Abbott, H. Porter. 2002. The Cambridge Introduction to Narrative. Cambridge: Cambridge University Press.
Allen, Woody. 2004. ‘The Rejection’. Pp. 263–67 in Telling tales. London: Bloomsbury.
Amaworo-Wilson, JJ. 1999. ‘Johnny Can Sleep Easy Now’. Pp. 45–48 in Afrobeat. London: Pulp Faction.
Anon. 19AD. ‘Introduction to Moodle VIDEO CLIP’.
Anon. 1990. Gabriel García Márquez: One Hundred Years of Solitude. Vol. Landmarks of world literature. Cambridge: Cambridge University Press.
Anon. n.d.-a. ‘10 Modern Writers Who’ll Get You Hooked on Short Stories - Ink Tank’. Retrieved (http://inktank.fi/10-greatest-short-story-writers-21st-century/).
Anon. n.d.-b. ‘ABC Short Stories » Home’. Retrieved (http://www.abc.net.au/shortstories/).
Anon. n.d.-c. ‘An Unreliable Guide to London’. Retrieved (http://www.influxpress.com/an-unreliable-guide-to-london).
Anon. n.d.-d. ‘Classic Short Stories - 100% FREE’. Retrieved (http://www.world-english.org/stories.htm).
Anon. n.d.-e. ‘Creative Careers: LINKS TO READING LIST’. Retrieved (https://moodle.roehampton.ac.uk/course/view.php?id=292).
Anon. n.d.-f. ‘Creative Writing Careers Moodle Page’. Retrieved (https://moodle.roehampton.ac.uk/course/view.php?id=1357).
Anon. n.d.-g. ‘FREE SHORT STORIES | FAMOUS STORIES ***’. Retrieved (http://www.free-short-stories.org.uk/).
Anon. n.d.-h. ‘Helping Writers Become Authors - Write Your Best Story. Change Your Life. Astound the World.’ Retrieved (https://www.helpingwritersbecomeauthors.com/).
Anon. n.d.-i. ‘How to Study...Guide’. Retrieved (http://core.roehampton.ac.uk/repository/search/dbm.pl?guid=d07f6af8-481c-47ea-8a0a-c4bfba656bc7).
Anon. n.d.-j. ‘Library and Learning Services at the University of Roehampton’. Retrieved (https://portal.roehampton.ac.uk/information/library/Pages/default.aspx).
Anon. n.d.-k. ‘Missed Her | Ivan Coyote’. Retrieved (http://ivanecoyote.com/work/15/missed-her).
Anon. n.d.-l. ‘Moodle 2013-14’. Retrieved (https://moodle.roehampton.ac.uk/).
Anon. n.d.-m. ‘Mslexia. The Magazine for Women Who Write’. Retrieved (https://www.mslexia.co.uk/).
Anon. n.d.-n. ‘National Novel Writing Month’. Retrieved (http://nanowrimo.org/).
Anon. n.d.-o. ‘Prospects.Ac.Uk Graduate Jobs, Postgrad Study, Work Experience, Graduate Career Information’. Retrieved (http://www.prospects.ac.uk/#).
Anon. n.d.-p. ‘Roehampton Writers Facebook Group’. Retrieved (https://www.facebook.com/groups/124560017559661/?fref=ts).
Anon. n.d.-q. ‘Short Stories | Booktrust’. Retrieved (http://www.booktrust.org.uk/books/adults/short-stories/).
Anon. n.d.-r. ‘Skills4Study.Com: Study Skills - Study Strategies’. Retrieved (http://www.palgrave.com/skills4study/studyskills/studystrategies.asp).
Anon. n.d.-s. ‘Study Skills Collection | University of Roehampton’. Retrieved (http://resourcelists.roehampton.ac.uk/lists/516D040D-B180-75F2-283B-D03C2581C473.html).
Anon. n.d.-t. ‘Twenty Great American Short Stories’. Retrieved (http://americanliterature.com/twenty-great-american-short-stories).
Anon. n.d.-u. ‘Writers’ Hub’. Retrieved (https://www.facebook.com/WritersHub).
Atwood, Margaret. 2002. Negotiating with the Dead: A Writer on Writing. Cambridge: Cambridge University Press.
Baldick, Chris. 2004. The Concise Oxford Dictionary of Literary Terms. Vol. Oxford paperback reference. 2nd ed. Oxford: Oxford University Press.
Butler, Octavia E. 2003. Kindred (Electronic Resource). 25th anniverary ed. Boston: Beacon Press.
Calvino, Italo, and Patrick Creagh. 2009. Six Memos for the next Millennium: The Charles Eliot Norton Lectures 1985-86. Vol. Penguin modern classics. London: Penguin Books.
Carver, Raymond. 1993. Where I’m Calling from: The Selected Stories. Memorial ed. London: The Harvill Press.
Chambers, Ellie and Northedge, Andrew. 2008. The Arts Good Study Guide. Vol. Open University set book. 2nd ed. Milton Keynes: Open University.
Cobley, Paul. 2001. Narrative. Vol. The New critical idiom. London: Routledge.
Cowan, Andrew. 2011. The Art of Writing Fiction. Harlow: Longman.
Dunmore, Helen. 2004. Ice Cream. 1st American ed. Grove/Atlantic.
García Márquez, Gabriel. 2008. Collected Stories. London: Penguin.
Geraghty, Margret. 2009. The Five-Minute Writer: Exercise and Inspiration in Creative Writing in Five Minutes a Day. 2nd ed. Oxford: How To Books.
Geraghty, Margret. 2013. More Five-Minute Writing: Another 50 Inspiring Exercises in Creative Writing in Five Minutes a Day. London: How To Books.
Goldberg, Natalie. 2005. Writing down the Bones: Freeing the Writer Within. Boston, Mass: Shambhala.
Goldman, Lisa. 2012. The No Rules Handbook for Writers: (Know the Rules so You Can Break Them). London: Oberon.
Grant-Adamson, Lesley. 2003. Writing Crime Fiction. Vol. Teach yourself. New ed. London: Teach Yourself.
Harper, Graeme and Kroll, Jeri. 2007. Creative Writing Studies: Practice, Research and Pedagogy. Vol. New writing viewpoints. Clevedon: Multilingual Matters.
Keen, Suzanne. 2015. Narrative Form. Revised and expanded second edition. Basingstoke: Palgrave Macmillan.
King, Stephen. 2012. On Writing: A Memoir of Craft. London: Hodder.
Lahiri, Jhumpa. 2000. Interpreter of Maladies: Stories. London: Flamingo.
Lamott, Anne. 1995. Bird by Bird: Some Instructions on Writing and Life. 1st Anchor Books ed. New York: Anchor Books.
Levy, Andrea, 1956-. 1995. Every Light in the House Burnin’. London: Headline Review.
Mansfield, Katherine. 2011. Bliss. Vol. Mini modern classics. London: Penguin.
Massiah, Hope. 2000. ‘MOT Time’. Pp. 239–46 in IC3: the Penguin book of new black writing in Britain. London: Hamish Hamilton.
Matt Morrison. 2010. Key Concepts in Creative Writing. New York: Palgrave Macmillan.
McCabe, Patrick. 1992. The Butcher Boy. London: Picador.
McEwan, Ian. 2008. On Chesil Beach. London: Vintage.
McKee, Robert. 1998. Story: Substance, Structure, Style, and the Principles of Screenwriting. Vol. Methuendrama. London: Methuen.
Mitchell, David. 2004. Cloud Atlas. London: Sceptre.
Mittelmark, Howard and Newman, Sandra. 2009. How Not to Write a Novel: 200 Mistakes to Avoid at All Costs If You Ever Want to Get Published. London: Penguin.
Morley, David. 2007. The Cambridge Introduction to Creative Writing. Vol. Cambridge introductions to literature. Cambridge: Cambridge University Press.
Morrison, Toni. 2009. A Mercy. London: Vintage.
Mullan, John. 2008. How Novels Work. Oxford: Oxford University Press.
Norris, Sharon. 2013. Studying Creative Writing. Vol. Creative writing studies. Newmarket, Suffolk: Creative Writing Studies.
Paton Walsh, Jill, 1937-. 1995. Knowledge of Angels. London: Black Swan.
Pickering, James H. 2011. Fiction 100: An Anthology of Short Fiction. 13th ed. London: Pearson Education.
Pope, Rob. 2005. Creativity: Theory, History, Practice. London: Routledge.
Royle, Nicholas, ed. 2015. The Art of the Novel (Salt). London: Salt.
Selvon, Samuel. 2006a. The Lonely Londoners. London: Penguin.
Selvon, Samuel. 2006b. The Lonely Londoners. New ed. London: Penguin.
Spark, Muriel. 2009. The Prime of Miss Jean Brodie. New York: HarperPerennial ModernClassics.
Tobias, Ron. 2012. 20 Master Plots: And How to Build Them. Cincinnati, Ohio: Writer’s Digest.
Toole, John Kennedy. 2000. A Confederacy of Dunces. London: Penguin.
Truby, John. 2008. The Anatomy of Story: 22 Steps to Becoming a Master Storyteller. New York: Faber and Faber.
Vogler, Christopher. 2007. The Writer’s Journey: Mythic Structure for Writers. 3rd ed. Studio City, CA: Michael Wiese Productions.
Young, David, and Keith Hollaman. 1984. Magical Realist Fiction: An Anthology. New York: Longman.
