1.
Bordwell D. The Art Cinema as a Mode of Film Practice. In: The European Cinema Reader. Routledge; 2002:94-102. http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=96e2cdf8-1e2c-4017-9e8b-32f58832b41f
2.
Chanan M. Enter the Talkies. In: Repeated Takes: A Short History of Recording and Its Effects on Music. Verso; 1995:71-79. http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=c679e131-3cae-4830-a3b6-58c5c7dacd92
3.
Egan K. A ‘real horror show’: the video nasty press campaign. In: Trash or Treasure?: Censorship and the Changing Meanings of the Video Nasties. Manchester University Press; 2007:78-101. http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=6e1ff398-7b3e-4d6b-9e4f-5f7fd3dd7478
4.
Grainge P, Janchovich M, Monteith S. The Emergence of Cinema. In: Film Histories: An Introduction and Reader. Edinburgh University Press; 2007:3-20. http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=04318996-308f-45e5-bb36-4ad4bc48e356
5.
Jenkins H. Historical Poetics. In: Approaches to Popular Film. Vol Inside popular film. Manchester University Press; 1995:99-122. http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=00c533e6-53df-4386-aa0d-b52168f9dd2c
6.
Manovich L. What New Media Is Not. In: The Language of New Media. Vol Leonardo. MIT Press; 2001:49-61. http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=ee1c9777-b496-4336-b297-e1cffe3f71b9
7.
Neale S. Widescreen composition in the age of television. In: Contemporary Hollywood Cinema. Routledge; 1998:130-141. http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=6efd1fa9-d0bc-499b-9c46-c489eaf45efc
8.
Pudovkin VI. The Peculiarities of Film Material (extract) and Types Instead of Actors (extract). In: Film Technique and Film Acting: The Cinema Writings of V.I. Pudovkin. Bonanza Books; 2008:59-61-139-141. http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=224479cb-519c-4ce9-ab8d-7d451d5572cb
9.
David Bordwell ‘Doing Film History’. http://www.davidbordwell.net/essays/doing.php
10.
Gunning, T. The Cinema of Attractions. In: Early Cinema: Space, Frame, Narrative. BFI Publishing; 1990:56-62. http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=0e9b7f4c-47b1-4126-8727-222a190da0d4
11.
Gunning T. Weaving a narrative: Style and economic background in Griffith’s biograph films. Quarterly Review of Film Studies. 1981;6(1):11-25. doi:10.1080/10509208109361076
12.
Gunning, T. Crazy Machines in the Garden of Forking Paths: Mischief Gags and The Origins of American Film Comedy. In: Classical Hollywood Comedy. Vol AFI film readers. Routledge; 1995:87-105. http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=ff9d762a-43a5-4101-8f8f-886132cfe54e
13.
Fabe,M. ‘The Art of Montage: Sergei Eisnstein’s Battleship Potemkin’. In: Closely Watched Films: An Introduction to the Art of Narrative Film Technique. University of California Press; 2004:19-36.
14.
Barna Y, Hunter L, Stallybrass O. Eisenstein. Vol Cinema two. English-language ed. Secker and Warburg; 1973.
15.
Ron Briley. Sergei Eisenstein: The Artist in Service of the Revolution. The History Teacher. 1996;29(4):525-536. http://www.jstor.org/stable/494802
16.
Eisenstein S. The Dramaturgy of Film Form (The Dialectical Approach to Film Form). In: The Eisenstein Reader. British Film Institute; 1998:93-110. http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=5ea7039b-cf4b-4d49-a075-d2a604b15a1d
17.
Bordwell,D., Thompson,K. France in the 1920s. In: Film History: An Introduction. 2nd ed., International ed. McGraw Hill; 2003:85-100. http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=7a1bcf81-f0b8-4114-a046-fd3a207e4fc1
18.
Keller S. Jean Epstein’s documentary cinephilia. Studies in French Cinema. 2012;12(2):91-105. doi:10.1386/sfc.12.2.91_1
19.
Abel R. French Cinema: The First Wave, 1915-1929. Princeton University Press; 1984.
20.
Cook DA. A History of Narrative Film. 4th ed. W. W. Norton; 2004.
21.
Skal,D. ‘The English Widow and the German Count’. In: Hollywood Gothic: The Tangled Web of Dracula from Novel to Stage to Screen. Rev. ed. Faber and Faber; 2004:76-101. http://www.loc.gov/catdir/bios/hol058/2004046959.html
22.
Eisner LH. The Haunted Screen: Expressionism in the German Cinema and the  Influence of Max Reinhardt. Vol Cinema two. Secker & Warburg; 1973.
23.
Silberman M. Industry, Text, and Ideology in Expressionist Film. In: Passion and Rebellion: The Expressionist Heritage. Croom Helm; 1983:374-383. http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=60181d48-5b7d-4f10-b593-4a4f9a999905
24.
Doherty, T. ‘Vice Rewarded: The Wages of Cinematic Sin’. In: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema, 1930-1934. Vol Film and culture. Columbia University Press; 1999:103-136. http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=9244041b-0a5d-4ca0-bd79-32932784cd8e
25.
Maltby, Richard. Baby Face, or How Joe Breen Made Barbara Stanwyck Atone for Causing the Wall Street Crash. Screen. 1986;27(2):22-46. http://www.jiscjournalarchives.ac.uk/openurl.html?ref=oup/screen/screen_27_2.pdf/27-2-22.pdf
26.
Haskell M. From Reverence to Rape: The Treatment of Women in the Movies. 2nd ed. University of Chicago Press; 1987.
27.
Jacobs L. The Wages of Sin: Censorship and the Fallen Woman Film, 1928-1942. University of California Press; 1997.
28.
Leitch TM, ebrary, Inc. Crime Films. Vol Genres in American cinema. Cambridge University Press; 2002. http://site.ebrary.com/lib/roehampton/Doc?id=10030923
29.
Place,J., Peterson, L. ‘Some Visual Motifs of Film Noir’. In: Film Noir Reader. Limelight Editions; 1997:64-75.
30.
James Naremore. American Film Noir: The History of an Idea. Film Quarterly. 1996;49(2):1995-28. http://www.jstor.org/stable/1213310
31.
Krutnik F, ebrary, Inc. In a Lonely Street: Film Noir, Genre, Masculinity. Routledge; 1991. http://site.ebrary.com/lib/roehampton/Doc?id=10017740
32.
Bazin A, Andrew D, Gray H, Renoir J. What Is Cinema?: Volume 1. University of California Press; 2005. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=1513946
33.
Bondanella P. Italian Cinema: From Neorealism to the Present. Vol Ungar film library. Ungar; 1983.
34.
Cook DA. A History of Narrative Film. 4th ed. W. W. Norton; 2004.
35.
Thompson K, Bordwell D. Film History: An Introduction. 3rd ed., International ed. McGraw-Hill Higher Education; 2010.
36.
Napier, S. J. ‘Panic Sites: The Japanese Imagination of Disaster from Godzilla to Akira’. Journal of Japanese Studies. 1993;19(2):327-351. http://www.jstor.org/stable/132643
37.
Chon Noriega. Godzilla and the Japanese Nightmare: When ‘Them!’ Is U.S. Cinema Journal. 1987;27(1):63-77. http://www.jstor.org/stable/1225324
38.
LAU JKWOK. Multiple Modernities : Cinemas Andpopular Media in Transcultural East Asia. Temple University Press; 2002.
39.
Asian Cinema Studies Society. Asian Cinema.
40.
Varia, Kush. Bollywood: Gods, Glamour and Gossip. Vol Short cuts. Wallflower; 2009.
41.
Schatz,T. The Family Melodrama. In: Hollywood Genres: Formulas, Filmmaking, and the Studio System. McGraw-Hill; 1981:221-228-245-260. http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=294a2f94-78b8-44c5-acd9-d7319572363f
42.
Marie,M. ‘“It really makes you sick”’: Jean-Luc Godard’s A bout de souffle. In: French Film: Texts and Contexts. 2nd ed. Routledge; 1960:158-173. http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=cbcc7c99-4c7c-4f55-a86f-5cdad9721790
43.
Chanan M. Truth Games. In: The Politics of Documentary. BFI; 2007:166-183. http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=97c3b650-e121-4f62-9d5b-45771253e179
44.
Allen,M. The Background. In: Contemporary US Cinema. Longman; 2002:1-34. http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=df89a0ce-3952-4996-9a62-8d2dd62bbb00
45.
Betz M, ebrary, Inc. Beyond the Subtitle: Remapping European Art Cinema. University of Minnesota Press; 2009. http://site.ebrary.com/lib/roehampton/Doc?id=10318097
46.
Petley J. "Are We Insane ?”. The "Video Nasty” Moral Panic. Recherches sociologiques et anthropologiques. 2012;(43-1):35-57. doi:10.4000/rsa.839
47.
Prince, S. True Lies: Perceptual Realism, Digital Images, and Film Theory. Film Quarterly. 1996;49(3):27-37. http://www.jstor.org/stable/1213468
48.
Willis H. New Digital Cinema: Reinventing the Moving Image. Vol Short cuts : introductions to film studies. Wallflower; 2005.
49.
Ray, Satyajit. My Years with Apu. Faber; 1997.
50.
Bandyopādhyāya, Bibhūtibhūshana. The Apu Trilogy. Published online 2003.
51.
Abel, Richard. French Cinema: The First Wave, 1915-1929. Princeton University Press; 1984.
52.
Cook, Pam. The Cinema Book. 3rd ed. BFI; 2007.
53.
Salt, Barry, British Film Institute. Early cinema: primitives and pioneers. Published online 2005.
54.
Griffith, D. W. Broken blossoms. Published online 2001.
55.
Keaton, Buster. Buster Keaton: Vol.1. Published online 2001.
56.
Wiene, Robert. Das cabinet des Dr Caligari: The cabinet of Dr Caligari. Published online 2000.
57.
Kracauer S. Caligari. In: From Caligari to Hitler: A Psychological History of the German Film. Rev. and exp. ed. Princeton University Press; 2004:61-76. http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=b758d328-24a2-4101-999c-26a60d37df1e
58.
Rohauer, Raymond. Avant-garde: experimental cinema of the 1920s and ’30s : films from the Raymond Rohauer collection. Published online 2005.
59.
Buñuel, Luis, Dali, Salvador. Un chien Andalou: L’age d’or.
60.
Out of The Past Aka Build My Gallows High [DVD].
61.
Naremore J, ebrary, Inc. More than Night: Film Noir in Its Contexts. Updated and expanded ed. University of California Press; 2008. http://site.ebrary.com/lib/roehampton/Doc?id=10676231
62.
Kurosawa, Akira, Akutagawa, Ryunosuke. Rashomon. Published online 2001.
63.
Jackson, Peter. Forgotten Silver.
64.
Will Success Spoil Rock Hunter? Masters of Cinema DVD.
65.
Anderson C. Hollywood in the Home: TV and the End of the Studio Stystem. In: Modernity and Mass Culture. Indiana University Press; 1991:80-102. http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=f961416f-49d9-4461-abc7-37db47b715d7
66.
Erice, Victor. The spirit of the beehive. Published online 2003.
67.
Easy Rider [DVD].
68.
The American Nightmare [DVD].
69.
Wood R. The American Nightmare: HORROR IN THE 70s. In: Hollywood from Vietnam to Reagan - and Beyond. Rev. ed. Columbia University; 2003:63-84. http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=68a033da-66a9-4822-ac45-550e3a7b4757
70.
Video nasties - the definitive guide. Published online 2010.
71.
Monsters [DVD].
72.
Guru DuttWaheeda Rehman. Pyaasa [DVD] [1957]. http://www.amazon.co.uk/Pyaasa-DVD-Guru-Dutt/dp/B000GIWLNA/ref=sr_1_1?ie=UTF8&qid=1417614260&sr=8-1&keywords=Pyaasa