Adshead-Lansdale, Janet. (1999). Dancing texts: intertextuality in interpretation. Dance Books.
Adshead-Lansdale, Janet, Jones, Chris, & Study of Dance Conference. (1995). Border tensions: dance and discourse : proceedings of the fifth Study of Dance Conference, University of Surrey, 20-23 April 1995. Department of Dance Studies, University of Surrey.
Adshead-Lansdale, Janet, Study of Dance Conference, & National Resource Centre for Dance. (1987). Choreography: principles and practice : report of the fourth study of dance conference, University of Surrey, 4-7 April 1986. Published for the Dance Research Unit by the National Resource Centre for Dance.
Albright, Ann Cooper & Gere, David. (2003). Taken by surprise: a dance improvisation reader. Eurospan [distributor].
Attending to Movement - Triarchy Press. (n.d.). http://www.triarchypress.net/attending-to-movement.html
Banes, Sally. (1987). Terpsichore in sneakers: post-modern dance ([Reissued], with a new introduction). Wesleyan University Press.
Banes, Sally. (1994). Writing dancing in the age of postmodernism. University Press of New England. http://site.ebrary.com/lib/roehampton/Doc?id=10607263
Banes, Sally & Lepecki, Andr.̌. (2007). The senses in performance: Vol. Worlds of performance. Routledge.
Blom, Lynne Anne & Chaplin, L. Tarin. (1982). The intimate act of choreography. Feffer and Simons. https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=2038173
Blom, Lynne Anne & Chaplin, L. Tarin. (2000). The moment of movement: dance improvisation. Dance Books.
Blum, H. (Ed.). (2016). Dancing with Dharma: essays on movement and dance in western Buddhism. McFarland & Company, Inc., Publishers. http://capitadiscovery.co.uk/roehampton/items/835665
Brown, Trisha & Kertess, Klaus. (2004). Trisha Brown: early works 1966-1979: Vol. ARTPIX notebooks [Videorecording]. Artpix.
Buckwalter, M. & ebrary, Inc. (2011). Composing while dancing: an improviser’s companion [Electronic resource]. University of Wisconsin Press. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=3445138
Burrows, Jonathan. (2010). A choreographer’s handbook. Routledge. http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203852163
Campbell, Patrick. (1996). Analysing performance: a critical reader. Manchester University Press.
De Spain, K. (2014). Landscape of the now: a topography of movement improvisation. Oxford University Press. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780199988273&uid=^u
Early Works - Films and documentaries | Rosas. (n.d.). http://www.rosas.be/en/film/early-works-films-and-documentaries
Fancher, Gordon & Myers, Gerald E. (1981). Philosophical essays on dance: with responses from choreographers, critics and dancers : based on a conference at the American Dance Festival. Dance Horizons.
Goulish, Matthew & ebrary, Inc. (2000). 39 microlectures: in proximity of performance [Electronic resource]. Routledge.
Hamilton, J. (2006). Dance improvisation (1994): Vol. Arts archives [Electronic resource]. Arts Documentation Unit.
Hayes, Elizabeth R. (1981). Dance composition and production: for high schools and colleges. Dance Horizons.
Humphrey, Doris & Pollack, Barbara. (1959). The art of making dances. Rinehart.
Huxley, Michael & Witts, Noel. (1996). The Twentieth-century performance reader. Routledge.
Johnstone, Keith. (1981). Impro: improvisation and the theatre: Vol. Methuen drama (Corr. ed). Eyre Methuen.
Keersmaeker, Anne Teresa de & Cvejic, Bojana. (n.d.). A choreographer’s score: Fase, Rosas danst Rosas, Elena’s Aria, Bartók. Mercatorfonds.
Keogh, Martin. (n.d.). The art of waiting: essays on contact improvisation. Martin Keogh.
Lalitaraja, J. C. (2012). A Buddhist’s approach to choreography as spiritual practice. Journal of Dance and Somatic Practices, 4(1), 143–154. https://doi.org/10.1386/jdsp.4.1.143_1
Musique de Tables by Thierry De Mey (Sophimages). (n.d.). http://www.sophimages.be/Film/Detail/1012
Novack, Cynthia J. (1990). Sharing the dance: contact improvisation and American culture: Vol. New directions in anthropological writing. University of Wisconsin Press.
Ottone / Ottone I and II | Rosas. (n.d.). http://www.rosas.be/en/film/ottone-ottone-i-and-ii
Peeters, J. & Damaged Goods (Dance company). (2010a). Are we here yet ?: Damaged Goods, Meg Stuart. Presses Du Reel.
Peeters, J. & Damaged Goods (Dance company). (2010b). Are we here yet ?: Damaged Goods, Meg Stuart. Presses Du Reel.
Pilbrow, Richard. (1982). Stage lighting (2nd ed). Cassell.
Rethorst, S. (n.d.). A choreographic mind: autobodygraphical writings. Theatre Academy of the University of the Arts.
Rethorst, S. (2013a). A choreographic mind: autobodygraphical writings. Theatre Academy.
Rethorst, S. (2013b). A choreographic mind: autobodygraphical writings. Theatre Academy.
Rethorst, S. (2013c). A choreographic mind: autobodygraphical writings. Theatre Academy.
Sasha Waltz – Körper / S / noBody - Special Edition DVD - Arthaus Musik. (n.d.). http://arthaus-musik.com/dvd/sondereditionen/media/details/sasha_waltz_koerper_s_nobody.html?no_cache=1
Steinman, Louise. (1986). The knowing body: elements of contemporary performance & dance. Shambhala.
Tufnell, Miranda & Crickmay, Christopher. (1990). Body, space, image: notes towards improvisation and performance. Virago.
Zaporah, R. (1995). Action theater: the improvisation of presence. North Atlantic Books.
