1.
Burrows, Jonathan. A Choreographer’s Handbook. Routledge; 2010. http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203852163
2.
Hamilton J. Dance improvisation (1994). 2006;Arts archives.
3.
Peeters J, Damaged Goods (Dance company). Are We Here yet ?: Damaged Goods, Meg Stuart. Presses Du Reel; 2010.
4.
Rethorst S. A Choreographic Mind: Autobodygraphical Writings. Theatre Academy; 2013.
5.
Goulish, Matthew, ebrary, Inc. 39 Microlectures: In Proximity of Performance. Routledge; 2000.
6.
De Spain K. Landscape of the Now: A Topography of Movement Improvisation. Oxford University Press; 2014. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780199988273&uid=^u
7.
Zaporah R. Action Theater: The Improvisation of Presence. North Atlantic Books; 1995.
8.
Banes, Sally. Terpsichore in Sneakers: Post-Modern Dance. [Reissued], with a new introduction. Wesleyan University Press; 1987.
9.
Banes, Sally, Lepecki, Andr.̌. The Senses in Performance. Vol Worlds of performance. Routledge; 2007.
10.
Lalitaraja JC. A Buddhist’s approach to choreography as spiritual practice. Journal of Dance and Somatic Practices. 2012;4(1):143-154. doi:10.1386/jdsp.4.1.143_1
11.
Attending to Movement - Triarchy Press. http://www.triarchypress.net/attending-to-movement.html
12.
Blum H, ed. Dancing with Dharma: Essays on Movement and Dance in Western Buddhism. McFarland & Company, Inc., Publishers; 2016. http://capitadiscovery.co.uk/roehampton/items/835665
13.
Buckwalter M, ebrary, Inc. Composing While Dancing: An Improviser’s Companion. University of Wisconsin Press; 2011. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=3445138
14.
Rethorst S. A Choreographic Mind: Autobodygraphical Writings. Theatre Academy; 2013.
15.
Peeters J, Damaged Goods (Dance company). Are We Here yet ?: Damaged Goods, Meg Stuart. Presses Du Reel; 2010.
16.
Blom, Lynne Anne, Chaplin, L. Tarin. The Intimate Act of Choreography. Feffer and Simons; 1982. https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=2038173
17.
Rethorst S. A Choreographic Mind: Autobodygraphical Writings. Theatre Academy of the University of the Arts
18.
Pilbrow, Richard. Stage Lighting. 2nd ed. Cassell; 1982.
19.
Rethorst S. A Choreographic Mind: Autobodygraphical Writings. Theatre Academy; 2013.
20.
Keersmaeker, Anne Teresa de, Cvejic, Bojana. A Choreographer’s Score: Fase, Rosas Danst Rosas, Elena’s Aria, Bartók. Mercatorfonds
21.
Sasha Waltz – Körper / S / noBody - Special Edition DVD - Arthaus Musik. http://arthaus-musik.com/dvd/sondereditionen/media/details/sasha_waltz_koerper_s_nobody.html?no_cache=1
22.
Musique de Tables by Thierry De Mey (Sophimages). http://www.sophimages.be/Film/Detail/1012
23.
Brown, Trisha, Kertess, Klaus. Trisha Brown: Early Works 1966-1979. Vol ARTPIX notebooks. Artpix; 2004.
24.
Early Works - Films and documentaries | Rosas. http://www.rosas.be/en/film/early-works-films-and-documentaries
25.
Blom, Lynne Anne, Chaplin, L. Tarin. The Moment of Movement: Dance Improvisation. Dance Books; 2000.
26.
Albright, Ann Cooper, Gere, David. Taken by Surprise: A Dance Improvisation Reader. Eurospan [distributor]; 2003.
27.
Johnstone, Keith. Impro: Improvisation and the Theatre. Vol Methuen drama. Corr. ed. Eyre Methuen; 1981.
28.
Novack, Cynthia J. Sharing the Dance: Contact Improvisation and American Culture. Vol New directions in anthropological writing. University of Wisconsin Press; 1990.
29.
Steinman, Louise. The Knowing Body: Elements of Contemporary Performance & Dance. Shambhala; 1986.
30.
Tufnell, Miranda, Crickmay, Christopher. Body, Space, Image: Notes towards Improvisation and Performance. Virago; 1990.
31.
Keogh, Martin. The Art of Waiting: Essays on Contact Improvisation. Martin Keogh
32.
Adshead-Lansdale, Janet, Study of Dance Conference, National Resource Centre for Dance. Choreography: Principles and Practice : Report of the Fourth Study of Dance Conference, University of Surrey, 4-7 April 1986. Published for the Dance Research Unit by the National Resource Centre for Dance; 1987.
33.
Adshead-Lansdale, Janet, Jones, Chris, Study of Dance Conference. Border Tensions: Dance and Discourse : Proceedings of the Fifth Study of Dance Conference, University of Surrey, 20-23 April 1995. Department of Dance Studies, University of Surrey; 1995.
34.
Adshead-Lansdale, Janet. Dancing Texts: Intertextuality in Interpretation. Dance Books; 1999.
35.
Banes, Sally. Writing Dancing in the Age of Postmodernism. University Press of New England; 1994. http://site.ebrary.com/lib/roehampton/Doc?id=10607263
36.
Campbell, Patrick. Analysing Performance: A Critical Reader. Manchester University Press; 1996.
37.
Fancher, Gordon, Myers, Gerald E. Philosophical Essays on Dance: With Responses from Choreographers, Critics and Dancers : Based on a Conference at the American Dance Festival. Dance Horizons; 1981.
38.
Hayes, Elizabeth R. Dance Composition and Production: For High Schools and Colleges. Dance Horizons; 1981.
39.
Humphrey, Doris, Pollack, Barbara. The Art of Making Dances. Rinehart; 1959.
40.
Huxley, Michael, Witts, Noel. The Twentieth-Century Performance Reader. Routledge; 1996.
41.
Ottone / Ottone I and II | Rosas. http://www.rosas.be/en/film/ottone-ottone-i-and-ii