Abbotson, Susan C. W. and ebrary, Inc. 2000. Student Companion to Arthur Miller. Electronic resource. Vol. Student companions to classic writers. Westport, Conn: Greenwood Press.
Allderidge, Patricia and Tate Gallery. 1974. The Late Richard Dadd, 1817-1886. London: Tate Gallery Publications.
‘An Introduction to Wide Sargasso Sea’. n.d. https://www.bl.uk/20th-century-literature/articles/an-introduction-to-wide-sargasso-sea.
Anderson, Carolyn and Benson, Thomas W. 1991. Documentary Dilemmas: Frederick Wiseman’s Titicut Follies. Carbondale: Southern Illinois University Press.
Annas, Pamela J. 1988. A Disturbance in Mirrors: The Poetry of Sylvia Plath. Vol. Contributions in women’s studies. London: Greenwood.
Anthony W. Clare and Richard Webster. n.d. Freud (Great Philosophers). Paperback. Weidenfeld & Nicolson.
Auping, Michael, Ashton, Dore, Auping, Michael, San Francisco Museum of Modern Art, Metropolitan Museum of Art, and Royal Academy of Arts. 2003. Philip Guston Retrospective. Fort Worth: Thames & Hudson.
Barr, Alfred H., Hugnet, Georges, and Museum of Modern Art (New York, N.Y.). 1968. Fantastic Art, Dada, Surrealism. Reprint ed. New York: Arno Press.
‘BBC Radio 4 - Mad Houses’. n.d. https://www.bbc.co.uk/programmes/b01r0dyg.
Bennett, Alan. 1992. The Madness of George III. Electronic resource. London: Faber. http://dx.doi.org/10.5040/9780571289660.10000006.
Bennett, Edward and Arts Council of Great Britain. 1976. ‘Hogarth’. Videorecording. [London]: Arts Council of Great Britain.
Bergman, Ingmar. 1992a. ‘Through a Glass Darkly’. Videorecording. London: Channel 4.
———. 1992b. ‘Through a Glass Darkly’. Videorecording. London: Channel 4.
Bigsby, C. W. E. 1984. A Critical Introduction to Twentieth-Century American Drama. Cambridge: Cambridge University Press.
———. 1997. The Cambridge Companion to Arthur Miller. Vol. Cambridge companions to literature. Cambridge: Cambridge University Press.
Bindman, David, Hogarth and his times (Exhibition), British Museum, Parnassus Foundation, National Gallery of Canada, Miriam and Ira D. Wallach Art Gallery, and University of California, Berkeley. 1997. Hogarth and His Times: Serious Comedy. London: Published for the Trustees of the British Museum by British Museum Press in association with the Parnassus Foundation.
Breton, André and Rosemont, Franklin. 1978. What Is Surrealism?: Selected Writings (of) André Breton. London: Pluto Press.
Brontë, Charlotte. 199AD. Jane Eyre. Champaign, Ill: Project Gutenberg.
Brontë, Charlotte and ebrary, Inc. 2001a. Jane Eyre. Electronic resource. London: Electric Book Co. http://site.ebrary.com/lib/roehampton/Doc?id=2001733.
———. 2001b. Jane Eyre. Electronic resource. London: Electric Book Co. http://site.ebrary.com/lib/roehampton/Doc?id=2001733.
Brontë, Charlotte and Smith, Margaret. 1998. Jane Eyre. Vol. Oxford world’s classics. Oxford: Oxford University Press.
Brontë, Charlotte and Stevenson, Robert. 1998. ‘Jane Eyre’. Videorecording. London: BBC2.
Brontë, Charlotte, and Robert Stevenson. 2007. ‘Jane Eyre’. Videorecording. [U.K.]: Channel 4.
Brontë, Charlotte and White, Susanna. 2006. ‘Jane Eyre’. Videorecording. London: BBC1.
Brook, Peter and Brook, Peter. 2002. Evoking (and Forgetting) Shakespeare. 2nd ed. Vol. Dramatic contexts. London: Nick Hern.
Campion, Jane, and Janet Frame. 1995. ‘An Angel at My Table’. Videorecording. London: Channel 4.
Carson, Neil. 1982. Arthur Miller. Vol. Macmillan modern dramatists. London: Macmillan.
Carson, Neil. 1982. ‘The Crucible’. In Arthur Miller, Macmillan modern dramatists:60–76. London: Macmillan. https://contentstore.cla.co.uk//secure/link?id=92200fb3-4c86-e611-80c6-005056af4099.
Chadwick, Whitney. 1985. Women Artists and the Surrealist Movement. (London): Thames and Hudson.
Charlotte Brontë. 2001. Jane Eyre. New York, N.Y: Norton.
Chesler, Phyllis. 1972. Women and Madness. New York: Avon.
Corrigan, Robert W. 1969. Arthur Miller: A Collection of Critical Essays. Vol. Twentieth century views. Englewood Cliffs (N.J.): Prentice-Hall.
Cukor, George. 1998. ‘Gaslight’. Videorecording. London: BBC2.
Cukor, George. 1998. ‘Gaslight’. Videorecording. London: Channel 4.
‘Culture Fix: Surrealism on Film’. 2001. Videorecording. London: BBC Knowledge.
Davis, Derek Russell and NetLibrary, Inc. 1995. Scenes of Madness: A Psychiatrist at the Theatre. Electronic resource. New York: Routledge.
Dunn, Sara, Blake Morrison, and Michèle Roberts. 1996. Mind Readings: Writers’ Journeys through Mental States. London: Minerva.
Dunn, Sara, Morrison, Blake, and Roberts, Michèle. 1996. Mind Readings: Writers’ Journeys through Mental States. London: Minerva.
Edward Butscher. n.d. Sylvia Plath: Method and Madness. Paperback. Schaffner Press.
Edwards, Betty. 1988. Drawing on the Artist within: A Guide to Innovation, Invention, Imagination and Creativity. London: HarperCollins.
Edwards, Betty. 1988. Drawing on the Artist within: A Guide to Innovation, Invention, Imagination and Creativity. London: HarperCollins.
———. 1995. ‘Drawing Out Insight’. In Drawing on the Artist within: A Guide to Innovation, Invention, Imagination and Creativity, 66–95. London: HarperCollins. https://contentstore.cla.co.uk//secure/link?id=6bf8bec5-4c86-e611-80c6-005056af4099.
Eigen, Joel Peter. 1995. Witnessing Insanity: Madness and Mad-Doctors in the English Court. London: Yale University Press.
Ester Coen. n.d. Metaphysica. Paperback. Electa.
Feder, Lillian. 1980. Madness in Literature. Princeton: Princeton University Press.
Feder, Lillian. 1980a. Madness in Literature. Guildford: Princeton University Press.
———. 1980b. Madness in Literature. Guildford: Princeton University Press.
Felstiner, Mary Lowenthal. 1997. To Paint Her Life: Charlotte Salomon in the Nazi Era. Berkeley: University of California Press.
Fer, Briony. 1993. ‘Surrealism, Myth and Psychoanalysis’ Realism, rationalism, surrealism: art between the wars, pp.171–180.
Forman, Milos, and Ken Kesey. 1995. ‘One Flew over the Cuckoo’s Nest’. Videorecording. London: BBC.
Foucault, Michel. 2001. Madness and Civilization: A History of Insanity in the Age of Reason. London: Routledge.
Frame, Janet, Janet Frame, Janet Frame, and Janet Frame. 1990. An Autobiography. London: Women’s.
Freud, Sigmund and Breuer, Josef. 2004. Studies in Hysteria. New [ed.]. Vol. Modern classics. London: Penguin.
Freud, Sigmund, and Joyce Crick. 1999. ‘The Interpretation of Dreams’. Electronic resource. http://search.ebscohost.com/direct.asp?db=pzh&jid=%22199904275%22&scope=site.
Freud, Sigmund, Strachey, James, Tyson, Alan Walker, Richards, Angela, and Institute of Psycho-analysis. 1976. The Interpretation of Dreams. Vol. The Pelican Freud Library. Harmondsworth: Penguin Books. http://search.ebscohost.com/direct.asp?db=pzh&jid=%22199904275%22&scope=site.
Galloway, David. 1970. The Absurd Hero in American Fiction: Updike, Styron, Bellow, Salinger. Rev. ed. Austin: University of Texas Press.
Gaunt, William. 1972. The Surrealists. London: Thames and Hudson.
George Rosen. n.d. Madness in Society. Paperback. Univ of Chicago Pr (Tx).
Gilbert, Sandra M., Susan Gubar, and ebrary, Inc. 2000a. The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. Electronic resource. New Haven: Yale Nota Bene. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=3421136.
———. 2000b. The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. Electronic resource. New Haven: Yale Nota Bene. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=3421136.
Gillray, James and Hill, Draper. 1966. Fashionable Contrasts: Caricatures by James Gillray. London: Phaidon Press.
Godard, Jean-Luc, Sellars, Peter, and Allen, Woody. 1989. ‘King Lear’. Videorecording. [Switzerland?]: Swiss TV.
Gogol’, N. V. and Wilks, Ronald. 1972. Diary of a Madman, and Other Stories. Vol. Penguin classics. Harmondsworth: Penguin.
Green, V. H. H. 1993a. The Madness of Kings: Personal Trauma and the Fate of Nations. Stroud: Alan Sutton.
———. 1993b. The Madness of Kings: Personal Trauma and the Fate of Nations. Stroud: Alan Sutton.
Green, Vivian. 2005. ‘Mad George’. In The Madness of Kings, New ed, 215-234-342–44. Stroud: Sutton. https://contentstore.cla.co.uk//secure/link?id=eb6db5d8-4c86-e611-80c6-005056af4099.
Green, Vivian Hubert Howard. 2005. The Madness of Kings. New ed. Stroud: Sutton.
Gussow, Mel. 2001. Conversations with Miller. London: Nick Hern.
Halio, Jay L. and ebrary, Inc. 2001. King Lear: A Guide to the Play. Electronic resource. Vol. Greenwood guides to Shakespeare. Westport, Conn: Greenwood Press.
Hamilton, Ian. 1988. In Search of J.D. Salinger. London: Heinemann.
Hanly, Francis. 2001. ‘Surreal Film’. Videorecording. London: BBC 2.
Hawthorn, Jeremy. 1983. Multiple Personality and the Disintegration of Literary Character: From Oliver Goldsmith to Sylvia Plath. London: Edward Arnold.
Hawthorn, Jeremy. 1983. ‘The Bell Jar and the Larger Things: Sylvia Plath’. In Multiple Personality and the Disintegration of Literary Character: From Oliver Goldsmith to Sylvia Plath, 117–34. London: Edward Arnold. https://contentstore.cla.co.uk//secure/link?id=b095e0e4-4c86-e611-80c6-005056af4099.
Hayman, Ronald. 1973. Arthur Miller. 2nd ed. Vol. Contemporary playwright series. London: Heinemann.
Heller, Reinhold. 1973. Edvard Munch: ‘The Scream’. Vol. Art in context. London: Allen Lane.
Hill, Draper. 1965. Mr.Gillray the Caricaturist: A Biography with 147 Illustrations. London: Phaidon.
Hitchcock, Alfred. 2003. ‘Psycho’. Videorecording. [S.l.]: Universal.
Hitchcock, Alfred, Pierre Boileau, and Thomas Narcejac. 2000. ‘Vertigo’. Videorecording. [U.K.]: Columbia Tristar Home Video.
Holden Caulfield. 1990. New York: Chelsea House Publishers.
Hopkins, David. 2004. Dada and Surrealism: A Very Short Introduction. Vol. Very short introductions. Oxford: Oxford University Press.
Howard, Ron. 2002. ‘A Beautiful Mind’. Videorecording. [U.K.]: Dreamworks Home Entertainment.
Hytner, Nicholas, and Alan Bennett. 2007. ‘The Madness of King George’. Videorecording. [London]: Channel 4.
Irish Museum of Modern Art, Whitechapel Art Gallery, and Fundación ‘la Caixa’ (Madrid, Spain). 2006. Inner Worlds Outside. Dublin: Irish Museum of Modern Art.
Jaffa, Harry V. 1957. ‘The Limits of Politics: An Interpretation of King Lear, Act I, Scene 1.’ American Political Science Review 51 (02): 405–27. https://doi.org/10.2307/1952200.
Jay, Mike. 2016. This Way Madness Lies : The Asylumand Beyond. London: Thames & Hudson.
Johnson, Terry. 1995. Hysteria: Or Fragments of an Analysis of an Obsessional Neurosis. Revised ed. Vol. Royal Court writers series. London: Methuen Drama in association with the Royal Court Theatre.
———. 1998. Plays 2. Vol. Methuen contemporary dramatists. London: Methuen Drama.
Jung, C. G. 1978. Man and His Symbols. Vol. Picador. London: Pan Books.
Jung, C. G., and Marie-Luise von Franz. 1968. Man and His Symbols. [New York]: Dell.
Kachur, Lewis. 2001. Displaying the Marvelous: Marcel Duchamp, Salvador Dalí, and Surrealist Exhibition Installations. Cambridge, Mass: MIT.
‘King Lear, Spark Notes Are Available on the Internet: Http://Www.Sparknotes.Com/Shakespeare/Lear’. n.d.
Koster, Henry. 2002. ‘Harvey’. Videorecording. London: ITV1.
Koster, Henry. 2002. ‘Harvey’. Videorecording. London: ITV1.
Kromm, Jane. 2002. The Art of Frenzy: Public Madness in the Visual Culture, 1500-1850. London: Continuum.
Kuenzli, Rudolf E. 1996. Dada and Surrealist Film. Cambridge, Mass: MIT Press.
Laing, R. D. and ebrary, Inc. 1999. The Divided Self: An Existential Study in Sanity and Madness. Electronic resource. London: Routledge.
Laing, R. D. and Laing, R. D. 1990. The Politics of Experience: And, The Bird of Paradise. London: Penguin.
Laser, Marvin and Fruman, Norman. n.d. Studies in J. D. Salinger, Reviews, Essays, and Critiques of The Catcher in the Rye, and Other Fiction. New York: Odyssey Press.
Lauer, David A. 1990. Design Basics. 3rd ed. Ft. Worth: Holt, Rinehart, and Winston.
Lawson, Jenny. 2013. Let’s Pretend This Never Happened : (A Mostly True Memoir). Jenny Lawson, the Bloggess. New edition. London: Picador.
———. 2016. Furiously Happy : A Funny Book about Horrible Things. Jenny Lawson. Main Market Ed. London: Picador.
Lidz, Theodore. 1976. Hamlet’s Enemy: Madness and Myth in ‘Hamlet’. London: Vision Press.
Litvak, Anatole. 1997. ‘The Snake Pit’. Videorecording. London: Channel4.
Litvak, Anatole. 1997. ‘The Snake Pit’. Videorecording. London: Channel4.
Lomas, David. 2000. The Haunted Self: Surrealism, Psychoanalysis, Subjectivity. London: Yale University Press.
Lubin, Albert J. n.d. Stranger on the Earth; a Psychological Biography of Vincent van Gogh. (1st ed.). New York: Holt, Rinehart Winston.
‘Lunacy and Mad Doctors | Psychology Today UK’. n.d. https://www.psychologytoday.com/gb/blog/lunacy-and-mad-doctors.
MacGregor, John M. 1989. The Discovery of the Art of the Insane. Guildford: Princeton University Press.
Marcus, Laura. 1999. Sigmund Freud’s the Interpretation of Dreams: New Interdisciplinary Essays. Vol. Texts in culture. Manchester: Manchester University Press.
Marsh, Jan. 1987. Pre-Raphaelite Women: Images of Femininity in Pre-Raphaelite Art. London: Weidenfeld & Nicolson.
Marsh, Jan, Nunn, Pamela Gerrish, Manchester City Art Gallery, Birmingham Museums and Art Gallery, and Southampton Art Gallery. 1998. Pre-Raphaelite Women Artists. London: Thames & Hudson.
Matthews, J. H. 1977. The Imagery of Surrealism. 1st ed. (Syracuse, N.Y.): Syracuse University Press.
Miller, Arthur. 1968. The Crucible: A Play in Four Acts. Vol. Penguin twentieth-century classics. Harmondsworth: Penguin.
———. 1987. Timebends: A Life. London: Methuen.
Miller, Arthur. 1994. Broken Glass. London: Methuen Drama.
Miller, Arthur. 1994. Broken Glass. London: Methuen Drama.
———. 2000. The Crucible in History and Other Essays. London: Methuen.
Miller, Arthur and Centola, Steve. 2000. Echoes down the Corridor: Collected Essays, 1944-2000. London: Methuen.
Miller, Arthur and Miller, Arthur. 1961. A View from the Bridge: All My Sons. Vol. Penguin plays. Harmondsworth: Penguin Books.
Miller, James E. and ebrary, Inc. 1965. J.D. Salinger. Electronic resource. Vol. University of Minnesota pamphlets on American writers. Minneapolis, MN: University of Minnesota Press. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=310901.
Minnelli, Vincente. 1999. ‘Lust for Life’. Videorecording. London: Channel 4.
Muir, Kenneth. 1982. ‘Madness in King Lear’. In Aspects of King Lear: Articles Reprinted from Shakespeare Survey, 23–33. Cambridge: Cambridge University Press. https://contentstore.cla.co.uk//secure/link?id=9dcb0204-4d86-e611-80c6-005056af4099.
Muir, Kenneth, and Stanley Wells. 1982. Aspects of King Lear: Articles Reprinted from Shakespeare Survey. Cambridge: Cambridge University Press.
Nettle, Daniel. 2002. Strong Imagination: Madness, Creativity and Human Nature. Oxford: Oxford University Press.
Packard, Vance. 1991. ‘So Ad Men Become Depth Men’. In The Hidden Persuaders, 27–37. London: Penguin. https://contentstore.cla.co.uk//secure/link?id=c301010a-4d86-e611-80c6-005056af4099.
Paradoxical Undressing: Amazon.Co.Uk: Kristin Hersh: Books. n.d.
Partridge, C. (1971) The Crucible (Arthur Miller), Oxford : Blackwell, 812.52/MIL/PAR (1 x Copy). n.d.
Penfold, Susan P., and Gillian A. Walker. 1984. ‘Woman: The Universal Scapegoat’. In Women and the Psychiatric Paradox, 59-91-257–62. Milton Keynes: Open University Press. https://contentstore.cla.co.uk//secure/link?id=c4825910-4d86-e611-80c6-005056af4099.
Pialat, Maurice. 1992. ‘Van Gogh’. Videorecording. [s.l.]: Artificial Eye.
Plath, Sylvia. n.d. The Bell Jar. London: Faber.
Plath, Sylvia, Hughes, Ted, and Plath, Sylvia. 1981. Collected Poems. London: Faber.
Porter, Roy. 1987. Mind-Forg’d Manacles: A History of Madness in England from the Restoration to the Regency. London: Athlone.
———. 1989. A Social History of Madness: Stories of the Insane. London: Weidenfeld and Nicolson.
———. 1991a. English Society in the Eighteenth Century. Rev. ed. Vol. The Penguin social history of Britain. London: Penguin.
———. 1991b. The Faber Book of Madness. London: Faber and Faber.
Porter, Roy. 2003. Madness: A Brief History. Oxford: Oxford University Press.
Porter, Roy, Bynum, W. F., and Shepherd, Michael. 1985. The Anatomy of Madness: Essays in the History of Psychiatry. London: Tavistock.
Rebello, Stephen. 1990. Alfred Hitchcock and the Making of Psycho. London: Boyars.
Redmond, James. 1993. Madness in Drama. Vol. Themes in drama. Cambridge: Cambridge University Press.
Rego, Paula and Marlborough Fine Art (London) Ltd. 2003. Jane Eyre and Other Stories. London: Marlborough Fine Art (London).
Robert McCrum. 2013. ‘The 100 Best Novels: No 12 – Jane Eyre by Charlotte Brontë (1847)’. Guardian, December. https://www.theguardian.com/books/2013/dec/09/100-best-novels-jane-eyre.
Rose, Jacqueline. 1991. The Haunting of Sylvia Plath. London: Virago.
Rosoff, Meg. 2005. How I Live Now. London: Penguin.
Rowland, Antony. 2005. Holocaust Poetry: Awkward Poetics in the Work of Sylvia Plath, Geoffrey Hill, Tony Harrison and Ted Hughes. Edinburgh: Edinburgh University Press.
Russell, Anita, Hytner, Nicholas, Miller, Arthur, and Film Education. n.d. The Crucible: Study Guide. London: Film Education.
Russell, Denise. 1995. ‘Contrasting Feminist Philosophies of Women and Madness: Oppression and Repression’. In Women, Madness and Medicine, 112-126-183–85. Oxford: Polity Press. https://contentstore.cla.co.uk//secure/link?id=5892a723-4d86-e611-80c6-005056af4099.
Salinger, J. D. 1953. For Esmé - with Love and Squalor: And Other Stories. London: Hamilton.
———. 1962. Franny and Zooey. London: Heinemann.
———. 1994. The Catcher in the Rye. Harmondsworth: Penguin.
Salinger, J. D. and Salinger, J. D. 1963. Raise High the Roof Beam, Carpenters: And, Seymour, an Introduction. London: Heinemann.
Salkeld, Duncan. 1993. Madness and Drama in the Age of Shakespeare. Manchester: Manchester University Press.
Salomon, Charlotte and Royal Academy of Arts. 1998. Life? Or Theatre? London: Royal Academy of Arts.
Salzman, Jack. 1991. New Essays on The Catcher in the Rye. Vol. The American novel. Cambridge: Cambridge University Press. https://doi.org/10.1017/CBO9780511624537.
Sayer, Karen. 1998. Jane Eyre, Charlotte Brontë: Notes. Vol. York notes. Harlow: Longman.
Sayer, Paul. 1988. The Comforts of Madness. London: Constable.
Schlueter, June. 1995. Dramatic Closure: Reading the End. London: Associated University Presses.
Scull, Andrew T. 1982. Museums of Madness: The Social Organization of Insanity in Nineteenth-Century England. Harmondsworth: Penguin.
Shakespeare, W. Edited by R. A. Foakes (1997) King Lear,  (The Arden Shakespeare) Walton-on-Thames: Nelson,  822.33/SHA. n.d.
Shakespeare, William, and Peter Brook. 1994. ‘King Lear’. Videorecording. [UK]: BSkyB.
Shakespeare, William and Brook, Peter. 1994a. ‘King Lear’. Videorecording. [UK]: BSkyB.
———. 1994b. ‘King Lear’. Videorecording (dvd). [UK]: BSkyB.
———. 1994c. ‘King Lear’. Videorecording. [UK]: BSkyB.
Shakespeare, William and Foakes, R. A. 1997a. King Lear. [New ed.]. Vol. The Arden Shakespeare. Walton-on-Thames: Nelson. https://www-dramaonlinelibrary-com.roe.idm.oclc.org/playtext-overview?docid=do-9781408160268&tocid=do-9781408160268-div-00000006.
———. 1997b. King Lear. [New ed.]. Vol. The Arden Shakespeare. Walton-on-Thames: Nelson. https://www-dramaonlinelibrary-com.roe.idm.oclc.org/playtext-overview?docid=do-9781408160268&tocid=do-9781408160268-div-00000006.
———. 1997c. King Lear. [New ed.]. Vol. The Arden Shakespeare. Walton-on-Thames: Nelson. https://www-dramaonlinelibrary-com.roe.idm.oclc.org/playtext-overview?docid=do-9781408160268&tocid=do-9781408160268-div-00000006.
Shakespeare, William and Kozintsev, Grigoriĭ. 1997a. ‘King Lear’. Videorecording. [U.K.]: Tartan Video.
———. 1997b. ‘King Lear’. Videorecording. [U.K.]: Tartan Video.
Shakespeare, William, and Grigoriĭ Mikhaĭlovich Kozintsev. 2007. ‘King Lear’. Videorecording. [U.K.]: Facets Video.
Shakespeare, William, Jonathan Miller, British Broadcasting Corporation, and BBC Worldwide Ltd. 2005a. ‘King Lear’. Videorecording. London: BBC Worldwide.
———. 2005b. ‘King Lear’. Videorecording. London: BBC Worldwide.
Shakespeare, William, Miller, Jonathan, British Broadcasting Corporation, and BBC Worldwide Ltd. 2005. ‘King Lear’. Videorecording. London: BBC Worldwide.
Shapiro, James. 2016. 1606 : Shakespeare and the Year of Lear. Main. London: Faber & Faber.
Showalter, Elaine. 1986. The Female Malady: Women, Madness, and Culture in England, 1830-1980. New York: Pantheon Books.
Showalter, Elaine. 1987. The Female Malady: Women, Madness, and English Culture, 1830-1980. London: Virago.
Showalter, Elaine. 1987. ‘Women and Psychiatric Modernism’. In The Female Malady: Women, Madness, and Culture in England, 1830-1980, 195-219-280–84. New York: Pantheon Books. https://contentstore.cla.co.uk//secure/link?id=94bd202a-4d86-e611-80c6-005056af4099.
Skultans, Vieda. 1975. Madness and Morals: Ideas on Insanity in the Nineteenth Century. London (etc.): Routledge and Kegan Paul.
Small, Helen. 1996. Love’s Madness: Medicine, the Novel, and Female Insanity, 1800-1865. Oxford: Clarendon Press.
Snowden, Ruth. 2006. Freud. Vol. Teach yourself books. Chicago, Ill: Contemporary.
Sontag, Susan and Sontag, Susan. 2002. Illness as Metaphor: And, AIDS and Its Metaphors. Vol. Penguin classics. London: Penguin.
Stevenson, Anne. 1989. Bitter Fame: A Life of Sylvia Plath. London: Viking.
Stone, Irving. 1935. Lust for Life: A Life of Vincent van Gogh. London: Bodley Head.
Storr, Anthony. 2001. Freud: A Very Short Introduction. Vol. Very short introductions. Oxford: Oxford University Press.
Swales, Peter. 1995a. ‘Bad Ideas of the 20th Century: Freudism’. Videorecording. London: Channel 4.
———. 1995b. ‘Bad Ideas of the 20th Century: Freudism’. Videorecording. London: Channel 4.
Szasz, Thomas. 1971. The Manufacture of Madness: A Comparative Study of the Inquisition and the Mental Health Movement. London: Routledge and K. Paul.
Tashjian, Dickran. 1995. A Boatload of Madmen: Surrealism and the American Avant-Garde, 1920-1950. London: Thames & Hudson.
Thacker, David, and Arthur Miller. 1997. ‘Broken Glass’. Videorecording. London: BBC.
Thacker, David and Miller, Arthur. 1997. ‘Broken Glass’. Videorecording. London: BBC.
‘The Element of Social Tragedy in King Lear - World Socialist Web Site’. n.d. https://www.wsws.org/en/articles/2002/11/lear-n21.html.
‘The Madness of King George (Nicholas Hytner 1995) Based on the Play “The Madness of George III” by Alan Bennett’. n.d.
‘The Madness of King George [Videorecording] (Nicholas Hytner 1995)  [U.K.] : Channel Four, 1996  (791.4372) Based on the Play “The Madness of George III” by Alan Bennett’. n.d.
Ussher, Jane. 1991. ‘Dissension and Revolt: Antipsychiatry and Psychopolitics’. In Women’s Madness: Misogyny or Mental Illness?, 129–59. New York: Harvester Wheatsheaf. https://contentstore.cla.co.uk//secure/link?id=c9bdb043-4d86-e611-80c6-005056af4099.
Ussher, Jane M. 1991. Women’s Madness: Misogyny or Mental Illness? New York: Harvester Wheatsheaf.
Van Sant, Gus. 2002. ‘Psycho’. Videorecording. [U.K.]: BBC1.
‘Vincent: The Life and Death of Vincent Van Gogh,  (Film by Paul Cox, Channel 4, 1994)  Media Collection  791.4372/COX (1x Copy Reference)’. n.d.
Walker, John A. 1981. Van Gogh Studies: Five Critical Essays. London (87 Hillfield Ave. N8 7DG): JAW.
Webster, Richard. 1996. Why Freud Was Wrong: Sin, Science and Psychoanalysis. [Rev ed.]. London: HarperCollins.
William Styron. n.d. Darkness Visible. Hardcover. Modern Library.
Winterson, Jeanette. 2012. Why Be Happy When You Could Be Normal? London: Vintage.
———. 2014. Oranges Are Not the Only Fruit. London: Vintage Books.
Wiseman, Frederick. 1993. ‘Titicut Follies’. Videorecording. [London]: BBC 2.
Wu, Duncan. 2000. Making Plays: Interviews with Contemporary British Dramatists and Their Directors. Basingstoke: Macmillan.
Zeffirelli, Franco, and Charlotte Brontë. 1998. ‘Jane Eyre’. Videorecording. [London]: Sky Movies.
Zeffirelli, Franco and Brontë, Charlotte. 1998. ‘Jane Eyre’. Videorecording. [London]: Sky Movies.