Aarseth, Asbjørn. 1989. Peer Gynt and Ghosts: Text and Performance. Vol. Text and performance. Basingstoke: Macmillan Education.
Allen, David and ebrary, Inc. 2000. Performing Chekhov. London: Routledge.
Anon. n.d. ‘Theatre Record’.
Archer, William and Postlewait, Thomas. 1984. William Archer on Ibsen: The Major Essays, 1889-1919. Vol. Contributions in drama and theatre studies. London: Greenwood.
Auerbach, Erich. 1953. Mimesis: The Representation of Reality in Western Literature. Princeton, N.J.: Princeton University Press.
Ayling, Ronald. 1969. Sean O’Casey: Modern Judgements. Vol. Modern judgements series. London: Macmillan and Co. Ltd.
Bair, Deirdre. 1978. Samuel Beckett: A Biography. London: Cape.
Baker, William and ebrary, Inc. 2008. Harold Pinter. London: Continuum.
Becker, George J. 1963. Documents of Modern Literary Realism. Princeton, N.J.: Princeton University Press.
Beckett, Samuel. 2006. Waiting for Godot: A Tragicomedy in Two Acts. 2nd ed. London: Faber.
Benjamin, Walter and Bostock, Anna. 1998. Understanding Brecht. London: Verso.
Benn, M. B. 1976. The Drama of Revolt: A Critical Study of Georg Büchner. Vol. Anglica Germanica. Cambridge: Cambridge University Press.
Benson, Renate. 1984. German Expressionist Drama: Ernst Toller and Georg Kaiser. Vol. Macmillan modern dramatists. London: Macmillan.
Benstock, Bernard. 1976. Paycocks and Others: Sean O’Casey’s World. Dublin: Gill and Macmillan (etc.).
Bentley, Eric. 1972. Theatre of War: Comments on 32 Occasions. London: Eyre Methuen.
Bentley, Eric. 2008. The Theory of the Modern Stage: From Artaud to Zola, an Introduction to Modern Theatre and Drama. Vol. Modern classics. [New ed.]. London: Penguin.
Best, Alan. 1975. Frank Wedekind. Vol. Modern German authors. London: Wolff.
Beyer, Edvard and Wells, Marie. 1978. Ibsen: The Man and His Work. London: Souvenir Press.
Billington, Michael. 1996. The Life and Work of Harold Pinter. London: Faber.
Blau, Herbert. 1992. To All Appearances: Ideology and Performance. London: Routledge.
Bloch, Ernst and Taylor, Ronald. 1977. Aesthetics and Politics. London: NLB.
Block, Haskell M. 1977. Mallarmé and the Symbolist Drama. Westport, Conn: Greenwood Press.
Boa, Elizabeth. 1987. The Sexual Circus: Wedekind’s Theatre of Subversion. Oxford: Basil Blackwell.
Bodek, Richard. 1997. Proletarian Performance in Weimar Berlin: Agitprop, Chorus, and Brecht. Vol. Studies in German literature, linguistics, and culture. Columbia, S.C.: Camden House.
Bradbrook, M. C. 1966. Ibsen the Norwegian: A Revaluation. New ed. London: Chatto & Windus.
Bradbury, Malcolm and McFarlane, James Walter. 1991a. Modernism 1890-1930. Vol. Penguin literary criticism. 1st ed., reprinted with a new preface. Harmondsworth: Penguin Books.
Bradbury, Malcolm and McFarlane, James Walter. 1991b. Modernism 1890-1930. Vol. Penguin literary criticism. 1st ed., reprinted with a new preface. Harmondsworth: Penguin Books.
Bradby, David and McCormick, John. 1978. People’s Theatre. London: Croom Helm (etc.).
Bradley, Laura J. R. 2006. Brecht and Political Theatre: The Mother on Stage. Vol. Oxford modern languages and literature monographs. Oxford: Clarendon.
Brandes, Georg. 1964. Henrik Ibsen: A Critical Study : With a 42 Page Essay on Björnstjerne Björnson. New York: Benjamin Blom.
Brater, Enoch. 1989. Why Beckett. London: Thames and Hudson.
Braun, Edward. 1982. The Director and the Stage: From Naturalism to Grotowski. London: Methuen.
Brecht, Bertolt, Rorrison, Hugh, and Willett, John. 1993. Journals. Vol. Brecht’s plays, poetry and prose. London: Methuen.
Brecht, Bertolt and Willett, John. 1974a. Brecht on Theatre: The Development of an Aesthetic. London: Eyre Methuen.
Brecht, Bertolt and Willett, John. 1974b. Brecht on Theatre: The Development of an Aesthetic. London: Eyre Methuen.
Brecht, Bertolt and Willett, John. 1992. Poems & Songs from the Plays. London: Methuen.
Brecht, Bertolt and Willett, John. 2000. Mother Courage and Her Children. Vol. Methuen modern plays. London: Methuen Drama.
Brecht, Bertolt, Willett, John, Manheim, Ralph, and Fried, Erich. 1979. Bertolt Brecht: Poems 1913-1956. Rev. ed. London: Methuen.
British Pirandello Society. 1985. The Yearbook of the British Pirandello Society: No.5. [s.l.]: British Pirandello Society.
British Pirandello Society. 1987. The Yearbook of the British Pirandello Society: No.7. [s.l.]: British Pirandello Society.
British Pirandello Society. n.d.-a. The Yearbook of the British Pirandello Society: No.8 & 9: (1988-1989). Birmingham: British Pirandello Society.
British Pirandello Society. n.d.-b. The Yearbook of the British Pirandello Society: No.10: 1990. Birmingham: British Pirandello Society.
Brockett, Oscar G. and Findlay, Robert R. 1973. Century of Innovation: A History of European and American Theatre and Drama since 1870. Vol. Prentice-Hall series in theatre and drama. Englewood Cliffs: Prentice-Hall.
Brooker, Peter. 1988. Bertolt Brecht: Dialectics, Poetry, Politics. London: Croom Helm.
Brustein, Robert. 1965a. The Theatre of Revolt: An Approach to the Modern Drama. London: Methuen & Co.
Brustein, Robert. 1965b. The Theatre of Revolt: An Approach to the Modern Drama. London: Methuen & Co.
Brustein, Robert. 1965c. The Theatre of Revolt: An Approach to the Modern Drama. London: Methuen & Co.
Bryan, George B. 1984. An Ibsen Companion: A Dictionary-Guide to the Life, Works, and Critical Reception of Henrik Ibsen. London: Greenwood.
Büchner, Georg. 1971. The Plays of Georg Büchner. Vol. Oxford paperbacks. London: Oxford University Press.
Büchner, Georg and Guthrie, John. 1988. Woyzeck. Vol. Blackwell German texts. Oxford: Basil Blackwell.
Büchner, Georg and MacKendrick, John. 1979. Woyzeck. Vol. Methuen’s theatre classics. London: Eyre Methuen.
Budd, Mike. 1990. ‘The Cabinet of Dr. Caligari’: Texts, Contexts, Histories. New Brunswick: Rutgers University Press.
Burkman, Katherine H., Kundert-Gibbs, John L., and Pinter Festival. 1993. Pinter at Sixty. Vol. Drama and performance studies. Bloomington: Indiana University Press.
Carlson, Marvin. 1993a. Theories of the Theatre: A Historical and Critical Survey from the Greeks to the Present. Expanded ed. Ithaca: Cornell University Press.
Carlson, Marvin. 1993b. Theories of the Theatre: A Historical and Critical Survey from the Greeks to the Present. Expanded ed. Ithaca: Cornell University Press.
Carlson, Marvin. 1993c. Theories of the Theatre: A Historical and Critical Survey from the Greeks to the Present. Expanded ed. Ithaca: Cornell University Press.
Carlson, Marvin. 1993d. Theories of the Theatre: A Historical and Critical Survey from the Greeks to the Present. Expanded ed. Ithaca: Cornell University Press.
Chekhov, A. P. and Hingley, Ronald. 1980. Five Plays. Vol. World’s classics. Oxford: Oxford University Press.
Chekhov, Anton Pavlovich. 1988. Plays. London ; New York: Methuen.
Chothia, Jean. 1991. André Antoine. Vol. Directors in perspective. Cambridge: Cambridge University Press.
Clark, Barrett H. and Popkin, Henry. 1965a. European Theories of the Drama: With a Supplement on the American Drama. Rev. ed. New York: Crown Publishers.
Clark, Barrett H. and Popkin, Henry. 1965b. European Theories of the Drama: With a Supplement on the American Drama. Rev. ed. New York: Crown Publishers.
Clurman, Harold. 1978. Ibsen. Vol. Masters of world literature series. London (etc.): Macmillan.
Cohn, Ruby. 1969. Currents in Contemporary Drama. Bloomington: Indiana University Press.
Cohn, Ruby. 1980. Just Play: Beckett’s Theater. Guildford: Princeton University Press.
Cohn, Ruby. n.d. Back to Beckett. Princeton, N.J: Princeton University Press.
Cole, Toby. 1961a. Playwrights on Playwriting: The Meaning and Making of Modern Drama from Ibsen to Ionesco. Vol. A Dramabook. New York: Hill and Wang.
Cole, Toby. 1961b. Playwrights on Playwriting: The Meaning and Making of Modern Drama from Ibsen to Ionesco. Vol. A Dramabook. New York: Hill and Wang.
Cole, Toby and Chinoy, Helen Krich. 1970. Directors on Directing: A Source Book of the Modern Theatre. 3rd ed. London: Owen.
Crompton, Louis. 1971. Shaw the Dramatist: A Study of the Intellectual Background of the Major Plays. London: Allen and Unwin.
Cronin, Anthony. 1997. Samuel Beckett: The Last Modernist. London: Flamingo.
Daniels, May. 1977. The French Drama of the Unspoken. Westport, Conn: Greenwood Press.
Davies, Cecil William. 1977. Theatre for the People: The Story of the Volksbühne. Manchester: Manchester University Press.
Deak, Frantisek. 1993. Symbolist Theater: The Formation of an Avant-Garde. Vol. PAJ books. Baltimore, Md: Johns Hopkins U. P.
Demetz, Peter. 1962. Brecht: A Collection of Critical Essays. Vol. Twentieth century views. Englewood Cliffs: Prentice-Hall.
Diethe, Carol. 1988. Aspects of Distorted Sexual Attitudes in German Expressionist Drama with Particular Reference to Wedekind, Kokoschka, and Kaiser. Vol. American university studies. Series 1 : Germanic languages and literature. New York: P. Lang.
Docherty, Brian. 1994. Twentieth-Century European Drama. Vol. Insights. Basingstoke: Macmillan.
Dove, Richard. 1990. He Was a German: A Biography of Ernst Toller. London: Libris.
Downs, Brian Westerdale. 1972. A Study of Six Plays by Ibsen. New York: Octagon Books.
Dukore, Bernard F. 1988. Harold Pinter. Vol. Macmillan modern dramatists. 2nd ed. London: Macmillan.
Durbach, Errol. 1982. Ibsen the Romantic: Analogues of Paradise in the Later Plays. London: Macmillan.
EBSCO Publishing (Firm). n.d. ‘Journal of Beckett Studies’. International Bibliography of Theatre&Dance with Full Text.
Eddershaw, Margaret and ebrary, Inc. 1996. Performing Brecht: Forty Years of British Performances. London: Routledge.
Egan, Michael and ebrary, Inc. 1972. Henrik Ibsen: The Critical Heritage. Vol. The Critical heritage series. Boston: Routledge and K. Paul.
Eisner, Lotte H. 1973. The Haunted Screen: Expressionism in the German Cinema and the Influence of Max Reinhardt. Vol. Cinema two. London: Secker & Warburg.
Ellis-Fermor, Una. 1953. The Irish Dramatic Movement. 2nd ed. London: Methuen.
Emaljanow, Victor, ed. 1981. Anton Chekhov: The Critical Heritage. London: Routledge.
Esslin, Martin. 1973. Pinter: A Study of His Plays. Vol. Modern theatre profiles. London: Eyre Methuen.
Esslin, Martin. 1980. Brecht, a Choice of Evils: A Critical Study of the Man, His Work and His Opinions. 3rd, rev. ed ed. London: Eyre Methuen.
Esslin, Martin. 2000. Pinter: The Playwright. 6th ed. London: Methuen Drama.
Esslin, Martin. 2004. The Theatre of the Absurd. 3rd ed., 1st vintage Books ed. New York: Vintage Books.
Ferguson, Robert. 1996. Henrik Ibsen: A New Biography. London: Richard Cohen.
Finney, Gail. 1989. Women in Modern Drama: Freud, Feminism, and European Theater at the Turn of the Century. Ithaca: Cornell University Press.
Fjelde, Rolf. 1965. Ibsen: A Collection of Critical Essays. Vol. Twentieth century views. Englewood Cliffs: Prentice-Hall.
Fletcher, John, Spurling, John, and Fletcher, John. 1985. Beckett the Playwright. Vol. Modern theatre profiles. 3rd, expanded ed ed. London: Methuen.
Fromm, Harold. 1967. Bernard Shaw and the Theater in the Nineties: A Study of Shaw’s Dramatic Criticism. Lawrence: University of Kansas.
Fuegi, John. 1987. Bertolt Brecht: Chaos, According to Plan. Vol. Directors in perspective. Cambridge: Cambridge University Press.
Fuegi, John. 1994. The Life and Lies of Bertolt Brecht. London: HarperCollins.
Furness, R S. 1973. Expressionism. Vol. The critical idiom. London: Methuen.
Furst, Lilian R. and Skrine, Peter N. 1971. Naturalism. Vol. The critical idiom. London: Methuen.
Gabbard, Lucina Paquet. 1976. The Dream Structure of Pinter’s Plays: A Psychoanalytic Approach. Rutherford (etc.): Fairleigh Dickinson University Press.
Gale, Maggie B., Deeney, John F., and Rebellato, Dan. 2010. Routledge Drama Anthology and Sourcebook: From Modernism to Contemporary Performance. London: Routledge.
Ganz, Arthur. 1972. Pinter: A Collection of Critical Essays. Vol. Twentieth century views. Englewood Cliffs: Prentice-Hall.
Garten, H. F. 1964. Modern German Drama. 2nd ed. London: Methuen.
Gay, Peter. 1974. Weimar Culture: The Outsider as Insider. Vol. A Peregrine book. London: Penguin.
Gerould, Daniel. 1985. Doubles, Demons, and Dreamers: An International Collection of Symbolist Drama. New York: Performing Arts Journal Publications.
Gilman, Richard M. 2000a. The Making of Modern Drama: A Study of Büchner, Ibsen, Strindberg, Chekhov, Pirandello, Brecht, Beckett, Handke : With a New Introduction. [New ed.]. London: Yale University Press.
Gilman, Richard M. 2000b. The Making of Modern Drama: A Study of Büchner, Ibsen, Strindberg, Chekhov, Pirandello, Brecht, Beckett, Handke : With a New Introduction. [New ed.]. London: Yale University Press.
Gittleman, Sol. 1969. Frank Wedekind. New York: Ungar.
Giudice, Gaspare and Hamilton, Alastair. 1975. Pirandello: A Biography. London (etc.): Oxford University Press.
Gordon, M. 1986. ‘Introduction [on Expressionist Acting]’. in Expressionist texts. New York: PAJ Publications.
Gordon, Mel and Kokoschka, Oskar. 1986a. Expressionist Texts. New York: PAJ Publications.
Gordon, Mel and Kokoschka, Oskar. 1986b. Expressionist Texts. New York: PAJ Publications.
Gottlieb, Vera. 1982. Chekhov and the Vaudeville: A Study of Chekhov’s One-Act Plays. Cambridge: Cambridge University Press.
Gottlieb, Vera and Allain, Paul, eds. 2000. The Cambridge Companion to Chekhov. Cambridge: Cambridge University Press.
Graver, Lawrence and Federman, Raymond. 1979. Samuel Beckett, the Critical Heritage. Vol. The critical heritage series. London: Routledge and Kegan Paul.
Gray, Ronald. 1976. Brecht the Dramatist. Vol. Major European authors. Cambridge (etc.): Cambridge University Press.
Gray, Ronald. 1977. Ibsen, a Dissenting View: A Study of the Last Twelve Plays. Cambridge (etc.): Cambridge University Press.
Greaves, C. Desmond. 1979. Sean O’Casey: Politics and Art. London: Lawrence and Wishart.
Grimm, Reinhold. 1985. Love, Lust and Rebellion: New Approaches to Georg Büchner. Madison, Wis: University of Wisconsin Press.
Grossvogel, David I. 1962. The Blasphemers: The Theater of Brecht, Ionesco, Beckett, Genet. Ithaca, N.Y.: Cornell University Press.
Gussow, Mel. 1994. Conversations with Pinter. London: Nick Hern Books.
Gussow, Mel. 1996. Conversations with (and about) Beckett. London: Nick Hern.
Hackett, Jean, Psacharopoulos, Nikos, and Williamstown Theatre Festival (Massachusetts). 1993. The Actor’s Chekhov: Nikos Psacharopoulos and the Company of the Williamstown Theatre Festival, on the Plays of Anton Chekhov, 1962-1987. 1st ed. Newbury, Vt: SK.
Halls, W. D. 1978. Maurice Maeterlinck: A Study of His Life and Thought. Westport, Conn: Greenwood Press.
Hardwick, Michael and Hardwick, Mollie. 1973. The Bernard Shaw Companion. London: J. Murray.
Harrington, John P. 1991. Modern Irish Drama. Vol. A Norton critical edition. London: Norton.
Heiberg, Hans and Tate, Joan. 1969. Ibsen: A Portrait of the Artist. London: Allen & Unwin.
Hemmer, Bjorn and Ystad, Vigdis. 1988. Contemporary Approaches to Ibsen: Vol.6. Oslo: Norwegian University Press.
Henderson, J. A. 1971. The First Avant-Garde, 1887-1894: Sources of the Modern French Theatre. London: Harrap.
Herf, Jeffrey. 1984. Reactionary Modernism: Technology, Culture and Politics in Weimar and the Third Reich. Cambridge: Cambridge University Press.
Herzfeld-Sander, Margaret. 1985. Essays on German Theater. Vol. The German library. New York: Continuum.
Herzog, Werner, Kinski, Klaus, and Büchner, Georg. 2004. ‘Woyzeck’.
Hiley, Jim. 1981. Theatre at Work: The Story of the National Theatre’s Production of Brecht’s Galileo. London: Routledge & Kegan Paul.
Hilton, Julian. 1982. Georg Büchner. Vol. Macmillan modern dramatists. London: Macmillan.
Hingley, Ronald. 1976. A New Life of Anton Chekhov. London (etc.): Oxford University Press.
Holderness, G. 1992. ‘Schaustück and Lehrstück: Erwin Piscator and the Politics of Theatre’. Pp. 99–119 in The politics of theatre and drama. Vol. Insights. London: Macmillan.
Holmes, T. M. 1995. The Rehearsal of Revolution: Georg Büchner’s Politics and His Drama Dantons Tod. Vol. Britische und irische Studien zur deutschen Sprache und Literatur. Bern: P. Lang.
Holroyd, Michael. 1988. Bernard Shaw : Vol.1, 1856-1898: The Search for Love. London: Chatto & Windus.
Holroyd, Michael. 1989. Bernard Shaw : Vol.2, 1898-1918: The Pursuit of Power. London: Chatto & Windus.
Holroyd, Michael. 1991. Bernard Shaw : Vol.3, 1918-1950: The Lure of Fantasy. London: Chatto.
Holroyd, Michael. 1992. Bernard Shaw : Vol.4 & 5, The Shaw Companion. London: Chatto and Windus.
Holtan, Orley Iver. 1970. Mythic Patterns in Ibsen’s Last Plays. London: University of Minnesota Press.
Hughes, Michael. 1988. Nationalism and Society: Germany 1800-1945. London: Arnold.
Hurt, James. n.d. Catiline’s Dream: An Essay on Ibsen’s Plays. Urbana: University of Illinois Press.
Ibsen, Henrik. 1960. The Oxford Ibsen: Vol. 6: An Enemy of the People, the Wild Duck, Rosmersholm. London: Oxford University Press.
Ibsen, Henrik and Durbach, Errol. 1980. Ibsen and the Theatre: Essays in Celebration of the 150th Anniversary of Henrik Ibsen’s Birth. London: Macmillan.
Ibsen, Henrik and McFarlane, James Walter. 1961. The Oxford Ibsen: Vol.5: Pillars of Society ; A Doll’s House ; Ghosts. London: Oxford University Press.
Ibsen, Henrik and McFarlane, James Walter. 1962. The Oxford Ibsen: Vol.2: The Vikings at Helgeland ; Love’s Comedy ; The Pretenders. London: Oxford University Press.
Ibsen, Henrik and McFarlane, James Walter. 1966. The Oxford Ibsen: Vol.7: The Lady from the Sea ; Hedda Gabler ; The Master Builder. London: Oxford University Press.
Ibsen, Henrik and McFarlane, James Walter. 1972. The Oxford Ibsen: Vol.3: Brand ; Peer Gynt. London: Oxford University Press.
Ibsen, Henrik and McFarlane, James Walter. 1977. The Oxford Ibsen: Vol.8: Little Eyolf ; John Gabriel Borkman ; When We Dead Awaken. Oxford: Oxford University Press.
Ibsen, Henrik, McFarlane, James Walter, and Arup, Jens. 1981. Four Major Plays. Vol. The world’s classics. Oxford: Oxford University Press.
Ibsen, Henrik, McFarlane, James Walter, and Orton, Graham. 1963. The Oxford Ibsen: Vol.4: The League of Youth ; Emperor and Galilean. London: Oxford University Press.
Ibsen, Henrik, McFarlane, James Walter, and Orton, Graham. 1970. The Oxford Ibsen: Vol.1: Early Plays. London: Oxford University Press.
Imhof, Rudiger. 1976. Pinter: A Bibliography - His Works and Occasional Writings with a Comprehensive Checklist of Criticism and Reviews of the London Productions. Vol. Theatrefacts supplement, bibliography series. 2nd full revised ed. London: TQ Publications Ltd.
Innes, C. D. 1972. Erwin Piscator’s Political Theatre: The Development of Modern German Drama. London: Cambridge University Press.
Innes, C. D. 1981. Holy Theatre: Ritual and the Avant Garde. Cambridge: Cambridge University Press.
Innes, C. D. 1992a. Modern British Drama 1890-1990. Cambridge: Cambridge University Press.
Innes, C. D. 1992b. Modern British Drama 1890-1990. Cambridge: Cambridge University Press.
Innes, C. D. 1992c. Modern British Drama 1890-1990. Cambridge: Cambridge University Press.
Innes, C. D. and ebrary, Inc. 2000. A Sourcebook on Naturalist Theatre. London: Routledge.
Jackson, Robert Louis. 1967. Chekhov: A Collection of Critical Essays. Vol. Twentieth century views. Englewood Cliffs, NJ: Prentice-Hall.
Jarry, Alfred. 1997. ‘Ubu the King’. in Three pre-surrealist plays. Vol. The world’s classics. Oxford: Oxford University Press.
Jarry, Alfred, Shattuck, Roger, and Watson-Taylor, Simon. 1965. Selected Works of Alfred Jarry. London: Eyre Methuen.
Jarry, Alfred and Watson Taylor, Simon. 1993. The Ubu Plays: With Writings on the Theatre. Vol. Methuen world classics. London: Methuen Drama.
Jeffares, A. Norman and Knowland, A. S. 1975. A Commentary on the Collected Plays of W.B. Yeats. London (etc.): Macmillan.
Jelineck, E. 1994. ‘What Happened after Nora Left Her Husband’. in Plays by women: Vol.10. Vol. Methuen new theatrescripts. London: Methuen Drama.
Jones, Nesta. 1994. File on Synge. Vol. Writer-files. London: Methuen Drama.
Kalb, Jonathan. 1989. Beckett in Performance. Cambridge: Cambridge University Press.
Kenner, Hugh. 1962. Samuel Beckett: A Critical Study. London: Calder.
Kenner, Hugh. 1973. A Reader’s Guide to Samuel Beckett. London: Farrar, Strauss and Gioroux.
Kilroy, Thomas. 1975. Sean O’Casey: A Collection of Critical Essays. Vol. Twentieth century views. Englewood Cliffs, N.J.: Prentice-Hall.
Klaić, Dragan. 1991. The Plot of the Future: Utopia and Dystopia in Modern Drama. Vol. Theater : theory, text, performance. Ann Arbor: University of Michigan Press.
Kleber, Pia, Visser, Colin, and Brecht: thirty years after (Conference). 1990. Re-Interpreting Brecht: His Influence on Contemporary Drama and Film. Cambridge: Cambridge University Press in association with Modern Drama.
Knight, G. Wilson. 1962. Ibsen. Vol. Writers and critics series. Edinburgh: Oliver & Boyd.
Knowles, Ronald. 1988. The Birthday Party and the Caretaker: Text and Performance. Vol. Text and performance. Basingstoke: Macmillan Education.
Knowlson, James. 1997. Damned to Fame. Bloomsbury Publishing PLC.
Kokoschka, Oskar. 1907. ‘Murderer Hope of Womankind’. in Seven expressionist plays: Kokoschka to Barlach. Vol. German expressionism. Dallas: Riverrun Press.
Kracauer, Siegfried. 1947. From Caligari to Hitler: A Psychological History of the German Film. Princeton: Princeton University Press.
Kruger, Loren. 2004a. Post-Imperial Brecht: Politics and Performance, East and South. Vol. Cambridge studies in modern theatre. Cambridge: Cambridge University Press.
Kruger, Loren. 2004b. Post-Imperial Brecht: Politics and Performance, East and South. Vol. Cambridge studies in modern theatre. Cambridge: Cambridge University Press.
Kubiak, Anthony. 1991. Stages of Terror: Terrorism, Ideology, and Coercion as Theatre History. Bloomington: Indiana University Press.
Kuhns, David F. 1997. German Expressionist Theatre: The Actor and the Stage. Cambridge: Cambridge University Press.
Laqueur, Walter. 1974. Weimar: A Cultural History, 1918-1933. London: Weidenfeld and Nicolson.
Laurence, Dan H. and Shaw, Bernard. 1981. The Bodley Head Bernard Shaw. Vol. Complete musical criticism of Bernard Shaw. London: Bodley Head.
Leach, Robert. 2004. Makers of Modern Theatre: An Introduction. London: Routledge.
Lehmann, Hans-Thies. 2006. Postdramatic Theatre. London: Routledge.
Ley-Piscator, Maria. n.d. The Piscator Experiment: The Political Theatre. Vol. Arcturus books. Carbondale: Southern Illinois University Press.
Lowery, Robert G. 1982. O’Casey Annual: No.1. London: Macmillan.
Lowery, Robert G. 1983. O’Casey Annual: 2. London: MacMillan Press.
Lowery, Robert G. 1984. O’Casey Annual: 3. London: MacMillan.
Lucas, F. L. 1962. The Drama of Ibsen and Strindberg. London: Cassell.
Lucas, F. L. 1965a. The Drama of Chekhov, Synge, Yeats, and Pirandello. 2nd ed. London: Cassell.
Lucas, F. L. 1965b. The Drama of Chekhov, Synge, Yeats, and Pirandello. 2nd ed. London: Cassell.
Lyman, Jane. 1976a. Perspectives on Plays: A Reader. Vol. Open University set book. London: Routledge and Kegan Paul.
Lyman, Jane. 1976b. Perspectives on Plays: A Reader. Vol. Open University set book. London: Routledge and Kegan Paul.
Lyons, Charles R. n.d. Henrik Ibsen: The Divided Consciousness. Vol. Crosscurrents/modern critiques. Carbondale: Southern Illinois University Press.
Maeterlinck, Maurice. 1896. ‘The Tragic in Daily Life’. in Playwrights on playwriting: the meaning and making of modern drama from Ibsen to Ionesco. Vol. A Dramabook. New York: Hill and Wang.
Maeterlinck, Maurice. 1997. ‘The Blind’. in Three pre-surrealist plays. Vol. The world’s classics. Oxford: Oxford University Press.
Magarshack, David. 1970. Chekhov: A Life. Westport, Conn: Greenwood Press.
Magarshack, David. 1980. Chekhov the Dramatist. Vol. Modern theatre profiles. London: Eyre Methuen.
Marker, Frederick J. and Marker, Lise-Lone. 1975a. The Scandinavian Theatre: A Short History. Vol. Drama and theatre studies. Oxford: Blackwell.
Marker, Frederick J. and Marker, Lise-Lone. 1975b. The Scandinavian Theatre: A Short History. Vol. Drama and theatre studies. Oxford: Blackwell.
Marker, Frederick J. and Marker, Lise-Lone. 2002. Strindberg and Modernist Theatre: Post-Inferno Drama on the Stage. Cambridge: Cambridge University Press.
Marowitz, Charles, Marowitz, Charles, Ibsen, Henrik, Marowitz, Charles, Ibsen, Henrik, Marowitz, Charles, and Strindberg, August. 1982. Sex Wars: Free Adaptations of Ibsen and Strindberg : Hedda, Enemy of the People, The Father. London: Marion Boyars.
Martin, Carol, Bial, Henry, and ebrary, Inc. 2000. Brecht Sourcebook. Vol. Worlds of performance. London: Routledge.
McCullough, C. 1992. ‘From Brecht to Brechtian: Alienation and Appropriation’. Pp. 120–33 in The politics of theatre and drama. Vol. Insights. London: Macmillan.
McFarlane, James, ed. 1994. The Cambridge Companion to Ibsen. Cambridge: Cambridge University Press.
McFarlane, James Walter. 1989. Ibsen & Meaning: Studies, Essays & Prefaces, 1953-87. Vol. Norvik Press. Series A. Norwich: Norvik.
McGuinness, Patrick and MyiLibrary. 2000. Maurice Maeterlinck and the Making of Modern Theatre. New York: Oxford University Press.
McInnes, Edward. 1991. Büchner: Woyzeck. Vol. Glasgow introductory guides to German literature. Glasgow: University of Glasgow French and German Publications.
Meisel, Martin. 1968. Shaw and the Nineteenth Century Theatre. 2nd printing. Princeton [N. J.]: Princeton University Press.
Melzer, Annabelle and Melzer, Annabelle. 1994. Dada and Surrealist Performance. Vol. PAJ books. Baltimore: Johns Hopkins University Press.
Mercier, Vivian. 1990. Beckett/Beckett. London: Souvenir.
Merritt, Susan Hollis. 1995. Pinter in Play: Critical Strategies and the Plays of Harold Pinter. New ed. Duke University Press.
Meyer, Michael. 1967. Henrik Ibsen: [Vol.1]: The Making of a Dramatist, 1828-1864. London: Hart-Davis.
Meyer, Michael. 1971a. Henrik Ibsen: Farewell to Poetry [Vol. 2]. London: Hart-Davis.
Meyer, Michael. 1971b. Henrik Ibsen: (Vol.3): The Top of a Cold Mountain, 1883-1906. London: Hart-Davis.
Meyer, Michael. 1985. Strindberg: A Biography. London: Secker & Warburg.
Miles, Patrick. 1993. Chekhov on the British Stage. Cambridge: Cambridge University Press.
Mitter, Shomit and ebrary, Inc. 2000. Systems of Rehearsal: Stanislavsky, Brecht, Grotowski, and Brook. London: Routledge.
Moi, Toril. 2006. Henrik Ibsen and the Birth of Modernism: Art, Theater, Philosophy. Oxford: Oxford University Press.
Morgan, Margery. 1985. August Strindberg. Vol. Macmillan modern dramatists. Basingstoke: Macmillan.
Needle, Jan and Thomson, Peter. 1981. Brecht. Oxford: Blackwell.
Nicholls, Peter. 1991. ‘Sexuality and Structure: Tensions in Early Expressionist Drama’. New Theatre Quarterly 7(26):160–70. doi: 10.1017/S0266464X00005431.
Nochlin, Linda. 1990. Realism. Vol. Style and civilization. Harmondsworth: Penguin.
Northam, John. 1973. Ibsen: A Critical Study. London: Cambridge University Press.
O’Casey, Sean. 1949. Collected Plays: Vol.1. London: Macmillan.
O’Casey, Sean. 1966. ‘Juno and the Paycock and The Plough and the Stars’. in Three plays. London: Macmillan.
O’Casey, Sean. 1980. Autobiographies: 1. London: Pan Books in association with Macmillan London.
O’Casey, Sean, O’Casey, Sean, and Ayling, Ronald. 1967. Blasts and Benedictions: Articles and Stories. London: Macmillan.
O’Connor, Garry. 1988. Sean O’Casey: A Life. London: Hodder and Stoughton.
O’Driscoll, Robert and Reynolds, Lorna. 1975. Yeats and the Theatre. Vol. Yeats studies series. London (etc.): Macmillan.
Oliver, Roger W. 1979. Dreams of Passion: The Theater of Luigi Pirandello. Vol. The Gotham library of the New York University Press. New York: New York University Press.
Ossar, Michael. 1980. Anarchism in the Dramas of Ernst Toller: The Realm of Necessity and the Realm of Freedom. Albany: State University of New York Press.
Pam, Dorothy. 1975. ‘Murderer, the Women’s Hope’. The Drama Review: TDR 19(3):5–12.
Patterson, Michael. 1981. The Revolution in German Theatre 1900-1933. Vol. Theatre production series. Boston, Mass: Routledge & Kegan Paul.
Pfister, Manfred. 1988. The Theory and Analysis of Drama. Vol. European studies in English literature. Cambridge: Cambridge University Press.
Pilkington, Lionel. 2001a. Theatre and the State in Twentieth-Century Ireland: Cultivating the People. London: Routledge.
Pilkington, Lionel. 2001b. Theatre and the State in Twentieth-Century Ireland: Cultivating the People. London: Routledge.
Pilkington, Lionel. 2001c. Theatre and the State in Twentieth-Century Ireland: Cultivating the People. London: Routledge.
Pilling, John. 1976. Samuel Beckett. London (etc.): Routledge and Kegan Paul.
Pilling, John, ed. 1994. The Cambridge Companion to Beckett. Cambridge: Cambridge University Press.
Pinter, Harold. 1966. The Homecoming. Vol. Methuen modern plays. 2nd ed. London: Eyre Methuen.
Pinter, Harold. 1996. Plays: V. 3, ‘ The Homecoming’ , ‘ Tea Party’ , ‘ The Basement’ , ‘ Landscape’ , ‘ Silence’ , ‘ Night’ , ‘ That’s Your Trouble’ , ‘ That’s All’ , ‘ Applicant’ , ‘ Interview’ , ‘ Dialogue for Three’ , Mac (Memoir), Tea Party (Short Story). Vol. Faber Contemporary Classics. Faber.
Pinter, Harold. 2006. ‘Art, Truth & Politics: The Noble Lecture 2005’.
Pinter, Harold. 2012. Plays 4: Betrayal; Monologue; One for the Road; Mountain Language; Family Voices; A Kind of Alaska; Victoria Station; Precisely; The ... Umbrellas; God’s District; Apart from That. London: Faber.
Pirandello, Luigi. 1985. Three Plays. Vol. The master playwrights. London: Methuen.
Pirandello, Luigi, Bassnett-McGuire, Susan, and Lorch, Jennifer. 1993. Luigi Pirandello in the Theatre: A Documentary Record. Vol. Contemporary theatre studies. Chur, Switzerland: Harwood Academic Publishers.
Pirandello, Luigi and Linstrum, John. 1979. Six Characters in Search of an Author. Vol. Methuen modern plays. London: Eyre Methuen.
Piscator, Erwin and Rorrison, Hugh. 1980. The Political Theatre. London: Eyre Methuen.
Pitcher, Harvey. 1973. The Chekhov Play: A New Interpretation. London: Chatto and Windus.
Pitcher, Harvey. 1979. Chekhov’s Leading Lady: A Portrait of the Actress Olga Knipper. London: J. Murray.
Pittock, Malcolm. 1979. Ernst Toller. Vol. Twayne’s world authors series; TWAS 509 , Germany. Boston: Twayne Publishers.
Postlewait, Thomas. 1985. Prophet of the New Drama: William Archer and the Ibsen Campaign. Vol. Contributions in drama and theatre studies. Westport, Conn: Greenwood Press.
Postlewait, Thomas. 2009. The Cambridge Introduction to Theatre Historiography. Vol. Cambridge introductions to literature. Cambridge: Cambridge University Press.
Pound, Ezra and Fenollosa, Ernest Francisco. 1959. The Classic Noh Theatre of Japan. Vol. New Directions paperbooks. New York: New Directions.
Purdom, C. B. 1963. A Guide to the Plays of Bernard Shaw. London: Methuen.
Raabe, Paul and Ritchie, J. M. 1974. The Era of Expressionism. Vol. German expressionism. London: Calder and Boyars.
Ragusa, Olga. 1980. Luigi Pirandello: An Approach to His Theatre. Vol. Writers of Italy series. Edinburgh: Edinburgh University Press.
Rayfield, Donald. 1975. Chekhov: The Evolution of His Art. London: Elek.
Reddick, John. 1994. Georg Büchner: The Shattered Whole. Oxford: Clarendon Press.
Redmond, James. 1979a. Drama and Society. Vol. Themes in drama. Cambridge (etc.): Cambridge University Press.
Redmond, James. 1979b. Drama and Society. Vol. Themes in drama. Cambridge (etc.): Cambridge University Press.
Redmond, James. 1980a. Drama and Mimesis. Vol. Themes in drama. Cambridge: Cambridge University Press.
Redmond, James. 1980b. Drama and Mimesis. Vol. Themes in drama. Cambridge: Cambridge University Press.
Redmond, James. 1982a. Drama and Symbolism. Vol. Themes in drama. Cambridge: Cambridge University Press.
Redmond, James. 1982b. Drama and Symbolism. Vol. Themes in drama. Cambridge: Cambridge University Press.
Reid, Alec. 1969. All I Can Manage, More than I Could: An Approach to the Plays of Samuel Beckett. 2nd ed. Dublin: Dolmen Press.
Ritchie, J. M. and Garten, H. F. 1980. Seven Expressionist Plays: Kokoschka to Barlach. Vol. German expressionism. Dallas: Riverrun Press.
Robinson, Michael. 1986. Strindberg and Autobiography: Writing and Reading a Life. Norwich: Norvik.
Robinson, Michael and International Strindberg Conference. 1991. Strindberg and Genre. Vol. [Norvik Press. series A : literary criticism]. Norwich: Norvik Press.
Roger Shattuck. 1968. The Banquet Years. New York: Vintage Books.
Schlueter, June. 1979. Metafictional Characters in Modern Drama. Guildford: Columbia University Press.
Senelick, Laurence. 1997. The Chekhov Theatre: A Century of the Plays in Performance. Cambridge: Cambridge University Press.
Shaw, Bernard. 1932a. Major Critical Essays: The Quintessence of Ibsenism, the Perfect Wagnerite, the Sanity of Art. Standard ed. London: Constable.
Shaw, Bernard. 1932b. Our Theatres in the Nineties : Vol. 2. Standard ed. London: Constable.
Shaw, Bernard. 1932c. Our Theatres in the Nineties: Vol.1. London: Constable.
Shaw, Bernard. 1932d. Our Theatres in the Nineties: Vol.3. London: Constable.
Shaw, Bernard. 1964. Heartbreak House: A Fantasia in the Russian Manner on English Themes. Vol. Penguin plays. Revised standard ed. Harmondsworth: Penguin.
Shaw, Bernard. 1972. The Bodley Head Bernard Shaw: Collected Plays with Their Prefaces, Vol.5: Heartbreak House ; Augustus Does His Bit ; Annajanska ; Back to Methuselah ; Jitta’s Atonement. London: Reinhardt.
Shaw, Bernard and Huneker, James. 1907. Dramatic Opinions and Essays with an Apology: Containing as Well a Word on the Dramatic Opinions and Essays of Bernard Shaw by James Huneker, Vol.1. London: Archibald Constable & Co.
Shaw, Bernard, Shaw, Bernard, Shaw, Bernard, and Shaw, Bernard. 1946. Plays Unpleasant. Vol. Penguin plays. Harmondsworth: Penguin.
Shaw, Bernard, Shaw, Bernard, Shaw, Bernard, Shaw, Bernard, and Shaw, Bernard. 1932. Major Critical Essays: The Quintessence of Ibsenism, the Perfect Wagnerite, the Sanity of Art. Standard ed. London: Constable.
Shaw, Bernard and Weintraub, Stanley. 1970. Shaw: An Autobiography, 1898-1950, the Playwright Years. London: Reinhardt.
Skrine, Peter N. 1989. Hauptmann, Wedekind and Schnitzler. Vol. Macmillan modern dramatists. Basingstoke: Macmillan.
Sobieski, Lynn. n.d. ‘The Bread and Puppet Theatre’s “Woyzeck”’. The Drama Review: TDR Vol. 25(No. 2):55–62.
Spalter, Max. 1967. Brecht’s Tradition. Baltimore: Johns Hopkins Press.
Starkie, Walter. 1965. Luigi Pirandello, 1867-1936. 3rd ed. revised and enlarged. California U.P.; Cambridge U.P.
Steiner, George. 1961. The Death of Tragedy. London: Faber.
Stockenström, Göran and ebrary, Inc. 1988. Strindberg’s Dramaturgy. Vol. Nordic series. Minneapolis: University of Minnesota Press.
Strindberg, August and Meyer, Michael. 1982. Plays: Two. Vol. The master playwrights. London: Methuen.
Strindberg, August and Meyer, Michael. 2000. Plays: One. Vol. Methuen world classics. London: Methuen Drama.
Strindberg, August and Robinson, Michael. 1992a. Strindberg’s Letters : Vol. 1. London: Athlone Press.
Strindberg, August and Robinson, Michael. 1992b. Strindberg’s Letters : Vol. 2. London: Athlone Press.
Strindberg, August and Robinson, Michael. 1996. Selected Essays. Cambridge: Cambridge University Press.
Styan, J. L. 1971. Chekhov in Performance: A Commentary on the Major Plays. London: Cambridge University Press.
Styan, J. L. 1981a. Modern Drama in Theory and Practice. Cambridge: Cambridge University Press.
Styan, J. L. 1981b. Modern Drama in Theory and Practice. Cambridge: Cambridge University Press.
Styan, J. L. 1981c. Modern Drama in Theory and Practice. Cambridge: Cambridge University Press.
Styan, J. L. 1981d. Modern Drama in Theory and Practice. Cambridge: Cambridge University Press.
Styan, J. L. 1981e. Modern Drama in Theory and Practice. Cambridge: Cambridge University Press.
Styan, J. L. 1981f. Modern Drama in Theory and Practice. Cambridge: Cambridge University Press.
Styan, J. L. 1981g. Modern Drama in Theory and Practice. Cambridge: Cambridge University Press.
Styan, J. L. 1981h. Modern Drama in Theory and Practice. Cambridge: Cambridge University Press.
Symons, Arthur. n.d. The Symbolist Movement in Literature. New York: AMS Press.
Synge, J. M. and Henn, T. R. 1981. The Complete Plays. Vol. The master playwrights. London: Eyre Methuen.
Synge, J. M. and Saddlemyer, Ann. 1968. Collected Works: Vol.3: Plays. London: Oxford University Press.
Synge, J. M., Saddlemyer, Ann, Synge, J. M., Synge, J. M., and Synge, J. M. 1968. Collected Works: Vol.4: Plays. London: Oxford University Press.
Szondi, Peter and Hays, Michael. 1987a. Theory of the Modern Drama: A Critical Edition. Vol. Theory and history of literature. Cambridge: Polity.
Szondi, Peter and Hays, Michael. 1987b. Theory of the Modern Drama: A Critical Edition. Vol. Theory and history of literature. Cambridge: Polity.
Taylor, Richard. 1976. The Drama of W.B. Yeats: Irish Myth and the Japanese Nō. New Haven: Yale University Press.
Templeton, Joan. 1997. Ibsen’s Women. Cambridge: Cambridge University Press.
Terry, Ellen, Shaw, Bernard, and Terry, Ellen. 1949. Ellen Terry and Bernard Shaw: A Correspondence. London: M. Reinhardt.
Thomson, Peter and Sacks, Glendyr, eds. 2006. The Cambridge Companion to Brecht. Cambridge: Cambridge University Press.
Toller, Ernst and Pearlman, Alan Rapahel. 2000. Plays One. Vol. Absolute Classics. London: Oberon Books.
Törnqvist, Egil. 1995. Ibsen: A Doll’s House. Vol. Plays in production. Cambridge: Cambridge University Press.
Trussler, Simon. 1973. The Plays of Harold Pinter: An Assessment. London: Gollancz.
Tuohy, Frank. 1976. Yeats. London: Macmillan.
Tynan, Kenneth. 1984. A View of the English Stage, 1944-1965. London: Methuen.
Ure, Peter. 1963. Yeats the Playwright: A Commentary on Character and Design in the Major Plays. London: Routledge & Kegan Paul.
Valency, Maurice. 1966. The Breaking String: The Plays of Anton Chekhov. New York: Oxford U.P.
Valency, Maurice. 1975. The Flower and the Castle: An Introduction to Modern Drama. New York: Octagon Books.
Valency, Maurice. 1980. The End of the World: An Introduction to Contemporary Drama. London: Oxford University Press.
Wallis, Mick and Shepherd, Simon. 2002. Studying Plays. 2nd ed. London: Arnold.
Ward, John. 1980. The Social and Religious Plays of Strindberg. London: Athlone Press.
Wedekind, Frank, Bond, Edward, and Pablé, Elisabeth. 1993. Plays One. Vol. Methuen world classics. London: Methuen Drama.
Wedekind, Frank and Hay, Gerhard. 1990. Diary of an Erotic Life. Oxford: Basil Blackwell.
Willett, John. 1977. The Theatre of Bertolt Brecht: A Study from Eight Aspects. Revised ed. (i.e. 3rd ed. with a revised bibliography). London: Methuen.
Willett, John. 1978. The New Sobriety, 1917-1933: Art and Politics in the Weimar Period. (London): Thames and Hudson.
Willett, John. 1984. The Weimar Years: A Culture Cut Short. (London): Thames and Hudson.
Willett, John. 1988. The Theatre of the Weimar Republic. London: Holmes & Meier.
Williams, Raymond. 66AD. Modern Tragedy. Chatto.
Williams, Raymond. 1977. Marxism and Literature. Vol. Marxist introductions. Oxford: Oxford University Press.
Williams, Raymond. 1988. Keywords: A Vocabulary of Culture and Society. Rev. and exp. ed. London: Fontana Press.
Williams, Raymond and Holderness, Graham. 1991. Drama in Performance. Milton Keynes: Open University Press.
Williams, Raymond and Williams, Raymond. 1987a. Drama from Ibsen to Brecht. Rev. ed. London: Hogarth.
Williams, Raymond and Williams, Raymond. 1987b. Drama from Ibsen to Brecht. Rev. ed. London: Hogarth.
Williams, Raymond and Williams, Raymond. 1987c. Drama from Ibsen to Brecht. Rev. ed. London: Hogarth.
Wilson, Edmund. 1971. Axel’s Castle: A Study in the Imaginative Literature of 1870-1930. Vol. Fontana literature. London: Fontana.
Wolff, Janet. 1993. The Social Production of Art. Vol. Communications and culture. 2nd ed. London: Macmillan.
Worth, Katharine. 1978. The Irish Drama of Europe from Yeats to Beckett. London: Athlone Press.
Worthen, William B. 1992. Modern Drama and the Rhetoric of Theater. Berkeley: University of California Press.
Worthen, William B. 2000. The Harcourt Brace Anthology of Drama. 3rd ed. Fort Worth: Harcourt Brace College Publishers.
Worthen, William B. 2004. The Wadsworth Anthology of Drama. 4th ed. United Kingdom: Wadsworth.
Worthen, William B. n.d. The Wadsworth Anthology of Drama. 6th ed. Boston, Mass: Wadsworth Cengage Learning.
Yeats, W. B. 1937. A Vision. 2nd ed. London: Macmillan.
Yeats, W. B. 1952. The Collected Plays of W.B. Yeats. [2nd ed]. London: Macmillan and Co.
Yeats, W. B. 1955. Autobiographies. London: Macmillan.
Yeats, W. B. 1959. Mythologies. London: Macmillan.
Yeats, W. B. 1961a. Essays and Introductions. London: Macmillan.
Yeats, W. B. 1961b. Essays and Introductions. London: Macmillan.
Yeats, W. B., Yeats, George, and Yeats, W. B. 1962a. Explorations. London: Macmillan.
Yeats, W. B., Yeats, George, and Yeats, W. B. 1962b. Explorations. London: Macmillan.
Zucker, A E. 1930. Ibsen the Master Builder. London: Thornton Butterworth.
