Bibliography for Mapping Modern Drama - (DRA020N226S)

Aarseth, Asbjørn (1989) Peer Gynt and ghosts: text and performance. Basingstoke: Macmillan Education.

Allen, David and ebrary, Inc (2000) Performing Chekhov [electronic resource]. London: Routledge.

Archer, William and Postlewait, Thomas (1984) William Archer on Ibsen: the major essays, 1889-1919. London: Greenwood.

Auerbach, Erich (1953) Mimesis: the representation of reality in Western literature. Princeton, N.J.: Princeton University Press.

Ayling, Ronald (1969) Sean O’Casey: Modern judgements. London: Macmillan and Co. Ltd.

Bair, Deirdre (1978) Samuel Beckett: a biography. London: Cape.

Baker, William and ebrary, Inc (2008) Harold Pinter [electronic resource]. London: Continuum. Available at: http://site.ebrary.com/lib/roehampton/Doc?id=10427388.

Becker, George J. (1963) Documents of modern literary realism. Princeton, N.J.: Princeton University Press.

Beckett, Samuel (2006) Waiting for Godot: a tragicomedy in two acts. 2nd ed. London: Faber.

Benjamin, Walter and Bostock, Anna (1998) Understanding Brecht. London: Verso.

Benn, M. B. (1976) The drama of revolt: a critical study of Georg Büchner. Cambridge: Cambridge University Press.

Benson, Renate (1984) German expressionist drama: Ernst Toller and Georg Kaiser. London: Macmillan.

Benstock, Bernard (1976) Paycocks and others: Sean O’Casey’s world. Dublin: Gill and Macmillan (etc.).

Bentley, Eric (1972) Theatre of war: comments on 32 occasions. London: Eyre Methuen.

Bentley, Eric (2008) The theory of the modern stage: from Artaud to Zola, an introduction to modern theatre and drama. [New ed.]. London: Penguin.

Best, Alan (1975) Frank Wedekind. London: Wolff.

Beyer, Edvard and Wells, Marie (1978) Ibsen: the man and his work. London: Souvenir Press.

Billington, Michael (1996) The life and work of Harold Pinter. London: Faber.

Blau, Herbert (1992) To all appearances: ideology and performance. London: Routledge.

Bloch, Ernst and Taylor, Ronald (1977) Aesthetics and politics. London: NLB.

Block, Haskell M. (1977) Mallarmé and the symbolist drama. Westport, Conn: Greenwood Press.

Boa, Elizabeth (1987) The sexual circus: Wedekind’s theatre of subversion. Oxford: Basil Blackwell.

Bodek, Richard (1997) Proletarian performance in Weimar Berlin: Agitprop, chorus, and Brecht. Columbia, S.C.: Camden House.

Bradbrook, M. C. (1966) Ibsen the Norwegian: a revaluation. New ed. London: Chatto & Windus.

Bradbury, Malcolm and McFarlane, James Walter (1991a) Modernism 1890-1930. 1st ed., reprinted with a new preface. Harmondsworth: Penguin Books.

Bradbury, Malcolm and McFarlane, James Walter (1991b) Modernism 1890-1930. 1st ed., reprinted with a new preface. Harmondsworth: Penguin Books.

Bradby, David and McCormick, John (1978) People’s theatre. London: Croom Helm (etc.).

Bradley, Laura J. R. (2006) Brecht and political theatre: The mother on stage. Oxford: Clarendon.

Brandes, Georg (1964) Henrik Ibsen: a critical study : with a 42 page essay on Björnstjerne Björnson. New York: Benjamin Blom.

Brater, Enoch (1989) Why Beckett. London: Thames and Hudson.

Braun, Edward (1982) The director and the stage: from naturalism to Grotowski. London: Methuen.

Brecht, Bertolt et al. (1979) Bertolt Brecht: poems 1913-1956. Rev. ed. London: Methuen.

Brecht, Bertolt, Rorrison, Hugh, and Willett, John (1993) Journals. London: Methuen.

Brecht, Bertolt and Willett, John (1974a) Brecht on theatre: the development of an aesthetic. London: Eyre Methuen.

Brecht, Bertolt and Willett, John (1974b) Brecht on theatre: the development of an aesthetic. London: Eyre Methuen.

Brecht, Bertolt and Willett, John (1992) Poems & songs from the plays. London: Methuen.

Brecht, Bertolt and Willett, John (2000) Mother Courage and her children. London: Methuen Drama.

British Pirandello Society (1985) The yearbook of the British Pirandello Society: no.5. [s.l.]: British Pirandello Society.

British Pirandello Society (1987) The yearbook of the British Pirandello Society: no.7. [s.l.]: British Pirandello Society.

British Pirandello Society (no date a) The yearbook of the British Pirandello Society: No.8 & 9: (1988-1989). Birmingham: British Pirandello Society.

British Pirandello Society (no date b) The yearbook of the British Pirandello Society: No.10: 1990. Birmingham: British Pirandello Society.

Brockett, Oscar G. and Findlay, Robert R. (1973) Century of innovation: a history of European and American theatre and drama since 1870. Englewood Cliffs: Prentice-Hall.

Brooker, Peter (1988) Bertolt Brecht: dialectics, poetry, politics. London: Croom Helm.

Brustein, Robert (1965a) The theatre of revolt: an approach to the modern drama. London: Methuen & Co.

Brustein, Robert (1965b) The theatre of revolt: an approach to the modern drama. London: Methuen & Co.

Brustein, Robert (1965c) The theatre of revolt: an approach to the modern drama. London: Methuen & Co.

Bryan, George B. (1984) An Ibsen companion: a dictionary-guide to the life, works, and critical reception of Henrik Ibsen. London: Greenwood.

Büchner, Georg (1971) The plays of Georg Büchner. London: Oxford University Press.

Büchner, Georg and Guthrie, John (1988) Woyzeck. Oxford: Basil Blackwell.

Büchner, Georg and MacKendrick, John (1979) Woyzeck. London: Eyre Methuen.

Budd, Mike (1990) ‘The cabinet of Dr. Caligari’: texts, contexts, histories. New Brunswick: Rutgers University Press.

Burkman, Katherine H., Kundert-Gibbs, John L., and Pinter Festival (1993) Pinter at sixty. Bloomington: Indiana University Press.

Carlson, Marvin (1993a) Theories of the theatre: a historical and critical survey from the Greeks to the present. Expanded ed. Ithaca: Cornell University Press.

Carlson, Marvin (1993b) Theories of the theatre: a historical and critical survey from the Greeks to the present. Expanded ed. Ithaca: Cornell University Press.

Carlson, Marvin (1993c) Theories of the theatre: a historical and critical survey from the Greeks to the present. Expanded ed. Ithaca: Cornell University Press.

Carlson, Marvin (1993d) Theories of the theatre: a historical and critical survey from the Greeks to the present. Expanded ed. Ithaca: Cornell University Press.

Chekhov, A. P. and Hingley, Ronald (1980) Five plays. Oxford: Oxford University Press.

Chekhov, Anton Pavlovich (1988) Plays. London ; New York: Methuen.

Chothia, Jean (1991) André Antoine. Cambridge: Cambridge University Press.

Clark, Barrett H. and Popkin, Henry (1965a) European theories of the drama: with a supplement on the American drama. Rev. ed. New York: Crown Publishers.

Clark, Barrett H. and Popkin, Henry (1965b) European theories of the drama: with a supplement on the American drama. Rev. ed. New York: Crown Publishers.

Clurman, Harold (1978) Ibsen. London (etc.): Macmillan.

Cohn, Ruby (1969) Currents in contemporary drama. Bloomington: Indiana University Press.

Cohn, Ruby (1980) Just play: Beckett’s theater. Guildford: Princeton University Press.

Cohn, Ruby (no date) Back to Beckett. Princeton, N.J: Princeton University Press.

Cole, Toby (1961a) Playwrights on playwriting: the meaning and making of modern drama from Ibsen to Ionesco. New York: Hill and Wang.

Cole, Toby (1961b) Playwrights on playwriting: the meaning and making of modern drama from Ibsen to Ionesco. New York: Hill and Wang.

Cole, Toby and Chinoy, Helen Krich (1970) Directors on directing: a source book of the modern theatre. 3rd ed. London: Owen.

Crompton, Louis (1971) Shaw the dramatist: a study of the intellectual background of the major plays. London: Allen and Unwin.

Cronin, Anthony (1997) Samuel Beckett: the last modernist. London: Flamingo.

Daniels, May (1977) The French drama of the unspoken. Westport, Conn: Greenwood Press.

Davies, Cecil William (1977) Theatre for the people: the story of the Volksbühne. Manchester: Manchester University Press.

Deak, Frantisek (1993) Symbolist theater: the formation of an avant-garde. Baltimore, Md: Johns Hopkins U. P.

Demetz, Peter (1962) Brecht: a collection of critical essays. Englewood Cliffs: Prentice-Hall.

Diethe, Carol (1988) Aspects of distorted sexual attitudes in German expressionist drama with particular reference to Wedekind, Kokoschka, and Kaiser. New York: P. Lang.

Docherty, Brian (1994) Twentieth-century European drama. Basingstoke: Macmillan.

Dove, Richard (1990) He was a German: a biography of Ernst Toller. London: Libris.

Downs, Brian Westerdale (1972) A study of six plays by Ibsen. New York: Octagon Books.

Dukore, Bernard F. (1988) Harold Pinter. 2nd ed. London: Macmillan.

Durbach, Errol (1982) Ibsen the romantic: analogues of paradise in the later plays. London: Macmillan.

EBSCO Publishing (Firm) (no date) ‘Journal of Beckett studies’, International Bibliography of Theatre&Dance with Full Text.

Eddershaw, Margaret and ebrary, Inc (1996) Performing Brecht: forty years of British performances [electronic resource]. London: Routledge.

Egan, Michael and ebrary, Inc (1972) Henrik Ibsen: the critical heritage [electronic resource]. Boston: Routledge and K. Paul.

Eisner, Lotte H. (1973) The haunted screen: expressionism in the German cinema and the influence of Max Reinhardt. London: Secker & Warburg.

Ellis-Fermor, Una (1953) The Irish dramatic movement. 2nd ed. London: Methuen.

Emaljanow, Victor (ed.) (1981) Anton Chekhov: The Critical Heritage. London: Routledge.

Esslin, Martin (1973) Pinter: a study of his plays. London: Eyre Methuen.

Esslin, Martin (1980) Brecht, a choice of evils: a critical study of the man, his work and his opinions. 3rd, rev. ed edn. London: Eyre Methuen.

Esslin, Martin (2000) Pinter: the playwright. 6th ed. London: Methuen Drama.

Esslin, Martin (2004) The theatre of the absurd. 3rd ed., 1st vintage Books ed. New York: Vintage Books.

Ferguson, Robert (1996) Henrik Ibsen: a new biography. London: Richard Cohen.

Finney, Gail (1989) Women in modern drama: Freud, feminism, and European theater at the turn of the century. Ithaca: Cornell University Press.

Fjelde, Rolf (1965) Ibsen: a collection of critical essays. Englewood Cliffs: Prentice-Hall.

Fletcher, John, Spurling, John, and Fletcher, John (1985) Beckett the playwright. 3rd, expanded ed edn. London: Methuen.

Fromm, Harold (1967) Bernard Shaw and the theater in the nineties: a study of Shaw’s dramatic criticism. Lawrence: University of Kansas.

Fuegi, John (1987) Bertolt Brecht: chaos, according to plan. Cambridge: Cambridge University Press.

Fuegi, John (1994) The life and lies of Bertolt Brecht. London: HarperCollins.

Furness, R S. (1973) Expressionism. London: Methuen.

Furst, Lilian R. and Skrine, Peter N. (1971) Naturalism. London: Methuen.

Gabbard, Lucina Paquet (1976) The dream structure of Pinter’s plays: a psychoanalytic approach. Rutherford (etc.): Fairleigh Dickinson University Press.

Gale, Maggie B., Deeney, John F., and Rebellato, Dan (2010) Routledge drama anthology and sourcebook: from modernism to contemporary performance. London: Routledge.

Ganz, Arthur (1972) Pinter: a collection of critical essays. Englewood Cliffs: Prentice-Hall.

Garten, H. F. (1964) Modern German drama. 2nd ed. London: Methuen.

Gay, Peter (1974) Weimar culture: the outsider as insider. London: Penguin.

Gerould, Daniel (1985) Doubles, demons, and dreamers: an international collection of symbolist drama. New York: Performing Arts Journal Publications.

Gilman, Richard M. (2000a) The making of modern drama: a study of Büchner, Ibsen, Strindberg, Chekhov, Pirandello, Brecht, Beckett, Handke : with a new introduction. [New ed.]. London: Yale University Press.

Gilman, Richard M. (2000b) The making of modern drama: a study of Büchner, Ibsen, Strindberg, Chekhov, Pirandello, Brecht, Beckett, Handke : with a new introduction. [New ed.]. London: Yale University Press.

Gittleman, Sol (1969) Frank Wedekind. New York: Ungar.

Giudice, Gaspare and Hamilton, Alastair (1975) Pirandello: a biography. London (etc.): Oxford University Press.

Gordon, M (1986) ‘Introduction [on Expressionist acting]’, in Expressionist texts. New York: PAJ Publications.

Gordon, Mel and Kokoschka, Oskar (1986a) Expressionist texts. New York: PAJ Publications.

Gordon, Mel and Kokoschka, Oskar (1986b) Expressionist texts. New York: PAJ Publications.

Gottlieb, Vera (1982) Chekhov and the vaudeville: a study of Chekhov’s one-act plays. Cambridge: Cambridge University Press.

Gottlieb, Vera and Allain, Paul (eds) (2000) The Cambridge Companion to Chekhov. Cambridge: Cambridge University Press. Available at: https://doi.org/10.1017/CCOL0521581176.

Graver, Lawrence and Federman, Raymond (1979) Samuel Beckett, the critical heritage. London: Routledge and Kegan Paul.

Gray, Ronald (1976) Brecht the dramatist. Cambridge (etc.): Cambridge University Press.

Gray, Ronald (1977) Ibsen, a dissenting view: a study of the last twelve plays. Cambridge (etc.): Cambridge University Press.

Greaves, C. Desmond (1979) Sean O’Casey: politics and art. London: Lawrence and Wishart.

Grimm, Reinhold (1985) Love, lust and rebellion: new approaches to Georg Büchner. Madison, Wis: University of Wisconsin Press.

Grossvogel, David I. (1962) The Blasphemers: the theater of Brecht, Ionesco, Beckett, Genet. Ithaca, N.Y.: Cornell University Press.

Gussow, Mel (1994) Conversations with Pinter. London: Nick Hern Books.

Gussow, Mel (1996) Conversations with (and about) Beckett. London: Nick Hern.

Hackett, Jean, Psacharopoulos, Nikos, and Williamstown Theatre Festival (Massachusetts) (1993) The actor’s Chekhov: Nikos Psacharopoulos and the company of the Williamstown Theatre Festival, on the plays of Anton Chekhov, 1962-1987. 1st ed. Newbury, Vt: SK.

Halls, W. D. (1978) Maurice Maeterlinck: a study of his life and thought. Westport, Conn: Greenwood Press.

Hardwick, Michael and Hardwick, Mollie (1973) The Bernard Shaw companion. London: J. Murray.

Harrington, John P. (1991) Modern Irish drama. London: Norton.

Heiberg, Hans and Tate, Joan (1969) Ibsen: a portrait of the artist. London: Allen & Unwin.

Hemmer, Bjorn and Ystad, Vigdis (1988) Contemporary approaches to Ibsen: Vol.6. Oslo: Norwegian University Press.

Henderson, J. A. (1971) The first avant-garde, 1887-1894: sources of the modern French theatre. London: Harrap.

Herf, Jeffrey (1984) Reactionary modernism: technology, culture and politics in Weimar and the Third Reich. Cambridge: Cambridge University Press.

Herzfeld-Sander, Margaret (1985) Essays on German theater. New York: Continuum.

Herzog, Werner, Kinski, Klaus, and Büchner, Georg (2004) ‘Woyzeck’. [U.K.]: Anchor Bay.

Hiley, Jim (1981) Theatre at work: the story of the National Theatre’s production of Brecht’s Galileo. London: Routledge & Kegan Paul.

Hilton, Julian (1982) Georg Büchner. London: Macmillan.

Hingley, Ronald (1976) A new life of Anton Chekhov. London (etc.): Oxford University Press.

Holderness, G (1992) ‘Schaustück and Lehrstück: Erwin Piscator and the Politics of Theatre’, in The politics of theatre and drama. London: Macmillan, pp. 99–119.

Holmes, T. M. (1995) The rehearsal of revolution: Georg Büchner’s politics and his drama Dantons Tod. Bern: P. Lang.

Holroyd, Michael (1988) Bernard Shaw : Vol.1, 1856-1898: the search for love. London: Chatto & Windus.

Holroyd, Michael (1989) Bernard Shaw : Vol.2, 1898-1918: The pursuit of power. London: Chatto & Windus.

Holroyd, Michael (1991) Bernard Shaw : Vol.3, 1918-1950: the lure of fantasy. London: Chatto.

Holroyd, Michael (1992) Bernard Shaw : Vol.4 & 5, The Shaw companion. London: Chatto and Windus.

Holtan, Orley Iver (1970) Mythic patterns in Ibsen’s last plays. London: University of Minnesota Press.

Hughes, Michael (1988) Nationalism and society: Germany 1800-1945. London: Arnold.

Hurt, James (no date) Catiline’s dream: an essay on Ibsen’s plays. Urbana: University of Illinois Press.

Ibsen, Henrik (1960) The Oxford Ibsen: Vol. 6: an enemy of the people, the wild duck, Rosmersholm. London: Oxford University Press.

Ibsen, Henrik and Durbach, Errol (1980) Ibsen and the theatre: essays in celebration of the 150th anniversary of Henrik Ibsen’s birth. London: Macmillan.

Ibsen, Henrik and McFarlane, James Walter (1961) The Oxford Ibsen: Vol.5: Pillars of society ; A doll’s house ; Ghosts. London: Oxford University Press.

Ibsen, Henrik and McFarlane, James Walter (1962) The Oxford Ibsen: Vol.2: The Vikings at Helgeland ; Love’s comedy ; The pretenders. London: Oxford University Press.

Ibsen, Henrik and McFarlane, James Walter (1966) The Oxford Ibsen: Vol.7: The lady from the sea ; Hedda Gabler ; The master builder. London: Oxford University Press.

Ibsen, Henrik and McFarlane, James Walter (1972) The Oxford Ibsen: Vol.3: Brand ; Peer Gynt. London: Oxford University Press.

Ibsen, Henrik and McFarlane, James Walter (1977) The Oxford Ibsen: Vol.8: Little Eyolf ; John Gabriel Borkman ; When we dead awaken. Oxford: Oxford University Press.

Ibsen, Henrik, McFarlane, James Walter, and Arup, Jens (1981) Four major plays. Oxford: Oxford University Press.

Ibsen, Henrik, McFarlane, James Walter, and Orton, Graham (1963) The Oxford Ibsen: Vol.4: The league of youth ; Emperor and Galilean. London: Oxford University Press.

Ibsen, Henrik, McFarlane, James Walter, and Orton, Graham (1970) The Oxford Ibsen: Vol.1: Early plays. London: Oxford University Press.

Imhof, Rudiger (1976) Pinter: a bibliography - his works and occasional writings with a comprehensive checklist of criticism and reviews of the London productions. 2nd full revised ed. London: TQ Publications Ltd.

Innes, C. D. (1972) Erwin Piscator’s political theatre: the development of modern German drama. London: Cambridge University Press.

Innes, C. D. (1981) Holy theatre: ritual and the avant garde. Cambridge: Cambridge University Press.

Innes, C. D. (1992a) Modern British drama 1890-1990. Cambridge: Cambridge University Press.

Innes, C. D. (1992b) Modern British drama 1890-1990. Cambridge: Cambridge University Press.

Innes, C. D. (1992c) Modern British drama 1890-1990. Cambridge: Cambridge University Press.

Innes, C. D. and ebrary, Inc (2000) A Sourcebook on naturalist theatre [electronic resource]. London: Routledge.

Jackson, Robert Louis (1967) Chekhov: a collection of critical essays. Englewood Cliffs, NJ: Prentice-Hall.

Jarry, Alfred (1997) ‘Ubu the King’, in Three pre-surrealist plays. Oxford: Oxford University Press.

Jarry, Alfred, Shattuck, Roger, and Watson-Taylor, Simon (1965) Selected works of Alfred Jarry. London: Eyre Methuen.

Jarry, Alfred and Watson Taylor, Simon (1993) The Ubu plays: with Writings on the theatre. London: Methuen Drama.

Jeffares, A. Norman and Knowland, A. S. (1975) A commentary on the collected plays of W.B. Yeats. London (etc.): Macmillan.

Jelineck, E (1994) ‘What Happened after Nora Left Her Husband’, in Plays by women: Vol.10. London: Methuen Drama.

Jones, Nesta (1994) File on Synge. London: Methuen Drama.

Kalb, Jonathan (1989) Beckett in performance. Cambridge: Cambridge University Press.

Kenner, Hugh (1962) Samuel Beckett: a critical study. London: Calder.

Kenner, Hugh (1973) A reader’s guide to Samuel Beckett. London: Farrar, Strauss and Gioroux.

Kilroy, Thomas (1975) Sean O’Casey: a collection of critical essays. Englewood Cliffs, N.J.: Prentice-Hall.

Klaić, Dragan (1991) The plot of the future: Utopia and dystopia in modern drama. Ann Arbor: University of Michigan Press.

Kleber, Pia, Visser, Colin, and Brecht: thirty years after (Conference) (1990) Re-interpreting Brecht: his influence on contemporary drama and film. Cambridge: Cambridge University Press in association with Modern Drama.

Knight, G. Wilson (1962) Ibsen. Edinburgh: Oliver & Boyd.

Knowles, Ronald (1988) The birthday party and the caretaker: text and performance. Basingstoke: Macmillan Education.

Knowlson, James (1997) Damned to Fame. Bloomsbury Publishing PLC.

Kokoschka, Oskar (1907) ‘Murderer Hope of Womankind’, in Seven expressionist plays: Kokoschka to Barlach. Dallas: Riverrun Press.

Kracauer, Siegfried (1947) From Caligari to Hitler: a psychological history of the German film. Princeton: Princeton University Press.

Kruger, Loren (2004a) Post-imperial Brecht: politics and performance, east and south. Cambridge: Cambridge University Press.

Kruger, Loren (2004b) Post-imperial Brecht: politics and performance, east and south. Cambridge: Cambridge University Press.

Kubiak, Anthony (1991) Stages of terror: terrorism, ideology, and coercion as theatre history. Bloomington: Indiana University Press.

Kuhns, David F. (1997) German expressionist theatre: the actor and the stage. Cambridge: Cambridge University Press.

Laqueur, Walter (1974) Weimar: a cultural history, 1918-1933. London: Weidenfeld and Nicolson.

Laurence, Dan H. and Shaw, Bernard (1981) The Bodley Head Bernard Shaw. London: Bodley Head.

Leach, Robert (2004) Makers of modern theatre: an introduction. London: Routledge.

Lehmann, Hans-Thies (2006) Postdramatic theatre. London: Routledge.

Ley-Piscator, Maria (no date) The Piscator experiment: the political theatre. Carbondale: Southern Illinois University Press.

Lowery, Robert G. (1982) O’Casey annual: No.1. London: Macmillan.

Lowery, Robert G. (1983) O’Casey Annual: 2. London: MacMillan Press.

Lowery, Robert G. (1984) O’Casey Annual: 3. London: MacMillan.

Lucas, F. L. (1962) The drama of Ibsen and Strindberg. London: Cassell.

Lucas, F. L. (1965a) The drama of Chekhov, Synge, Yeats, and Pirandello. 2nd ed. London: Cassell.

Lucas, F. L. (1965b) The drama of Chekhov, Synge, Yeats, and Pirandello. 2nd ed. London: Cassell.

Lyman, Jane (1976a) Perspectives on plays: a reader. London: Routledge and Kegan Paul.

Lyman, Jane (1976b) Perspectives on plays: a reader. London: Routledge and Kegan Paul.

Lyons, Charles R. (no date) Henrik Ibsen: the divided consciousness. Carbondale: Southern Illinois University Press.

Maeterlinck, Maurice (1896) ‘The Tragic in Daily Life’, in Playwrights on playwriting: the meaning and making of modern drama from Ibsen to Ionesco. New York: Hill and Wang.

Maeterlinck, Maurice (1997) ‘The Blind’, in Three pre-surrealist plays. Oxford: Oxford University Press.

Magarshack, David (1970) Chekhov: a life. Westport, Conn: Greenwood Press.

Magarshack, David (1980) Chekhov the dramatist. London: Eyre Methuen.

Marker, Frederick J. and Marker, Lise-Lone (1975a) The Scandinavian theatre: a short history. Oxford: Blackwell.

Marker, Frederick J. and Marker, Lise-Lone (1975b) The Scandinavian theatre: a short history. Oxford: Blackwell.

Marker, Frederick J. and Marker, Lise-Lone (2002) Strindberg and modernist theatre: post-inferno drama on the stage. Cambridge: Cambridge University Press.

Marowitz, Charles et al. (1982) Sex wars: free adaptations of Ibsen and Strindberg : Hedda, Enemy of the people, The father. London: Marion Boyars.

Martin, Carol, Bial, Henry, and ebrary, Inc (2000) Brecht sourcebook [electronic resource]. London: Routledge.

McCullough, C (1992) ‘From Brecht to Brechtian: Alienation and Appropriation’, in The politics of theatre and drama. London: Macmillan, pp. 120–133.

McFarlane, James (ed.) (1994) The Cambridge Companion to Ibsen. Cambridge: Cambridge University Press. Available at: https://doi.org/10.1017/CCOL0521411661.

McFarlane, James Walter (1989) Ibsen & meaning: studies, essays & prefaces, 1953-87. Norwich: Norvik.

McGuinness, Patrick and MyiLibrary (2000) Maurice Maeterlinck and the making of modern theatre [electronic resource]. New York: Oxford University Press.

McInnes, Edward (1991) Büchner: Woyzeck. Glasgow: University of Glasgow French and German Publications.

Meisel, Martin (1968) Shaw and the nineteenth century theatre. 2nd printing. Princeton [N. J.]: Princeton University Press.

Melzer, Annabelle and Melzer, Annabelle (1994) Dada and surrealist performance. Baltimore: Johns Hopkins University Press.

Mercier, Vivian (1990) Beckett/Beckett. London: Souvenir.

Merritt, Susan Hollis (1995) Pinter in play: critical strategies and the plays of Harold Pinter. New ed. Duke University Press.

Meyer, Michael (1967) Henrik Ibsen: [Vol.1]: The making of a dramatist, 1828-1864. London: Hart-Davis.

Meyer, Michael (1971a) Henrik Ibsen: Farewell to Poetry [vol. 2]. London: Hart-Davis.

Meyer, Michael (1971b) Henrik Ibsen: (Vol.3): The top of a cold mountain, 1883-1906. London: Hart-Davis.

Meyer, Michael (1985) Strindberg: a biography. London: Secker & Warburg.

Miles, Patrick (1993) Chekhov on the British stage. Cambridge: Cambridge University Press.

Mitter, Shomit and ebrary, Inc (2000) Systems of rehearsal: Stanislavsky, Brecht, Grotowski, and Brook [electronic resource]. London: Routledge.

Moi, Toril (2006) Henrik Ibsen and the birth of modernism: art, theater, philosophy. Oxford: Oxford University Press.

Morgan, Margery (1985) August Strindberg. Basingstoke: Macmillan.

Needle, Jan and Thomson, Peter (1981) Brecht. Oxford: Blackwell.

Nicholls, Peter (1991) ‘Sexuality and Structure: Tensions in Early Expressionist Drama’, New Theatre Quarterly, 7(26), pp. 160–170. Available at: https://doi.org/10.1017/S0266464X00005431.

Nochlin, Linda (1990) Realism. Harmondsworth: Penguin.

Northam, John (1973) Ibsen: a critical study. London: Cambridge University Press.

O’Casey, Sean (1949) Collected plays: Vol.1. London: Macmillan.

O’Casey, Sean (1966) ‘Juno and the Paycock and The Plough and the Stars’, in Three plays. London: Macmillan.

O’Casey, Sean (1980) Autobiographies: 1. London: Pan Books in association with Macmillan London.

O’Casey, Sean, O’Casey, Sean, and Ayling, Ronald (1967) Blasts and benedictions: articles and stories. London: Macmillan.

O’Connor, Garry (1988) Sean O’Casey: a life. London: Hodder and Stoughton.

O’Driscoll, Robert and Reynolds, Lorna (1975) Yeats and the theatre. London (etc.): Macmillan.

Oliver, Roger W. (1979) Dreams of passion: the theater of Luigi Pirandello. New York: New York University Press.

Ossar, Michael (1980) Anarchism in the dramas of Ernst Toller: the realm of necessity and the realm of freedom. Albany: State University of New York Press.

Pam, Dorothy (1975) ‘Murderer, the Women’s Hope’, The Drama Review: TDR, 19(3), pp. 5–12.

Patterson, Michael (1981) The revolution in German theatre 1900-1933. Boston, Mass: Routledge & Kegan Paul.

Pfister, Manfred (1988) The theory and analysis of drama. Cambridge: Cambridge University Press.

Pilkington, Lionel (2001a) Theatre and the state in twentieth-century Ireland: cultivating the people. London: Routledge.

Pilkington, Lionel (2001b) Theatre and the state in twentieth-century Ireland: cultivating the people. London: Routledge.

Pilkington, Lionel (2001c) Theatre and the state in twentieth-century Ireland: cultivating the people. London: Routledge.

Pilling, John (1976) Samuel Beckett. London (etc.): Routledge and Kegan Paul.

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Bibliography for Mapping Modern Drama - (DRA020N226S) BETA