1.
Worthen, William B. The Harcourt Brace anthology of drama. 3rd ed. Fort Worth: Harcourt Brace College Publishers; 2000.
2.
Worthen, William B. The Wadsworth anthology of drama. 4th ed. United Kingdom: Wadsworth; 2004.
3.
Worthen, William B. The Wadsworth anthology of drama. 6th ed. Boston, Mass: Wadsworth Cengage Learning;
4.
Williams, Raymond, Williams, Raymond. Drama from Ibsen to Brecht. Rev. ed. London: Hogarth; 1987.
5.
Bradbury, Malcolm, McFarlane, James Walter. Modernism 1890-1930. 1st ed., reprinted with a new preface. Harmondsworth: Penguin Books; 1991.
6.
Braun, Edward. The director and the stage: from naturalism to Grotowski. London: Methuen; 1982.
7.
Brustein, Robert. The theatre of revolt: an approach to the modern drama. London: Methuen & Co; 1965.
8.
Carlson, Marvin. Theories of the theatre: a historical and critical survey from the Greeks to the present. Expanded ed. Ithaca: Cornell University Press; 1993.
9.
Clark, Barrett H., Popkin, Henry. European theories of the drama: with a supplement on the American drama. Rev. ed. New York: Crown Publishers; 1965.
10.
Cole, Toby. Playwrights on playwriting: the meaning and making of modern drama from Ibsen to Ionesco. New York: Hill and Wang; 1961.
11.
Finney, Gail. Women in modern drama: Freud, feminism, and European theater at the turn of the century. Ithaca: Cornell University Press; 1989.
12.
Postlewait, Thomas. The Cambridge introduction to theatre historiography. Cambridge: Cambridge University Press; 2009.
13.
Pfister, Manfred. The theory and analysis of drama. Cambridge: Cambridge University Press; 1988.
14.
Styan, J. L. Modern drama in theory and practice. Cambridge: Cambridge University Press; 1981.
15.
Styan, J. L. Modern drama in theory and practice. Cambridge: Cambridge University Press; 1981.
16.
Styan, J. L. Modern drama in theory and practice. Cambridge: Cambridge University Press; 1981.
17.
Szondi, Peter, Hays, Michael. Theory of the modern drama: a critical edition. Cambridge: Polity; 1987.
18.
Wallis, Mick, Shepherd, Simon. Studying plays. 2nd ed. London: Arnold; 2002.
19.
Gale, Maggie B., Deeney, John F., Rebellato, Dan. Routledge drama anthology and sourcebook: from modernism to contemporary performance. London: Routledge; 2010.
20.
Gilman, Richard M. The making of modern drama: a study of Büchner, Ibsen, Strindberg, Chekhov, Pirandello, Brecht, Beckett, Handke : with a new introduction. [New ed.]. London: Yale University Press; 2000.
21.
Innes, C. D. Modern British drama 1890-1990. Cambridge: Cambridge University Press; 1992.
22.
Klaić, Dragan. The plot of the future: Utopia and dystopia in modern drama. Ann Arbor: University of Michigan Press; 1991.
23.
Kubiak, Anthony. Stages of terror: terrorism, ideology, and coercion as theatre history. Bloomington: Indiana University Press; 1991.
24.
Leach, Robert. Makers of modern theatre: an introduction. London: Routledge; 2004.
25.
Lehmann, Hans-Thies. Postdramatic theatre. London: Routledge; 2006.
26.
Lyman, Jane. Perspectives on plays: a reader. London: Routledge and Kegan Paul; 1976.
27.
Valency, Maurice. The flower and the castle: an introduction to modern drama. New York: Octagon Books; 1975.
28.
Worthen, William B. Modern drama and the rhetoric of theater. Berkeley: University of California Press; 1992.
29.
Bentley, Eric. The theory of the modern stage: from Artaud to Zola, an introduction to modern theatre and drama. [New ed.]. London: Penguin; 2008.
30.
Bradbury, Malcolm, McFarlane, James Walter. Modernism 1890-1930. 1st ed., reprinted with a new preface. Harmondsworth: Penguin Books; 1991.
31.
Brustein, Robert. The theatre of revolt: an approach to the modern drama. London: Methuen & Co; 1965.
32.
Carlson, Marvin. Theories of the theatre: a historical and critical survey from the Greeks to the present. Expanded ed. Ithaca: Cornell University Press; 1993.
33.
Clark, Barrett H., Popkin, Henry. European theories of the drama: with a supplement on the American drama. Rev. ed. New York: Crown Publishers; 1965.
34.
Cole, Toby. Playwrights on playwriting: the meaning and making of modern drama from Ibsen to Ionesco. New York: Hill and Wang; 1961.
35.
Furst, Lilian R., Skrine, Peter N. Naturalism. London: Methuen; 1971.
36.
Innes, C. D., ebrary, Inc. A Sourcebook on naturalist theatre. London: Routledge; 2000.
37.
Nochlin, Linda. Realism. Harmondsworth: Penguin; 1990.
38.
Szondi, Peter, Hays, Michael. Theory of the modern drama: a critical edition. Cambridge: Polity; 1987.
39.
Styan, J. L. Modern drama in theory and practice. Cambridge: Cambridge University Press; 1981.
40.
Williams, Raymond, Williams, Raymond. Drama from Ibsen to Brecht. Rev. ed. London: Hogarth; 1987.
41.
Williams, Raymond. Keywords: a vocabulary of culture and society. Rev. and exp. ed. London: Fontana Press; 1988.
42.
Auerbach, Erich. Mimesis: the representation of reality in Western literature. Princeton, N.J.: Princeton University Press; 1953.
43.
Becker, George J. Documents of modern literary realism. Princeton, N.J.: Princeton University Press; 1963.
44.
Brockett, Oscar G., Findlay, Robert R. Century of innovation: a history of European and American theatre and drama since 1870. Englewood Cliffs: Prentice-Hall; 1973.
45.
Chothia, Jean. André Antoine. Cambridge: Cambridge University Press; 1991.
46.
Cole, Toby, Chinoy, Helen Krich. Directors on directing: a source book of the modern theatre. 3rd ed. London: Owen; 1970.
47.
Lyman, Jane. Perspectives on plays: a reader. London: Routledge and Kegan Paul; 1976.
48.
Marker, Frederick J., Marker, Lise-Lone. The Scandinavian theatre: a short history. Oxford: Blackwell; 1975.
49.
Redmond, James. Drama and society. Cambridge (etc.): Cambridge University Press; 1979.
50.
Redmond, James. Drama and mimesis. Cambridge: Cambridge University Press; 1980.
51.
Steiner, George. The death of tragedy. London: Faber; 1961.
52.
Williams, Raymond. Modern Tragedy. Chatto; 66AD.
53.
Williams, Raymond. Marxism and literature. Oxford: Oxford University Press; 1977.
54.
Wolff, Janet. The social production of art. 2nd ed. London: Macmillan; 1993.
55.
Block, Haskell M. Mallarmé and the symbolist drama. Westport, Conn: Greenwood Press; 1977.
56.
Deak, Frantisek. Symbolist theater: the formation of an avant-garde. Baltimore, Md: Johns Hopkins U. P.; 1993.
57.
Gerould, Daniel. Doubles, demons, and dreamers: an international collection of symbolist drama. New York: Performing Arts Journal Publications; 1985.
58.
Redmond, James. Drama and symbolism. Cambridge: Cambridge University Press; 1982.
59.
Styan, J. L. Modern drama in theory and practice. Cambridge: Cambridge University Press; 1981.
60.
Wilson, Edmund. Axel’s castle: a study in the imaginative literature of 1870-1930. London: Fontana; 1971.
61.
Carlson, Marvin. Theories of the theatre: a historical and critical survey from the Greeks to the present. Expanded ed. Ithaca: Cornell University Press; 1993.
62.
Symons, Arthur. The symbolist movement in literature. New York: AMS Press;
63.
Brustein, Robert. The theatre of revolt: an approach to the modern drama. London: Methuen & Co; 1965.
64.
Esslin, Martin. The theatre of the absurd. 3rd ed., 1st vintage Books ed. New York: Vintage Books; 2004.
65.
Innes, C. D. Holy theatre: ritual and the avant garde. Cambridge: Cambridge University Press; 1981.
66.
Roger Shattuck. The banquet years. New York: Vintage Books; 1968.
67.
Styan, J. L. Modern drama in theory and practice. Cambridge: Cambridge University Press; 1981.
68.
Blau, Herbert. To all appearances: ideology and performance. London: Routledge; 1992.
69.
Henderson, J. A. The first avant-garde, 1887-1894: sources of the modern French theatre. London: Harrap; 1971.
70.
Lucas, F. L. The drama of Chekhov, Synge, Yeats, and Pirandello. 2nd ed. London: Cassell; 1965.
71.
Melzer, Annabelle, Melzer, Annabelle. Dada and surrealist performance. Baltimore: Johns Hopkins University Press; 1994.
72.
Carlson, Marvin. Theories of the theatre: a historical and critical survey from the Greeks to the present. Expanded ed. Ithaca: Cornell University Press; 1993.
73.
Furness, R S. Expressionism. London: Methuen; 1973.
74.
Gay, Peter. Weimar culture: the outsider as insider. London: Penguin; 1974.
75.
Gordon, Mel, Kokoschka, Oskar. Expressionist texts. New York: PAJ Publications; 1986.
76.
Kuhns, David F. German expressionist theatre: the actor and the stage. Cambridge: Cambridge University Press; 1997.
77.
Patterson, Michael. The revolution in German theatre 1900-1933. Boston, Mass: Routledge & Kegan Paul; 1981.
78.
Styan, J. L. Modern drama in theory and practice. Cambridge: Cambridge University Press; 1981.
79.
Willett, John. The new sobriety, 1917-1933: art and politics in the Weimar period. (London): Thames and Hudson; 1978.
80.
Willett, John. The theatre of the Weimar Republic. London: Holmes & Meier; 1988.
81.
Bodek, Richard. Proletarian performance in Weimar Berlin: Agitprop, chorus, and Brecht. Columbia, S.C.: Camden House; 1997.
82.
Bradby, David, McCormick, John. People’s theatre. London: Croom Helm (etc.); 1978.
83.
Davies, Cecil William. Theatre for the people: the story of the Volksbühne. Manchester: Manchester University Press; 1977.
84.
Garten, H. F. Modern German drama. 2nd ed. London: Methuen; 1964.
85.
Herf, Jeffrey. Reactionary modernism: technology, culture and politics in Weimar and the Third Reich. Cambridge: Cambridge University Press; 1984.
86.
Herzfeld-Sander, Margaret. Essays on German theater. New York: Continuum; 1985.
87.
Laqueur, Walter. Weimar: a cultural history, 1918-1933. London: Weidenfeld and Nicolson; 1974.
88.
Raabe, Paul, Ritchie, J. M. The era of expressionism. London: Calder and Boyars; 1974.
89.
Ritchie, J. M., Garten, H. F. Seven expressionist plays: Kokoschka to Barlach. Dallas: Riverrun Press; 1980.
90.
Willett, John. The Weimar years: a culture cut short. (London): Thames and Hudson; 1984.
91.
Eisner, Lotte H. The haunted screen: expressionism in the German cinema and the influence of Max Reinhardt. London: Secker & Warburg; 1973.
92.
Budd, Mike. ‘The cabinet of Dr. Caligari’: texts, contexts, histories. New Brunswick: Rutgers University Press; 1990.
93.
Kracauer, Siegfried. From Caligari to Hitler: a psychological history of the German film. Princeton: Princeton University Press; 1947.
94.
Beckett, Samuel. Waiting for Godot: a tragicomedy in two acts. 2nd ed. London: Faber; 2006.
95.
Pilling, John. Samuel Beckett. London (etc.): Routledge and Kegan Paul; 1976.
96.
Pilling, John, editor. The Cambridge Companion to Beckett. Cambridge: Cambridge University Press; 1994.
97.
Reid, Alec. All I can manage, more than I could: an approach to the plays of Samuel Beckett. 2nd ed. Dublin: Dolmen Press; 1969.
98.
Bair, Deirdre. Samuel Beckett: a biography. London: Cape; 1978.
99.
Brater, Enoch. Why Beckett. London: Thames and Hudson; 1989.
100.
Cohn, Ruby. Currents in contemporary drama. Bloomington: Indiana University Press; 1969.
101.
Cohn, Ruby. Back to Beckett. Princeton, N.J: Princeton University Press;
102.
Cohn, Ruby. Just play: Beckett’s theater. Guildford: Princeton University Press; 1980.
103.
Cronin, Anthony. Samuel Beckett: the last modernist. London: Flamingo; 1997.
104.
Docherty, Brian. Twentieth-century European drama. Basingstoke: Macmillan; 1994.
105.
Fletcher, John, Spurling, John, Fletcher, John. Beckett the playwright. 3rd, expanded ed ed. London: Methuen; 1985.
106.
Gilman, Richard M. The making of modern drama: a study of Büchner, Ibsen, Strindberg, Chekhov, Pirandello, Brecht, Beckett, Handke : with a new introduction. [New ed.]. London: Yale University Press; 2000.
107.
Graver, Lawrence, Federman, Raymond. Samuel Beckett, the critical heritage. London: Routledge and Kegan Paul; 1979.
108.
Grossvogel, David I. The Blasphemers: the theater of Brecht, Ionesco, Beckett, Genet. Ithaca, N.Y.: Cornell University Press; 1962.
109.
Gussow, Mel. Conversations with (and about) Beckett. London: Nick Hern; 1996.
110.
Harrington, John P. Modern Irish drama. London: Norton; 1991.
111.
Kalb, Jonathan. Beckett in performance. Cambridge: Cambridge University Press; 1989.
112.
Kenner, Hugh. Samuel Beckett: a critical study. London: Calder; 1962.
113.
Kenner, Hugh. A reader’s guide to Samuel Beckett. London: Farrar, Strauss and Gioroux; 1973.
114.
Knowlson, James. Damned to Fame. Bloomsbury Publishing PLC; 1997.
115.
Mercier, Vivian. Beckett/Beckett. London: Souvenir; 1990.
116.
Schlueter, June. Metafictional characters in modern drama. Guildford: Columbia University Press; 1979.
117.
Valency, Maurice. The end of the world: an introduction to contemporary drama. London: Oxford University Press; 1980.
118.
Worth, Katharine. The Irish drama of Europe from Yeats to Beckett. London: Athlone Press; 1978.
119.
EBSCO Publishing (Firm). Journal of Beckett studies. Edinburgh: Dept. of English, Florida State University]; International Bibliography of Theatre&Dance with Full Text.
120.
Brecht, Bertolt, Willett, John. Mother Courage and her children. London: Methuen Drama; 2000.
121.
Fuegi, John. Bertolt Brecht: chaos, according to plan. Cambridge: Cambridge University Press; 1987.
122.
Needle, Jan, Thomson, Peter. Brecht. Oxford: Blackwell; 1981.
123.
Thomson, Peter, Sacks, Glendyr, editors. The Cambridge Companion to Brecht. Cambridge: Cambridge University Press; 2006.
124.
Willett, John. The theatre of Bertolt Brecht: a study from eight aspects. Revised ed. (i.e. 3rd ed. with a revised bibliography). London: Methuen; 1977.
125.
Benjamin, Walter, Bostock, Anna. Understanding Brecht. London: Verso; 1998.
126.
Bentley, Eric. Theatre of war: comments on 32 occasions. London: Eyre Methuen; 1972.
127.
Bradley, Laura J. R. Brecht and political theatre: The mother on stage. Oxford: Clarendon; 2006.
128.
Brecht, Bertolt, Rorrison, Hugh, Willett, John. Journals. London: Methuen; 1993.
129.
Brecht, Bertolt, Willett, John. Brecht on theatre: the development of an aesthetic. London: Eyre Methuen; 1974.
130.
Brecht, Bertolt, Willett, John, Manheim, Ralph, Fried, Erich. Bertolt Brecht: poems 1913-1956. Rev. ed. London: Methuen; 1979.
131.
Brecht, Bertolt, Willett, John. Poems & songs from the plays. London: Methuen; 1992.
132.
Brooker, Peter. Bertolt Brecht: dialectics, poetry, politics. London: Croom Helm; 1988.
133.
Demetz, Peter. Brecht: a collection of critical essays. Englewood Cliffs: Prentice-Hall; 1962.
134.
Eddershaw, Margaret, ebrary, Inc. Performing Brecht: forty years of British performances. London: Routledge; 1996.
135.
Esslin, Martin. Brecht, a choice of evils: a critical study of the man, his work and his opinions. 3rd, rev. ed ed. London: Eyre Methuen; 1980.
136.
Fuegi, John. The life and lies of Bertolt Brecht. London: HarperCollins; 1994.
137.
Gray, Ronald. Brecht the dramatist. Cambridge (etc.): Cambridge University Press; 1976.
138.
Hiley, Jim. Theatre at work: the story of the National Theatre’s production of Brecht’s Galileo. London: Routledge & Kegan Paul; 1981.
139.
Holderness, G. Schaustück and Lehrstück: Erwin Piscator and the Politics of Theatre. The politics of theatre and drama. London: Macmillan; 1992. p. 99–119.
140.
Innes, C. D. Erwin Piscator’s political theatre: the development of modern German drama. London: Cambridge University Press; 1972.
141.
Kruger, Loren. Post-imperial Brecht: politics and performance, east and south. Cambridge: Cambridge University Press; 2004.
142.
Kleber, Pia, Visser, Colin, Brecht: thirty years after (Conference). Re-interpreting Brecht: his influence on contemporary drama and film. Cambridge: Cambridge University Press in association with Modern Drama; 1990.
143.
Kruger, Loren. Post-imperial Brecht: politics and performance, east and south. Cambridge: Cambridge University Press; 2004.
144.
Ley-Piscator, Maria. The Piscator experiment: the political theatre. Carbondale: Southern Illinois University Press;
145.
Martin, Carol, Bial, Henry, ebrary, Inc. Brecht sourcebook. London: Routledge; 2000.
146.
McCullough, C. From Brecht to Brechtian: Alienation and Appropriation. The politics of theatre and drama. London: Macmillan; 1992. p. 120–133.
147.
Mitter, Shomit, ebrary, Inc. Systems of rehearsal: Stanislavsky, Brecht, Grotowski, and Brook. London: Routledge; 2000.
148.
Piscator, Erwin, Rorrison, Hugh. The political theatre. London: Eyre Methuen; 1980.
149.
Spalter, Max. Brecht’s tradition. Baltimore: Johns Hopkins Press; 1967.
150.
Bloch, Ernst, Taylor, Ronald. Aesthetics and politics. London: NLB; 1977.
151.
Tynan, Kenneth. A view of the English stage, 1944-1965. London: Methuen; 1984.
152.
Williams, Raymond, Williams, Raymond. Drama from Ibsen to Brecht. Rev. ed. London: Hogarth; 1987.
153.
Büchner, Georg. The plays of Georg Büchner. London: Oxford University Press; 1971.
154.
Büchner, Georg, MacKendrick, John. Woyzeck. London: Eyre Methuen; 1979.
155.
Benn, M. B. The drama of revolt: a critical study of Georg Büchner. Cambridge: Cambridge University Press; 1976.
156.
Grimm, Reinhold. Love, lust and rebellion: new approaches to Georg Büchner. Madison, Wis: University of Wisconsin Press; 1985.
157.
Büchner, Georg, Guthrie, John. Woyzeck. Oxford: Basil Blackwell; 1988.
158.
Hilton, Julian. Georg Büchner. London: Macmillan; 1982.
159.
Holmes, T. M. The rehearsal of revolution: Georg Büchner’s politics and his drama Dantons Tod. Bern: P. Lang; 1995.
160.
McInnes, Edward. Büchner: Woyzeck. Glasgow: University of Glasgow French and German Publications; 1991.
161.
Reddick, John. Georg Büchner: the shattered whole. Oxford: Clarendon Press; 1994.
162.
Sobieski, Lynn. The Bread and Puppet Theatre’s ‘Woyzeck’. The Drama Review: TDR. The MIT Press; Vol. 25(No. 2):55–62.
163.
Theatre record. Twickenham: Ian Herbert;
164.
Herzog, Werner, Kinski, Klaus, Büchner, Georg. Woyzeck. [U.K.]: Anchor Bay; 2004.
165.
Chekhov, A. P., Hingley, Ronald. Five plays. Oxford: Oxford University Press; 1980.
166.
Chekhov, Anton Pavlovich. Plays. London ; New York: Methuen; 1988.
167.
Allen, David, ebrary, Inc. Performing Chekhov. London: Routledge; 2000.
168.
Rayfield, Donald. Chekhov: the evolution of his art. London: Elek; 1975.
169.
Redmond, James. Drama and symbolism. Cambridge: Cambridge University Press; 1982.
170.
Styan, J. L. Chekhov in performance: a commentary on the major plays. London: Cambridge University Press; 1971.
171.
Emaljanow, Victor, editor. Anton Chekhov: The Critical Heritage. London: Routledge; 1981.
172.
Gottlieb, Vera. Chekhov and the vaudeville: a study of Chekhov’s one-act plays. Cambridge: Cambridge University Press; 1982.
173.
Gottlieb, Vera, Allain, Paul, editors. The Cambridge Companion to Chekhov. Cambridge: Cambridge University Press; 2000.
174.
Hackett, Jean, Psacharopoulos, Nikos, Williamstown Theatre Festival (Massachusetts). The actor’s Chekhov: Nikos Psacharopoulos and the company of the Williamstown Theatre Festival, on the plays of Anton Chekhov, 1962-1987. 1st ed. Newbury, Vt: SK; 1993.
175.
Hingley, Ronald. A new life of Anton Chekhov. London (etc.): Oxford University Press; 1976.
176.
Jackson, Robert Louis. Chekhov: a collection of critical essays. Englewood Cliffs, NJ: Prentice-Hall; 1967.
177.
Magarshack, David. Chekhov: a life. Westport, Conn: Greenwood Press; 1970.
178.
Magarshack, David. Chekhov the dramatist. London: Eyre Methuen; 1980.
179.
Miles, Patrick. Chekhov on the British stage. Cambridge: Cambridge University Press; 1993.
180.
Pitcher, Harvey. The Chekhov play: a new interpretation. London: Chatto and Windus; 1973.
181.
Pitcher, Harvey. Chekhov’s leading lady: a portrait of the actress Olga Knipper. London: J. Murray; 1979.
182.
Senelick, Laurence. The Chekhov theatre: a century of the plays in performance. Cambridge: Cambridge University Press; 1997.
183.
Valency, Maurice. The breaking string: the plays of Anton Chekhov. New York: Oxford U.P.; 1966.
184.
Williams, Raymond, Holderness, Graham. Drama in performance. Milton Keynes: Open University Press; 1991.
185.
Ibsen, Henrik, McFarlane, James Walter, Arup, Jens. Four major plays. Oxford: Oxford University Press; 1981.
186.
Ibsen, Henrik, McFarlane, James Walter, Orton, Graham. The Oxford Ibsen: Vol.1: Early plays. London: Oxford University Press; 1970.
187.
Ibsen, Henrik, McFarlane, James Walter. The Oxford Ibsen: Vol.2: The Vikings at Helgeland ; Love’s comedy ; The pretenders. London: Oxford University Press; 1962.
188.
Ibsen, Henrik, McFarlane, James Walter. The Oxford Ibsen: Vol.3: Brand ; Peer Gynt. London: Oxford University Press; 1972.
189.
Ibsen, Henrik, McFarlane, James Walter, Orton, Graham. The Oxford Ibsen: Vol.4: The league of youth ; Emperor and Galilean. London: Oxford University Press; 1963.
190.
Ibsen, Henrik, McFarlane, James Walter. The Oxford Ibsen: Vol.5: Pillars of society ; A doll’s house ; Ghosts. London: Oxford University Press; 1961.
191.
Ibsen, Henrik. The Oxford Ibsen: Vol. 6: an enemy of the people, the wild duck, Rosmersholm. London: Oxford University Press; 1960.
192.
Ibsen, Henrik, McFarlane, James Walter. The Oxford Ibsen: Vol.7: The lady from the sea ; Hedda Gabler ; The master builder. London: Oxford University Press; 1966.
193.
Ibsen, Henrik, McFarlane, James Walter. The Oxford Ibsen: Vol.8: Little Eyolf ; John Gabriel Borkman ; When we dead awaken. Oxford: Oxford University Press; 1977.
194.
McFarlane, James, editor. The Cambridge Companion to Ibsen. Cambridge: Cambridge University Press; 1994.
195.
Moi, Toril. Henrik Ibsen and the birth of modernism: art, theater, philosophy. Oxford: Oxford University Press; 2006.
196.
Northam, John. Ibsen: a critical study. London: Cambridge University Press; 1973.
197.
Templeton, Joan. Ibsen’s women. Cambridge: Cambridge University Press; 1997.
198.
Aarseth, Asbjørn. Peer Gynt and ghosts: text and performance. Basingstoke: Macmillan Education; 1989.
199.
Beyer, Edvard, Wells, Marie. Ibsen: the man and his work. London: Souvenir Press; 1978.
200.
Bradbrook, M. C. Ibsen the Norwegian: a revaluation. New ed. London: Chatto & Windus; 1966.
201.
Brandes, Georg. Henrik Ibsen: a critical study : with a 42 page essay on Björnstjerne Björnson. New York: Benjamin Blom; 1964.
202.
Bryan, George B. An Ibsen companion: a dictionary-guide to the life, works, and critical reception of Henrik Ibsen. London: Greenwood; 1984.
203.
Clurman, Harold. Ibsen. London (etc.): Macmillan; 1978.
204.
Downs, Brian Westerdale. A study of six plays by Ibsen. New York: Octagon Books; 1972.
205.
Ibsen, Henrik, Durbach, Errol. Ibsen and the theatre: essays in celebration of the 150th anniversary of Henrik Ibsen’s birth. London: Macmillan; 1980.
206.
Durbach, Errol. Ibsen the romantic: analogues of paradise in the later plays. London: Macmillan; 1982.
207.
Egan, Michael, ebrary, Inc. Henrik Ibsen: the critical heritage. Boston: Routledge and K. Paul; 1972.
208.
Fjelde, Rolf. Ibsen: a collection of critical essays. Englewood Cliffs: Prentice-Hall; 1965.
209.
Ferguson, Robert. Henrik Ibsen: a new biography. London: Richard Cohen; 1996.
210.
Gray, Ronald. Ibsen, a dissenting view: a study of the last twelve plays. Cambridge (etc.): Cambridge University Press; 1977.
211.
Heiberg, Hans, Tate, Joan. Ibsen: a portrait of the artist. London: Allen & Unwin; 1969.
212.
Hurt, James. Catiline’s dream: an essay on Ibsen’s plays. Urbana: University of Illinois Press;
213.
Hemmer, Bjorn, Ystad, Vigdis. Contemporary approaches to Ibsen: Vol.6. Oslo: Norwegian University Press; 1988.
214.
Holtan, Orley Iver. Mythic patterns in Ibsen’s last plays. London: University of Minnesota Press; 1970.
215.
Knight, G. Wilson. Ibsen. Edinburgh: Oliver & Boyd; 1962.
216.
Lucas, F. L. The drama of Ibsen and Strindberg. London: Cassell; 1962.
217.
Lyons, Charles R. Henrik Ibsen: the divided consciousness. Carbondale: Southern Illinois University Press;
218.
Marker, Frederick J., Marker, Lise-Lone. The Scandinavian theatre: a short history. Oxford: Blackwell; 1975.
219.
McFarlane, James Walter. Ibsen & meaning: studies, essays & prefaces, 1953-87. Norwich: Norvik; 1989.
220.
Meyer, Michael. Henrik Ibsen: [Vol.1]: The making of a dramatist, 1828-1864. London: Hart-Davis; 1967.
221.
Meyer, Michael. Henrik Ibsen: Farewell to Poetry [vol. 2]. London: Hart-Davis; 1971.
222.
Meyer, Michael. Henrik Ibsen: (Vol.3): The top of a cold mountain, 1883-1906. London: Hart-Davis; 1971.
223.
Postlewait, Thomas. Prophet of the New Drama: William Archer and the Ibsen campaign. Westport, Conn: Greenwood Press; 1985.
224.
Archer, William, Postlewait, Thomas. William Archer on Ibsen: the major essays, 1889-1919. London: Greenwood; 1984.
225.
Redmond, James. Drama and society. Cambridge (etc.): Cambridge University Press; 1979.
226.
Redmond, James. Drama and mimesis. Cambridge: Cambridge University Press; 1980.
227.
Shaw, Bernard. Major critical essays: the Quintessence of Ibsenism, the Perfect Wagnerite, the Sanity of art. Standard ed. London: Constable; 1932.
228.
Törnqvist, Egil. Ibsen: a doll’s house. Cambridge: Cambridge University Press; 1995.
229.
Zucker, A E. Ibsen the master builder. London: Thornton Butterworth; 1930.
230.
Jelineck, E. What Happened after Nora Left Her Husband. Plays by women: Vol10. London: Methuen Drama; 1994.
231.
Marowitz, Charles, Marowitz, Charles, Ibsen, Henrik, Marowitz, Charles, Ibsen, Henrik, Marowitz, Charles, Strindberg, August. Sex wars: free adaptations of Ibsen and Strindberg : Hedda, Enemy of the people, The father. London: Marion Boyars; 1982.
232.
Jarry, Alfred, Watson Taylor, Simon. The Ubu plays: with Writings on the theatre. London: Methuen Drama; 1993.
233.
Jarry, Alfred. Ubu the King. Three pre-surrealist plays. Oxford: Oxford University Press; 1997.
234.
Jarry, Alfred, Shattuck, Roger, Watson-Taylor, Simon. Selected works of Alfred Jarry. London: Eyre Methuen; 1965.
235.
Kokoschka, Oskar. Murderer Hope of Womankind. Seven expressionist plays: Kokoschka to Barlach. Dallas: Riverrun Press; 1907.
236.
Nicholls, Peter. Sexuality and Structure: Tensions in Early Expressionist Drama. New Theatre Quarterly. 1991;7(26):160–170.
237.
Pam, Dorothy. Murderer, the Women’s Hope. The Drama Review: TDR. 1975;19(3):5–12.
238.
Maeterlinck, Maurice. The Blind. Three pre-surrealist plays. Oxford: Oxford University Press; 1997.
239.
Maeterlinck, Maurice. The Tragic in Daily Life. Playwrights on playwriting: the meaning and making of modern drama from Ibsen to Ionesco. New York: Hill and Wang; 1896.
240.
McGuinness, Patrick, MyiLibrary. Maurice Maeterlinck and the making of modern theatre. New York: Oxford University Press; 2000.
241.
Daniels, May. The French drama of the unspoken. Westport, Conn: Greenwood Press; 1977.
242.
Halls, W. D. Maurice Maeterlinck: a study of his life and thought. Westport, Conn: Greenwood Press; 1978.
243.
O’Casey, Sean. Juno and the Paycock and The Plough and the Stars. Three plays. London: Macmillan; 1966.
244.
O’Casey, Sean. Collected plays: Vol.1. London: Macmillan; 1949.
245.
Ayling, Ronald. Sean O’Casey: Modern judgements. London: Macmillan and Co. Ltd; 1969.
246.
Benstock, Bernard. Paycocks and others: Sean O’Casey’s world. Dublin: Gill and Macmillan (etc.); 1976.
247.
Greaves, C. Desmond. Sean O’Casey: politics and art. London: Lawrence and Wishart; 1979.
248.
Kilroy, Thomas. Sean O’Casey: a collection of critical essays. Englewood Cliffs, N.J.: Prentice-Hall; 1975.
249.
Lowery, Robert G. O’Casey annual: No.1. London: Macmillan; 1982.
250.
Lowery, Robert G. O’Casey Annual: 2. London: MacMillan Press; 1983.
251.
Lowery, Robert G. O’Casey Annual: 3. London: MacMillan; 1984.
252.
O’Casey, Sean. Autobiographies: 1. London: Pan Books in association with Macmillan London; 1980.
253.
O’Casey, Sean, O’Casey, Sean, Ayling, Ronald. Blasts and benedictions: articles and stories. London: Macmillan; 1967.
254.
O’Connor, Garry. Sean O’Casey: a life. London: Hodder and Stoughton; 1988.
255.
Pilkington, Lionel. Theatre and the state in twentieth-century Ireland: cultivating the people. London: Routledge; 2001.
256.
Pinter, Harold. The homecoming. 2nd ed. London: Eyre Methuen; 1966.
257.
Pinter, Harold. Plays: v. 3, ‘ The Homecoming’ , ‘ Tea Party’ , ‘ The Basement’ , ‘ Landscape’ , ‘ Silence’ , ‘ Night’ , ‘ That’s Your Trouble’ , ‘ That’s All’ , ‘ Applicant’ , ‘ Interview’ , ‘ Dialogue for Three’ , Mac (Memoir), Tea Party (Short Story). Faber; 1996.
258.
Pinter, Harold. Plays 4: Betrayal; Monologue; One for the Road; Mountain Language; Family Voices; A Kind of Alaska; Victoria Station; Precisely; The ... Umbrellas; God’s District; Apart from That. London: Faber; 2012.
259.
Pinter, Harold. Art, truth & politics: the Noble Lecture 2005. lluminations; 2006.
260.
Baker, William, ebrary, Inc. Harold Pinter [Internet]. London: Continuum; 2008. Available from: http://site.ebrary.com/lib/roehampton/Doc?id=10427388
261.
Billington, Michael. The life and work of Harold Pinter. London: Faber; 1996.
262.
Burkman, Katherine H., Kundert-Gibbs, John L., Pinter Festival. Pinter at sixty. Bloomington: Indiana University Press; 1993.
263.
Dukore, Bernard F. Harold Pinter. 2nd ed. London: Macmillan; 1988.
264.
Esslin, Martin. Pinter: a study of his plays. London: Eyre Methuen; 1973.
265.
Esslin, Martin. Pinter: the playwright. 6th ed. London: Methuen Drama; 2000.
266.
Gabbard, Lucina Paquet. The dream structure of Pinter’s plays: a psychoanalytic approach. Rutherford (etc.): Fairleigh Dickinson University Press; 1976.
267.
Ganz, Arthur. Pinter: a collection of critical essays. Englewood Cliffs: Prentice-Hall; 1972.
268.
Gussow, Mel. Conversations with Pinter. London: Nick Hern Books; 1994.
269.
Imhof, Rudiger. Pinter: a bibliography - his works and occasional writings with a comprehensive checklist of criticism and reviews of the London productions. 2nd full revised ed. London: TQ Publications Ltd; 1976.
270.
Knowles, Ronald. The birthday party and the caretaker: text and performance. Basingstoke: Macmillan Education; 1988.
271.
Merritt, Susan Hollis. Pinter in play: critical strategies and the plays of Harold Pinter. New ed. Duke University Press; 1995.
272.
Trussler, Simon. The plays of Harold Pinter: an assessment. London: Gollancz; 1973.
273.
Pirandello, Luigi, Linstrum, John. Six characters in search of an author. London: Eyre Methuen; 1979.
274.
Pirandello, Luigi. Three plays. London: Methuen; 1985.
275.
Pirandello, Luigi, Bassnett-McGuire, Susan, Lorch, Jennifer. Luigi Pirandello in the theatre: a documentary record. Chur, Switzerland: Harwood Academic Publishers; 1993.
276.
Giudice, Gaspare, Hamilton, Alastair. Pirandello: a biography. London (etc.): Oxford University Press; 1975.
277.
Lucas, F. L. The drama of Chekhov, Synge, Yeats, and Pirandello. 2nd ed. London: Cassell; 1965.
278.
Oliver, Roger W. Dreams of passion: the theater of Luigi Pirandello. New York: New York University Press; 1979.
279.
Ragusa, Olga. Luigi Pirandello: an approach to his theatre. Edinburgh: Edinburgh University Press; 1980.
280.
Starkie, Walter. Luigi Pirandello, 1867-1936. 3rd ed. revised and enlarged. California U.P.; Cambridge U.P; 1965.
281.
British Pirandello Society. The yearbook of the British Pirandello Society: no.7. [s.l.]: British Pirandello Society; 1987.
282.
British Pirandello Society. The yearbook of the British Pirandello Society: no.5. [s.l.]: British Pirandello Society; 1985.
283.
British Pirandello Society. The yearbook of the British Pirandello Society: No.10: 1990. Birmingham: British Pirandello Society;
284.
British Pirandello Society. The yearbook of the British Pirandello Society: No.8 & 9: (1988-1989). Birmingham: British Pirandello Society;
285.
Laurence, Dan H., Shaw, Bernard. The Bodley Head Bernard Shaw. London: Bodley Head; 1981.
286.
Shaw, Bernard. The Bodley Head Bernard Shaw: collected plays with their prefaces, Vol.5: Heartbreak House ; Augustus does his bit ; Annajanska ; Back to Methuselah ; Jitta’s atonement. London: Reinhardt; 1972.
287.
Shaw, Bernard. Heartbreak house: a fantasia in the Russian manner on English themes. Revised standard ed. Harmondsworth: Penguin; 1964.
288.
Shaw, Bernard, Shaw, Bernard, Shaw, Bernard, Shaw, Bernard. Plays unpleasant. Harmondsworth: Penguin; 1946.
289.
Shaw, Bernard, Weintraub, Stanley. Shaw: an autobiography, 1898-1950, the playwright years. London: Reinhardt; 1970.
290.
Shaw, Bernard, Huneker, James. Dramatic opinions and essays with an apology: Containing as well a word on the dramatic opinions and essays of Bernard Shaw by James Huneker, Vol.1. London: Archibald Constable & Co; 1907.
291.
Shaw, Bernard, Shaw, Bernard, Shaw, Bernard, Shaw, Bernard, Shaw, Bernard. Major critical essays: the Quintessence of Ibsenism, the Perfect Wagnerite, the Sanity of art. Standard ed. London: Constable; 1932.
292.
Shaw, Bernard. Our theatres in the nineties: vol.1. London: Constable; 1932.
293.
Shaw, Bernard. Our theatres in the nineties : vol. 2. Standard ed. London: Constable; 1932.
294.
Shaw, Bernard. Our theatres in the nineties: Vol.3. London: Constable; 1932.
295.
Crompton, Louis. Shaw the dramatist: a study of the intellectual background of the major plays. London: Allen and Unwin; 1971.
296.
Fromm, Harold. Bernard Shaw and the theater in the nineties: a study of Shaw’s dramatic criticism. Lawrence: University of Kansas; 1967.
297.
Hardwick, Michael, Hardwick, Mollie. The Bernard Shaw companion. London: J. Murray; 1973.
298.
Holroyd, Michael. Bernard Shaw : Vol.1, 1856-1898: the search for love. London: Chatto & Windus; 1988.
299.
Holroyd, Michael. Bernard Shaw : Vol.2, 1898-1918: The pursuit of power. London: Chatto & Windus; 1989.
300.
Holroyd, Michael. Bernard Shaw : Vol.3, 1918-1950: the lure of fantasy. London: Chatto; 1991.
301.
Holroyd, Michael. Bernard Shaw : Vol.4 & 5, The Shaw companion. London: Chatto and Windus; 1992.
302.
Meisel, Martin. Shaw and the nineteenth century theatre. 2nd printing. Princeton [N. J.]: Princeton University Press; 1968.
303.
Purdom, C. B. A guide to the plays of Bernard Shaw. London: Methuen; 1963.
304.
Terry, Ellen, Shaw, Bernard, Terry, Ellen. Ellen Terry and Bernard Shaw: a correspondence. London: M. Reinhardt; 1949.
305.
Strindberg, August, Meyer, Michael. Plays: One. London: Methuen Drama; 2000.
306.
Strindberg, August, Meyer, Michael. Plays: two. London: Methuen; 1982.
307.
Marker, Frederick J., Marker, Lise-Lone. Strindberg and modernist theatre: post-inferno drama on the stage. Cambridge: Cambridge University Press; 2002.
308.
Morgan, Margery. August Strindberg. Basingstoke: Macmillan; 1985.
309.
Meyer, Michael. Strindberg: a biography. London: Secker & Warburg; 1985.
310.
Robinson, Michael. Strindberg and autobiography: writing and reading a life. Norwich: Norvik; 1986.
311.
Robinson, Michael, International Strindberg Conference. Strindberg and genre. Norwich: Norvik Press; 1991.
312.
Strindberg, August, Robinson, Michael. Strindberg’s letters : Vol. 1. London: Athlone Press; 1992.
313.
Strindberg, August, Robinson, Michael. Strindberg’s letters : Vol. 2. London: Athlone Press; 1992.
314.
Strindberg, August, Robinson, Michael. Selected essays. Cambridge: Cambridge University Press; 1996.
315.
Stockenström, Göran, ebrary, Inc. Strindberg’s dramaturgy [Internet]. Minneapolis: University of Minnesota Press; 1988. Available from: http://site.ebrary.com/lib/roehampton/Doc?id=10159412
316.
Ward, John. The social and religious plays of Strindberg. London: Athlone Press; 1980.
317.
Synge, J. M., Saddlemyer, Ann, Synge, J. M., Synge, J. M., Synge, J. M. Collected works: Vol.4: Plays. London: Oxford University Press; 1968.
318.
Synge, J. M., Saddlemyer, Ann. Collected works: Vol.3: Plays. London: Oxford University Press; 1968.
319.
Synge, J. M., Henn, T. R. The complete plays. London: Eyre Methuen; 1981.
320.
Innes, C. D. Modern British drama 1890-1990. Cambridge: Cambridge University Press; 1992.
321.
Jones, Nesta. File on Synge. London: Methuen Drama; 1994.
322.
Pilkington, Lionel. Theatre and the state in twentieth-century Ireland: cultivating the people. London: Routledge; 2001.
323.
Yeats, W. B. Essays and introductions. London: Macmillan; 1961.
324.
Yeats, W. B., Yeats, George, Yeats, W. B. Explorations. London: Macmillan; 1962.
325.
Gordon, Mel, Kokoschka, Oskar. Expressionist texts. New York: PAJ Publications; 1986.
326.
Toller, Ernst, Pearlman, Alan Rapahel. Plays one. London: Oberon Books; 2000.
327.
Benson, Renate. German expressionist drama: Ernst Toller and Georg Kaiser. London: Macmillan; 1984.
328.
Dove, Richard. He was a German: a biography of Ernst Toller. London: Libris; 1990.
329.
Gordon, M. Introduction [on Expressionist acting]. Expressionist texts. New York: PAJ Publications; 1986.
330.
Ossar, Michael. Anarchism in the dramas of Ernst Toller: the realm of necessity and the realm of freedom. Albany: State University of New York Press; 1980.
331.
Pittock, Malcolm. Ernst Toller. Boston: Twayne Publishers; 1979.
332.
Wedekind, Frank, Bond, Edward, Pablé, Elisabeth. Plays One. London: Methuen Drama; 1993.
333.
Best, Alan. Frank Wedekind. London: Wolff; 1975.
334.
Boa, Elizabeth. The sexual circus: Wedekind’s theatre of subversion. Oxford: Basil Blackwell; 1987.
335.
Brecht, Bertolt, Willett, John. Brecht on theatre: the development of an aesthetic. London: Eyre Methuen; 1974.
336.
Diethe, Carol. Aspects of distorted sexual attitudes in German expressionist drama with particular reference to Wedekind, Kokoschka, and Kaiser. New York: P. Lang; 1988.
337.
Gittleman, Sol. Frank Wedekind. New York: Ungar; 1969.
338.
Hughes, Michael. Nationalism and society: Germany 1800-1945. London: Arnold; 1988.
339.
Skrine, Peter N. Hauptmann, Wedekind and Schnitzler. Basingstoke: Macmillan; 1989.
340.
Styan, J. L. Modern drama in theory and practice. Cambridge: Cambridge University Press; 1981.
341.
Wedekind, Frank, Hay, Gerhard. Diary of an erotic life. Oxford: Basil Blackwell; 1990.
342.
Yeats, W. B. The collected plays of W.B. Yeats. [2nd ed]. London: Macmillan and Co; 1952.
343.
Yeats, W. B. A vision. 2nd ed. London: Macmillan; 1937.
344.
Yeats, W. B. Autobiographies. London: Macmillan; 1955.
345.
Yeats, W. B. Mythologies. London: Macmillan; 1959.
346.
Yeats, W. B. Essays and introductions. London: Macmillan; 1961.
347.
Yeats, W. B., Yeats, George, Yeats, W. B. Explorations. London: Macmillan; 1962.
348.
Ellis-Fermor, Una. The Irish dramatic movement. 2nd ed. London: Methuen; 1953.
349.
Innes, C. D. Modern British drama 1890-1990. Cambridge: Cambridge University Press; 1992.
350.
Jeffares, A. Norman, Knowland, A. S. A commentary on the collected plays of W.B. Yeats. London (etc.): Macmillan; 1975.
351.
O’Driscoll, Robert, Reynolds, Lorna. Yeats and the theatre. London (etc.): Macmillan; 1975.
352.
Pilkington, Lionel. Theatre and the state in twentieth-century Ireland: cultivating the people. London: Routledge; 2001.
353.
Pound, Ezra, Fenollosa, Ernest Francisco. The classic Noh theatre of Japan. New York: New Directions; 1959.
354.
Taylor, Richard. The drama of W.B. Yeats: Irish myth and the Japanese Nō. New Haven: Yale University Press; 1976.
355.
Tuohy, Frank. Yeats. London: Macmillan; 1976.
356.
Ure, Peter. Yeats the playwright: a commentary on character and design in the major plays. London: Routledge & Kegan Paul; 1963.
