Bibliography for Film History and Criticism (FLM020C111Y) BETA

Abel, Richard. French Cinema: The First Wave, 1915-1929. Princeton: Princeton University Press, 1984. Print.

Abel, Richard. French Cinema: The First Wave, 1915-1929. Guildford: Princeton University Press, 1984. Print.

Allen,M. ‘The Background’. Contemporary US Cinema. Harlow: Longman, 2002. 1–34. Web. <http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=df89a0ce-3952-4996-9a62-8d2dd62bbb00>.

Anderson, Christopher. ‘Hollywood in the Home: TV and the End of the Studio Stystem’. Modernity and Mass Culture. Bloomington: Indiana University Press, 1991. 80–102. Web. <http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=f961416f-49d9-4461-abc7-37db47b715d7>.

Asian Cinema Studies Society. ‘Asian Cinema’. n. pag. Print.

Bandyopādhyāya, Bibhūtibhūshana. ‘The Apu Trilogy’. 2003 : n. pag. Print.

Barna, Yon, Lise Hunter, and Oliver Stallybrass. Eisenstein. English-language ed. Cinema two. London: Secker and Warburg, 1973. Print.

Bazin, André et al. What Is Cinema?: Volume 1. Berkeley: University of California Press, 2005. Web. <https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=1513946>.

Betz, Mark and ebrary, Inc. Beyond the Subtitle: Remapping European Art Cinema. Minneapolis: University of Minnesota Press, 2009. Web. <http://site.ebrary.com/lib/roehampton/Doc?id=10318097>.

Bondanella, Peter. Italian Cinema: From Neorealism to the Present. Ungar film library. New York: Ungar, 1983. Print.

Bordwell, Dave. ‘The Art Cinema as a Mode of Film Practice’. The European Cinema Reader. London: Routledge, 2002. 94–102. Web. <http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=96e2cdf8-1e2c-4017-9e8b-32f58832b41f>.

Bordwell,D. and Thompson,K. ‘France in the 1920s’. Film History: An Introduction. 2nd ed., International ed. Boston, [Mass.]: McGraw Hill, 2003. 85–100. Web. <http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=7a1bcf81-f0b8-4114-a046-fd3a207e4fc1>.

Buñuel, Luis and Dali, Salvador. ‘Un Chien Andalou: L’age d’or’. : n. pag. Print.

Chanan, Michael. ‘Enter the Talkies’. Repeated Takes: A Short History of Recording and Its Effects on Music. London: Verso, 1995. 71–79. Web. <http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=c679e131-3cae-4830-a3b6-58c5c7dacd92>.

---. ‘Truth Games’. The Politics of Documentary. London: BFI, 2007. 166–183. Web. <http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=97c3b650-e121-4f62-9d5b-45771253e179>.

Chon Noriega. ‘Godzilla and the Japanese Nightmare: When “Them!” Is U.S.’ Cinema Journal 27.1 (1987): 63–77. Web. <http://www.jstor.org/stable/1225324>.

Cook, David A. A History of Narrative Film. 4th ed. New York: W. W. Norton, 2004. Print.

---. A History of Narrative Film. 4th ed. New York: W. W. Norton, 2004. Print.

Cook, Pam. The Cinema Book. 3rd ed. London: BFI, 2007. Print.

‘David Bordwell “Doing Film History”’. N.p., n.d. Web. <http://www.davidbordwell.net/essays/doing.php>.

Doherty, T. ‘“Vice Rewarded: The Wages of Cinematic Sin”’. Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema, 1930-1934. Film and culture. Chichester: Columbia University Press, 1999. 103–136. Web. <http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=9244041b-0a5d-4ca0-bd79-32932784cd8e>.

‘Easy Rider [DVD]’. : n. pag. Print.

Egan, Kate. ‘A “Real Horror Show”: The Video Nasty Press Campaign’. Trash or Treasure?: Censorship and the Changing Meanings of the Video Nasties. Manchester: Manchester University Press, 2007. 78–101. Web. <http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=6e1ff398-7b3e-4d6b-9e4f-5f7fd3dd7478>.

Eisenstein, Sergei. ‘The Dramaturgy of Film Form (The Dialectical Approach to Film Form)’. The Eisenstein Reader. London: British Film Institute, 1998. 93–110. Web. <http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=5ea7039b-cf4b-4d49-a075-d2a604b15a1d>.

Eisner, Lotte H. The Haunted Screen: Expressionism in the German Cinema and the  Influence of Max Reinhardt. Cinema two. London: Secker & Warburg, 1973. Print.

Erice, Victor. ‘The Spirit of the Beehive’. 2003 : n. pag. Print.

Fabe,M. ‘“The Art of Montage: Sergei Eisnstein’s Battleship Potemkin”’. Closely Watched Films: An Introduction to the Art of Narrative Film Technique. Berkeley: University of California Press, 2004. 19–36. Print.

Grainge, Paul, Mark Janchovich, and Sharon Monteith. ‘The Emergence of Cinema’. Film Histories: An Introduction and Reader. Edinburgh: Edinburgh University Press, 2007. 3–20. Web. <http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=04318996-308f-45e5-bb36-4ad4bc48e356>.

Griffith, D. W. ‘Broken Blossoms’. 2001 : n. pag. Print.

Gunning, T. ‘Crazy Machines in the Garden of Forking Paths: Mischief Gags and The Origins of American Film Comedy’. Classical Hollywood Comedy. AFI film readers. London: Routledge, 1995. 87–105. Web. <http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=ff9d762a-43a5-4101-8f8f-886132cfe54e>.

---. ‘The Cinema of Attractions’. Early Cinema: Space, Frame, Narrative. London: BFI Publishing, 1990. 56–62. Web. <http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=0e9b7f4c-47b1-4126-8727-222a190da0d4>.

Gunning, Tom. ‘Weaving a Narrative: Style and Economic Background in Griffith’s Biograph Films’. Quarterly Review of Film Studies 6.1 (1981): 11–25. Web.

Guru DuttWaheeda Rehman. ‘Pyaasa [DVD] [1957]’. Web. <http://www.amazon.co.uk/Pyaasa-DVD-Guru-Dutt/dp/B000GIWLNA/ref=sr_1_1?ie=UTF8&qid=1417614260&sr=8-1&keywords=Pyaasa>.

Haskell, Molly. From Reverence to Rape: The Treatment of Women in the Movies. 2nd ed. Chicago: University of Chicago Press, 1987. Print.

Jackson, Peter. ‘Forgotten Silver’. : n. pag. Print.

Jacobs, Lea. The Wages of Sin: Censorship and the Fallen Woman Film, 1928-1942. Berkeley: University of California Press, 1997. Print.

James Naremore. ‘American Film Noir: The History of an Idea’. Film Quarterly 49.2 (1996): 1995–28. Web. <http://www.jstor.org/stable/1213310>.

Jenkins, Henry. ‘Historical Poetics’. Approaches to Popular Film. Inside popular film. Manchester: Manchester University Press, 1995. 99–122. Web. <http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=00c533e6-53df-4386-aa0d-b52168f9dd2c>.

Keaton, Buster. ‘Buster Keaton: Vol.1’. 2001 : n. pag. Print.

Keller, Sarah. ‘Jean Epstein’s Documentary Cinephilia’. Studies in French Cinema 12.2 (2012): 91–105. Web. <http://search.ebscohost.com/login.aspx?direct=true&db=aph&AN=75062742&site=ehost-live>.

Kracauer, Siegfried. ‘Caligari’. From Caligari to Hitler: A Psychological History of the German Film. Rev. and exp. ed. Oxford: Princeton University Press, 2004. 61–76. Web. <http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=b758d328-24a2-4101-999c-26a60d37df1e>.

Krutnik, Frank and ebrary, Inc. In a Lonely Street: Film Noir, Genre, Masculinity. London: Routledge, 1991. Web. <http://site.ebrary.com/lib/roehampton/Doc?id=10017740>.

Kurosawa, Akira and Akutagawa, Ryunosuke. ‘Rashomon’. 2001 : n. pag. Print.

LAU, JENNY KWOK. Multiple Modernities : Cinemas Andpopular Media in Transcultural East Asia. Philadelphia, PA: Temple University Press, 2002. Print.

Leitch, Thomas M. and ebrary, Inc. Crime Films. Genres in American cinema. Cambridge: Cambridge University Press, 2002. Web. <http://site.ebrary.com/lib/roehampton/Doc?id=10030923>.

Maltby, Richard. ‘Baby Face, or How Joe Breen Made Barbara Stanwyck Atone for Causing the Wall Street Crash’. Screen 27.2 (1986): 22–46. Web. <http://www.jiscjournalarchives.ac.uk/openurl.html?ref=oup/screen/screen_27_2.pdf/27-2-22.pdf>.

Manovich, Lev. ‘What New Media Is Not’. The Language of New Media. Leonardo. Cambridge, Mass: MIT Press, 2001. 49–61. Web. <http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=ee1c9777-b496-4336-b297-e1cffe3f71b9>.

Marie,M. ‘“‘It Really Makes You Sick’”: Jean-Luc Godard’s A Bout de Souffle’. French Film: Texts and Contexts. 2nd ed. London: Routledge, 1960. 158–173. Web. <http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=cbcc7c99-4c7c-4f55-a86f-5cdad9721790>.

‘Monsters [DVD]’. : n. pag. Print.

Napier, S. J. ‘“Panic Sites: The Japanese Imagination of Disaster from Godzilla to Akira”’. Journal of Japanese Studies 19.2 (1993): 327–351. Web. <http://www.jstor.org/stable/132643>.

Naremore, James and ebrary, Inc. More than Night: Film Noir in Its Contexts. Updated and expanded ed. Berkeley: University of California Press, 2008. Web. <http://site.ebrary.com/lib/roehampton/Doc?id=10676231>.

Neale, Steve. ‘Widescreen Composition in the Age of Television’. Contemporary Hollywood Cinema. London: Routledge, 1998. 130–141. Web. <http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=6efd1fa9-d0bc-499b-9c46-c489eaf45efc>.

‘Out of The Past Aka Build My Gallows High [DVD]’. : n. pag. Print.

Petley, Julian. ‘"Are We Insane ?”. The "Video Nasty” Moral Panic’. Recherches sociologiques et anthropologiques 43–1 (2012): 35–57. Web.

Place,J. and Peterson, L. ‘“Some Visual Motifs of Film Noir”’. Film Noir Reader. New York: Limelight Editions, 1997. 64–75. Print.

Prince, S. ‘True Lies: Perceptual Realism, Digital Images, and Film Theory’. Film Quarterly 49.3 (1996): 27–37. Web. <http://www.jstor.org/stable/1213468>.

Pudovkin, V. I. ‘The Peculiarities of Film Material (Extract) and Types Instead of Actors (Extract)’. Film Technique and Film Acting: The Cinema Writings of V.I. Pudovkin. New York: Bonanza Books, 2008. 59-61-139–141. Web. <http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=224479cb-519c-4ce9-ab8d-7d451d5572cb>.

Ray, Satyajit. My Years with Apu. London: Faber, 1997. Print.

Rohauer, Raymond. ‘Avant-Garde: Experimental Cinema of the 1920s and ’30s : Films from the Raymond Rohauer Collection’. 2005 : n. pag. Print.

Ron Briley. ‘Sergei Eisenstein: The Artist in Service of the Revolution’. The History Teacher 29.4 (1996): 525–536. Web. <http://www.jstor.org/stable/494802>.

Salt, Barry and British Film Institute. ‘Early Cinema: Primitives and Pioneers’. 2005 : n. pag. Print.

Schatz,T. ‘The Family Melodrama’. Hollywood Genres: Formulas, Filmmaking, and the Studio System. Boston, Mass: McGraw-Hill, 1981. 221-228-245–260. Web. <http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=294a2f94-78b8-44c5-acd9-d7319572363f>.

Silberman, Marc. ‘Industry, Text, and Ideology in Expressionist Film’. Passion and Rebellion: The Expressionist Heritage. London: Croom Helm, 1983. 374–383. Web. <http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=60181d48-5b7d-4f10-b593-4a4f9a999905>.

Skal,D. ‘“The English Widow and the German Count”’. Hollywood Gothic: The Tangled Web of Dracula from Novel to Stage to Screen. Rev. ed. New York: Faber and Faber, 2004. 76–101. Web. <http://www.loc.gov/catdir/bios/hol058/2004046959.html>.

‘The American Nightmare [DVD]’. : n. pag. Print.

Thompson, Kristin, and David Bordwell. Film History: An Introduction. 3rd ed., International ed. Boston, [Mass.]: McGraw-Hill Higher Education, 2010. Print.

Varia, Kush. Bollywood: Gods, Glamour and Gossip. Short cuts. London: Wallflower, 2009. Print.

‘Video Nasties - the Definitive Guide’. 2010 : n. pag. Print.

Wiene, Robert. ‘Das Cabinet Des Dr Caligari: The Cabinet of Dr Caligari’. 2000 : n. pag. Print.

‘Will Success Spoil Rock Hunter? Masters of Cinema DVD’. : n. pag. Print.

Willis, Holly. New Digital Cinema: Reinventing the Moving Image. Short cuts : introductions to film studies. London: Wallflower, 2005. Print.

Wood, Robin. ‘The American Nightmare: HORROR IN THE 70s’. Hollywood from Vietnam to Reagan - and Beyond. Rev. ed. Chichester: Columbia University, 2003. 63–84. Web. <http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=68a033da-66a9-4822-ac45-550e3a7b4757>.