Adshead-Lansdale, Janet. Dancing Texts: Intertextuality in Interpretation. London: Dance Books, 1999. Print.
Adshead-Lansdale, Janet, Jones, Chris, and Study of Dance Conference. Border Tensions: Dance and Discourse : Proceedings of the Fifth Study of Dance Conference, University of Surrey, 20-23 April 1995. Guildford: Department of Dance Studies, University of Surrey, 1995. Print.
Adshead-Lansdale, Janet, Study of Dance Conference, and National Resource Centre for Dance. Choreography: Principles and Practice : Report of the Fourth Study of Dance Conference, University of Surrey, 4-7 April 1986. Guildford: Published for the Dance Research Unit by the National Resource Centre for Dance, 1987. Print.
Albright, Ann Cooper and Gere, David. Taken by Surprise: A Dance Improvisation Reader. Hanover, N.H.: Eurospan [distributor], 2003. Print.
Attending to Movement - Triarchy Press. N.p. Web. <http://www.triarchypress.net/attending-to-movement.html>.
Banes, Sally. Terpsichore in Sneakers: Post-Modern Dance. [Reissued], with a new introduction. Middletown, Conn: Wesleyan University Press, 1987. Print.
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Banes, Sally and Lepecki, Andr.̌. The Senses in Performance. Worlds of performance. London: Routledge, 2007. Print.
Blom, Lynne Anne and Chaplin, L. Tarin. The Intimate Act of Choreography. London: Feffer and Simons, 1982. Web. <https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=2038173>.
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Blum, Harrison, ed. Dancing with Dharma: Essays on Movement and Dance in Western Buddhism. Jefferson, North Carolina: McFarland & Company, Inc., Publishers, 2016. Web. <http://capitadiscovery.co.uk/roehampton/items/835665>.
Brown, Trisha and Kertess, Klaus. Trisha Brown: Early Works 1966-1979. ARTPIX notebooks. [New York]: Artpix, 2004. Print.
Buckwalter, Melinda and ebrary, Inc. Composing While Dancing: An Improviser’s Companion. Madison, Wis: University of Wisconsin Press, 2011. Web. <https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=3445138>.
Burrows, Jonathan. A Choreographer’s Handbook. London: Routledge, 2010. Web. <http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203852163>.
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De Spain, Kent. Landscape of the Now: A Topography of Movement Improvisation. New York: Oxford University Press, 2014. Web. <https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780199988273&uid=^u>.
‘Early Works - Films and Documentaries | Rosas’. Web. <http://www.rosas.be/en/film/early-works-films-and-documentaries>.
Fancher, Gordon and Myers, Gerald E. Philosophical Essays on Dance: With Responses from Choreographers, Critics and Dancers : Based on a Conference at the American Dance Festival. London: Dance Horizons, 1981. Print.
Goulish, Matthew and ebrary, Inc. 39 Microlectures: In Proximity of Performance. London: Routledge, 2000. Print.
Hamilton, Julyen. ‘Dance Improvisation (1994)’. 2006 : n. pag. Print.
Hayes, Elizabeth R. Dance Composition and Production: For High Schools and Colleges. London: Dance Horizons, 1981. Print.
Humphrey, Doris and Pollack, Barbara. The Art of Making Dances. New York: Rinehart, 1959. Print.
Huxley, Michael and Witts, Noel. The Twentieth-Century Performance Reader. London: Routledge, 1996. Print.
Johnstone, Keith. Impro: Improvisation and the Theatre. Corr. ed. Methuen drama. London: Eyre Methuen, 1981. Print.
Keersmaeker, Anne Teresa de and Cvejic, Bojana. A Choreographer’s Score: Fase, Rosas Danst Rosas, Elena’s Aria, Bartók. Brussels: Mercatorfonds. Print.
Keogh, Martin. The Art of Waiting: Essays on Contact Improvisation. North Easton, Mass: Martin Keogh. Print.
Lalitaraja, Joachim Chandler. ‘A Buddhist’s Approach to Choreography as Spiritual Practice’. Journal of Dance and Somatic Practices 4.1 (2012): 143–154. Web.
‘Musique de Tables by Thierry De Mey (Sophimages)’. Web. <http://www.sophimages.be/Film/Detail/1012>.
Novack, Cynthia J. Sharing the Dance: Contact Improvisation and American Culture. New directions in anthropological writing. London: University of Wisconsin Press, 1990. Print.
‘Ottone / Ottone I and II | Rosas’. Web. <http://www.rosas.be/en/film/ottone-ottone-i-and-ii>.
Peeters, Jeroen and Damaged Goods (Dance company). Are We Here yet ?: Damaged Goods, Meg Stuart. Dijon, Belgium: Presses Du Reel, 2010. Print.
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Pilbrow, Richard. Stage Lighting. 2nd ed. London: Cassell, 1982. Print.
Rethorst, Susan. A Choreographic Mind: Autobodygraphical Writings. Helsinki: Theatre Academy, 2013. Print.
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‘Sasha Waltz – Körper / S / noBody - Special Edition DVD - Arthaus Musik’. Web. <http://arthaus-musik.com/dvd/sondereditionen/media/details/sasha_waltz_koerper_s_nobody.html?no_cache=1>.
Steinman, Louise. The Knowing Body: Elements of Contemporary Performance & Dance. Boston: Shambhala, 1986. Print.
Tufnell, Miranda and Crickmay, Christopher. Body, Space, Image: Notes towards Improvisation and Performance. London: Virago, 1990. Print.
Zaporah, Ruth. Action Theater: The Improvisation of Presence. Berkeley, Calif: North Atlantic Books, 1995. Print.
