21st century musical theatre : 50 songs from shows since 2000 (Women’s edition). (2016). Hal Leonard Corporation.
Alfreds, M. (2007). Different every night: freeing the actor. Nick Hern Books.
Attenborough, Richard & Dante, Nicholas. (2008). A chorus line [Videorecording]. Optimum Home Entertainment.
Atypon Systems. (n.d.). Studies in Musical Theatre [Electronic resource]. Atypon Link.
Baker, A. (2013). Circle Mirror Transformation. Faber and Faber.
Banfield, S. (1996). Company. In Sondheim’s Broadway musicals: Vol. The Michigan American music series (pp. 147–176). University of Michigan Press.
Burger, A. (2010). Wicked and Wonderful Witches : Narrative and Gender Negotiations from The Wizard of Oz to Wicked [Electronic resource]. In Beyond adaptation: essays on radical transformations of original works (pp. 123–132). McFarland & Co.
Caldarone, M., & Lloyd-Williams, M. (2004). Actions: the actors’ thesaurus. Nick Hern. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=5149866
Cannon, D., & Brosnan, P. (2012). In-depth acting. Oberon Books.
Casado, D. (2017). Teaching Musical Theatre : The Essential Handbook: 16 Ready-To-Go Lesson Plans to Build a Better Actor. Beat by Beat Press.
Churcher, M. (2011). Screen acting workshop. Nick Hern Books.
Cramer, L. (2013). Creating musical theatre : conversations with Broadway directors and choreographers. Bloomsbury Methuen Drama.
Deer, J. (2013). Directing in musical theatre: an essential guide. Routledge.
Deer, J. (2015). Acting in musical theatre : a comprehensive course (2nd ed). Routledge.
Del Deo, A., & Stern, J. D. (2008). Every little step: the journey of ‘A Chorus Line’ [Videorecording]. Sony Pictures.
Donnellan, D. (2005). Actor and the target. Declan Donnellan (Rev. ed). Nick Hern. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=1128729
Draper, Natalie. (2010). Concept meets narrative in Sondheim’s ‘Company’: Metadrama as a method of analysis. Studies in Musical Theatre, 4(2), 171–183. https://doi.org/10.1386/smt.4.2.171_1
Ellis, Sarah, T. (2011). ‘No day but today’: Queer temporality in Rent. Studies in Musical Theatre, 5(2), 195–207. https://doi.org/10.1386/smt.5.2.195_1
Esper, W. (2009). Actor’s art and craft : William Esper teaches the Meisner technique. William Esper, Damon DiMarco. Anchor.
Everett, W. A. (2004). The musical: a research and information guide. Routledge. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203891193&uid=^u
Everett, W. A., & Laird, P. R. (Eds.). (n.d.-a). From Hair to Rent: is ‘rockâ€TM a four-letter word on Broadway? In The Cambridge companion to the musical (Third edition, pp. 235–249). Cambridge University Press.
Everett, W. A., & Laird, P. R. (Eds.). (n.d.-b). The creation of a Broadway musical: Stephen Schwartz, Winnie Holzman, and Wicked. In The Cambridge companion to the musical (Third edition, pp. 340–352). Cambridge University Press.
Fleming, J. (Author). (2017). Davies and Penhall’s Sunny afternoo+. Routledge.
Franceschina, J. C. (2015). Putting it together : music theorythrough musical theatre. Oxford University Press.
Garland, Judy, Baum, L. Frank, & Fleming, Victor. (2001). The wizard of Oz [Videorecording]. Warner Home Video.
Gelles, Barrie. (2011). Glee and the ‘Ghosting’ of the Musical Theatre Canon. Popular Entertainment Studies, 2(2), 89–111.
Glee: Season 3. (2012). [Videorecording]. 20th Century Fox Home Ent.
Gordon, R., Jubin, O., & Taylor, M. (2016). British musical theatre since 1950. Bloomsbury Methuen Drama.
Greif, Michael & Warren, Michael John. (2009). Rent [Videorecording]. Sony Pictures Home Ent.
Harvard, P. (2013). Acting through song : techniques and exercises for musical-theatre actors. Nick Hern.
Hausam, W. (2003). New American musical : an anthology from the end of the century (1st ed.). Theatre Communications Group.
Henshall, R. (2012). So you want to be in musicals? Nick Hern Books.
Henson, D., & Pickering, K. (2013). Musical theatre: a workbook. Palgrave Macmillan.
Hurwitz, N. (2014). A history of the American musical theatre: no business like it. Routledge. https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=1721114
Hurwitz, N. (2017). Songwriters of the American musical theatre : a style guide for singers. Routledge.
Ian Bradley. (n.d.). You’ve Got to Have a Dream [Paperback]. SCM Press.
Jubin, O. (2018a). Sondheim and Lapine’s Into the wood+. Routledge.
Jubin, O. (2018b). Sondheim and Lapine’s Into the wood+. Routledge.
Kayes, G. (2004). Singing and the actor (2nd ed). A. & C. Black. http://site.ebrary.com/lib/roehampton/Doc?id=10639168
Kemp, R. (2012). Embodied acting : what neuroscience tells us about performance. Routledge. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=1024593
Laird, Paul, R. (2011). ‘It Couldn’t Happen Here in Oz’: Wicked and the creation of a ‘critic-proof’ musical. Studies in Musical Theatre, 5(1), 35–47. https://doi.org/10.1386/smt.5.1.35_1
Lehman, Engel & Kissel, Howard. (2004). Romance. In Words with music (New ed, pp. 106–119). Roundhouse [distributor]. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=1753156
Lloyd Webber, A. (2018). Unmasked. HarperCollinsPublishers.
Lodge, Mary Jo. (2007). Beyond ‘Jumping the Shark’: the new television musical. Studies in Musical Theatre, 1(3), 293–305. https://doi.org/10.1386/smt.1.3.293_1
Lundskaer-Nielsen, Miranda. (2008). Directors and the New Musical Drama. Palgrave Macmillan. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780230611245&uid=^u
McCarter, J. (2016). Hamilton, the revolution : being the complete libretto of the Broadway musical, with a true account of its creation, and concise remarks onhip-hop, the power of stories, andthe new America. by Lin-Manuel Miranda and Jeremy McCarter. Little, Brown.
McLamore, A. (2018). Musical Theater : An Appreciation (Second edition). Routledge.
McMillin, S. (2006). The musical as drama: a study of the principles and conventions behind musical shows from Kern to Sondheim. Princeton University Press. http://site.ebrary.com/lib/roehampton/Doc?id=10961871
McMillin, Scott. (2006). The musical as drama: a study of the principles and conventions behind musical shows from Kern to Sondheim. Princeton University Press. http://site.ebrary.com/lib/roehampton/Doc?id=10961871
Meisner, S., & Longwell, D. (1987). Sanford Meisner on acting. Vintage Books.
Mendes, Sam. (1997). Company: Vol. Performance [Videorecording]. BBC.
Miller, Scott. (2007). Strike up the band: a new history of musical theatre. Heinemann.
Moseley, N. (2012). Meisner in practice : a guide for actors, directors and teachers. Nick Hern Books.
Moseley, N. (2016). Actioning - and how to do it. Nick Hern Books.
O’Brien, N. (2016). Stanislavski in practice : the film part two : work on a role. Routledge.
O’Brien, N. (2017). Stanislavski in practice : exercises for students (Second edition). Routledge. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=5049728
Osatinski, A. S. (2019). Disney Theatrical Productions: producing Broadway musicals the Disney way. Routledge. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780429023361&uid=^u
Phantom of the opera: behind the mask. (2006). [Videorecording]. BBC 2.
Prece, Paul, & William A., E. (2008). The megamusical: the creation, internationalisation and impact of a genre [Electronic resource]. In The Cambridge Companion to the Musical: Vol. Cambridge Companions to Music (pp. 250–269). Cambridge University Press. https://doi.org/10.1017/CCOL9780521862387.015
Price, Lonny. (2011). Sondheim: The birthday concert: the birthday concert [Videorecording]. Decca.
Purdy, S. (2016). Musical theatre song : a comprehensive course in selection, preparation and presentation for the modern performer. Bloomsbury Methuen Drama.
Rapaport, Pola & Held, Wolfgang. (2007). Hair: Let the sun shine in : the musical that transformed a generation [Videorecording]. Alive Mind.
Riedel, M. (2015). Razzle Dazzle: The Battle for Broadway (First Simon&Schuster hardcover edition). Simon & Schuster.
Rodosthenous, G. (2017). Twenty-First Century Musicals: From Stage to Screen. Taylor & Francis Ltd. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9781315626123&uid=^u
Rosenhaus, S., & Cohen, A. (2006). Writing musical theater. Palgrave Macmillan.
Schuller, J. E., & Schrader, V. L. (2017). ‘Beautiful as you feel’: Feminism and post-feminism in Beautiful: The Carole King Musical. Studies in Musical Theatre, 11(1), 51–64. https://doi.org/10.1386/smt.11.1.51_1
Siropoulos, Vagelis. (2010a). Cats, Postdramatic Blockbuster Aesthetics and the Triumph of the Megamusical. Image & Narrative, 11(3), 128–145.
Siropoulos, Vagelis. (2010b). The Bohemian Iconoclast and the Corporate Giant: Julie Taymor’s Staging of Disney’s The Lion King, or The Portrait of the Avant-Garde Artist as a Corporate Employee. Gramma: Journal of Theory and Criticism, 10, 137–150.
Siropoulos, Vagelis. (2011). Megamusicals, spectacle and the postdramatic aesthetics of late capitalism. Studies in Musical Theatre, 5(1), 13–34. https://doi.org/10.1386/smt.5.1.13_1
Sondheim, S., & Doyle, J. (2007). Company: a musical comedy [Videorecording]. Image Entertainment.
Sondheim, Stephen & Burton, Tim. (2008). Sweeney Todd: the demon barber of Fleet Street (Widescreen) [Videorecording]. Warner Home Video.
Sondheim, Stephen & Furth, George. (1996). Company. Nick Hern.
Sternfeld, J. (2007). The megamusical. Indiana University Press. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=312916
Sternfeld, J., & Wollman, E. L. (Eds.). (2020). The Routledge companion to the contemporary musical. Routledge.
Sternfeld, Jessica. (2006). ‘To Love Another Person Is to See the Face of God’ Les Misérables [Electronic resource]. In The megamusical: Vol. Profiles in popular music (pp. 175–225). Indiana University Press. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=312916
Streeton, J., Raymond, P., & Royal Academy of Dramatic Art (Great Britain). (2014). Singing on stage: an actors’ guide. Bloomsbury Methuen Drama.
Svich, C. (2019). Mitchell and Trask’s Hedwig and the Angry Inch. Taylor & Francis Group. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=5798077
Swayne, Steve & ebrary, Inc. (2007). How Sondheim found his sound (1st ed) [Electronic resource]. University of Michigan Press. https://roe.idm.oclc.org/login?url=https://www.jstor.org/stable/10.3998/mpub.99247
Taylor, M., & Symonds, D. (2014). Studying musical theatre: theory and practice. Palgrave Macmillan.
The Sondheim review. (1994). [Electronic resource]. International Bibliography of Theatre&Dance with Full Text.
The Stephen Sondheim Collection. (2008). Bmg.
Vandevender, Bryan M. (2009). A substitute for love: the performance of sex in ‘Spring Awakening’. Studies in Musical Theatre, 3(3), 293–302. https://doi.org/10.1386/smt.3.3.293/1
Viertel, J. (2017). Secret life of the american musical: how broadway shows are built (First paperback edition). Sarah Crichton Books,Farrar, Straus and Grioux.
Walsh, P. J., & O’Brien, N. (2015). Stanislavski in practice - the film: Part one: Work on the actor [Dvd]. Routledge, Taylor & Francis Group.
Whitfield, S. (2018). Boublil and Schönberg’s Les Misérables. Routledge.
Wolf, Stacy. (2011). It’s all about popular : Wicked divas and internet girl fans [Electronic resource]. In Changed for good: a feminist history of the Broadway musical (pp. 219–236). Oxford University Press.
Wolf, Stacy Ellen. (2008). ‘Defying Gravity’: Queer Conventions in the Musical Wicked. Theatre Journal, 60(1), 1–21. https://doi.org/10.1353/tj.2008.0075
Woll, Allen. (1989). Black musical theatre: from Coontown to Dreamgirls. Louisiana State University Press.
Wollman, E. (2010). The theater will rock: a history of the rock musical, from Hair to Hedwig. University of Michigan Press. http://site.ebrary.com/lib/roehampton/Doc?id=10395622
Wollman, E. L. (2017). Critical companion to the Americanstage musical. Elizabeth L. Wollman. Bloomsbury Methuen Drama.
Wollman, Elizabeth & Sternfeld, Jessica. (2011). Musical theatre and the almighty dollar: What a tangled web they weave. Studies in Musical Theatre, 5(1), 3–12. https://doi.org/10.1386/smt.5.1.3_2
Woolford, J. (2012). How musicals work. Nick Hern Books. https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=1184922
Young-Gerber, Christine. (2010). ‘Attention must be paid’, cried the balladeer: The concept musical defined. Studies in Musical Theatre, 4(3), 331–342. https://doi.org/10.1386/smt.4.3.331_1