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Chambers, Ellie and Northedge, Andrew. The Arts Good Study Guide. 2nd ed. Open University set book. Milton Keynes: Open University, 2008. Web. <https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9781780074726&uid=^u>.
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Goldberg, Natalie. Writing down the Bones: Freeing the Writer Within. Boston, Mass: Shambhala, 2005. Print.
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Keen, Suzanne. Narrative Form. Revised and expanded second edition. Basingstoke: Palgrave Macmillan, 2015. Web. <https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9781137439598&uid=^u>.
King, Stephen. On Writing: A Memoir of Craft. London: Hodder, 2012. Print.
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Matt Morrison. Key Concepts in Creative Writing. New York: Palgrave Macmillan, 2010. Web. <https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=4763682>.
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McEwan, Ian. On Chesil Beach. London: Vintage, 2008. Print.
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Morley, David. The Cambridge Introduction to Creative Writing. Cambridge introductions to literature. Cambridge: Cambridge University Press, 2007. Web. <https://roe.idm.oclc.org/login?url=https://www-vlebooks-com.roe.idm.oclc.org/Vleweb/Product/Index/2006485?page=0&amp;uid=^u>.
Morrison, Toni. A Mercy. London: Vintage, 2009. Print.
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Mullan, John. How Novels Work. Oxford: Oxford University Press, 2008. Web. <https://roe.idm.oclc.org/login?url=https://search.ebscohost.com/login.aspx?direct=true&amp;db=nlebk&amp;AN=186522&amp;site=ehost-live>.
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Pope, Rob. Creativity: Theory, History, Practice. London: Routledge, 2005. Web. <https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203695319&uid=^u>.
‘Prospects.Ac.Uk Graduate Jobs, Postgrad Study, Work Experience, Graduate Career Information’. N.p., n.d. Web. <http://www.prospects.ac.uk/#>.
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