Adshead-Lansdale, Janet (1999) Dancing texts: intertextuality in interpretation. London: Dance Books.
Adshead-Lansdale, Janet, Jones, Chris, and Study of Dance Conference (1995) Border tensions: dance and discourse : proceedings of the fifth Study of Dance Conference, University of Surrey, 20-23 April 1995. Guildford: Department of Dance Studies, University of Surrey.
Adshead-Lansdale, Janet, Study of Dance Conference, and National Resource Centre for Dance (1987) Choreography: principles and practice : report of the fourth study of dance conference, University of Surrey, 4-7 April 1986. Guildford: Published for the Dance Research Unit by the National Resource Centre for Dance.
Albright, Ann Cooper and Gere, David (2003) Taken by surprise: a dance improvisation reader. Hanover, N.H.: Eurospan [distributor].
Attending to Movement - Triarchy Press (no date). Available at: http://www.triarchypress.net/attending-to-movement.html.
Banes, Sally (1987) Terpsichore in sneakers: post-modern dance. [Reissued], with a new introduction. Middletown, Conn: Wesleyan University Press.
Banes, Sally (1994) Writing dancing in the age of postmodernism. Hanover, N.H.: University Press of New England. Available at: http://site.ebrary.com/lib/roehampton/Doc?id=10607263.
Banes, Sally and Lepecki, Andr.̌ (2007) The senses in performance. London: Routledge.
Blom, Lynne Anne and Chaplin, L. Tarin (1982) The intimate act of choreography. London: Feffer and Simons. Available at: https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=2038173.
Blom, Lynne Anne and Chaplin, L. Tarin (2000) The moment of movement: dance improvisation. London: Dance Books.
Blum, H. (ed.) (2016) Dancing with Dharma: essays on movement and dance in western Buddhism. Jefferson, North Carolina: McFarland & Company, Inc., Publishers. Available at: http://capitadiscovery.co.uk/roehampton/items/835665.
Brown, Trisha and Kertess, Klaus (2004) Trisha Brown: early works 1966-1979 [videorecording]. [New York]: Artpix.
Buckwalter, M. and ebrary, Inc (2011) Composing while dancing: an improviser’s companion [electronic resource]. Madison, Wis: University of Wisconsin Press. Available at: https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=3445138.
Burrows, Jonathan (2010) A choreographer’s handbook. London: Routledge. Available at: http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203852163.
Campbell, Patrick (1996) Analysing performance: a critical reader. Manchester: Manchester University Press.
De Spain, K. (2014) Landscape of the now: a topography of movement improvisation. New York: Oxford University Press. Available at: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780199988273&uid=^u.
‘Early Works - Films and documentaries | Rosas’ (no date). Available at: http://www.rosas.be/en/film/early-works-films-and-documentaries.
Fancher, Gordon and Myers, Gerald E. (1981) Philosophical essays on dance: with responses from choreographers, critics and dancers : based on a conference at the American Dance Festival. London: Dance Horizons.
Goulish, Matthew and ebrary, Inc (2000) 39 microlectures: in proximity of performance [electronic resource]. London: Routledge.
Hamilton, J. (2006) ‘Dance improvisation (1994)’. Exeter: Arts Documentation Unit.
Hayes, Elizabeth R. (1981) Dance composition and production: for high schools and colleges. London: Dance Horizons.
Humphrey, Doris and Pollack, Barbara (1959) The art of making dances. New York: Rinehart.
Huxley, Michael and Witts, Noel (1996) The Twentieth-century performance reader. London: Routledge.
Johnstone, Keith (1981) Impro: improvisation and the theatre. Corr. ed. London: Eyre Methuen.
Keersmaeker, Anne Teresa de and Cvejic, Bojana (no date) A choreographer’s score: Fase, Rosas danst Rosas, Elena’s Aria, Bartók. Brussels: Mercatorfonds.
Keogh, Martin (no date) The art of waiting: essays on contact improvisation. North Easton, Mass: Martin Keogh.
Lalitaraja, J.C. (2012) ‘A Buddhist’s approach to choreography as spiritual practice’, Journal of Dance and Somatic Practices, 4(1), pp. 143–154. Available at: https://doi.org/10.1386/jdsp.4.1.143_1.
‘Musique de Tables by Thierry De Mey (Sophimages)’ (no date). Available at: http://www.sophimages.be/Film/Detail/1012.
Novack, Cynthia J. (1990) Sharing the dance: contact improvisation and American culture. London: University of Wisconsin Press.
‘Ottone / Ottone I and II | Rosas’ (no date). Available at: http://www.rosas.be/en/film/ottone-ottone-i-and-ii.
Peeters, J. and Damaged Goods (Dance company) (2010a) Are we here yet ?: Damaged Goods, Meg Stuart. Dijon, Belgium: Presses Du Reel.
Peeters, J. and Damaged Goods (Dance company) (2010b) Are we here yet ?: Damaged Goods, Meg Stuart. Dijon, Belgium: Presses Du Reel.
Pilbrow, Richard (1982) Stage lighting. 2nd ed. London: Cassell.
Rethorst, S. (2013a) A choreographic mind: autobodygraphical writings. Helsinki: Theatre Academy.
Rethorst, S. (2013b) A choreographic mind: autobodygraphical writings. Helsinki: Theatre Academy.
Rethorst, S. (2013c) A choreographic mind: autobodygraphical writings. Helsinki: Theatre Academy.
Rethorst, S. (no date) A choreographic mind: autobodygraphical writings. Helsinki: Theatre Academy of the University of the Arts.
‘Sasha Waltz – Körper / S / noBody - Special Edition DVD - Arthaus Musik’ (no date). Available at: http://arthaus-musik.com/dvd/sondereditionen/media/details/sasha_waltz_koerper_s_nobody.html?no_cache=1.
Steinman, Louise (1986) The knowing body: elements of contemporary performance & dance. Boston: Shambhala.
Tufnell, Miranda and Crickmay, Christopher (1990) Body, space, image: notes towards improvisation and performance. London: Virago.
Zaporah, R. (1995) Action theater: the improvisation of presence. Berkeley, Calif: North Atlantic Books.
