1.
Worthen, William B.: The Harcourt Brace anthology of drama. Harcourt Brace College Publishers, Fort Worth (2000).
2.
Worthen, William B.: The Wadsworth anthology of drama. Wadsworth, United Kingdom (2004).
3.
Worthen, William B.: The Wadsworth anthology of drama. Wadsworth Cengage Learning, Boston, Mass.
4.
Williams, Raymond, Williams, Raymond: Drama from Ibsen to Brecht. Hogarth, London (1987).
5.
Bradbury, Malcolm, McFarlane, James Walter: Modernism 1890-1930. Penguin Books, Harmondsworth (1991).
6.
Braun, Edward: The director and the stage: from naturalism to Grotowski. Methuen, London (1982).
7.
Brustein, Robert: The theatre of revolt: an approach to the modern drama. Methuen & Co, London (1965).
8.
Carlson, Marvin: Theories of the theatre: a historical and critical survey from the Greeks to the present. Cornell University Press, Ithaca (1993).
9.
Clark, Barrett H., Popkin, Henry: European theories of the drama: with a supplement on the American drama. Crown Publishers, New York (1965).
10.
Cole, Toby: Playwrights on playwriting: the meaning and making of modern drama from Ibsen to Ionesco. Hill and Wang, New York (1961).
11.
Finney, Gail: Women in modern drama: Freud, feminism, and European theater at the turn of the century. Cornell University Press, Ithaca (1989).
12.
Postlewait, Thomas: The Cambridge introduction to theatre historiography. Cambridge University Press, Cambridge (2009).
13.
Pfister, Manfred: The theory and analysis of drama. Cambridge University Press, Cambridge (1988).
14.
Styan, J. L.: Modern drama in theory and practice. Cambridge University Press, Cambridge (1981).
15.
Styan, J. L.: Modern drama in theory and practice. Cambridge University Press, Cambridge (1981).
16.
Styan, J. L.: Modern drama in theory and practice. Cambridge University Press, Cambridge (1981).
17.
Szondi, Peter, Hays, Michael: Theory of the modern drama: a critical edition. Polity, Cambridge (1987).
18.
Wallis, Mick, Shepherd, Simon: Studying plays. Arnold, London (2002).
19.
Gale, Maggie B., Deeney, John F., Rebellato, Dan: Routledge drama anthology and sourcebook: from modernism to contemporary performance. Routledge, London (2010).
20.
Gilman, Richard M.: The making of modern drama: a study of Büchner, Ibsen, Strindberg, Chekhov, Pirandello, Brecht, Beckett, Handke : with a new introduction. Yale University Press, London (2000).
21.
Innes, C. D.: Modern British drama 1890-1990. Cambridge University Press, Cambridge (1992).
22.
Klaić, Dragan: The plot of the future: Utopia and dystopia in modern drama. University of Michigan Press, Ann Arbor (1991).
23.
Kubiak, Anthony: Stages of terror: terrorism, ideology, and coercion as theatre history. Indiana University Press, Bloomington (1991).
24.
Leach, Robert: Makers of modern theatre: an introduction. Routledge, London (2004).
25.
Lehmann, Hans-Thies: Postdramatic theatre. Routledge, London (2006).
26.
Lyman, Jane: Perspectives on plays: a reader. Routledge and Kegan Paul, London (1976).
27.
Valency, Maurice: The flower and the castle: an introduction to modern drama. Octagon Books, New York (1975).
28.
Worthen, William B.: Modern drama and the rhetoric of theater. University of California Press, Berkeley (1992).
29.
Bentley, Eric: The theory of the modern stage: from Artaud to Zola, an introduction to modern theatre and drama. Penguin, London (2008).
30.
Bradbury, Malcolm, McFarlane, James Walter: Modernism 1890-1930. Penguin Books, Harmondsworth (1991).
31.
Brustein, Robert: The theatre of revolt: an approach to the modern drama. Methuen & Co, London (1965).
32.
Carlson, Marvin: Theories of the theatre: a historical and critical survey from the Greeks to the present. Cornell University Press, Ithaca (1993).
33.
Clark, Barrett H., Popkin, Henry: European theories of the drama: with a supplement on the American drama. Crown Publishers, New York (1965).
34.
Cole, Toby: Playwrights on playwriting: the meaning and making of modern drama from Ibsen to Ionesco. Hill and Wang, New York (1961).
35.
Furst, Lilian R., Skrine, Peter N.: Naturalism. Methuen, London (1971).
36.
Innes, C. D., ebrary, Inc: A Sourcebook on naturalist theatre. Routledge, London (2000).
37.
Nochlin, Linda: Realism. Penguin, Harmondsworth (1990).
38.
Szondi, Peter, Hays, Michael: Theory of the modern drama: a critical edition. Polity, Cambridge (1987).
39.
Styan, J. L.: Modern drama in theory and practice. Cambridge University Press, Cambridge (1981).
40.
Williams, Raymond, Williams, Raymond: Drama from Ibsen to Brecht. Hogarth, London (1987).
41.
Williams, Raymond: Keywords: a vocabulary of culture and society. Fontana Press, London (1988).
42.
Auerbach, Erich: Mimesis: the representation of reality in Western literature. Princeton University Press, Princeton, N.J. (1953).
43.
Becker, George J.: Documents of modern literary realism. Princeton University Press, Princeton, N.J. (1963).
44.
Brockett, Oscar G., Findlay, Robert R.: Century of innovation: a history of European and American theatre and drama since 1870. Prentice-Hall, Englewood Cliffs (1973).
45.
Chothia, Jean: André Antoine. Cambridge University Press, Cambridge (1991).
46.
Cole, Toby, Chinoy, Helen Krich: Directors on directing: a source book of the modern theatre. Owen, London (1970).
47.
Lyman, Jane: Perspectives on plays: a reader. Routledge and Kegan Paul, London (1976).
48.
Marker, Frederick J., Marker, Lise-Lone: The Scandinavian theatre: a short history. Blackwell, Oxford (1975).
49.
Redmond, James: Drama and society. Cambridge University Press, Cambridge (etc.) (1979).
50.
Redmond, James: Drama and mimesis. Cambridge University Press, Cambridge (1980).
51.
Steiner, George: The death of tragedy. Faber, London (1961).
52.
Williams, Raymond: Modern Tragedy. Chatto (66)AD.
53.
Williams, Raymond: Marxism and literature. Oxford University Press, Oxford (1977).
54.
Wolff, Janet: The social production of art. Macmillan, London (1993).
55.
Block, Haskell M.: Mallarmé and the symbolist drama. Greenwood Press, Westport, Conn (1977).
56.
Deak, Frantisek: Symbolist theater: the formation of an avant-garde. Johns Hopkins U. P., Baltimore, Md (1993).
57.
Gerould, Daniel: Doubles, demons, and dreamers: an international collection of symbolist drama. Performing Arts Journal Publications, New York (1985).
58.
Redmond, James: Drama and symbolism. Cambridge University Press, Cambridge (1982).
59.
Styan, J. L.: Modern drama in theory and practice. Cambridge University Press, Cambridge (1981).
60.
Wilson, Edmund: Axel’s castle: a study in the imaginative literature of 1870-1930. Fontana, London (1971).
61.
Carlson, Marvin: Theories of the theatre: a historical and critical survey from the Greeks to the present. Cornell University Press, Ithaca (1993).
62.
Symons, Arthur: The symbolist movement in literature. AMS Press, New York.
63.
Brustein, Robert: The theatre of revolt: an approach to the modern drama. Methuen & Co, London (1965).
64.
Esslin, Martin: The theatre of the absurd. Vintage Books, New York (2004).
65.
Innes, C. D.: Holy theatre: ritual and the avant garde. Cambridge University Press, Cambridge (1981).
66.
Roger Shattuck: The banquet years. Vintage Books, New York (1968).
67.
Styan, J. L.: Modern drama in theory and practice. Cambridge University Press, Cambridge (1981).
68.
Blau, Herbert: To all appearances: ideology and performance. Routledge, London (1992).
69.
Henderson, J. A.: The first avant-garde, 1887-1894: sources of the modern French theatre. Harrap, London (1971).
70.
Lucas, F. L.: The drama of Chekhov, Synge, Yeats, and Pirandello. Cassell, London (1965).
71.
Melzer, Annabelle, Melzer, Annabelle: Dada and surrealist performance. Johns Hopkins University Press, Baltimore (1994).
72.
Carlson, Marvin: Theories of the theatre: a historical and critical survey from the Greeks to the present. Cornell University Press, Ithaca (1993).
73.
Furness, R S.: Expressionism. Methuen, London (1973).
74.
Gay, Peter: Weimar culture: the outsider as insider. Penguin, London (1974).
75.
Gordon, Mel, Kokoschka, Oskar: Expressionist texts. PAJ Publications, New York (1986).
76.
Kuhns, David F.: German expressionist theatre: the actor and the stage. Cambridge University Press, Cambridge (1997).
77.
Patterson, Michael: The revolution in German theatre 1900-1933. Routledge & Kegan Paul, Boston, Mass (1981).
78.
Styan, J. L.: Modern drama in theory and practice. Cambridge University Press, Cambridge (1981).
79.
Willett, John: The new sobriety, 1917-1933: art and politics in the Weimar period. Thames and Hudson, (London) (1978).
80.
Willett, John: The theatre of the Weimar Republic. Holmes & Meier, London (1988).
81.
Bodek, Richard: Proletarian performance in Weimar Berlin: Agitprop, chorus, and Brecht. Camden House, Columbia, S.C. (1997).
82.
Bradby, David, McCormick, John: People’s theatre. Croom Helm (etc.), London (1978).
83.
Davies, Cecil William: Theatre for the people: the story of the Volksbühne. Manchester University Press, Manchester (1977).
84.
Garten, H. F.: Modern German drama. Methuen, London (1964).
85.
Herf, Jeffrey: Reactionary modernism: technology, culture and politics in Weimar and the Third Reich. Cambridge University Press, Cambridge (1984).
86.
Herzfeld-Sander, Margaret: Essays on German theater. Continuum, New York (1985).
87.
Laqueur, Walter: Weimar: a cultural history, 1918-1933. Weidenfeld and Nicolson, London (1974).
88.
Raabe, Paul, Ritchie, J. M.: The era of expressionism. Calder and Boyars, London (1974).
89.
Ritchie, J. M., Garten, H. F.: Seven expressionist plays: Kokoschka to Barlach. Riverrun Press, Dallas (1980).
90.
Willett, John: The Weimar years: a culture cut short. Thames and Hudson, (London) (1984).
91.
Eisner, Lotte H.: The haunted screen: expressionism in the German cinema and the influence of Max Reinhardt. Secker & Warburg, London (1973).
92.
Budd, Mike: ‘The cabinet of Dr. Caligari’: texts, contexts, histories. Rutgers University Press, New Brunswick (1990).
93.
Kracauer, Siegfried: From Caligari to Hitler: a psychological history of the German film. Princeton University Press, Princeton (1947).
94.
Beckett, Samuel: Waiting for Godot: a tragicomedy in two acts. Faber, London (2006).
95.
Pilling, John: Samuel Beckett. Routledge and Kegan Paul, London (etc.) (1976).
96.
Pilling, John ed: The Cambridge Companion to Beckett. Cambridge University Press, Cambridge (1994). https://doi.org/10.1017/CCOL0521413664.
97.
Reid, Alec: All I can manage, more than I could: an approach to the plays of Samuel Beckett. Dolmen Press, Dublin (1969).
98.
Bair, Deirdre: Samuel Beckett: a biography. Cape, London (1978).
99.
Brater, Enoch: Why Beckett. Thames and Hudson, London (1989).
100.
Cohn, Ruby: Currents in contemporary drama. Indiana University Press, Bloomington (1969).
101.
Cohn, Ruby: Back to Beckett. Princeton University Press, Princeton, N.J.
102.
Cohn, Ruby: Just play: Beckett’s theater. Princeton University Press, Guildford (1980).
103.
Cronin, Anthony: Samuel Beckett: the last modernist. Flamingo, London (1997).
104.
Docherty, Brian: Twentieth-century European drama. Macmillan, Basingstoke (1994).
105.
Fletcher, John, Spurling, John, Fletcher, John: Beckett the playwright. Methuen, London (1985).
106.
Gilman, Richard M.: The making of modern drama: a study of Büchner, Ibsen, Strindberg, Chekhov, Pirandello, Brecht, Beckett, Handke : with a new introduction. Yale University Press, London (2000).
107.
Graver, Lawrence, Federman, Raymond: Samuel Beckett, the critical heritage. Routledge and Kegan Paul, London (1979).
108.
Grossvogel, David I.: The Blasphemers: the theater of Brecht, Ionesco, Beckett, Genet. Cornell University Press, Ithaca, N.Y. (1962).
109.
Gussow, Mel: Conversations with (and about) Beckett. Nick Hern, London (1996).
110.
Harrington, John P.: Modern Irish drama. Norton, London (1991).
111.
Kalb, Jonathan: Beckett in performance. Cambridge University Press, Cambridge (1989).
112.
Kenner, Hugh: Samuel Beckett: a critical study. Calder, London (1962).
113.
Kenner, Hugh: A reader’s guide to Samuel Beckett. Farrar, Strauss and Gioroux, London (1973).
114.
Knowlson, James: Damned to Fame. Bloomsbury Publishing PLC (1997).
115.
Mercier, Vivian: Beckett/Beckett. Souvenir, London (1990).
116.
Schlueter, June: Metafictional characters in modern drama. Columbia University Press, Guildford (1979).
117.
Valency, Maurice: The end of the world: an introduction to contemporary drama. Oxford University Press, London (1980).
118.
Worth, Katharine: The Irish drama of Europe from Yeats to Beckett. Athlone Press, London (1978).
119.
EBSCO Publishing (Firm): Journal of Beckett studies. International Bibliography of Theatre&Dance with Full Text,.
120.
Brecht, Bertolt, Willett, John: Mother Courage and her children. Methuen Drama, London (2000).
121.
Fuegi, John: Bertolt Brecht: chaos, according to plan. Cambridge University Press, Cambridge (1987).
122.
Needle, Jan, Thomson, Peter: Brecht. Blackwell, Oxford (1981).
123.
Thomson, Peter, Sacks, Glendyr eds: The Cambridge Companion to Brecht. Cambridge University Press, Cambridge (2006). https://doi.org/10.1017/CCOL0521857090.
124.
Willett, John: The theatre of Bertolt Brecht: a study from eight aspects. Methuen, London (1977).
125.
Benjamin, Walter, Bostock, Anna: Understanding Brecht. Verso, London (1998).
126.
Bentley, Eric: Theatre of war: comments on 32 occasions. Eyre Methuen, London (1972).
127.
Bradley, Laura J. R.: Brecht and political theatre: The mother on stage. Clarendon, Oxford (2006).
128.
Brecht, Bertolt, Rorrison, Hugh, Willett, John: Journals. Methuen, London (1993).
129.
Brecht, Bertolt, Willett, John: Brecht on theatre: the development of an aesthetic. Eyre Methuen, London (1974).
130.
Brecht, Bertolt, Willett, John, Manheim, Ralph, Fried, Erich: Bertolt Brecht: poems 1913-1956. Methuen, London (1979).
131.
Brecht, Bertolt, Willett, John: Poems & songs from the plays. Methuen, London (1992).
132.
Brooker, Peter: Bertolt Brecht: dialectics, poetry, politics. Croom Helm, London (1988).
133.
Demetz, Peter: Brecht: a collection of critical essays. Prentice-Hall, Englewood Cliffs (1962).
134.
Eddershaw, Margaret, ebrary, Inc: Performing Brecht: forty years of British performances. Routledge, London (1996).
135.
Esslin, Martin: Brecht, a choice of evils: a critical study of the man, his work and his opinions. Eyre Methuen, London (1980).
136.
Fuegi, John: The life and lies of Bertolt Brecht. HarperCollins, London (1994).
137.
Gray, Ronald: Brecht the dramatist. Cambridge University Press, Cambridge (etc.) (1976).
138.
Hiley, Jim: Theatre at work: the story of the National Theatre’s production of Brecht’s Galileo. Routledge & Kegan Paul, London (1981).
139.
Holderness, G: Schaustück and Lehrstück: Erwin Piscator and the Politics of Theatre. In: The politics of theatre and drama. pp. 99–119. Macmillan, London (1992).
140.
Innes, C. D.: Erwin Piscator’s political theatre: the development of modern German drama. Cambridge University Press, London (1972).
141.
Kruger, Loren: Post-imperial Brecht: politics and performance, east and south. Cambridge University Press, Cambridge (2004).
142.
Kleber, Pia, Visser, Colin, Brecht: thirty years after (Conference): Re-interpreting Brecht: his influence on contemporary drama and film. Cambridge University Press in association with Modern Drama, Cambridge (1990).
143.
Kruger, Loren: Post-imperial Brecht: politics and performance, east and south. Cambridge University Press, Cambridge (2004).
144.
Ley-Piscator, Maria: The Piscator experiment: the political theatre. Southern Illinois University Press, Carbondale.
145.
Martin, Carol, Bial, Henry, ebrary, Inc: Brecht sourcebook. Routledge, London (2000).
146.
McCullough, C: From Brecht to Brechtian: Alienation and Appropriation. In: The politics of theatre and drama. pp. 120–133. Macmillan, London (1992).
147.
Mitter, Shomit, ebrary, Inc: Systems of rehearsal: Stanislavsky, Brecht, Grotowski, and Brook. Routledge, London (2000).
148.
Piscator, Erwin, Rorrison, Hugh: The political theatre. Eyre Methuen, London (1980).
149.
Spalter, Max: Brecht’s tradition. Johns Hopkins Press, Baltimore (1967).
150.
Bloch, Ernst, Taylor, Ronald: Aesthetics and politics. NLB, London (1977).
151.
Tynan, Kenneth: A view of the English stage, 1944-1965. Methuen, London (1984).
152.
Williams, Raymond, Williams, Raymond: Drama from Ibsen to Brecht. Hogarth, London (1987).
153.
Büchner, Georg: The plays of Georg Büchner. Oxford University Press, London (1971).
154.
Büchner, Georg, MacKendrick, John: Woyzeck. Eyre Methuen, London (1979).
155.
Benn, M. B.: The drama of revolt: a critical study of Georg Büchner. Cambridge University Press, Cambridge (1976).
156.
Grimm, Reinhold: Love, lust and rebellion: new approaches to Georg Büchner. University of Wisconsin Press, Madison, Wis (1985).
157.
Büchner, Georg, Guthrie, John: Woyzeck. Basil Blackwell, Oxford (1988).
158.
Hilton, Julian: Georg Büchner. Macmillan, London (1982).
159.
Holmes, T. M.: The rehearsal of revolution: Georg Büchner’s politics and his drama Dantons Tod. P. Lang, Bern (1995).
160.
McInnes, Edward: Büchner: Woyzeck. University of Glasgow French and German Publications, Glasgow (1991).
161.
Reddick, John: Georg Büchner: the shattered whole. Clarendon Press, Oxford (1994).
162.
Sobieski, Lynn: The Bread and Puppet Theatre’s ‘Woyzeck’. The Drama Review: TDR. Vol. 25, 55–62.
164.
Herzog, Werner, Kinski, Klaus, Büchner, Georg: Woyzeck, (2004).
165.
Chekhov, A. P., Hingley, Ronald: Five plays. Oxford University Press, Oxford (1980).
166.
Chekhov, Anton Pavlovich: Plays. Methuen, London ; New York (1988).
167.
Allen, David, ebrary, Inc: Performing Chekhov. Routledge, London (2000).
168.
Rayfield, Donald: Chekhov: the evolution of his art. Elek, London (1975).
169.
Redmond, James: Drama and symbolism. Cambridge University Press, Cambridge (1982).
170.
Styan, J. L.: Chekhov in performance: a commentary on the major plays. Cambridge University Press, London (1971).
171.
Emaljanow, Victor ed: Anton Chekhov: The Critical Heritage. Routledge, London (1981).
172.
Gottlieb, Vera: Chekhov and the vaudeville: a study of Chekhov’s one-act plays. Cambridge University Press, Cambridge (1982).
173.
Gottlieb, Vera, Allain, Paul eds: The Cambridge Companion to Chekhov. Cambridge University Press, Cambridge (2000). https://doi.org/10.1017/CCOL0521581176.
174.
Hackett, Jean, Psacharopoulos, Nikos, Williamstown Theatre Festival (Massachusetts): The actor’s Chekhov: Nikos Psacharopoulos and the company of the Williamstown Theatre Festival, on the plays of Anton Chekhov, 1962-1987. SK, Newbury, Vt (1993).
175.
Hingley, Ronald: A new life of Anton Chekhov. Oxford University Press, London (etc.) (1976).
176.
Jackson, Robert Louis: Chekhov: a collection of critical essays. Prentice-Hall, Englewood Cliffs, NJ (1967).
177.
Magarshack, David: Chekhov: a life. Greenwood Press, Westport, Conn (1970).
178.
Magarshack, David: Chekhov the dramatist. Eyre Methuen, London (1980).
179.
Miles, Patrick: Chekhov on the British stage. Cambridge University Press, Cambridge (1993).
180.
Pitcher, Harvey: The Chekhov play: a new interpretation. Chatto and Windus, London (1973).
181.
Pitcher, Harvey: Chekhov’s leading lady: a portrait of the actress Olga Knipper. J. Murray, London (1979).
182.
Senelick, Laurence: The Chekhov theatre: a century of the plays in performance. Cambridge University Press, Cambridge (1997).
183.
Valency, Maurice: The breaking string: the plays of Anton Chekhov. Oxford U.P., New York (1966).
184.
Williams, Raymond, Holderness, Graham: Drama in performance. Open University Press, Milton Keynes (1991).
185.
Ibsen, Henrik, McFarlane, James Walter, Arup, Jens: Four major plays. Oxford University Press, Oxford (1981).
186.
Ibsen, Henrik, McFarlane, James Walter, Orton, Graham: The Oxford Ibsen: Vol.1: Early plays. Oxford University Press, London (1970).
187.
Ibsen, Henrik, McFarlane, James Walter: The Oxford Ibsen: Vol.2: The Vikings at Helgeland ; Love’s comedy ; The pretenders. Oxford University Press, London (1962).
188.
Ibsen, Henrik, McFarlane, James Walter: The Oxford Ibsen: Vol.3: Brand ; Peer Gynt. Oxford University Press, London (1972).
189.
Ibsen, Henrik, McFarlane, James Walter, Orton, Graham: The Oxford Ibsen: Vol.4: The league of youth ; Emperor and Galilean. Oxford University Press, London (1963).
190.
Ibsen, Henrik, McFarlane, James Walter: The Oxford Ibsen: Vol.5: Pillars of society ; A doll’s house ; Ghosts. Oxford University Press, London (1961).
191.
Ibsen, Henrik: The Oxford Ibsen: Vol. 6: an enemy of the people, the wild duck, Rosmersholm. Oxford University Press, London (1960).
192.
Ibsen, Henrik, McFarlane, James Walter: The Oxford Ibsen: Vol.7: The lady from the sea ; Hedda Gabler ; The master builder. Oxford University Press, London (1966).
193.
Ibsen, Henrik, McFarlane, James Walter: The Oxford Ibsen: Vol.8: Little Eyolf ; John Gabriel Borkman ; When we dead awaken. Oxford University Press, Oxford (1977).
194.
McFarlane, James ed: The Cambridge Companion to Ibsen. Cambridge University Press, Cambridge (1994). https://doi.org/10.1017/CCOL0521411661.
195.
Moi, Toril: Henrik Ibsen and the birth of modernism: art, theater, philosophy. Oxford University Press, Oxford (2006).
196.
Northam, John: Ibsen: a critical study. Cambridge University Press, London (1973).
197.
Templeton, Joan: Ibsen’s women. Cambridge University Press, Cambridge (1997).
198.
Aarseth, Asbjørn: Peer Gynt and ghosts: text and performance. Macmillan Education, Basingstoke (1989).
199.
Beyer, Edvard, Wells, Marie: Ibsen: the man and his work. Souvenir Press, London (1978).
200.
Bradbrook, M. C.: Ibsen the Norwegian: a revaluation. Chatto & Windus, London (1966).
201.
Brandes, Georg: Henrik Ibsen: a critical study : with a 42 page essay on Björnstjerne Björnson. Benjamin Blom, New York (1964).
202.
Bryan, George B.: An Ibsen companion: a dictionary-guide to the life, works, and critical reception of Henrik Ibsen. Greenwood, London (1984).
203.
Clurman, Harold: Ibsen. Macmillan, London (etc.) (1978).
204.
Downs, Brian Westerdale: A study of six plays by Ibsen. Octagon Books, New York (1972).
205.
Ibsen, Henrik, Durbach, Errol: Ibsen and the theatre: essays in celebration of the 150th anniversary of Henrik Ibsen’s birth. Macmillan, London (1980).
206.
Durbach, Errol: Ibsen the romantic: analogues of paradise in the later plays. Macmillan, London (1982).
207.
Egan, Michael, ebrary, Inc: Henrik Ibsen: the critical heritage. Routledge and K. Paul, Boston (1972).
208.
Fjelde, Rolf: Ibsen: a collection of critical essays. Prentice-Hall, Englewood Cliffs (1965).
209.
Ferguson, Robert: Henrik Ibsen: a new biography. Richard Cohen, London (1996).
210.
Gray, Ronald: Ibsen, a dissenting view: a study of the last twelve plays. Cambridge University Press, Cambridge (etc.) (1977).
211.
Heiberg, Hans, Tate, Joan: Ibsen: a portrait of the artist. Allen & Unwin, London (1969).
212.
Hurt, James: Catiline’s dream: an essay on Ibsen’s plays. University of Illinois Press, Urbana.
213.
Hemmer, Bjorn, Ystad, Vigdis: Contemporary approaches to Ibsen: Vol.6. Norwegian University Press, Oslo (1988).
214.
Holtan, Orley Iver: Mythic patterns in Ibsen’s last plays. University of Minnesota Press, London (1970).
215.
Knight, G. Wilson: Ibsen. Oliver & Boyd, Edinburgh (1962).
216.
Lucas, F. L.: The drama of Ibsen and Strindberg. Cassell, London (1962).
217.
Lyons, Charles R.: Henrik Ibsen: the divided consciousness. Southern Illinois University Press, Carbondale.
218.
Marker, Frederick J., Marker, Lise-Lone: The Scandinavian theatre: a short history. Blackwell, Oxford (1975).
219.
McFarlane, James Walter: Ibsen & meaning: studies, essays & prefaces, 1953-87. Norvik, Norwich (1989).
220.
Meyer, Michael: Henrik Ibsen: [Vol.1]: The making of a dramatist, 1828-1864. Hart-Davis, London (1967).
221.
Meyer, Michael: Henrik Ibsen: Farewell to Poetry [vol. 2]. Hart-Davis, London (1971).
222.
Meyer, Michael: Henrik Ibsen: (Vol.3): The top of a cold mountain, 1883-1906. Hart-Davis, London (1971).
223.
Postlewait, Thomas: Prophet of the New Drama: William Archer and the Ibsen campaign. Greenwood Press, Westport, Conn (1985).
224.
Archer, William, Postlewait, Thomas: William Archer on Ibsen: the major essays, 1889-1919. Greenwood, London (1984).
225.
Redmond, James: Drama and society. Cambridge University Press, Cambridge (etc.) (1979).
226.
Redmond, James: Drama and mimesis. Cambridge University Press, Cambridge (1980).
227.
Shaw, Bernard: Major critical essays: the Quintessence of Ibsenism, the Perfect Wagnerite, the Sanity of art. Constable, London (1932).
228.
Törnqvist, Egil: Ibsen: a doll’s house. Cambridge University Press, Cambridge (1995).
229.
Zucker, A E.: Ibsen the master builder. Thornton Butterworth, London (1930).
230.
Jelineck, E: What Happened after Nora Left Her Husband. In: Plays by women: Vol.10. Methuen Drama, London (1994).
231.
Marowitz, Charles, Marowitz, Charles, Ibsen, Henrik, Marowitz, Charles, Ibsen, Henrik, Marowitz, Charles, Strindberg, August: Sex wars: free adaptations of Ibsen and Strindberg : Hedda, Enemy of the people, The father. Marion Boyars, London (1982).
232.
Jarry, Alfred, Watson Taylor, Simon: The Ubu plays: with Writings on the theatre. Methuen Drama, London (1993).
233.
Jarry, Alfred: Ubu the King. In: Three pre-surrealist plays. Oxford University Press, Oxford (1997).
234.
Jarry, Alfred, Shattuck, Roger, Watson-Taylor, Simon: Selected works of Alfred Jarry. Eyre Methuen, London (1965).
235.
Kokoschka, Oskar: Murderer Hope of Womankind. In: Seven expressionist plays: Kokoschka to Barlach. Riverrun Press, Dallas (1907).
236.
Nicholls, Peter: Sexuality and Structure: Tensions in Early Expressionist Drama. New Theatre Quarterly. 7, 160–170 (1991). https://doi.org/10.1017/S0266464X00005431.
237.
Pam, Dorothy: Murderer, the Women’s Hope. The Drama Review: TDR. 19, 5–12 (1975).
238.
Maeterlinck, Maurice: The Blind. In: Three pre-surrealist plays. Oxford University Press, Oxford (1997).
239.
Maeterlinck, Maurice: The Tragic in Daily Life. In: Playwrights on playwriting: the meaning and making of modern drama from Ibsen to Ionesco. Hill and Wang, New York (1896).
240.
McGuinness, Patrick, MyiLibrary: Maurice Maeterlinck and the making of modern theatre. Oxford University Press, New York (2000).
241.
Daniels, May: The French drama of the unspoken. Greenwood Press, Westport, Conn (1977).
242.
Halls, W. D.: Maurice Maeterlinck: a study of his life and thought. Greenwood Press, Westport, Conn (1978).
243.
O’Casey, Sean: Juno and the Paycock and The Plough and the Stars. In: Three plays. Macmillan, London (1966).
244.
O’Casey, Sean: Collected plays: Vol.1. Macmillan, London (1949).
245.
Ayling, Ronald: Sean O’Casey: Modern judgements. Macmillan and Co. Ltd, London (1969).
246.
Benstock, Bernard: Paycocks and others: Sean O’Casey’s world. Gill and Macmillan (etc.), Dublin (1976).
247.
Greaves, C. Desmond: Sean O’Casey: politics and art. Lawrence and Wishart, London (1979).
248.
Kilroy, Thomas: Sean O’Casey: a collection of critical essays. Prentice-Hall, Englewood Cliffs, N.J. (1975).
249.
Lowery, Robert G.: O’Casey annual: No.1. Macmillan, London (1982).
250.
Lowery, Robert G.: O’Casey Annual: 2. MacMillan Press, London (1983).
251.
Lowery, Robert G.: O’Casey Annual: 3. MacMillan, London (1984).
252.
O’Casey, Sean: Autobiographies: 1. Pan Books in association with Macmillan London, London (1980).
253.
O’Casey, Sean, O’Casey, Sean, Ayling, Ronald: Blasts and benedictions: articles and stories. Macmillan, London (1967).
254.
O’Connor, Garry: Sean O’Casey: a life. Hodder and Stoughton, London (1988).
255.
Pilkington, Lionel: Theatre and the state in twentieth-century Ireland: cultivating the people. Routledge, London (2001).
256.
Pinter, Harold: The homecoming. Eyre Methuen, London (1966).
257.
Pinter, Harold: Plays: v. 3, ‘ The Homecoming’ , ‘ Tea Party’ , ‘ The Basement’ , ‘ Landscape’ , ‘ Silence’ , ‘ Night’ , ‘ That’s Your Trouble’ , ‘ That’s All’ , ‘ Applicant’ , ‘ Interview’ , ‘ Dialogue for Three’ , Mac (Memoir), Tea Party (Short Story). Faber (1996).
258.
Pinter, Harold: Plays 4: Betrayal; Monologue; One for the Road; Mountain Language; Family Voices; A Kind of Alaska; Victoria Station; Precisely; The ... Umbrellas; God’s District; Apart from That. Faber, London (2012).
259.
Pinter, Harold: Art, truth & politics: the Noble Lecture 2005, (2006).
260.
Baker, William, ebrary, Inc: Harold Pinter. Continuum, London (2008).
261.
Billington, Michael: The life and work of Harold Pinter. Faber, London (1996).
262.
Burkman, Katherine H., Kundert-Gibbs, John L., Pinter Festival: Pinter at sixty. Indiana University Press, Bloomington (1993).
263.
Dukore, Bernard F.: Harold Pinter. Macmillan, London (1988).
264.
Esslin, Martin: Pinter: a study of his plays. Eyre Methuen, London (1973).
265.
Esslin, Martin: Pinter: the playwright. Methuen Drama, London (2000).
266.
Gabbard, Lucina Paquet: The dream structure of Pinter’s plays: a psychoanalytic approach. Fairleigh Dickinson University Press, Rutherford (etc.) (1976).
267.
Ganz, Arthur: Pinter: a collection of critical essays. Prentice-Hall, Englewood Cliffs (1972).
268.
Gussow, Mel: Conversations with Pinter. Nick Hern Books, London (1994).
269.
Imhof, Rudiger: Pinter: a bibliography - his works and occasional writings with a comprehensive checklist of criticism and reviews of the London productions. TQ Publications Ltd, London (1976).
270.
Knowles, Ronald: The birthday party and the caretaker: text and performance. Macmillan Education, Basingstoke (1988).
271.
Merritt, Susan Hollis: Pinter in play: critical strategies and the plays of Harold Pinter. Duke University Press (1995).
272.
Trussler, Simon: The plays of Harold Pinter: an assessment. Gollancz, London (1973).
273.
Pirandello, Luigi, Linstrum, John: Six characters in search of an author. Eyre Methuen, London (1979).
274.
Pirandello, Luigi: Three plays. Methuen, London (1985).
275.
Pirandello, Luigi, Bassnett-McGuire, Susan, Lorch, Jennifer: Luigi Pirandello in the theatre: a documentary record. Harwood Academic Publishers, Chur, Switzerland (1993).
276.
Giudice, Gaspare, Hamilton, Alastair: Pirandello: a biography. Oxford University Press, London (etc.) (1975).
277.
Lucas, F. L.: The drama of Chekhov, Synge, Yeats, and Pirandello. Cassell, London (1965).
278.
Oliver, Roger W.: Dreams of passion: the theater of Luigi Pirandello. New York University Press, New York (1979).
279.
Ragusa, Olga: Luigi Pirandello: an approach to his theatre. Edinburgh University Press, Edinburgh (1980).
280.
Starkie, Walter: Luigi Pirandello, 1867-1936. California U.P.; Cambridge U.P (1965).
281.
British Pirandello Society: The yearbook of the British Pirandello Society: no.7. British Pirandello Society, [s.l.] (1987).
282.
British Pirandello Society: The yearbook of the British Pirandello Society: no.5. British Pirandello Society, [s.l.] (1985).
283.
British Pirandello Society: The yearbook of the British Pirandello Society: No.10: 1990. British Pirandello Society, Birmingham.
284.
British Pirandello Society: The yearbook of the British Pirandello Society: No.8 & 9: (1988-1989). British Pirandello Society, Birmingham.
285.
Laurence, Dan H., Shaw, Bernard: The Bodley Head Bernard Shaw. Bodley Head, London (1981).
286.
Shaw, Bernard: The Bodley Head Bernard Shaw: collected plays with their prefaces, Vol.5: Heartbreak House ; Augustus does his bit ; Annajanska ; Back to Methuselah ; Jitta’s atonement. Reinhardt, London (1972).
287.
Shaw, Bernard: Heartbreak house: a fantasia in the Russian manner on English themes. Penguin, Harmondsworth (1964).
288.
Shaw, Bernard, Shaw, Bernard, Shaw, Bernard, Shaw, Bernard: Plays unpleasant. Penguin, Harmondsworth (1946).
289.
Shaw, Bernard, Weintraub, Stanley: Shaw: an autobiography, 1898-1950, the playwright years. Reinhardt, London (1970).
290.
Shaw, Bernard, Huneker, James: Dramatic opinions and essays with an apology: Containing as well a word on the dramatic opinions and essays of Bernard Shaw by James Huneker, Vol.1. Archibald Constable & Co, London (1907).
291.
Shaw, Bernard, Shaw, Bernard, Shaw, Bernard, Shaw, Bernard, Shaw, Bernard: Major critical essays: the Quintessence of Ibsenism, the Perfect Wagnerite, the Sanity of art. Constable, London (1932).
292.
Shaw, Bernard: Our theatres in the nineties: vol.1. Constable, London (1932).
293.
Shaw, Bernard: Our theatres in the nineties : vol. 2. Constable, London (1932).
294.
Shaw, Bernard: Our theatres in the nineties: Vol.3. Constable, London (1932).
295.
Crompton, Louis: Shaw the dramatist: a study of the intellectual background of the major plays. Allen and Unwin, London (1971).
296.
Fromm, Harold: Bernard Shaw and the theater in the nineties: a study of Shaw’s dramatic criticism. University of Kansas, Lawrence (1967).
297.
Hardwick, Michael, Hardwick, Mollie: The Bernard Shaw companion. J. Murray, London (1973).
298.
Holroyd, Michael: Bernard Shaw : Vol.1, 1856-1898: the search for love. Chatto & Windus, London (1988).
299.
Holroyd, Michael: Bernard Shaw : Vol.2, 1898-1918: The pursuit of power. Chatto & Windus, London (1989).
300.
Holroyd, Michael: Bernard Shaw : Vol.3, 1918-1950: the lure of fantasy. Chatto, London (1991).
301.
Holroyd, Michael: Bernard Shaw : Vol.4 & 5, The Shaw companion. Chatto and Windus, London (1992).
302.
Meisel, Martin: Shaw and the nineteenth century theatre. Princeton University Press, Princeton [N. J.] (1968).
303.
Purdom, C. B.: A guide to the plays of Bernard Shaw. Methuen, London (1963).
304.
Terry, Ellen, Shaw, Bernard, Terry, Ellen: Ellen Terry and Bernard Shaw: a correspondence. M. Reinhardt, London (1949).
305.
Strindberg, August, Meyer, Michael: Plays: One. Methuen Drama, London (2000).
306.
Strindberg, August, Meyer, Michael: Plays: two. Methuen, London (1982).
307.
Marker, Frederick J., Marker, Lise-Lone: Strindberg and modernist theatre: post-inferno drama on the stage. Cambridge University Press, Cambridge (2002).
308.
Morgan, Margery: August Strindberg. Macmillan, Basingstoke (1985).
309.
Meyer, Michael: Strindberg: a biography. Secker & Warburg, London (1985).
310.
Robinson, Michael: Strindberg and autobiography: writing and reading a life. Norvik, Norwich (1986).
311.
Robinson, Michael, International Strindberg Conference: Strindberg and genre. Norvik Press, Norwich (1991).
312.
Strindberg, August, Robinson, Michael: Strindberg’s letters : Vol. 1. Athlone Press, London (1992).
313.
Strindberg, August, Robinson, Michael: Strindberg’s letters : Vol. 2. Athlone Press, London (1992).
314.
Strindberg, August, Robinson, Michael: Selected essays. Cambridge University Press, Cambridge (1996).
315.
Stockenström, Göran, ebrary, Inc: Strindberg’s dramaturgy. University of Minnesota Press, Minneapolis (1988).
316.
Ward, John: The social and religious plays of Strindberg. Athlone Press, London (1980).
317.
Synge, J. M., Saddlemyer, Ann, Synge, J. M., Synge, J. M., Synge, J. M.: Collected works: Vol.4: Plays. Oxford University Press, London (1968).
318.
Synge, J. M., Saddlemyer, Ann: Collected works: Vol.3: Plays. Oxford University Press, London (1968).
319.
Synge, J. M., Henn, T. R.: The complete plays. Eyre Methuen, London (1981).
320.
Innes, C. D.: Modern British drama 1890-1990. Cambridge University Press, Cambridge (1992).
321.
Jones, Nesta: File on Synge. Methuen Drama, London (1994).
322.
Pilkington, Lionel: Theatre and the state in twentieth-century Ireland: cultivating the people. Routledge, London (2001).
323.
Yeats, W. B.: Essays and introductions. Macmillan, London (1961).
324.
Yeats, W. B., Yeats, George, Yeats, W. B.: Explorations. Macmillan, London (1962).
325.
Gordon, Mel, Kokoschka, Oskar: Expressionist texts. PAJ Publications, New York (1986).
326.
Toller, Ernst, Pearlman, Alan Rapahel: Plays one. Oberon Books, London (2000).
327.
Benson, Renate: German expressionist drama: Ernst Toller and Georg Kaiser. Macmillan, London (1984).
328.
Dove, Richard: He was a German: a biography of Ernst Toller. Libris, London (1990).
329.
Gordon, M: Introduction [on Expressionist acting]. In: Expressionist texts. PAJ Publications, New York (1986).
330.
Ossar, Michael: Anarchism in the dramas of Ernst Toller: the realm of necessity and the realm of freedom. State University of New York Press, Albany (1980).
331.
Pittock, Malcolm: Ernst Toller. Twayne Publishers, Boston (1979).
332.
Wedekind, Frank, Bond, Edward, Pablé, Elisabeth: Plays One. Methuen Drama, London (1993).
333.
Best, Alan: Frank Wedekind. Wolff, London (1975).
334.
Boa, Elizabeth: The sexual circus: Wedekind’s theatre of subversion. Basil Blackwell, Oxford (1987).
335.
Brecht, Bertolt, Willett, John: Brecht on theatre: the development of an aesthetic. Eyre Methuen, London (1974).
336.
Diethe, Carol: Aspects of distorted sexual attitudes in German expressionist drama with particular reference to Wedekind, Kokoschka, and Kaiser. P. Lang, New York (1988).
337.
Gittleman, Sol: Frank Wedekind. Ungar, New York (1969).
338.
Hughes, Michael: Nationalism and society: Germany 1800-1945. Arnold, London (1988).
339.
Skrine, Peter N.: Hauptmann, Wedekind and Schnitzler. Macmillan, Basingstoke (1989).
340.
Styan, J. L.: Modern drama in theory and practice. Cambridge University Press, Cambridge (1981).
341.
Wedekind, Frank, Hay, Gerhard: Diary of an erotic life. Basil Blackwell, Oxford (1990).
342.
Yeats, W. B.: The collected plays of W.B. Yeats. Macmillan and Co, London (1952).
343.
Yeats, W. B.: A vision. Macmillan, London (1937).
344.
Yeats, W. B.: Autobiographies. Macmillan, London (1955).
345.
Yeats, W. B.: Mythologies. Macmillan, London (1959).
346.
Yeats, W. B.: Essays and introductions. Macmillan, London (1961).
347.
Yeats, W. B., Yeats, George, Yeats, W. B.: Explorations. Macmillan, London (1962).
348.
Ellis-Fermor, Una: The Irish dramatic movement. Methuen, London (1953).
349.
Innes, C. D.: Modern British drama 1890-1990. Cambridge University Press, Cambridge (1992).
350.
Jeffares, A. Norman, Knowland, A. S.: A commentary on the collected plays of W.B. Yeats. Macmillan, London (etc.) (1975).
351.
O’Driscoll, Robert, Reynolds, Lorna: Yeats and the theatre. Macmillan, London (etc.) (1975).
352.
Pilkington, Lionel: Theatre and the state in twentieth-century Ireland: cultivating the people. Routledge, London (2001).
353.
Pound, Ezra, Fenollosa, Ernest Francisco: The classic Noh theatre of Japan. New Directions, New York (1959).
354.
Taylor, Richard: The drama of W.B. Yeats: Irish myth and the Japanese Nō. Yale University Press, New Haven (1976).
355.
Tuohy, Frank: Yeats. Macmillan, London (1976).
356.
Ure, Peter: Yeats the playwright: a commentary on character and design in the major plays. Routledge & Kegan Paul, London (1963).
