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Hamilton J. Dance improvisation (1994). Vol. Arts archives. Exeter: Arts Documentation Unit; 2006.
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Peeters J, Damaged Goods (Dance company). Are we here yet ?: Damaged Goods, Meg Stuart. Dijon, Belgium: Presses Du Reel; 2010.
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De Spain K. Landscape of the now: a topography of movement improvisation [Internet]. New York: Oxford University Press; 2014. Available from: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780199988273&uid=^u
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Zaporah R. Action theater: the improvisation of presence. Berkeley, Calif: North Atlantic Books; 1995.
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Banes, Sally. Terpsichore in sneakers: post-modern dance. [Reissued], with a new introduction. Middletown, Conn: Wesleyan University Press; 1987.
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Buckwalter M, ebrary, Inc. Composing while dancing: an improviser’s companion [Internet]. Madison, Wis: University of Wisconsin Press; 2011. Available from: https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=3445138
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Rethorst S. A choreographic mind: autobodygraphical writings. Helsinki: Theatre Academy; 2013.
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Peeters J, Damaged Goods (Dance company). Are we here yet ?: Damaged Goods, Meg Stuart. Dijon, Belgium: Presses Du Reel; 2010.
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Blom, Lynne Anne, Chaplin, L. Tarin. The intimate act of choreography [Internet]. London: Feffer and Simons; 1982. Available from: https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=2038173
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Rethorst S. A choreographic mind: autobodygraphical writings. Helsinki: Theatre Academy of the University of the Arts;
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Pilbrow, Richard. Stage lighting. 2nd ed. London: Cassell; 1982.
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Rethorst S. A choreographic mind: autobodygraphical writings. Helsinki: Theatre Academy; 2013.
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Sasha Waltz – Körper / S / noBody - Special Edition DVD - Arthaus Musik [Internet]. Available from: http://arthaus-musik.com/dvd/sondereditionen/media/details/sasha_waltz_koerper_s_nobody.html?no_cache=1
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Musique de Tables by Thierry De Mey (Sophimages) [Internet]. Available from: http://www.sophimages.be/Film/Detail/1012
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Brown, Trisha, Kertess, Klaus. Trisha Brown: early works 1966-1979. Vol. ARTPIX notebooks. [New York]: Artpix; 2004.
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Early Works - Films and documentaries | Rosas [Internet]. Available from: http://www.rosas.be/en/film/early-works-films-and-documentaries
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Blom, Lynne Anne, Chaplin, L. Tarin. The moment of movement: dance improvisation. London: Dance Books; 2000.
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Albright, Ann Cooper, Gere, David. Taken by surprise: a dance improvisation reader. Hanover, N.H.: Eurospan [distributor]; 2003.
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Johnstone, Keith. Impro: improvisation and the theatre. Corr. ed. Vol. Methuen drama. London: Eyre Methuen; 1981.
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Novack, Cynthia J. Sharing the dance: contact improvisation and American culture. Vol. New directions in anthropological writing. London: University of Wisconsin Press; 1990.
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Steinman, Louise. The knowing body: elements of contemporary performance & dance. Boston: Shambhala; 1986.
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Tufnell, Miranda, Crickmay, Christopher. Body, space, image: notes towards improvisation and performance. London: Virago; 1990.
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Keogh, Martin. The art of waiting: essays on contact improvisation. North Easton, Mass: Martin Keogh;
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Adshead-Lansdale, Janet, Study of Dance Conference, National Resource Centre for Dance. Choreography: principles and practice : report of the fourth study of dance conference, University of Surrey, 4-7 April 1986. Guildford: Published for the Dance Research Unit by the National Resource Centre for Dance; 1987.
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Adshead-Lansdale, Janet, Jones, Chris, Study of Dance Conference. Border tensions: dance and discourse : proceedings of the fifth Study of Dance Conference, University of Surrey, 20-23 April 1995. Guildford: Department of Dance Studies, University of Surrey; 1995.
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Adshead-Lansdale, Janet. Dancing texts: intertextuality in interpretation. London: Dance Books; 1999.
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Banes, Sally. Writing dancing in the age of postmodernism [Internet]. Hanover, N.H.: University Press of New England; 1994. Available from: http://site.ebrary.com/lib/roehampton/Doc?id=10607263
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Campbell, Patrick. Analysing performance: a critical reader. Manchester: Manchester University Press; 1996.
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Fancher, Gordon, Myers, Gerald E. Philosophical essays on dance: with responses from choreographers, critics and dancers : based on a conference at the American Dance Festival. London: Dance Horizons; 1981.
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Hayes, Elizabeth R. Dance composition and production: for high schools and colleges. London: Dance Horizons; 1981.
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Humphrey, Doris, Pollack, Barbara. The art of making dances. New York: Rinehart; 1959.
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Huxley, Michael, Witts, Noel. The Twentieth-century performance reader. London: Routledge; 1996.
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Ottone / Ottone I and II | Rosas [Internet]. Available from: http://www.rosas.be/en/film/ottone-ottone-i-and-ii
