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Goulish, Matthew, ebrary, Inc: 39 microlectures: in proximity of performance. Routledge, London (2000).
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De Spain, K.: Landscape of the now: a topography of movement improvisation. Oxford University Press, New York (2014).
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Blum, H. ed: Dancing with Dharma: essays on movement and dance in western Buddhism. McFarland & Company, Inc., Publishers, Jefferson, North Carolina (2016).
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Keogh, Martin: The art of waiting: essays on contact improvisation. Martin Keogh, North Easton, Mass.
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Adshead-Lansdale, Janet, Jones, Chris, Study of Dance Conference: Border tensions: dance and discourse : proceedings of the fifth Study of Dance Conference, University of Surrey, 20-23 April 1995. Department of Dance Studies, University of Surrey, Guildford (1995).
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Adshead-Lansdale, Janet: Dancing texts: intertextuality in interpretation. Dance Books, London (1999).
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Banes, Sally: Writing dancing in the age of postmodernism. University Press of New England, Hanover, N.H. (1994).
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Campbell, Patrick: Analysing performance: a critical reader. Manchester University Press, Manchester (1996).
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Fancher, Gordon, Myers, Gerald E.: Philosophical essays on dance: with responses from choreographers, critics and dancers : based on a conference at the American Dance Festival. Dance Horizons, London (1981).
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Hayes, Elizabeth R.: Dance composition and production: for high schools and colleges. Dance Horizons, London (1981).
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Humphrey, Doris, Pollack, Barbara: The art of making dances. Rinehart, New York (1959).
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Huxley, Michael, Witts, Noel: The Twentieth-century performance reader. Routledge, London (1996).
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Ottone / Ottone I and II | Rosas, http://www.rosas.be/en/film/ottone-ottone-i-and-ii.