Bibliography for Film History and Criticism (FLM020C111Y)

@book{Abel_1984, address={Princeton}, title={French cinema: the first wave, 1915-1929}, publisher={Princeton University Press}, author={Abel, Richard}, year={1984} }

@book{Abel, Richard_1984, address={Guildford}, title={French cinema: the first wave, 1915-1929}, publisher={Princeton University Press}, author={Abel, Richard}, year={1984} }

@inbook{Allen,M._2002, address={Harlow}, title={The Background}, url={http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=df89a0ce-3952-4996-9a62-8d2dd62bbb00}, booktitle={Contemporary US cinema}, publisher={Longman}, author={Allen,M.}, year={2002}, pages={1–34} }

@inbook{Anderson_1991, address={Bloomington}, title={Hollywood in the Home: TV and the End of the Studio Stystem}, url={http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=f961416f-49d9-4461-abc7-37db47b715d7}, booktitle={Modernity and mass culture}, publisher={Indiana University Press}, author={Anderson, Christopher}, year={1991}, pages={80–102} }

@article{Asian Cinema Studies Society, address={Hamden,CT.}, title={Asian Cinema}, publisher={Asian Cinema Studies Society}, author={Asian Cinema Studies Society} }

@misc{Bandyopādhyāya, Bibhūtibhūshana_2003, address={[U.K.]}, title={The Apu Trilogy}, publisher={Artificial Eye}, author={Bandyopādhyāya, Bibhūtibhūshana}, year={2003} }

@book{Barna_Hunter_Stallybrass_1973, address={London}, edition={English-language ed}, title={Eisenstein}, volume={Cinema two}, publisher={Secker and Warburg}, author={Barna, Yon and Hunter, Lise and Stallybrass, Oliver}, year={1973} }

@book{Bazin_Andrew_Gray_Renoir_2005, address={Berkeley}, title={What is cinema?: Volume 1}, url={https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=1513946}, publisher={University of California Press}, author={Bazin, André and Andrew, Dudley and Gray, Hugh and Renoir, Jean}, year={2005} }

@book{Betz_ebrary, Inc_2009, address={Minneapolis}, title={Beyond the subtitle: remapping European art cinema}, url={http://site.ebrary.com/lib/roehampton/Doc?id=10318097}, publisher={University of Minnesota Press}, author={Betz, Mark and ebrary, Inc}, year={2009} }

@book{Bondanella_1983, address={New York}, title={Italian cinema: from neorealism to the present}, volume={Ungar film library}, publisher={Ungar}, author={Bondanella, Peter}, year={1983} }

@inbook{Bordwell_2002, address={London}, title={The Art Cinema as a Mode of Film Practice}, url={http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=96e2cdf8-1e2c-4017-9e8b-32f58832b41f}, booktitle={The European cinema reader}, publisher={Routledge}, author={Bordwell, Dave}, year={2002}, pages={94–102} }

@inbook{Bordwell,D._Thompson,K._2003, address={Boston, [Mass.]}, edition={2nd ed., International ed}, title={France in the 1920s}, url={http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=7a1bcf81-f0b8-4114-a046-fd3a207e4fc1}, booktitle={Film history: an introduction}, publisher={McGraw Hill}, author={Bordwell,D. and Thompson,K.}, year={2003}, pages={85–100} }

@misc{Buñuel, Luis_Dali, Salvador, address={London}, title={Un chien Andalou: L’age d’or}, publisher={BFI}, author={Buñuel, Luis and Dali, Salvador} }

@inbook{Chanan_1995, address={London}, title={Enter the Talkies}, url={http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=c679e131-3cae-4830-a3b6-58c5c7dacd92}, booktitle={Repeated takes: a short history of recording and its effects on music}, publisher={Verso}, author={Chanan, Michael}, year={1995}, pages={71–79} }

@inbook{Chanan_2007, address={London}, title={Truth Games}, url={http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=97c3b650-e121-4f62-9d5b-45771253e179}, booktitle={The politics of documentary}, publisher={BFI}, author={Chanan, Michael}, year={2007}, pages={166–183} }

@article{Chon Noriega_1987, title={Godzilla and the Japanese Nightmare: When ‘Them!’ Is U.S.}, volume={27}, url={http://www.jstor.org/stable/1225324}, number={1}, journal={Cinema Journal}, publisher={University of Texas Press}, author={Chon Noriega}, year={1987}, pages={63–77} }

@book{Cook_2004a, address={New York}, edition={4th ed}, title={A history of narrative film}, publisher={W. W. Norton}, author={Cook, David A.}, year={2004} }

@book{Cook_2004b, address={New York}, edition={4th ed}, title={A history of narrative film}, publisher={W. W. Norton}, author={Cook, David A.}, year={2004} }

@book{Cook, Pam_2007, address={London}, edition={3rd ed}, title={The cinema book}, publisher={BFI}, author={Cook, Pam}, year={2007} }

@inbook{Doherty, T._1999, address={Chichester}, title={‘Vice Rewarded: The Wages of Cinematic Sin’}, volume={Film and culture}, url={http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=9244041b-0a5d-4ca0-bd79-32932784cd8e}, booktitle={Pre-code Hollywood: sex, immorality, and insurrection in American cinema, 1930-1934}, publisher={Columbia University Press}, author={Doherty, T.}, year={1999}, pages={103–136} }

@inbook{Egan_2007, address={Manchester}, title={A ‘real horror show’: the video nasty press campaign}, url={http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=6e1ff398-7b3e-4d6b-9e4f-5f7fd3dd7478}, booktitle={Trash or treasure?: censorship and the changing meanings of the video nasties}, publisher={Manchester University Press}, author={Egan, Kate}, year={2007}, pages={78–101} }

@inbook{Eisenstein_1998, address={London}, title={The Dramaturgy of Film Form (The Dialectical Approach to Film Form)}, url={http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=5ea7039b-cf4b-4d49-a075-d2a604b15a1d}, booktitle={The Eisenstein reader}, publisher={British Film Institute}, author={Eisenstein, Sergei}, year={1998}, pages={93–110} }

@book{Eisner_1973, address={London}, title={The haunted screen: expressionism in the German cinema and the influence of Max Reinhardt}, volume={Cinema two}, publisher={Secker & Warburg}, author={Eisner, Lotte H.}, year={1973} }

@misc{Erice, Victor_2003, address={[London]}, title={The spirit of the beehive}, publisher={Optimum Releasing}, author={Erice, Victor}, year={2003} }

@inbook{Fabe,M._2004, address={Berkeley}, title={‘The Art of Montage: Sergei Eisnstein’s Battleship Potemkin’}, booktitle={Closely watched films: an introduction to the art of narrative film technique}, publisher={University of California Press}, author={Fabe,M.}, year={2004}, pages={19–36} }

@inbook{Grainge_Janchovich_Monteith_2007, address={Edinburgh}, title={The Emergence of Cinema}, url={http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=04318996-308f-45e5-bb36-4ad4bc48e356}, booktitle={Film histories: an introduction and reader}, publisher={Edinburgh University Press}, author={Grainge, Paul and Janchovich, Mark and Monteith, Sharon}, year={2007}, pages={3–20} }

@misc{Griffith, D. W._2001, address={[U.K.]}, title={Broken blossoms}, publisher={Eureka Video}, author={Griffith, D. W.}, year={2001} }

@inbook{Gunning, T._1990, address={London}, title={The Cinema of Attractions}, url={http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=0e9b7f4c-47b1-4126-8727-222a190da0d4}, booktitle={Early cinema: space, frame, narrative}, publisher={BFI Publishing}, author={Gunning, T.}, year={1990}, pages={56–62} }

@inbook{Gunning, T._1995, address={London}, title={Crazy Machines in the Garden of Forking Paths: Mischief Gags and The Origins of American Film Comedy}, volume={AFI film readers}, url={http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=ff9d762a-43a5-4101-8f8f-886132cfe54e}, booktitle={Classical Hollywood comedy}, publisher={Routledge}, author={Gunning, T.}, year={1995}, pages={87–105} }

@article{Gunning_1981, title={Weaving a narrative: Style and economic background in Griffith’s biograph films}, volume={6}, DOI={10.1080/10509208109361076}, number={1}, journal={Quarterly Review of Film Studies}, author={Gunning, Tom}, year={1981}, month={Jan}, pages={11–25} }

@misc{Guru DuttWaheeda Rehman, title={Pyaasa [DVD] [1957]}, url={http://www.amazon.co.uk/Pyaasa-DVD-Guru-Dutt/dp/B000GIWLNA/ref=sr_1_1?ie=UTF8&qid=1417614260&sr=8-1&keywords=Pyaasa}, author={Guru DuttWaheeda Rehman} }

@book{Haskell_1987, address={Chicago}, edition={2nd ed}, title={From reverence to rape: the treatment of women in the movies}, publisher={University of Chicago Press}, author={Haskell, Molly}, year={1987} }

@misc{Jackson, Peter, title={Forgotten Silver}, author={Jackson, Peter} }

@book{Jacobs_1997, address={Berkeley}, title={The wages of sin: censorship and the fallen woman film, 1928-1942}, publisher={University of California Press}, author={Jacobs, Lea}, year={1997} }

@article{James Naremore_1996, title={American Film Noir: The History of an Idea}, volume={49}, url={http://www.jstor.org/stable/1213310}, number={2}, journal={Film Quarterly}, publisher={University of California Press}, author={James Naremore}, year={1996}, pages={1995–28} }

@inbook{Jenkins_1995, address={Manchester}, title={Historical Poetics}, volume={Inside popular film}, url={http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=00c533e6-53df-4386-aa0d-b52168f9dd2c}, booktitle={Approaches to popular film}, publisher={Manchester University Press}, author={Jenkins, Henry}, year={1995}, pages={99–122} }

@misc{Keaton, Buster_2001, address={Salford}, title={Buster Keaton: Vol.1}, publisher={Stonevision}, author={Keaton, Buster}, year={2001} }

@article{Keller_2012, title={Jean Epstein’s documentary cinephilia}, volume={12}, url={http://search.ebscohost.com/login.aspx?direct=true&db=aph&AN=75062742&site=ehost-live}, DOI={10.1386/sfc.12.2.91_1}, number={2}, journal={Studies in French Cinema}, author={Keller, Sarah}, year={2012}, month={May}, pages={91–105} }

@inbook{Kracauer_2004, address={Oxford}, edition={Rev. and exp. ed}, title={Caligari}, url={http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=b758d328-24a2-4101-999c-26a60d37df1e}, booktitle={From Caligari to Hitler: a psychological history of the German film}, publisher={Princeton University Press}, author={Kracauer, Siegfried}, year={2004}, pages={61–76} }

@book{Krutnik_ebrary, Inc_1991, address={London}, title={In a lonely street: film noir, genre, masculinity}, url={http://site.ebrary.com/lib/roehampton/Doc?id=10017740}, publisher={Routledge}, author={Krutnik, Frank and ebrary, Inc}, year={1991} }

@misc{Kurosawa, Akira_Akutagawa, Ryunosuke_2001, address={London}, title={Rashomon}, publisher={BFI Video}, author={Kurosawa, Akira and Akutagawa, Ryunosuke}, year={2001} }

@book{LAU_2002, address={Philadelphia, PA}, title={Multiple modernities : cinemas andpopular media in transcultural East Asia}, publisher={Temple University Press}, author={LAU, JENNY KWOK.}, year={2002} }

@book{Leitch_ebrary, Inc_2002, address={Cambridge}, title={Crime films}, volume={Genres in American cinema}, url={http://site.ebrary.com/lib/roehampton/Doc?id=10030923}, publisher={Cambridge University Press}, author={Leitch, Thomas M. and ebrary, Inc}, year={2002} }

@article{Maltby, Richard_1986, title={Baby Face, or How Joe Breen Made Barbara Stanwyck Atone for Causing the Wall Street Crash}, volume={27}, url={http://www.jiscjournalarchives.ac.uk/openurl.html?ref=oup/screen/screen_27_2.pdf/27-2-22.pdf}, number={2}, journal={Screen}, author={Maltby, Richard}, year={1986}, pages={22–46} }

@inbook{Manovich_2001, address={Cambridge, Mass}, title={What New Media Is Not}, volume={Leonardo}, url={http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=ee1c9777-b496-4336-b297-e1cffe3f71b9}, booktitle={The language of new media}, publisher={MIT Press}, author={Manovich, Lev}, year={2001}, pages={49–61} }

@inbook{Marie,M._1960, address={London}, edition={2nd ed}, title={‘“It really makes you sick”’: Jean-Luc Godard’s A bout de souffle}, url={http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=cbcc7c99-4c7c-4f55-a86f-5cdad9721790}, booktitle={French film: texts and contexts}, publisher={Routledge}, author={Marie,M.}, year={1960}, pages={158–173} }

@article{Napier, S. J._1993, title={‘Panic Sites: The Japanese Imagination of Disaster from Godzilla to Akira’}, volume={19}, url={http://www.jstor.org/stable/132643}, number={2}, journal={Journal of Japanese Studies}, publisher={The Society for Japanese Studies}, author={Napier, S. J.}, year={1993}, pages={327–351} }

@book{Naremore_ebrary, Inc_2008, address={Berkeley}, edition={Updated and expanded ed}, title={More than night: film noir in its contexts}, url={http://site.ebrary.com/lib/roehampton/Doc?id=10676231}, publisher={University of California Press}, author={Naremore, James and ebrary, Inc}, year={2008} }

@inbook{Neale_1998, address={London}, title={Widescreen composition in the age of television}, url={http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=6efd1fa9-d0bc-499b-9c46-c489eaf45efc}, booktitle={Contemporary Hollywood cinema}, publisher={Routledge}, author={Neale, Steve}, year={1998}, pages={130–141} }

@article{Petley_2012, title={"Are We Insane ?”. The "Video Nasty” Moral Panic}, DOI={10.4000/rsa.839}, number={43–1}, journal={Recherches sociologiques et anthropologiques}, author={Petley, Julian}, year={2012}, month={Jun}, pages={35–57} }

@inbook{Place,J._Peterson, L._1997, address={New York}, title={‘Some Visual Motifs of Film Noir’}, booktitle={Film noir reader}, publisher={Limelight Editions}, author={Place,J. and Peterson, L.}, year={1997}, pages={64–75} }

@article{Prince, S._1996, title={True Lies: Perceptual Realism, Digital Images, and Film Theory}, volume={49}, url={http://www.jstor.org/stable/1213468}, number={3}, journal={Film Quarterly}, publisher={University of California Press}, author={Prince, S.}, year={1996}, pages={27–37} }

@inbook{Pudovkin_2008, address={New York}, title={The Peculiarities of Film Material (extract) and Types Instead of Actors (extract)}, url={http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=224479cb-519c-4ce9-ab8d-7d451d5572cb}, booktitle={Film technique and film acting: the cinema writings of V.I. Pudovkin}, publisher={Bonanza Books}, author={Pudovkin, V. I.}, year={2008}, pages={59-61-139–141} }

@book{Ray, Satyajit_1997, address={London}, title={My years with Apu}, publisher={Faber}, author={Ray, Satyajit}, year={1997} }

@misc{Rohauer, Raymond_2005, address={New York}, title={Avant-garde: experimental cinema of the 1920s and ’30s : films from the Raymond Rohauer collection}, publisher={Kino on Video}, author={Rohauer, Raymond}, year={2005} }

@article{Ron Briley_1996, title={Sergei Eisenstein: The Artist in Service of the Revolution}, volume={29}, url={http://www.jstor.org/stable/494802}, number={4}, journal={The History Teacher}, publisher={Society for History Education}, author={Ron Briley}, year={1996}, pages={525–536} }

@misc{Salt, Barry_British Film Institute_2005, address={London}, title={Early cinema: primitives and pioneers}, publisher={British Film Institute}, author={Salt, Barry and British Film Institute}, year={2005} }

@inbook{Schatz,T._1981, address={Boston, Mass}, title={The Family Melodrama}, url={http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=294a2f94-78b8-44c5-acd9-d7319572363f}, booktitle={Hollywood genres: formulas, filmmaking, and the studio system}, publisher={McGraw-Hill}, author={Schatz,T.}, year={1981}, pages={221-228-245–260} }

@inbook{Silberman_1983, address={London}, title={Industry, Text, and Ideology in Expressionist Film}, url={http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=60181d48-5b7d-4f10-b593-4a4f9a999905}, booktitle={Passion and rebellion: the Expressionist heritage}, publisher={Croom Helm}, author={Silberman, Marc}, year={1983}, pages={374–383} }

@inbook{Skal,D._2004, address={New York}, edition={Rev. ed}, title={‘The English Widow and the German Count’}, url={http://www.loc.gov/catdir/bios/hol058/2004046959.html}, booktitle={Hollywood gothic: the tangled web of Dracula from novel to stage to screen}, publisher={Faber and Faber}, author={Skal,D.}, year={2004}, pages={76–101} }

@book{Thompson_Bordwell_2010, address={Boston, [Mass.]}, edition={3rd ed., International ed}, title={Film history: an introduction}, publisher={McGraw-Hill Higher Education}, author={Thompson, Kristin and Bordwell, David}, year={2010} }

@book{Varia, Kush_2009, address={London}, title={Bollywood: gods, glamour and gossip}, volume={Short cuts}, publisher={Wallflower}, author={Varia, Kush}, year={2009} }

@misc{Wiene, Robert_2000, address={London}, title={Das cabinet des Dr Caligari: The cabinet of Dr Caligari}, publisher={Eureka Video}, author={Wiene, Robert}, year={2000} }

@book{Willis_2005, address={London}, title={New digital cinema: reinventing the moving image}, volume={Short cuts : introductions to film studies}, publisher={Wallflower}, author={Willis, Holly}, year={2005} }

@inbook{Wood_2003, address={Chichester}, edition={Rev. ed}, title={The American Nightmare: HORROR IN THE 70s}, url={http://core.roehampton.ac.uk/repository2/search/dbm.pl?guid=68a033da-66a9-4822-ac45-550e3a7b4757}, booktitle={Hollywood from Vietnam to Reagan - and beyond}, publisher={Columbia University}, author={Wood, Robin}, year={2003}, pages={63–84} }

@misc{Video nasties - the definitive guide_2010, publisher={Nucleus Films}, year={2010} }

@misc{David Bordwell ‘Doing Film History’, url={http://www.davidbordwell.net/essays/doing.php} }

@misc{Out of The Past Aka Build My Gallows High [DVD] }

@misc{Will Success Spoil Rock Hunter? Masters of Cinema DVD }

@misc{Easy Rider [DVD] }

@misc{The American Nightmare [DVD] }

@misc{Monsters [DVD] }

Bibliography for Film History and Criticism (FLM020C111Y) BETA