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Abbott, H. Porter. 2002. The Cambridge Introduction to Narrative. Cambridge: Cambridge University Press. https://roe.idm.oclc.org/login?url=https://www.cambridge.org/core/books/cambridge-introduction-to-narrative/C3DD73A6178BEB669888CCAA1D81A099.
‘ABC Short Stories » Home’. n.d. http://www.abc.net.au/shortstories/.
Allen, Woody. 2004. ‘The Rejection’. In Telling Tales, 263–67. London: Bloomsbury. https://contentstore.cla.co.uk/secure/link?id=87798c21-87ec-e611-80c9-005056af4099.
Amaworo-Wilson, JJ. 1999. ‘Johnny Can Sleep Easy Now’. In Afrobeat, 45–48. London: Pulp Faction. https://contentstore.cla.co.uk/secure/link?id=86c88b22-9838-eb11-80cd-005056af4099.
‘An Unreliable Guide to London’. n.d. Influx Press. http://www.influxpress.com/an-unreliable-guide-to-london.
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Baldick, Chris. 2004. The Concise Oxford Dictionary of Literary Terms. 2nd ed. Vol. Oxford paperback reference. Oxford: Oxford University Press. http://www.oxfordreference.com/views/BOOK_SEARCH.html?book=t56.
Butler, Octavia E. 2003. Kindred (Electronic Resource). 25th anniverary ed. Boston: Beacon Press. http://site.ebrary.com/lib/roehampton/detail.action?docID=10256074.
Calvino, Italo, and Patrick Creagh. 2009. Six Memos for the next Millennium: The Charles Eliot Norton Lectures 1985-86. Vol. Penguin modern classics. London: Penguin Books.
Carver, Raymond. 1993. Where I’m Calling from: The Selected Stories. Memorial ed. London: The Harvill Press.
Chambers, Ellie and Northedge, Andrew. 2008. The Arts Good Study Guide. 2nd ed. Vol. Open University set book. Milton Keynes: Open University. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9781780074726&uid=^u.
‘Classic Short Stories - 100% FREE’. n.d. http://www.world-english.org/stories.htm.
Cobley, Paul. 2001. Narrative. Vol. The New critical idiom. London: Routledge.
Cowan, Andrew. 2011. The Art of Writing Fiction. Harlow: Longman. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9781447922353&uid=^u.
‘Creative Careers: LINKS TO READING LIST’. n.d. https://moodle.roehampton.ac.uk/course/view.php?id=292.
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Gabriel García Márquez: One Hundred Years of Solitude. 1990. Vol. Landmarks of world literature. Cambridge: Cambridge University Press.
García Márquez, Gabriel. 2008. Collected Stories. London: Penguin.
Geraghty, Margret. 2009. The Five-Minute Writer: Exercise and Inspiration in Creative Writing in Five Minutes a Day. 2nd ed. Oxford: How To Books. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9781848033252&uid=^u.
———. 2013. More Five-Minute Writing: Another 50 Inspiring Exercises in Creative Writing in Five Minutes a Day. London: How To Books.
Goldberg, Natalie. 2005. Writing down the Bones: Freeing the Writer Within. Boston, Mass: Shambhala.
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Keen, Suzanne. 2015. Narrative Form. Revised and Expanded second edition. Basingstoke: Palgrave Macmillan. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9781137439598&uid=^u.
King, Stephen. 2012. On Writing: A Memoir of Craft. London: Hodder.
Lahiri, Jhumpa. 2000. Interpreter of Maladies: Stories. London: Flamingo.
Lamott, Anne. 1995. Bird by Bird: Some Instructions on Writing and Life. 1st Anchor Books ed. New York: Anchor Books.
Levy, Andrea, 1956-. 1995. Every Light in the House Burnin’. London: Headline Review.
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Mansfield, Katherine. 2011. Bliss. Vol. Mini modern classics. London: Penguin.
Massiah, Hope. 2000. ‘MOT Time’. In IC3: The Penguin Book of New Black Writing in Britain, 239–46. London: Hamish Hamilton. https://contentstore.cla.co.uk/secure/link?id=79cd10b0-8aec-e611-80c9-005056af4099.
Matt Morrison. 2010. Key Concepts in Creative Writing. New York: Palgrave Macmillan. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=4763682.
McCabe, Patrick. 1992. The Butcher Boy. London: Picador.
McEwan, Ian. 2008. On Chesil Beach. London: Vintage.
McKee, Robert. 1998. Story: Substance, Structure, Style, and the Principles of Screenwriting. Vol. Methuendrama. London: Methuen.
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Mitchell, David. 2004. Cloud Atlas. London: Sceptre.
Mittelmark, Howard and Newman, Sandra. 2009. How Not to Write a Novel: 200 Mistakes to Avoid at All Costs If You Ever Want to Get Published. London: Penguin.
‘Moodle 2013-14’. n.d. https://moodle.roehampton.ac.uk/.
Morley, David. 2007. The Cambridge Introduction to Creative Writing. Vol. Cambridge introductions to literature. Cambridge: Cambridge University Press. https://roe.idm.oclc.org/login?url=https://www-vlebooks-com.roe.idm.oclc.org/Vleweb/Product/Index/2006485?page=0&uid=^u.
Morrison, Toni. 2009. A Mercy. London: Vintage.
‘Mslexia. The Magazine for Women Who Write’. n.d. https://www.mslexia.co.uk/.
Mullan, John. 2008. How Novels Work. Oxford: Oxford University Press. https://roe.idm.oclc.org/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=186522&site=ehost-live.
‘National Novel Writing Month’. n.d. http://nanowrimo.org/.
Norris, Sharon. 2013. Studying Creative Writing. Vol. Creative writing studies. Newmarket, Suffolk: Creative Writing Studies.
Paton Walsh, Jill, 1937-. 1995. Knowledge of Angels. London: Black Swan.
Pickering, James H. 2011. Fiction 100: An Anthology of Short Fiction. 13th ed. London: Pearson Education.
Pope, Rob. 2005. Creativity: Theory, History, Practice. London: Routledge. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203695319&uid=^u.
‘Prospects.Ac.Uk Graduate Jobs, Postgrad Study, Work Experience, Graduate Career Information’. n.d. http://www.prospects.ac.uk/#.
‘Roehampton Writers Facebook Group’. n.d. https://www.facebook.com/groups/124560017559661/?fref=ts.
Royle, Nicholas, ed. 2015. The Art of the Novel (Salt). London: Salt.
Selvon, Samuel. 2006a. The Lonely Londoners. London: Penguin. https://app.kortext.com/borrow/614976.
———. 2006b. The Lonely Londoners. New ed. London: Penguin.
‘Short Stories | Booktrust’. n.d. http://www.booktrust.org.uk/books/adults/short-stories/.
‘Skills4Study.Com: Study Skills - Study Strategies’. n.d. http://www.palgrave.com/skills4study/studyskills/studystrategies.asp.
Spark, Muriel. 2009. The Prime of Miss Jean Brodie. New York: HarperPerennial ModernClassics.
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Tobias, Ron. 2012. 20 Master Plots: And How to Build Them. Cincinnati, Ohio: Writer’s Digest.
Toole, John Kennedy. 2000. A Confederacy of Dunces. London: Penguin.
Truby, John. 2008. The Anatomy of Story: 22 Steps to Becoming a Master Storyteller. New York: Faber and Faber.
‘Twenty Great American Short Stories’. n.d. http://americanliterature.com/twenty-great-american-short-stories.
Vogler, Christopher. 2007. The Writer’s Journey: Mythic Structure for Writers. 3rd ed. Studio City, CA: Michael Wiese Productions.
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Young, David, and Keith Hollaman. 1984. Magical Realist Fiction: An Anthology. New York: Longman.
