Bibliography for Mapping Modern Drama - (DRA020N226S)

Aarseth, Asbjørn. (1989). Peer Gynt and ghosts: text and performance: Vol. Text and performance. Macmillan Education.

Allen, David & ebrary, Inc. (2000). Performing Chekhov [Electronic resource]. Routledge.

Archer, William & Postlewait, Thomas. (1984). William Archer on Ibsen: the major essays, 1889-1919: Vol. Contributions in drama and theatre studies. Greenwood.

Auerbach, Erich. (1953). Mimesis: the representation of reality in Western literature. Princeton University Press.

Ayling, Ronald. (1969). Sean O’Casey: Modern judgements: Vol. Modern judgements series. Macmillan and Co. Ltd.

Bair, Deirdre. (1978). Samuel Beckett: a biography. Cape.

Baker, William & ebrary, Inc. (2008). Harold Pinter [Electronic resource]. Continuum. http://site.ebrary.com/lib/roehampton/Doc?id=10427388

Becker, George J. (1963). Documents of modern literary realism. Princeton University Press.

Beckett, Samuel. (2006). Waiting for Godot: a tragicomedy in two acts (2nd ed). Faber.

Benjamin, Walter & Bostock, Anna. (1998). Understanding Brecht. Verso.

Benn, M. B. (1976). The drama of revolt: a critical study of Georg Büchner: Vol. Anglica Germanica. Cambridge University Press.

Benson, Renate. (1984). German expressionist drama: Ernst Toller and Georg Kaiser: Vol. Macmillan modern dramatists. Macmillan.

Benstock, Bernard. (1976). Paycocks and others: Sean O’Casey’s world. Gill and Macmillan (etc.).

Bentley, Eric. (1972). Theatre of war: comments on 32 occasions. Eyre Methuen.

Bentley, Eric. (2008). The theory of the modern stage: from Artaud to Zola, an introduction to modern theatre and drama: Vol. Modern classics ([New ed.]). Penguin.

Best, Alan. (1975). Frank Wedekind: Vol. Modern German authors. Wolff.

Beyer, Edvard & Wells, Marie. (1978). Ibsen: the man and his work. Souvenir Press.

Billington, Michael. (1996). The life and work of Harold Pinter. Faber.

Blau, Herbert. (1992). To all appearances: ideology and performance. Routledge.

Bloch, Ernst & Taylor, Ronald. (1977). Aesthetics and politics. NLB.

Block, Haskell M. (1977). Mallarmé and the symbolist drama. Greenwood Press.

Boa, Elizabeth. (1987). The sexual circus: Wedekind’s theatre of subversion. Basil Blackwell.

Bodek, Richard. (1997). Proletarian performance in Weimar Berlin: Agitprop, chorus, and Brecht: Vol. Studies in German literature, linguistics, and culture. Camden House.

Bradbrook, M. C. (1966). Ibsen the Norwegian: a revaluation (New ed). Chatto & Windus.

Bradbury, Malcolm & McFarlane, James Walter. (1991a). Modernism 1890-1930: Vol. Penguin literary criticism (1st ed., reprinted with a new preface). Penguin Books.

Bradbury, Malcolm & McFarlane, James Walter. (1991b). Modernism 1890-1930: Vol. Penguin literary criticism (1st ed., reprinted with a new preface). Penguin Books.

Bradby, David & McCormick, John. (1978). People’s theatre. Croom Helm (etc.).

Bradley, Laura J. R. (2006). Brecht and political theatre: The mother on stage: Vol. Oxford modern languages and literature monographs. Clarendon.

Brandes, Georg. (1964). Henrik Ibsen: a critical study : with a 42 page essay on Björnstjerne Björnson. Benjamin Blom.

Brater, Enoch. (1989). Why Beckett. Thames and Hudson.

Braun, Edward. (1982). The director and the stage: from naturalism to Grotowski. Methuen.

Brecht, Bertolt, Rorrison, Hugh, & Willett, John. (1993). Journals: Vol. Brecht’s plays, poetry and prose. Methuen.

Brecht, Bertolt & Willett, John. (1974a). Brecht on theatre: the development of an aesthetic. Eyre Methuen.

Brecht, Bertolt & Willett, John. (1974b). Brecht on theatre: the development of an aesthetic. Eyre Methuen.

Brecht, Bertolt & Willett, John. (1992). Poems & songs from the plays. Methuen.

Brecht, Bertolt & Willett, John. (2000). Mother Courage and her children: Vol. Methuen modern plays. Methuen Drama.

Brecht, Bertolt, Willett, John, Manheim, Ralph, & Fried, Erich. (1979). Bertolt Brecht: poems 1913-1956 (Rev. ed). Methuen.

British Pirandello Society. (n.d.-a). The yearbook of the British Pirandello Society: No.8 & 9: (1988-1989). British Pirandello Society.

British Pirandello Society. (n.d.-b). The yearbook of the British Pirandello Society: No.10: 1990. British Pirandello Society.

British Pirandello Society. (1985). The yearbook of the British Pirandello Society: no.5. British Pirandello Society.

British Pirandello Society. (1987). The yearbook of the British Pirandello Society: no.7. British Pirandello Society.

Brockett, Oscar G. & Findlay, Robert R. (1973). Century of innovation: a history of European and American theatre and drama since 1870: Vol. Prentice-Hall series in theatre and drama. Prentice-Hall.

Brooker, Peter. (1988). Bertolt Brecht: dialectics, poetry, politics. Croom Helm.

Brustein, Robert. (1965a). The theatre of revolt: an approach to the modern drama. Methuen & Co.

Brustein, Robert. (1965b). The theatre of revolt: an approach to the modern drama. Methuen & Co.

Brustein, Robert. (1965c). The theatre of revolt: an approach to the modern drama. Methuen & Co.

Bryan, George B. (1984). An Ibsen companion: a dictionary-guide to the life, works, and critical reception of Henrik Ibsen. Greenwood.

Büchner, Georg. (1971). The plays of Georg Büchner: Vol. Oxford paperbacks. Oxford University Press.

Büchner, Georg & Guthrie, John. (1988). Woyzeck: Vol. Blackwell German texts. Basil Blackwell.

Büchner, Georg & MacKendrick, John. (1979). Woyzeck: Vol. Methuen’s theatre classics. Eyre Methuen.

Budd, Mike. (1990). ‘The cabinet of Dr. Caligari’: texts, contexts, histories. Rutgers University Press.

Burkman, Katherine H., Kundert-Gibbs, John L., & Pinter Festival. (1993). Pinter at sixty: Vol. Drama and performance studies. Indiana University Press.

Carlson, Marvin. (1993a). Theories of the theatre: a historical and critical survey from the Greeks to the present (Expanded ed). Cornell University Press.

Carlson, Marvin. (1993b). Theories of the theatre: a historical and critical survey from the Greeks to the present (Expanded ed). Cornell University Press.

Carlson, Marvin. (1993c). Theories of the theatre: a historical and critical survey from the Greeks to the present (Expanded ed). Cornell University Press.

Carlson, Marvin. (1993d). Theories of the theatre: a historical and critical survey from the Greeks to the present (Expanded ed). Cornell University Press.

Chekhov, A. P. & Hingley, Ronald. (1980). Five plays: Vol. World’s classics. Oxford University Press.

Chekhov, Anton Pavlovich. (1988). Plays. Methuen.

Chothia, Jean. (1991). André Antoine: Vol. Directors in perspective. Cambridge University Press.

Clark, Barrett H. & Popkin, Henry. (1965a). European theories of the drama: with a supplement on the American drama (Rev. ed). Crown Publishers.

Clark, Barrett H. & Popkin, Henry. (1965b). European theories of the drama: with a supplement on the American drama (Rev. ed). Crown Publishers.

Clurman, Harold. (1978). Ibsen: Vol. Masters of world literature series. Macmillan.

Cohn, Ruby. (n.d.). Back to Beckett. Princeton University Press.

Cohn, Ruby. (1969). Currents in contemporary drama. Indiana University Press.

Cohn, Ruby. (1980). Just play: Beckett’s theater. Princeton University Press.

Cole, Toby. (1961a). Playwrights on playwriting: the meaning and making of modern drama from Ibsen to Ionesco: Vol. A Dramabook. Hill and Wang.

Cole, Toby. (1961b). Playwrights on playwriting: the meaning and making of modern drama from Ibsen to Ionesco: Vol. A Dramabook. Hill and Wang.

Cole, Toby & Chinoy, Helen Krich. (1970). Directors on directing: a source book of the modern theatre (3rd ed). Owen.

Crompton, Louis. (1971). Shaw the dramatist: a study of the intellectual background of the major plays. Allen and Unwin.

Cronin, Anthony. (1997). Samuel Beckett: the last modernist. Flamingo.

Daniels, May. (1977). The French drama of the unspoken. Greenwood Press.

Davies, Cecil William. (1977). Theatre for the people: the story of the Volksbühne. Manchester University Press.

Deak, Frantisek. (1993). Symbolist theater: the formation of an avant-garde: Vol. PAJ books. Johns Hopkins U. P.

Demetz, Peter. (1962). Brecht: a collection of critical essays: Vol. Twentieth century views. Prentice-Hall.

Diethe, Carol. (1988). Aspects of distorted sexual attitudes in German expressionist drama with particular reference to Wedekind, Kokoschka, and Kaiser: Vol. American university studies. Series 1 : Germanic languages and literature. P. Lang.

Docherty, Brian. (1994). Twentieth-century European drama: Vol. Insights. Macmillan.

Dove, Richard. (1990). He was a German: a biography of Ernst Toller. Libris.

Downs, Brian Westerdale. (1972). A study of six plays by Ibsen. Octagon Books.

Dukore, Bernard F. (1988). Harold Pinter: Vol. Macmillan modern dramatists (2nd ed). Macmillan.

Durbach, Errol. (1982). Ibsen the romantic: analogues of paradise in the later plays. Macmillan.

EBSCO Publishing (Firm). (n.d.). Journal of Beckett studies [Electronic resource]. International Bibliography of Theatre&Dance with Full Text.

Eddershaw, Margaret & ebrary, Inc. (1996). Performing Brecht: forty years of British performances [Electronic resource]. Routledge.

Egan, Michael & ebrary, Inc. (1972). Henrik Ibsen: the critical heritage: Vol. The Critical heritage series [Electronic resource]. Routledge and K. Paul.

Eisner, Lotte H. (1973). The haunted screen: expressionism in the German cinema and the influence of Max Reinhardt: Vol. Cinema two. Secker & Warburg.

Ellis-Fermor, Una. (1953). The Irish dramatic movement (2nd ed). Methuen.

Emaljanow, Victor (Ed.). (1981). Anton Chekhov: The Critical Heritage. Routledge.

Esslin, Martin. (1973). Pinter: a study of his plays: Vol. Modern theatre profiles. Eyre Methuen.

Esslin, Martin. (1980). Brecht, a choice of evils: a critical study of the man, his work and his opinions (3rd, rev. ed ed.). Eyre Methuen.

Esslin, Martin. (2000). Pinter: the playwright (6th ed). Methuen Drama.

Esslin, Martin. (2004). The theatre of the absurd (3rd ed., 1st vintage Books ed). Vintage Books.

Ferguson, Robert. (1996). Henrik Ibsen: a new biography. Richard Cohen.

Finney, Gail. (1989). Women in modern drama: Freud, feminism, and European theater at the turn of the century. Cornell University Press.

Fjelde, Rolf. (1965). Ibsen: a collection of critical essays: Vol. Twentieth century views. Prentice-Hall.

Fletcher, John, Spurling, John, & Fletcher, John. (1985). Beckett the playwright: Vol. Modern theatre profiles (3rd, expanded ed ed.). Methuen.

Fromm, Harold. (1967). Bernard Shaw and the theater in the nineties: a study of Shaw’s dramatic criticism. University of Kansas.

Fuegi, John. (1987). Bertolt Brecht: chaos, according to plan: Vol. Directors in perspective. Cambridge University Press.

Fuegi, John. (1994). The life and lies of Bertolt Brecht. HarperCollins.

Furness, R S. (1973). Expressionism: Vol. The critical idiom. Methuen.

Furst, Lilian R. & Skrine, Peter N. (1971). Naturalism: Vol. The critical idiom. Methuen.

Gabbard, Lucina Paquet. (1976). The dream structure of Pinter’s plays: a psychoanalytic approach. Fairleigh Dickinson University Press.

Gale, Maggie B., Deeney, John F., & Rebellato, Dan. (2010). Routledge drama anthology and sourcebook: from modernism to contemporary performance. Routledge.

Ganz, Arthur. (1972). Pinter: a collection of critical essays: Vol. Twentieth century views. Prentice-Hall.

Garten, H. F. (1964). Modern German drama (2nd ed). Methuen.

Gay, Peter. (1974). Weimar culture: the outsider as insider: Vol. A Peregrine book. Penguin.

Gerould, Daniel. (1985). Doubles, demons, and dreamers: an international collection of symbolist drama. Performing Arts Journal Publications.

Gilman, Richard M. (2000a). The making of modern drama: a study of Büchner, Ibsen, Strindberg, Chekhov, Pirandello, Brecht, Beckett, Handke : with a new introduction ([New ed.]). Yale University Press.

Gilman, Richard M. (2000b). The making of modern drama: a study of Büchner, Ibsen, Strindberg, Chekhov, Pirandello, Brecht, Beckett, Handke : with a new introduction ([New ed.]). Yale University Press.

Gittleman, Sol. (1969). Frank Wedekind. Ungar.

Giudice, Gaspare & Hamilton, Alastair. (1975). Pirandello: a biography. Oxford University Press.

Gordon, M. (1986). Introduction [on Expressionist acting]. In Expressionist texts. PAJ Publications.

Gordon, Mel & Kokoschka, Oskar. (1986a). Expressionist texts. PAJ Publications.

Gordon, Mel & Kokoschka, Oskar. (1986b). Expressionist texts. PAJ Publications.

Gottlieb, Vera. (1982). Chekhov and the vaudeville: a study of Chekhov’s one-act plays. Cambridge University Press.

Gottlieb, Vera & Allain, Paul (Eds.). (2000). The Cambridge Companion to Chekhov. Cambridge University Press. https://doi.org/10.1017/CCOL0521581176

Graver, Lawrence & Federman, Raymond. (1979). Samuel Beckett, the critical heritage: Vol. The critical heritage series. Routledge and Kegan Paul.

Gray, Ronald. (1976). Brecht the dramatist: Vol. Major European authors. Cambridge University Press.

Gray, Ronald. (1977). Ibsen, a dissenting view: a study of the last twelve plays. Cambridge University Press.

Greaves, C. Desmond. (1979). Sean O’Casey: politics and art. Lawrence and Wishart.

Grimm, Reinhold. (1985). Love, lust and rebellion: new approaches to Georg Büchner. University of Wisconsin Press.

Grossvogel, David I. (1962). The Blasphemers: the theater of Brecht, Ionesco, Beckett, Genet. Cornell University Press.

Gussow, Mel. (1994). Conversations with Pinter. Nick Hern Books.

Gussow, Mel. (1996). Conversations with (and about) Beckett. Nick Hern.

Hackett, Jean, Psacharopoulos, Nikos, & Williamstown Theatre Festival (Massachusetts). (1993). The actor’s Chekhov: Nikos Psacharopoulos and the company of the Williamstown Theatre Festival, on the plays of Anton Chekhov, 1962-1987 (1st ed). SK.

Halls, W. D. (1978). Maurice Maeterlinck: a study of his life and thought. Greenwood Press.

Hardwick, Michael & Hardwick, Mollie. (1973). The Bernard Shaw companion. J. Murray.

Harrington, John P. (1991). Modern Irish drama: Vol. A Norton critical edition. Norton.

Heiberg, Hans & Tate, Joan. (1969). Ibsen: a portrait of the artist. Allen & Unwin.

Hemmer, Bjorn & Ystad, Vigdis. (1988). Contemporary approaches to Ibsen: Vol.6. Norwegian University Press.

Henderson, J. A. (1971). The first avant-garde, 1887-1894: sources of the modern French theatre. Harrap.

Herf, Jeffrey. (1984). Reactionary modernism: technology, culture and politics in Weimar and the Third Reich. Cambridge University Press.

Herzfeld-Sander, Margaret. (1985). Essays on German theater: Vol. The German library. Continuum.

Herzog, Werner, Kinski, Klaus, & Büchner, Georg. (2004). Woyzeck [Videorecording]. Anchor Bay.

Hiley, Jim. (1981). Theatre at work: the story of the National Theatre’s production of Brecht’s Galileo. Routledge & Kegan Paul.

Hilton, Julian. (1982). Georg Büchner: Vol. Macmillan modern dramatists. Macmillan.

Hingley, Ronald. (1976). A new life of Anton Chekhov. Oxford University Press.

Holderness, G. (1992). Schaustück and Lehrstück: Erwin Piscator and the Politics of Theatre. In The politics of theatre and drama: Vol. Insights (pp. 99–119). Macmillan.

Holmes, T. M. (1995). The rehearsal of revolution: Georg Büchner’s politics and his drama Dantons Tod: Vol. Britische und irische Studien zur deutschen Sprache und Literatur. P. Lang.

Holroyd, Michael. (1988). Bernard Shaw : Vol.1, 1856-1898: the search for love. Chatto & Windus.

Holroyd, Michael. (1989). Bernard Shaw : Vol.2, 1898-1918: The pursuit of power. Chatto & Windus.

Holroyd, Michael. (1991). Bernard Shaw : Vol.3, 1918-1950: the lure of fantasy. Chatto.

Holroyd, Michael. (1992). Bernard Shaw : Vol.4 & 5, The Shaw companion. Chatto and Windus.

Holtan, Orley Iver. (1970). Mythic patterns in Ibsen’s last plays. University of Minnesota Press.

Hughes, Michael. (1988). Nationalism and society: Germany 1800-1945. Arnold.

Hurt, James. (n.d.). Catiline’s dream: an essay on Ibsen’s plays. University of Illinois Press.

Ibsen, Henrik. (1960). The Oxford Ibsen: Vol. 6: an enemy of the people, the wild duck, Rosmersholm. Oxford University Press.

Ibsen, Henrik & Durbach, Errol. (1980). Ibsen and the theatre: essays in celebration of the 150th anniversary of Henrik Ibsen’s birth. Macmillan.

Ibsen, Henrik & McFarlane, James Walter. (1961). The Oxford Ibsen: Vol.5: Pillars of society ; A doll’s house ; Ghosts. Oxford University Press.

Ibsen, Henrik & McFarlane, James Walter. (1962). The Oxford Ibsen: Vol.2: The Vikings at Helgeland ; Love’s comedy ; The pretenders. Oxford University Press.

Ibsen, Henrik & McFarlane, James Walter. (1966). The Oxford Ibsen: Vol.7: The lady from the sea ; Hedda Gabler ; The master builder. Oxford University Press.

Ibsen, Henrik & McFarlane, James Walter. (1972). The Oxford Ibsen: Vol.3: Brand ; Peer Gynt. Oxford University Press.

Ibsen, Henrik & McFarlane, James Walter. (1977). The Oxford Ibsen: Vol.8: Little Eyolf ; John Gabriel Borkman ; When we dead awaken. Oxford University Press.

Ibsen, Henrik, McFarlane, James Walter, & Arup, Jens. (1981). Four major plays: Vol. The world’s classics. Oxford University Press.

Ibsen, Henrik, McFarlane, James Walter, & Orton, Graham. (1963). The Oxford Ibsen: Vol.4: The league of youth ; Emperor and Galilean. Oxford University Press.

Ibsen, Henrik, McFarlane, James Walter, & Orton, Graham. (1970). The Oxford Ibsen: Vol.1: Early plays. Oxford University Press.

Imhof, Rudiger. (1976). Pinter: a bibliography - his works and occasional writings with a comprehensive checklist of criticism and reviews of the London productions: Vol. Theatrefacts supplement, bibliography series (2nd full revised ed). TQ Publications Ltd.

Innes, C. D. (1972). Erwin Piscator’s political theatre: the development of modern German drama. Cambridge University Press.

Innes, C. D. (1981). Holy theatre: ritual and the avant garde. Cambridge University Press.

Innes, C. D. (1992a). Modern British drama 1890-1990. Cambridge University Press.

Innes, C. D. (1992b). Modern British drama 1890-1990. Cambridge University Press.

Innes, C. D. (1992c). Modern British drama 1890-1990. Cambridge University Press.

Innes, C. D. & ebrary, Inc. (2000). A Sourcebook on naturalist theatre [Electronic resource]. Routledge.

Jackson, Robert Louis. (1967). Chekhov: a collection of critical essays: Vol. Twentieth century views. Prentice-Hall.

Jarry, Alfred. (1997). Ubu the King. In Three pre-surrealist plays: Vol. The world’s classics. Oxford University Press.

Jarry, Alfred, Shattuck, Roger, & Watson-Taylor, Simon. (1965). Selected works of Alfred Jarry. Eyre Methuen.

Jarry, Alfred & Watson Taylor, Simon. (1993). The Ubu plays: with Writings on the theatre: Vol. Methuen world classics. Methuen Drama.

Jeffares, A. Norman & Knowland, A. S. (1975). A commentary on the collected plays of W.B. Yeats. Macmillan.

Jelineck, E. (1994). What Happened after Nora Left Her Husband. In Plays by women: Vol.10: Vol. Methuen new theatrescripts. Methuen Drama.

Jones, Nesta. (1994). File on Synge: Vol. Writer-files. Methuen Drama.

Kalb, Jonathan. (1989). Beckett in performance. Cambridge University Press.

Kenner, Hugh. (1962). Samuel Beckett: a critical study. Calder.

Kenner, Hugh. (1973). A reader’s guide to Samuel Beckett. Farrar, Strauss and Gioroux.

Kilroy, Thomas. (1975). Sean O’Casey: a collection of critical essays: Vol. Twentieth century views. Prentice-Hall.

Klaić, Dragan. (1991). The plot of the future: Utopia and dystopia in modern drama: Vol. Theater : theory, text, performance. University of Michigan Press.

Kleber, Pia, Visser, Colin, & Brecht: thirty years after (Conference). (1990). Re-interpreting Brecht: his influence on contemporary drama and film. Cambridge University Press in association with Modern Drama.

Knight, G. Wilson. (1962). Ibsen: Vol. Writers and critics series. Oliver & Boyd.

Knowles, Ronald. (1988). The birthday party and the caretaker: text and performance: Vol. Text and performance. Macmillan Education.

Knowlson, James. (1997). Damned to Fame. Bloomsbury Publishing PLC.

Kokoschka, Oskar. (1907). Murderer Hope of Womankind. In Seven expressionist plays: Kokoschka to Barlach: Vol. German expressionism. Riverrun Press.

Kracauer, Siegfried. (1947). From Caligari to Hitler: a psychological history of the German film. Princeton University Press.

Kruger, Loren. (2004a). Post-imperial Brecht: politics and performance, east and south: Vol. Cambridge studies in modern theatre. Cambridge University Press.

Kruger, Loren. (2004b). Post-imperial Brecht: politics and performance, east and south: Vol. Cambridge studies in modern theatre. Cambridge University Press.

Kubiak, Anthony. (1991). Stages of terror: terrorism, ideology, and coercion as theatre history. Indiana University Press.

Kuhns, David F. (1997). German expressionist theatre: the actor and the stage. Cambridge University Press.

Laqueur, Walter. (1974). Weimar: a cultural history, 1918-1933. Weidenfeld and Nicolson.

Laurence, Dan H. & Shaw, Bernard. (1981). The Bodley Head Bernard Shaw: Vol. Complete musical criticism of Bernard Shaw. Bodley Head.

Leach, Robert. (2004). Makers of modern theatre: an introduction. Routledge.

Lehmann, Hans-Thies. (2006). Postdramatic theatre. Routledge.

Ley-Piscator, Maria. (n.d.). The Piscator experiment: the political theatre: Vol. Arcturus books. Southern Illinois University Press.

Lowery, Robert G. (1982). O’Casey annual: No.1. Macmillan.

Lowery, Robert G. (1983). O’Casey Annual: 2. MacMillan Press.

Lowery, Robert G. (1984). O’Casey Annual: 3. MacMillan.

Lucas, F. L. (1962). The drama of Ibsen and Strindberg. Cassell.

Lucas, F. L. (1965a). The drama of Chekhov, Synge, Yeats, and Pirandello (2nd ed). Cassell.

Lucas, F. L. (1965b). The drama of Chekhov, Synge, Yeats, and Pirandello (2nd ed). Cassell.

Lyman, Jane. (1976a). Perspectives on plays: a reader: Vol. Open University set book. Routledge and Kegan Paul.

Lyman, Jane. (1976b). Perspectives on plays: a reader: Vol. Open University set book. Routledge and Kegan Paul.

Lyons, Charles R. (n.d.). Henrik Ibsen: the divided consciousness: Vol. Crosscurrents/modern critiques. Southern Illinois University Press.

Maeterlinck, Maurice. (1896). The Tragic in Daily Life. In Playwrights on playwriting: the meaning and making of modern drama from Ibsen to Ionesco: Vol. A Dramabook. Hill and Wang.

Maeterlinck, Maurice. (1997). The Blind. In Three pre-surrealist plays: Vol. The world’s classics. Oxford University Press.

Magarshack, David. (1970). Chekhov: a life. Greenwood Press.

Magarshack, David. (1980). Chekhov the dramatist: Vol. Modern theatre profiles. Eyre Methuen.

Marker, Frederick J. & Marker, Lise-Lone. (1975a). The Scandinavian theatre: a short history: Vol. Drama and theatre studies. Blackwell.

Marker, Frederick J. & Marker, Lise-Lone. (1975b). The Scandinavian theatre: a short history: Vol. Drama and theatre studies. Blackwell.

Marker, Frederick J. & Marker, Lise-Lone. (2002). Strindberg and modernist theatre: post-inferno drama on the stage. Cambridge University Press.

Marowitz, Charles, Marowitz, Charles, Ibsen, Henrik, Marowitz, Charles, Ibsen, Henrik, Marowitz, Charles, & Strindberg, August. (1982). Sex wars: free adaptations of Ibsen and Strindberg : Hedda, Enemy of the people, The father. Marion Boyars.

Martin, Carol, Bial, Henry, & ebrary, Inc. (2000). Brecht sourcebook: Vol. Worlds of performance [Electronic resource]. Routledge.

McCullough, C. (1992). From Brecht to Brechtian: Alienation and Appropriation. In The politics of theatre and drama: Vol. Insights (pp. 120–133). Macmillan.

McFarlane, James (Ed.). (1994). The Cambridge Companion to Ibsen. Cambridge University Press. https://doi.org/10.1017/CCOL0521411661

McFarlane, James Walter. (1989). Ibsen & meaning: studies, essays & prefaces, 1953-87: Vol. Norvik Press. Series A. Norvik.

McGuinness, Patrick & MyiLibrary. (2000). Maurice Maeterlinck and the making of modern theatre [Electronic resource]. Oxford University Press.

McInnes, Edward. (1991). Büchner: Woyzeck: Vol. Glasgow introductory guides to German literature. University of Glasgow French and German Publications.

Meisel, Martin. (1968). Shaw and the nineteenth century theatre (2nd printing). Princeton University Press.

Melzer, Annabelle & Melzer, Annabelle. (1994). Dada and surrealist performance: Vol. PAJ books. Johns Hopkins University Press.

Mercier, Vivian. (1990). Beckett/Beckett. Souvenir.

Merritt, Susan Hollis. (1995). Pinter in play: critical strategies and the plays of Harold Pinter (New ed). Duke University Press.

Meyer, Michael. (1967). Henrik Ibsen: [Vol.1]: The making of a dramatist, 1828-1864. Hart-Davis.

Meyer, Michael. (1971a). Henrik Ibsen: Farewell to Poetry [vol. 2]. Hart-Davis.

Meyer, Michael. (1971b). Henrik Ibsen: (Vol.3): The top of a cold mountain, 1883-1906. Hart-Davis.

Meyer, Michael. (1985). Strindberg: a biography. Secker & Warburg.

Miles, Patrick. (1993). Chekhov on the British stage. Cambridge University Press.

Mitter, Shomit & ebrary, Inc. (2000). Systems of rehearsal: Stanislavsky, Brecht, Grotowski, and Brook [Electronic resource]. Routledge.

Moi, Toril. (2006). Henrik Ibsen and the birth of modernism: art, theater, philosophy. Oxford University Press.

Morgan, Margery. (1985). August Strindberg: Vol. Macmillan modern dramatists. Macmillan.

Needle, Jan & Thomson, Peter. (1981). Brecht. Blackwell.

Nicholls, Peter. (1991). Sexuality and Structure: Tensions in Early Expressionist Drama. New Theatre Quarterly, 7(26), 160–170. https://doi.org/10.1017/S0266464X00005431

Nochlin, Linda. (1990). Realism: Vol. Style and civilization. Penguin.

Northam, John. (1973). Ibsen: a critical study. Cambridge University Press.

O’Casey, Sean. (1949). Collected plays: Vol.1. Macmillan.

O’Casey, Sean. (1966). Juno and the Paycock and The Plough and the Stars. In Three plays. Macmillan.

O’Casey, Sean. (1980). Autobiographies: 1. Pan Books in association with Macmillan London.

O’Casey, Sean, O’Casey, Sean, & Ayling, Ronald. (1967). Blasts and benedictions: articles and stories. Macmillan.

O’Connor, Garry. (1988). Sean O’Casey: a life. Hodder and Stoughton.

O’Driscoll, Robert & Reynolds, Lorna. (1975). Yeats and the theatre: Vol. Yeats studies series. Macmillan.

Oliver, Roger W. (1979). Dreams of passion: the theater of Luigi Pirandello: Vol. The Gotham library of the New York University Press. New York University Press.

Ossar, Michael. (1980). Anarchism in the dramas of Ernst Toller: the realm of necessity and the realm of freedom. State University of New York Press.

Pam, Dorothy. (1975). Murderer, the Women’s Hope. The Drama Review: TDR, 19(3), 5–12.

Patterson, Michael. (1981). The revolution in German theatre 1900-1933: Vol. Theatre production series. Routledge & Kegan Paul.

Pfister, Manfred. (1988). The theory and analysis of drama: Vol. European studies in English literature. Cambridge University Press.

Pilkington, Lionel. (2001a). Theatre and the state in twentieth-century Ireland: cultivating the people. Routledge.

Pilkington, Lionel. (2001b). Theatre and the state in twentieth-century Ireland: cultivating the people. Routledge.

Pilkington, Lionel. (2001c). Theatre and the state in twentieth-century Ireland: cultivating the people. Routledge.

Pilling, John. (1976). Samuel Beckett. Routledge and Kegan Paul.

Pilling, John (Ed.). (1994). The Cambridge Companion to Beckett. Cambridge University Press. https://doi.org/10.1017/CCOL0521413664

Pinter, Harold. (1966). The homecoming: Vol. Methuen modern plays (2nd ed). Eyre Methuen.

Pinter, Harold. (1996). Plays: v. 3, ‘ The Homecoming’ , ‘ Tea Party’ , ‘ The Basement’ , ‘ Landscape’ , ‘ Silence’ , ‘ Night’ , ‘ That’s Your Trouble’ , ‘ That’s All’ , ‘ Applicant’ , ‘ Interview’ , ‘ Dialogue for Three’ , Mac (Memoir), Tea Party (Short Story): Vol. Faber Contemporary Classics. Faber.

Pinter, Harold. (2006). Art, truth & politics: the Noble Lecture 2005 [Videorecording]. lluminations.

Pinter, Harold. (2012). Plays 4: Betrayal; Monologue; One for the Road; Mountain Language; Family Voices; A Kind of Alaska; Victoria Station; Precisely; The ... Umbrellas; God’s District; Apart from That. Faber.

Pirandello, Luigi. (1985). Three plays: Vol. The master playwrights. Methuen.

Pirandello, Luigi, Bassnett-McGuire, Susan, & Lorch, Jennifer. (1993). Luigi Pirandello in the theatre: a documentary record: Vol. Contemporary theatre studies. Harwood Academic Publishers.

Pirandello, Luigi & Linstrum, John. (1979). Six characters in search of an author: Vol. Methuen modern plays. Eyre Methuen.

Piscator, Erwin & Rorrison, Hugh. (1980). The political theatre. Eyre Methuen.

Pitcher, Harvey. (1973). The Chekhov play: a new interpretation. Chatto and Windus.

Pitcher, Harvey. (1979). Chekhov’s leading lady: a portrait of the actress Olga Knipper. J. Murray.

Pittock, Malcolm. (1979). Ernst Toller: Vol. Twayne’s world authors series; TWAS 509 , Germany. Twayne Publishers.

Postlewait, Thomas. (1985). Prophet of the New Drama: William Archer and the Ibsen campaign: Vol. Contributions in drama and theatre studies. Greenwood Press.

Postlewait, Thomas. (2009). The Cambridge introduction to theatre historiography: Vol. Cambridge introductions to literature. Cambridge University Press.

Pound, Ezra & Fenollosa, Ernest Francisco. (1959). The classic Noh theatre of Japan: Vol. New Directions paperbooks. New Directions.

Purdom, C. B. (1963). A guide to the plays of Bernard Shaw. Methuen.

Raabe, Paul & Ritchie, J. M. (1974). The era of expressionism: Vol. German expressionism. Calder and Boyars.

Ragusa, Olga. (1980). Luigi Pirandello: an approach to his theatre: Vol. Writers of Italy series. Edinburgh University Press.

Rayfield, Donald. (1975). Chekhov: the evolution of his art. Elek.

Reddick, John. (1994). Georg Büchner: the shattered whole. Clarendon Press.

Redmond, James. (1979a). Drama and society: Vol. Themes in drama. Cambridge University Press.

Redmond, James. (1979b). Drama and society: Vol. Themes in drama. Cambridge University Press.

Redmond, James. (1980a). Drama and mimesis: Vol. Themes in drama. Cambridge University Press.

Redmond, James. (1980b). Drama and mimesis: Vol. Themes in drama. Cambridge University Press.

Redmond, James. (1982a). Drama and symbolism: Vol. Themes in drama. Cambridge University Press.

Redmond, James. (1982b). Drama and symbolism: Vol. Themes in drama. Cambridge University Press.

Reid, Alec. (1969). All I can manage, more than I could: an approach to the plays of Samuel Beckett (2nd ed). Dolmen Press.

Ritchie, J. M. & Garten, H. F. (1980). Seven expressionist plays: Kokoschka to Barlach: Vol. German expressionism. Riverrun Press.

Robinson, Michael. (1986). Strindberg and autobiography: writing and reading a life. Norvik.

Robinson, Michael & International Strindberg Conference. (1991). Strindberg and genre: Vol. [Norvik Press. series A : literary criticism]. Norvik Press.

Roger Shattuck. (1968). The banquet years. Vintage Books.

Schlueter, June. (1979). Metafictional characters in modern drama. Columbia University Press.

Senelick, Laurence. (1997). The Chekhov theatre: a century of the plays in performance. Cambridge University Press.

Shaw, Bernard. (1932a). Major critical essays: the Quintessence of Ibsenism, the Perfect Wagnerite, the Sanity of art (Standard ed). Constable.

Shaw, Bernard. (1932b). Our theatres in the nineties : vol. 2 (Standard ed). Constable.

Shaw, Bernard. (1932c). Our theatres in the nineties: vol.1. Constable.

Shaw, Bernard. (1932d). Our theatres in the nineties: Vol.3. Constable.

Shaw, Bernard. (1964). Heartbreak house: a fantasia in the Russian manner on English themes: Vol. Penguin plays (Revised standard ed). Penguin.

Shaw, Bernard. (1972). The Bodley Head Bernard Shaw: collected plays with their prefaces, Vol.5: Heartbreak House ; Augustus does his bit ; Annajanska ; Back to Methuselah ; Jitta’s atonement. Reinhardt.

Shaw, Bernard & Huneker, James. (1907). Dramatic opinions and essays with an apology: Containing as well a word on the dramatic opinions and essays of Bernard Shaw by James Huneker, Vol.1. Archibald Constable & Co.

Shaw, Bernard, Shaw, Bernard, Shaw, Bernard, & Shaw, Bernard. (1946). Plays unpleasant: Vol. Penguin plays. Penguin.

Shaw, Bernard, Shaw, Bernard, Shaw, Bernard, Shaw, Bernard, & Shaw, Bernard. (1932). Major critical essays: the Quintessence of Ibsenism, the Perfect Wagnerite, the Sanity of art (Standard ed). Constable.

Shaw, Bernard & Weintraub, Stanley. (1970). Shaw: an autobiography, 1898-1950, the playwright years. Reinhardt.

Skrine, Peter N. (1989). Hauptmann, Wedekind and Schnitzler: Vol. Macmillan modern dramatists. Macmillan.

Sobieski, Lynn. (n.d.). The Bread and Puppet Theatre’s ‘Woyzeck’. The Drama Review: TDR, Vol. 25(No. 2), 55–62.

Spalter, Max. (1967). Brecht’s tradition. Johns Hopkins Press.

Starkie, Walter. (1965). Luigi Pirandello, 1867-1936 (3rd ed. revised and enlarged). California U.P.; Cambridge U.P.

Steiner, George. (1961). The death of tragedy. Faber.

Stockenström, Göran & ebrary, Inc. (1988). Strindberg’s dramaturgy: Vol. Nordic series [Electronic resource]. University of Minnesota Press. http://site.ebrary.com/lib/roehampton/Doc?id=10159412

Strindberg, August & Meyer, Michael. (1982). Plays: two: Vol. The master playwrights. Methuen.

Strindberg, August & Meyer, Michael. (2000). Plays: One: Vol. Methuen world classics. Methuen Drama.

Strindberg, August & Robinson, Michael. (1992a). Strindberg’s letters : Vol. 1. Athlone Press.

Strindberg, August & Robinson, Michael. (1992b). Strindberg’s letters : Vol. 2. Athlone Press.

Strindberg, August & Robinson, Michael. (1996). Selected essays. Cambridge University Press.

Styan, J. L. (1971). Chekhov in performance: a commentary on the major plays. Cambridge University Press.

Styan, J. L. (1981a). Modern drama in theory and practice. Cambridge University Press.

Styan, J. L. (1981b). Modern drama in theory and practice. Cambridge University Press.

Styan, J. L. (1981c). Modern drama in theory and practice. Cambridge University Press.

Styan, J. L. (1981d). Modern drama in theory and practice. Cambridge University Press.

Styan, J. L. (1981e). Modern drama in theory and practice. Cambridge University Press.

Styan, J. L. (1981f). Modern drama in theory and practice. Cambridge University Press.

Styan, J. L. (1981g). Modern drama in theory and practice. Cambridge University Press.

Styan, J. L. (1981h). Modern drama in theory and practice. Cambridge University Press.

Symons, Arthur. (n.d.). The symbolist movement in literature. AMS Press.

Synge, J. M. & Henn, T. R. (1981). The complete plays: Vol. The master playwrights. Eyre Methuen.

Synge, J. M. & Saddlemyer, Ann. (1968). Collected works: Vol.3: Plays. Oxford University Press.

Synge, J. M., Saddlemyer, Ann, Synge, J. M., Synge, J. M., & Synge, J. M. (1968). Collected works: Vol.4: Plays. Oxford University Press.

Szondi, Peter & Hays, Michael. (1987a). Theory of the modern drama: a critical edition: Vol. Theory and history of literature. Polity.

Szondi, Peter & Hays, Michael. (1987b). Theory of the modern drama: a critical edition: Vol. Theory and history of literature. Polity.

Taylor, Richard. (1976). The drama of W.B. Yeats: Irish myth and the Japanese Nō. Yale University Press.

Templeton, Joan. (1997). Ibsen’s women. Cambridge University Press.

Terry, Ellen, Shaw, Bernard, & Terry, Ellen. (1949). Ellen Terry and Bernard Shaw: a correspondence. M. Reinhardt.

Theatre record. (n.d.).

Thomson, Peter & Sacks, Glendyr (Eds.). (2006). The Cambridge Companion to Brecht. Cambridge University Press. https://doi.org/10.1017/CCOL0521857090

Toller, Ernst & Pearlman, Alan Rapahel. (2000). Plays one: Vol. Absolute Classics. Oberon Books.

Törnqvist, Egil. (1995). Ibsen: a doll’s house: Vol. Plays in production. Cambridge University Press.

Trussler, Simon. (1973). The plays of Harold Pinter: an assessment. Gollancz.

Tuohy, Frank. (1976). Yeats. Macmillan.

Tynan, Kenneth. (1984). A view of the English stage, 1944-1965. Methuen.

Ure, Peter. (1963). Yeats the playwright: a commentary on character and design in the major plays. Routledge & Kegan Paul.

Valency, Maurice. (1966). The breaking string: the plays of Anton Chekhov. Oxford U.P.

Valency, Maurice. (1975). The flower and the castle: an introduction to modern drama. Octagon Books.

Valency, Maurice. (1980). The end of the world: an introduction to contemporary drama. Oxford University Press.

Wallis, Mick & Shepherd, Simon. (2002). Studying plays (2nd ed). Arnold.

Ward, John. (1980). The social and religious plays of Strindberg. Athlone Press.

Wedekind, Frank, Bond, Edward, & Pablé, Elisabeth. (1993). Plays One: Vol. Methuen world classics. Methuen Drama.

Wedekind, Frank & Hay, Gerhard. (1990). Diary of an erotic life. Basil Blackwell.

Willett, John. (1977). The theatre of Bertolt Brecht: a study from eight aspects (Revised ed. (i.e. 3rd ed. with a revised bibliography)). Methuen.

Willett, John. (1978). The new sobriety, 1917-1933: art and politics in the Weimar period. Thames and Hudson.

Willett, John. (1984). The Weimar years: a culture cut short. Thames and Hudson.

Willett, John. (1988). The theatre of the Weimar Republic. Holmes & Meier.

Williams, Raymond. (66 C.E.). Modern Tragedy. Chatto.

Williams, Raymond. (1977). Marxism and literature: Vol. Marxist introductions. Oxford University Press.

Williams, Raymond. (1988). Keywords: a vocabulary of culture and society (Rev. and exp. ed). Fontana Press.

Williams, Raymond & Holderness, Graham. (1991). Drama in performance. Open University Press.

Williams, Raymond & Williams, Raymond. (1987a). Drama from Ibsen to Brecht (Rev. ed). Hogarth.

Williams, Raymond & Williams, Raymond. (1987b). Drama from Ibsen to Brecht (Rev. ed). Hogarth.

Williams, Raymond & Williams, Raymond. (1987c). Drama from Ibsen to Brecht (Rev. ed). Hogarth.

Wilson, Edmund. (1971). Axel’s castle: a study in the imaginative literature of 1870-1930: Vol. Fontana literature. Fontana.

Wolff, Janet. (1993). The social production of art: Vol. Communications and culture (2nd ed). Macmillan.

Worth, Katharine. (1978). The Irish drama of Europe from Yeats to Beckett. Athlone Press.

Worthen, William B. (n.d.). The Wadsworth anthology of drama (6th ed). Wadsworth Cengage Learning.

Worthen, William B. (1992). Modern drama and the rhetoric of theater. University of California Press.

Worthen, William B. (2000). The Harcourt Brace anthology of drama (3rd ed). Harcourt Brace College Publishers.

Worthen, William B. (2004). The Wadsworth anthology of drama (4th ed). Wadsworth.

Yeats, W. B. (1937). A vision (2nd ed). Macmillan.

Yeats, W. B. (1952). The collected plays of W.B. Yeats ([2nd ed]). Macmillan and Co.

Yeats, W. B. (1955). Autobiographies. Macmillan.

Yeats, W. B. (1959). Mythologies. Macmillan.

Yeats, W. B. (1961a). Essays and introductions. Macmillan.

Yeats, W. B. (1961b). Essays and introductions. Macmillan.

Yeats, W. B., Yeats, George, & Yeats, W. B. (1962a). Explorations. Macmillan.

Yeats, W. B., Yeats, George, & Yeats, W. B. (1962b). Explorations. Macmillan.

Zucker, A E. (1930). Ibsen the master builder. Thornton Butterworth.

Bibliography for Mapping Modern Drama - (DRA020N226S) BETA