Bibliography for Film History and Criticism (FLM020C111Y) BETA

Abel, Richard. 1984. French Cinema: The First Wave, 1915-1929. Princeton: Princeton University Press.

Abel, Richard. 1984. French Cinema: The First Wave, 1915-1929. Guildford: Princeton University Press.

Allen,M. 2002. ‘The Background’. In Contemporary US Cinema, 1–34. Harlow: Longman. http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=df89a0ce-3952-4996-9a62-8d2dd62bbb00.

Anderson, Christopher. 1991. ‘Hollywood in the Home: TV and the End of the Studio Stystem’. In Modernity and Mass Culture, 80–102. Bloomington: Indiana University Press. http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=f961416f-49d9-4461-abc7-37db47b715d7.

Asian Cinema Studies Society. n.d. ‘Asian Cinema’.

Bandyopādhyāya, Bibhūtibhūshana. 2003. ‘The Apu Trilogy’. Videorecording. [U.K.]: Artificial Eye.

Barna, Yon, Lise Hunter, and Oliver Stallybrass. 1973. Eisenstein. English-Language ed. Vol. Cinema two. London: Secker and Warburg.

Bazin, André, Dudley Andrew, Hugh Gray, and Jean Renoir. 2005. What Is Cinema?: Volume 1. Berkeley: University of California Press. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=1513946.

Betz, Mark and ebrary, Inc. 2009. Beyond the Subtitle: Remapping European Art Cinema. Electronic resource. Minneapolis: University of Minnesota Press. http://site.ebrary.com/lib/roehampton/Doc?id=10318097.

Bondanella, Peter. 1983. Italian Cinema: From Neorealism to the Present. Vol. Ungar film library. New York: Ungar.

Bordwell, Dave. 2002. ‘The Art Cinema as a Mode of Film Practice’. In The European Cinema Reader, 94–102. London: Routledge. http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=96e2cdf8-1e2c-4017-9e8b-32f58832b41f.

Bordwell,D. and Thompson,K. 2003. ‘France in the 1920s’. In Film History: An Introduction, 2nd ed., International ed, 85–100. Boston, [Mass.]: McGraw Hill. http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=7a1bcf81-f0b8-4114-a046-fd3a207e4fc1.

Buñuel, Luis and Dali, Salvador. n.d. ‘Un Chien Andalou: L’age d’or’. Videorecording. London: BFI.

Chanan, Michael. 1995. ‘Enter the Talkies’. In Repeated Takes: A Short History of Recording and Its Effects on Music, 71–79. London: Verso. http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=c679e131-3cae-4830-a3b6-58c5c7dacd92.

———. 2007. ‘Truth Games’. In The Politics of Documentary, 166–83. London: BFI. http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=97c3b650-e121-4f62-9d5b-45771253e179.

Chon Noriega. 1987. ‘Godzilla and the Japanese Nightmare: When “Them!” Is U.S.’ Cinema Journal 27 (1): 63–77. http://www.jstor.org/stable/1225324.

Cook, David A. 2004a. A History of Narrative Film. 4th ed. New York: W. W. Norton.

———. 2004b. A History of Narrative Film. 4th ed. New York: W. W. Norton.

Cook, Pam. 2007. The Cinema Book. 3rd ed. London: BFI.

‘David Bordwell “Doing Film History”’. n.d. http://www.davidbordwell.net/essays/doing.php.

Doherty, T. 1999. ‘“Vice Rewarded: The Wages of Cinematic Sin”’. In Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema, 1930-1934, Film and culture:103–36. Chichester: Columbia University Press. http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=9244041b-0a5d-4ca0-bd79-32932784cd8e.

‘Easy Rider [DVD]’. n.d.

Egan, Kate. 2007. ‘A “Real Horror Show”: The Video Nasty Press Campaign’. In Trash or Treasure?: Censorship and the Changing Meanings of the Video Nasties, 78–101. Manchester: Manchester University Press. http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=6e1ff398-7b3e-4d6b-9e4f-5f7fd3dd7478.

Eisenstein, Sergei. 1998. ‘The Dramaturgy of Film Form (The Dialectical Approach to Film Form)’. In The Eisenstein Reader, 93–110. London: British Film Institute. http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=5ea7039b-cf4b-4d49-a075-d2a604b15a1d.

Eisner, Lotte H. 1973. The Haunted Screen: Expressionism in the German Cinema and the  Influence of Max Reinhardt. Vol. Cinema two. London: Secker & Warburg.

Erice, Victor. 2003. ‘The Spirit of the Beehive’. Videorecording. [London]: Optimum Releasing.

Fabe,M. 2004. ‘“The Art of Montage: Sergei Eisnstein’s Battleship Potemkin”’. Electronic resource. In Closely Watched Films: An Introduction to the Art of Narrative Film Technique, 19–36. Berkeley: University of California Press.

Grainge, Paul, Mark Janchovich, and Sharon Monteith. 2007. ‘The Emergence of Cinema’. In Film Histories: An Introduction and Reader, 3–20. Edinburgh: Edinburgh University Press. http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=04318996-308f-45e5-bb36-4ad4bc48e356.

Griffith, D. W. 2001. ‘Broken Blossoms’. Videorecording. [U.K.]: Eureka Video.

Gunning, T. 1990. ‘The Cinema of Attractions’. In Early Cinema: Space, Frame, Narrative, 56–62. London: BFI Publishing. http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=0e9b7f4c-47b1-4126-8727-222a190da0d4.

———. 1995. ‘Crazy Machines in the Garden of Forking Paths: Mischief Gags and The Origins of American Film Comedy’. In Classical Hollywood Comedy, AFI film readers:87–105. London: Routledge. http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=ff9d762a-43a5-4101-8f8f-886132cfe54e.

Gunning, Tom. 1981. ‘Weaving a Narrative: Style and Economic Background in Griffith’s Biograph Films’. Quarterly Review of Film Studies 6 (1): 11–25. https://doi.org/10.1080/10509208109361076.

Guru DuttWaheeda Rehman. n.d. ‘Pyaasa [DVD] [1957]’. http://www.amazon.co.uk/Pyaasa-DVD-Guru-Dutt/dp/B000GIWLNA/ref=sr_1_1?ie=UTF8&qid=1417614260&sr=8-1&keywords=Pyaasa.

Haskell, Molly. 1987. From Reverence to Rape: The Treatment of Women in the Movies. 2nd ed. Chicago: University of Chicago Press.

Jackson, Peter. n.d. ‘Forgotten Silver’.

Jacobs, Lea. 1997. The Wages of Sin: Censorship and the Fallen Woman Film, 1928-1942. Berkeley: University of California Press.

James Naremore. 1996. ‘American Film Noir: The History of an Idea’. Film Quarterly 49 (2): 1995–28. http://www.jstor.org/stable/1213310.

Jenkins, Henry. 1995. ‘Historical Poetics’. In Approaches to Popular Film, Inside popular film:99–122. Manchester: Manchester University Press. http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=00c533e6-53df-4386-aa0d-b52168f9dd2c.

Keaton, Buster. 2001. ‘Buster Keaton: Vol.1’. Videorecording. Salford: Stonevision.

Keller, Sarah. 2012. ‘Jean Epstein’s Documentary Cinephilia’. Studies in French Cinema 12 (2): 91–105. https://doi.org/10.1386/sfc.12.2.91_1.

Kracauer, Siegfried. 2004. ‘Caligari’. In From Caligari to Hitler: A Psychological History of the German Film, Rev. and exp. ed, 61–76. Oxford: Princeton University Press. http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=b758d328-24a2-4101-999c-26a60d37df1e.

Krutnik, Frank and ebrary, Inc. 1991. In a Lonely Street: Film Noir, Genre, Masculinity. Electronic resource. London: Routledge. http://site.ebrary.com/lib/roehampton/Doc?id=10017740.

Kurosawa, Akira and Akutagawa, Ryunosuke. 2001. ‘Rashomon’. Videorecording (dvd). London: BFI Video.

LAU, JENNY KWOK. 2002. Multiple Modernities : Cinemas Andpopular Media in Transcultural East Asia. Philadelphia, PA: Temple University Press.

Leitch, Thomas M. and ebrary, Inc. 2002. Crime Films. Electronic resource. Vol. Genres in American cinema. Cambridge: Cambridge University Press. http://site.ebrary.com/lib/roehampton/Doc?id=10030923.

Maltby, Richard. 1986. ‘Baby Face, or How Joe Breen Made Barbara Stanwyck Atone for Causing the Wall Street Crash’. Screen 27 (2): 22–46. http://www.jiscjournalarchives.ac.uk/openurl.html?ref=oup/screen/screen_27_2.pdf/27-2-22.pdf.

Manovich, Lev. 2001. ‘What New Media Is Not’. In The Language of New Media, Leonardo:49–61. Cambridge, Mass: MIT Press. http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=ee1c9777-b496-4336-b297-e1cffe3f71b9.

Marie,M. 1960. ‘“‘It Really Makes You Sick’”: Jean-Luc Godard’s A Bout de Souffle’. In French Film: Texts and Contexts, 2nd ed, 158–73. London: Routledge. http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=cbcc7c99-4c7c-4f55-a86f-5cdad9721790.

‘Monsters [DVD]’. n.d.

Napier, S. J. 1993. ‘“Panic Sites: The Japanese Imagination of Disaster from Godzilla to Akira”’. Journal of Japanese Studies 19 (2): 327–51. http://www.jstor.org/stable/132643.

Naremore, James and ebrary, Inc. 2008. More than Night: Film Noir in Its Contexts. Electronic resource. Updated and Expanded ed. Berkeley: University of California Press. http://site.ebrary.com/lib/roehampton/Doc?id=10676231.

Neale, Steve. 1998. ‘Widescreen Composition in the Age of Television’. In Contemporary Hollywood Cinema, 130–41. London: Routledge. http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=6efd1fa9-d0bc-499b-9c46-c489eaf45efc.

‘Out of The Past Aka Build My Gallows High [DVD]’. n.d.

Petley, Julian. 2012. ‘"Are We Insane ?”. The "Video Nasty” Moral Panic’. Recherches Sociologiques et Anthropologiques, no. 43–1 (June): 35–57. https://doi.org/10.4000/rsa.839.

Place,J. and Peterson, L. 1997. ‘“Some Visual Motifs of Film Noir”’. In Film Noir Reader, 64–75. New York: Limelight Editions.

Prince, S. 1996. ‘True Lies: Perceptual Realism, Digital Images, and Film Theory’. Film Quarterly 49 (3): 27–37. http://www.jstor.org/stable/1213468.

Pudovkin, V. I. 2008. ‘The Peculiarities of Film Material (Extract) and Types Instead of Actors (Extract)’. In Film Technique and Film Acting: The Cinema Writings of V.I. Pudovkin, 59-61-139–41. New York: Bonanza Books. http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=224479cb-519c-4ce9-ab8d-7d451d5572cb.

Ray, Satyajit. 1997. My Years with Apu. London: Faber.

Rohauer, Raymond. 2005. ‘Avant-Garde: Experimental Cinema of the 1920s and ’30s : Films from the Raymond Rohauer Collection’. Videorecording. New York: Kino on Video.

Ron Briley. 1996. ‘Sergei Eisenstein: The Artist in Service of the Revolution’. The History Teacher 29 (4): 525–36. http://www.jstor.org/stable/494802.

Salt, Barry and British Film Institute. 2005. ‘Early Cinema: Primitives and Pioneers’. Videorecording (dvd). London: British Film Institute.

Schatz,T. 1981. ‘The Family Melodrama’. In Hollywood Genres: Formulas, Filmmaking, and the Studio System, 221-228-245–60. Boston, Mass: McGraw-Hill. http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=294a2f94-78b8-44c5-acd9-d7319572363f.

Silberman, Marc. 1983. ‘Industry, Text, and Ideology in Expressionist Film’. In Passion and Rebellion: The Expressionist Heritage, 374–83. London: Croom Helm. http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=60181d48-5b7d-4f10-b593-4a4f9a999905.

Skal,D. 2004. ‘“The English Widow and the German Count”’. In Hollywood Gothic: The Tangled Web of Dracula from Novel to Stage to Screen, Rev. ed, 76–101. New York: Faber and Faber. http://www.loc.gov/catdir/bios/hol058/2004046959.html.

‘The American Nightmare [DVD]’. n.d.

Thompson, Kristin, and David Bordwell. 2010. Film History: An Introduction. 3rd ed., International ed. Boston, [Mass.]: McGraw-Hill Higher Education.

Varia, Kush. 2009. Bollywood: Gods, Glamour and Gossip. Vol. Short cuts. London: Wallflower.

‘Video Nasties - the Definitive Guide’. 2010. Videorecording. Nucleus Films.

Wiene, Robert. 2000. ‘Das Cabinet Des Dr Caligari: The Cabinet of Dr Caligari’. Videorecording =. London: Eureka Video.

‘Will Success Spoil Rock Hunter? Masters of Cinema DVD’. n.d.

Willis, Holly. 2005. New Digital Cinema: Reinventing the Moving Image. Vol. Short cuts : introductions to film studies. London: Wallflower.

Wood, Robin. 2003. ‘The American Nightmare: HORROR IN THE 70s’. In Hollywood from Vietnam to Reagan - and Beyond, Rev. ed, 63–84. Chichester: Columbia University. http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=68a033da-66a9-4822-ac45-550e3a7b4757.