [U.K.], 1997.
[27]
Brook, Peter and Brook, Peter, Evoking (and forgetting) Shakespeare, 2nd ed., vol. Dramatic contexts. London: Nick Hern, 2002.
[28]
‘King Lear, Spark Notes are available on the Internet: http://www.sparknotes.com/shakespeare/lear’. .
[29]
Shakespeare, William and Kozintsev, Grigoriĭ, ‘King Lear’. Tartan Video, [U.K.], 1997.
[30]
Shakespeare, William and Brook, Peter, ‘King Lear’. BSkyB, [UK], 1994.
[31]
Godard, Jean-Luc, Sellars, Peter, and Allen, Woody, ‘King Lear’. Swiss TV, [Switzerland?], 1989.
[32]
Shakespeare, William and Foakes, R. A., King Lear, [New ed.]., vol. The Arden Shakespeare. Walton-on-Thames: Nelson, 1997 [Online]. Available: https://www-dramaonlinelibrary-com.roe.idm.oclc.org/playtext-overview?docid=do-9781408160268&tocid=do-9781408160268-div-00000006
[33]
K. Muir, ‘Madness in King Lear’, in Aspects of King Lear: articles reprinted from Shakespeare survey, Cambridge: Cambridge University Press, 1982, pp. 23–33 [Online]. Available: https://contentstore.cla.co.uk//secure/link?id=9dcb0204-4d86-e611-80c6-005056af4099
[34]
K. Muir and S. Wells, Aspects of King Lear: articles reprinted from Shakespeare survey. Cambridge: Cambridge University Press, 1982.
[35]
A. Bennett, The madness of George III. London: Faber, 1992 [Online]. Available: http://dx.doi.org/10.5040/9780571289660.10000006
[36]
N. Hytner and A. Bennett, ‘The madness of King George’. Channel 4, [London], 2007.
[37]
V. Green, ‘Mad George’, in The madness of kings, New ed., Stroud: Sutton, 2005, pp. 215-234-342–344 [Online]. Available: https://contentstore.cla.co.uk//secure/link?id=eb6db5d8-4c86-e611-80c6-005056af4099
[38]
V. H. H. Green, The madness of kings, New ed. Stroud: Sutton, 2005.
[39]
Feder, Lillian, Madness in literature. Guildford: Princeton University Press, 1980.
[40]
‘The Madness of King George (Nicholas Hytner 1995) Based on the play “The Madness of George III” by Alan Bennett’. .
[41]
Eigen, Joel Peter, Witnessing insanity: madness and mad-doctors in the English court. London: Yale University Press, 1995.
[42]
Green, V. H. H., The madness of kings: personal trauma and the fate of nations. Stroud: Alan Sutton, 1993.
[43]
Porter, Roy, English society in the eighteenth century, Rev. ed., vol. The Penguin social history of Britain. London: Penguin, 1991.
[44]
Porter, Roy, Mind-forg’d manacles: a history of madness in England from the Restoration to the Regency. London: Athlone, 1987.
[45]
‘The Madness of King George [Videorecording] (Nicholas Hytner 1995) [U.K.] : Channel Four, 1996 (791.4372) Based on the play “The madness of George III” by Alan Bennett’. .
[46]
C. Brontë and ebrary, Inc, Jane Eyre. London: Electric Book Co, 2001 [Online]. Available: http://site.ebrary.com/lib/roehampton/Doc?id=2001733
[47]
C. Brontë and R. Stevenson, ‘Jane Eyre’. Channel 4, [U.K.], 2007.
[48]
F. Zeffirelli and C. Brontë, ‘Jane Eyre’. Sky Movies, [London], 1998.
[49]
E. Showalter, The female malady: women, madness, and culture in England, 1830-1980. New York: Pantheon Books, 1986.
[50]
Robert McCrum, ‘The 100 best novels: No 12 – Jane Eyre by Charlotte Brontë (1847)’, Guardian, Dec. 2013 [Online]. Available: https://www.theguardian.com/books/2013/dec/09/100-best-novels-jane-eyre
[51]
‘Lunacy and Mad Doctors | Psychology Today UK’. [Online]. Available: https://www.psychologytoday.com/gb/blog/lunacy-and-mad-doctors
[52]
S. M. Gilbert, S. Gubar, and ebrary, Inc, The madwoman in the attic: the woman writer and the nineteenth-century literary imagination. New Haven: Yale Nota Bene, 2000 [Online]. Available: https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=3421136
[53]
‘An introduction to Wide Sargasso Sea’ [Online]. Available: https://www.bl.uk/20th-century-literature/articles/an-introduction-to-wide-sargasso-sea
[54]
Charlotte Brontë, Jane Eyre. New York, N.Y: Norton, 2001.
[55]
Chesler, Phyllis, Women and madness. New York: Avon, 1972.
[56]
S. M. Gilbert, S. Gubar, and ebrary, Inc, The madwoman in the attic: the woman writer and the nineteenth-century literary imagination. New Haven: Yale Nota Bene, 2000 [Online]. Available: https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=3421136
[57]
Gogol’, N. V. and Wilks, Ronald, Diary of a madman, and other stories, vol. Penguin classics. Harmondsworth: Penguin, 1972.
[58]
Marsh, Jan, Nunn, Pamela Gerrish, Manchester City Art Gallery, Birmingham Museums and Art Gallery, and Southampton Art Gallery, Pre-Raphaelite women artists. London: Thames & Hudson, 1998.
[59]
Sayer, Karen, Jane Eyre, Charlotte Brontë: notes, vol. York notes. Harlow: Longman, 1998.
[60]
Marsh, Jan, Pre-Raphaelite women: images of femininity in pre-Raphaelite art. London: Weidenfeld & Nicolson, 1987.
[61]
Rego, Paula and Marlborough Fine Art (London) Ltd, Jane Eyre and other stories. London: Marlborough Fine Art (London), 2003.
[62]
Showalter, Elaine, The female malady: women, madness, and English culture, 1830-1980. London: Virago, 1987.
[63]
Small, Helen, Love’s madness: medicine, the novel, and female insanity, 1800-1865. Oxford: Clarendon Press, 1996.
[64]
Skultans, Vieda, Madness and morals: ideas on insanity in the nineteenth century. London (etc.): Routledge and Kegan Paul, 1975.
[65]
Scull, Andrew T., Museums of madness: the social organization of insanity in nineteenth-century England. Harmondsworth: Penguin, 1982.
[66]
Brontë, Charlotte and Stevenson, Robert, ‘Jane Eyre’. BBC2, London, 1998.
[67]
Zeffirelli, Franco and Brontë, Charlotte, ‘Jane Eyre’. Sky Movies, [London], 1998.
[68]
Brontë, Charlotte and White, Susanna, ‘Jane Eyre’. BBC1, London, 2006.
[69]
‘BBC Radio 4 - Mad Houses’. [Online]. Available: https://www.bbc.co.uk/programmes/b01r0dyg
[70]
M. Jay, This way madness lies : the asylumand beyond. London: Thames & Hudson, 2016.
[71]
Auping, Michael, Ashton, Dore, Auping, Michael, San Francisco Museum of Modern Art, Metropolitan Museum of Art, and Royal Academy of Arts, Philip Guston retrospective. Fort Worth: Thames & Hudson, 2003.
[72]
Allderidge, Patricia and Tate Gallery, The late Richard Dadd, 1817-1886. London: Tate Gallery Publications, 1974.
[73]
Irish Museum of Modern Art, Whitechapel Art Gallery, and Fundación ‘la Caixa’ (Madrid, Spain), Inner worlds outside. Dublin: Irish Museum of Modern Art, 2006.
[74]
Lubin, Albert J., Stranger on the earth; a psychological biography of Vincent van Gogh, (1st ed.). New York: Holt, Rinehart Winston.
[75]
MacGregor, John M., The discovery of the art of the insane. Guildford: Princeton University Press, 1989.
[76]
Kromm, Jane, The art of frenzy: public madness in the visual culture, 1500-1850. London: Continuum, 2002.
[77]
Feder, Lillian, Madness in literature. Guildford: Princeton University Press, 1980.
[78]
William Styron, Darkness Visible. Modern Library.
[79]
Edwards, Betty, Drawing on the artist within: a guide to innovation, invention, imagination and creativity. London: HarperCollins, 1988.
[80]
Heller, Reinhold, Edvard Munch: ‘The scream’, vol. Art in context. London: Allen Lane, 1973.
[81]
Felstiner, Mary Lowenthal, To paint her life: Charlotte Salomon in the Nazi era. Berkeley: University of California Press, 1997.
[82]
Salomon, Charlotte and Royal Academy of Arts, Life? or theatre? London: Royal Academy of Arts, 1998.
[83]
Stone, Irving, Lust for life: a life of Vincent van Gogh. London: Bodley Head, 1935.
[84]
Walker, John A., Van Gogh studies: five critical essays. London (87 Hillfield Ave. N8 7DG): JAW, 1981.
[85]
‘Vincent: The Life and Death of Vincent Van Gogh, (film by Paul Cox, Channel 4, 1994) Media Collection 791.4372/COX (1x copy Reference)’. .
[86]
Minnelli, Vincente, ‘Lust for life’. Channel 4, London, 1999.
[87]
Pialat, Maurice, ‘Van Gogh’. Artificial Eye, [s.l.], 1992.
[88]
Barr, Alfred H., Hugnet, Georges, and Museum of Modern Art (New York, N.Y.), Fantastic Art, Dada, Surrealism, Reprint ed. New York: Arno Press, 1968.
[89]
D. A. Lauer, Design basics, 3rd ed. Ft. Worth: Holt, Rinehart, and Winston, 1990.
[90]
S. Freud and J. Crick, ‘The interpretation of dreams’, 1999 [Online]. Available: http://search.ebscohost.com/direct.asp?db=pzh&jid=%22199904275%22&scope=site
[91]
B. Edwards, ‘Drawing Out Insight’, in Drawing on the artist within: a guide to innovation, invention, imagination and creativity, London: HarperCollins, 1995, pp. 66–95 [Online]. Available: https://contentstore.cla.co.uk//secure/link?id=6bf8bec5-4c86-e611-80c6-005056af4099
[92]
C. G. Jung and M.-L. von Franz, Man and his symbols. [New York]: Dell, 1968.
[93]
B. Edwards, Drawing on the artist within: a guide to innovation, invention, imagination and creativity. London: HarperCollins, 1988.
[94]
Nettle, Daniel, Strong imagination: madness, creativity and human nature. Oxford: Oxford University Press, 2002.
[95]
Freud, Sigmund, Strachey, James, Tyson, Alan Walker, Richards, Angela, and Institute of Psycho-analysis, The interpretation of dreams, vol. The Pelican Freud Library. Harmondsworth: Penguin Books, 1976 [Online]. Available: http://search.ebscohost.com/direct.asp?db=pzh&jid=%22199904275%22&scope=site
[96]
Freud, Sigmund and Breuer, Josef, Studies in hysteria, New [ed.]., vol. Modern classics. London: Penguin, 2004.
[97]
Marcus, Laura, Sigmund Freud’s the interpretation of dreams: new interdisciplinary essays, vol. Texts in culture. Manchester: Manchester University Press, 1999.
[98]
Snowden, Ruth, Freud, vol. Teach yourself books. Chicago, Ill: Contemporary, 2006.
[99]
Anthony W. Clare and Richard Webster, Freud (Great Philosophers). Weidenfeld & Nicolson.
[100]
Webster, Richard, Why Freud was wrong: sin, science and psychoanalysis, [Rev ed.]. London: HarperCollins, 1996.
[101]
Swales, Peter, ‘Bad ideas of the 20th century: Freudism’. Channel 4, London, 1995.
[102]
Jung, C. G., Man and his symbols, vol. Picador. London: Pan Books, 1978.
[103]
Porter, Roy, The Faber book of madness. London: Faber and Faber, 1991.
[104]
M. Rosoff, How I live now. London: Penguin, 2005.
[105]
S. Dunn, B. Morrison, and M. Roberts, Mind readings: writers’ journeys through mental states. London: Minerva, 1996.
[106]
J. Winterson, Oranges are not the only fruit. London: Vintage Books, 2014.
[107]
J. Winterson, Why be happy when you could be normal? London: Vintage, 2012.
[108]
V. Packard, ‘So Ad Men Become Depth Men’, in The hidden persuaders, London: Penguin, 1991, pp. 27–37 [Online]. Available: https://contentstore.cla.co.uk//secure/link?id=c301010a-4d86-e611-80c6-005056af4099
[109]
J. Frame, J. Frame, J. Frame, and J. Frame, An autobiography. London: Women’s, 1990.
[110]
Dunn, Sara, Morrison, Blake, and Roberts, Michèle, Mind readings: writers’ journeys through mental states. London: Minerva, 1996.
[111]
Laing, R. D. and ebrary, Inc, The divided self: an existential study in sanity and madness. London: Routledge, 1999.
[112]
Laing, R. D. and Laing, R. D., The politics of experience: and, The bird of paradise. London: Penguin, 1990.
[113]
Johnson, Terry, Hysteria: or fragments of an analysis of an obsessional neurosis, Revised ed., vol. Royal Court writers series. London: Methuen Drama in association with the Royal Court Theatre, 1995.
[114]
Porter, Roy, Bynum, W. F., and Shepherd, Michael, The anatomy of madness: essays in the history of psychiatry. London: Tavistock, 1985.
[115]
Porter, Roy, A social history of madness: stories of the insane. London: Weidenfeld and Nicolson, 1989.
[116]
George Rosen, Madness in Society. Univ of Chicago Pr (Tx).
[117]
Sontag, Susan and Sontag, Susan, Illness as metaphor: and, AIDS and its metaphors, vol. Penguin classics. London: Penguin, 2002.
[118]
Sayer, Paul, The comforts of madness. London: Constable, 1988.
[119]
Szasz, Thomas, The manufacture of madness: a comparative study of the Inquisition and the Mental Health Movement. London: Routledge and K. Paul, 1971.
[120]
J. Campion and J. Frame, ‘An angel at my table’. Channel 4, London, 1995.
[121]
A. Litvak, ‘The snake pit’. Channel4, London, 1997.
[122]
H. Koster, ‘Harvey’. ITV1, London, 2002.
[123]
G. Van Sant, ‘Psycho’. BBC1, [U.K.], 2002.
[124]
A. Hitchcock, P. Boileau, and T. Narcejac, ‘Vertigo’. Columbia Tristar Home Video, [U.K.], 2000.
[125]
I. Bergman, ‘Through a glass darkly’. Channel 4, London, 1992.
[126]
I. Bergman, ‘Through a glass darkly’. Channel 4, London, 1992.
[127]
M. Forman and K. Kesey, ‘One flew over the cuckoo’s nest’. BBC, London, 1995.
[128]
G. Cukor, ‘Gaslight’. BBC2, London, 1998.
[129]
R. Howard, ‘A beautiful mind’. Dreamworks Home Entertainment, [U.K.], 2002.
[130]
D. Thacker and A. Miller, ‘Broken glass’. BBC, London, 1997.
[131]
A. Miller, Broken glass. London: Methuen Drama, 1994.
[132]
N. Carson, ‘The Crucible’, in Arthur Miller, vol. Macmillan modern dramatists, London: Macmillan, 1982, pp. 60–76 [Online]. Available: https://contentstore.cla.co.uk//secure/link?id=92200fb3-4c86-e611-80c6-005056af4099
[133]
S. P. Penfold and G. A. Walker, ‘Woman: The Universal Scapegoat’, in Women and the psychiatric paradox, Milton Keynes: Open University Press, 1984, pp. 59-91-257–262 [Online]. Available: https://contentstore.cla.co.uk//secure/link?id=c4825910-4d86-e611-80c6-005056af4099
[134]
D. Russell, ‘Contrasting Feminist Philosophies of Women and Madness: Oppression and Repression’, in Women, madness and medicine, Oxford: Polity Press, 1995, pp. 112-126-183–185 [Online]. Available: https://contentstore.cla.co.uk//secure/link?id=5892a723-4d86-e611-80c6-005056af4099
[135]
E. Showalter, ‘Women and Psychiatric Modernism’, in The female malady: women, madness, and culture in England, 1830-1980, New York: Pantheon Books, 1987, pp. 195-219-280–284 [Online]. Available: https://contentstore.cla.co.uk//secure/link?id=94bd202a-4d86-e611-80c6-005056af4099
[136]
J. Ussher, ‘Dissension and Revolt: Antipsychiatry and psychopolitics’, in Women’s madness: misogyny or mental illness?, New York: Harvester Wheatsheaf, 1991, pp. 129–159 [Online]. Available: https://contentstore.cla.co.uk//secure/link?id=c9bdb043-4d86-e611-80c6-005056af4099
[137]
Miller, Arthur, The crucible: a play in four acts, vol. Penguin twentieth-century classics. Harmondsworth: Penguin, 1968.
[138]
Miller, Arthur, The Crucible in history and other essays. London: Methuen, 2000.
[139]
Partridge, C. (1971) The Crucible (Arthur Miller), Oxford : Blackwell, 812.52/MIL/PAR (1 x copy). .
[140]
Russell, Anita, Hytner, Nicholas, Miller, Arthur, and Film Education, The Crucible: study guide. London: Film Education.
[141]
Miller, Arthur and Miller, Arthur, A view from the bridge: All my sons, vol. Penguin plays. Harmondsworth: Penguin Books, 1961.
[142]
Miller, Arthur, Broken glass. London: Methuen Drama, 1994.
[143]
Thacker, David and Miller, Arthur, ‘Broken glass’, vol. Performance. BBC, London, 1997.
[144]
Abbotson, Susan C. W. and ebrary, Inc, Student companion to Arthur Miller, vol. Student companions to classic writers. Westport, Conn: Greenwood Press, 2000.
[145]
Bigsby, C. W. E., A critical introduction to twentieth-century American drama. Cambridge: Cambridge University Press, 1984.
[146]
Bigsby, C. W. E., The Cambridge companion to Arthur Miller, vol. Cambridge companions to literature. Cambridge: Cambridge University Press, 1997.
[147]
Carson, Neil, Arthur Miller, vol. Macmillan modern dramatists. London: Macmillan, 1982.
[148]
Corrigan, Robert W., Arthur Miller: a collection of critical essays, vol. Twentieth century views. Englewood Cliffs (N.J.): Prentice-Hall, 1969.
[149]
Gussow, Mel, Conversations with Miller. London: Nick Hern, 2001.
[150]
Hayman, Ronald, Arthur Miller, 2nd ed., vol. Contemporary playwright series. London: Heinemann, 1973.
[151]
Miller, Arthur and Centola, Steve, Echoes down the corridor: collected essays, 1944-2000. London: Methuen, 2000.
[152]
Miller, Arthur, Timebends: a life. London: Methuen, 1987.
[153]
Salinger, J. D. and Salinger, J. D., Raise high the roof beam, carpenters: and, Seymour, an introduction. London: Heinemann, 1963.
[154]
Salinger, J. D., For Esmé - with love and squalor: and other stories. London: Hamilton, 1953.
[155]
Salinger, J. D., Franny and Zooey. London: Heinemann, 1962.
[156]
Holden Caulfield. New York: Chelsea House Publishers, 1990.
[157]
Schlueter, June, Dramatic closure: reading the end. London: Associated University Presses, 1995.
[158]
Galloway, David, The absurd hero in American fiction: Updike, Styron, Bellow, Salinger, Rev. ed. Austin: University of Texas Press, 1970.
[159]
Hamilton, Ian, In search of J.D. Salinger. London: Heinemann, 1988.
[160]
Laser, Marvin and Fruman, Norman, Studies in J. D. Salinger, reviews, essays, and critiques of The catcher in the rye, and other fiction. New York: Odyssey Press.
[161]
Miller, James E. and ebrary, Inc, J.D. Salinger, vol. University of Minnesota pamphlets on American writers. Minneapolis, MN: University of Minnesota Press, 1965 [Online]. Available: https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=310901
[162]
Salinger, J. D., The catcher in the rye. Harmondsworth: Penguin, 1994.
[163]
Salzman, Jack, New essays on The Catcher in the Rye, vol. The American novel. Cambridge: Cambridge University Press, 1991 [Online]. Available: https://doi.org/10.1017/CBO9780511624537
[164]
J. Hawthorn, ‘The Bell Jar and the Larger Things: Sylvia Plath’, in Multiple personality and the disintegration of literary character: from Oliver Goldsmith to Sylvia Plath, London: Edward Arnold, 1983, pp. 117–134 [Online]. Available: https://contentstore.cla.co.uk//secure/link?id=b095e0e4-4c86-e611-80c6-005056af4099
[165]
Plath, Sylvia, Hughes, Ted, and Plath, Sylvia, Collected poems. London: Faber, 1981.
[166]
Plath, Sylvia, The bell jar. London: Faber.
[167]
Annas, Pamela J., A disturbance in mirrors: the poetry of Sylvia Plath, vol. Contributions in women’s studies. London: Greenwood, 1988.
[168]
Edward Butscher, Sylvia Plath: Method and Madness. Schaffner Press.
[169]
Rowland, Antony, Holocaust poetry: awkward poetics in the work of Sylvia Plath, Geoffrey Hill, Tony Harrison and Ted Hughes. Edinburgh: Edinburgh University Press, 2005.
[170]
Rose, Jacqueline, The haunting of Sylvia Plath. London: Virago, 1991.
[171]
Hawthorn, Jeremy, Multiple personality and the disintegration of literary character: from Oliver Goldsmith to Sylvia Plath. London: Edward Arnold, 1983.
[172]
Stevenson, Anne, Bitter fame: a life of Sylvia Plath. London: Viking, 1989.
[173]
Ester Coen, Metaphysica. Electa.
[174]
Chadwick, Whitney, Women artists and the Surrealist Movement. (London): Thames and Hudson, 1985.
[175]
Fer, Briony, ‘Surrealism, myth and psychoanalysis’, vol. Realism, rationalism, surrealism: art between the wars, pp.171–180, 1993.
[176]
Gaunt, William, The surrealists. London: Thames and Hudson, 1972.
[177]
Hopkins, David, Dada and Surrealism: a very short introduction, vol. Very short introductions. Oxford: Oxford University Press, 2004.
[178]
Kachur, Lewis, Displaying the marvelous: Marcel Duchamp, Salvador Dalí, and surrealist exhibition installations. Cambridge, Mass: MIT, 2001.
[179]
Kuenzli, Rudolf E., Dada and surrealist film. Cambridge, Mass: MIT Press, 1996.
[180]
Lomas, David, The haunted self: surrealism, psychoanalysis, subjectivity. London: Yale University Press, 2000.
[181]
Matthews, J. H., The imagery of surrealism, 1st ed. (Syracuse, N.Y.): Syracuse University Press, 1977.
[182]
Breton, André and Rosemont, Franklin, What is surrealism?: selected writings (of) André Breton. London: Pluto Press, 1978.
[183]
Tashjian, Dickran, A Boatload of madmen: surrealism and the American avant-garde, 1920-1950. London: Thames & Hudson, 1995.
[184]
Litvak, Anatole, ‘The snake pit’. Channel4, London, 1997.
[185]
Hanly, Francis, ‘Surreal film’. BBC 2, London, 2001.
[186]
‘Culture fix: Surrealism on film’, vol. Surrealism season. BBC Knowledge, London, 2001.
[187]
Davis, Derek Russell and NetLibrary, Inc, Scenes of madness: a psychiatrist at the theatre. New York: Routledge, 1995.
[188]
Wu, Duncan, Making plays: interviews with contemporary British dramatists and their directors. Basingstoke: Macmillan, 2000.
[189]
Gillray, James and Hill, Draper, Fashionable contrasts: caricatures by James Gillray. London: Phaidon Press, 1966.
[190]
Hill, Draper, Mr.Gillray the caricaturist: a biography with 147 illustrations. London: Phaidon, 1965.
[191]
Bennett, Edward and Arts Council of Great Britain, ‘Hogarth’. Arts Council of Great Britain, [London], 1976.
[192]
Bindman, David et al., Hogarth and his times: serious comedy. London: Published for the Trustees of the British Museum by British Museum Press in association with the Parnassus Foundation, 1997.
[193]
Cukor, George, ‘Gaslight’. Channel 4, London, 1998.
[194]
Swales, Peter, ‘Bad ideas of the 20th century: Freudism’. Channel 4, London, 1995.
[195]
Koster, Henry, ‘Harvey’. ITV1, London, 2002.
[196]
Anderson, Carolyn and Benson, Thomas W., Documentary dilemmas: Frederick Wiseman’s Titicut Follies. Carbondale: Southern Illinois University Press, 1991.
[197]
Wiseman, Frederick, ‘Titicut follies’. BBC 2, [London], 1993.
[198]
Rebello, Stephen, Alfred Hitchcock and the making of Psycho. London: Boyars, 1990.
[199]
Hitchcock, Alfred, ‘Psycho’, vol. The Hitchcock collection. Universal, [S.l.], 2003.
[200]
Paradoxical Undressing: Amazon.co.uk: Kristin Hersh: Books. .
[201]
J. Lawson, Furiously happy : a funny book about horrible things. Jenny Lawson, Main Market Ed. London: Picador, 2016.
[202]
J. Lawson, Let’s pretend this never happened : (a mostly true memoir). Jenny Lawson, the Bloggess, New edition. London: Picador, 2013.
[203]
Johnson, Terry, Plays 2, vol. Methuen contemporary dramatists. London: Methuen Drama, 1998.
[204]
Storr, Anthony, Freud: a very short introduction, vol. Very short introductions. Oxford: Oxford University Press, 2001.
