21st century musical theatre : 50 songs from shows since 2000. Women’s edition (2016). Milwaukee, WI: Hal Leonard Corporation.
Alfreds, M. (2007) Different every night: freeing the actor. London: Nick Hern Books.
Attenborough, Richard and Dante, Nicholas (2008) ‘A chorus line’. [UK]: Optimum Home Entertainment.
Atypon Systems (no date) ‘Studies in Musical Theatre’, Atypon Link.
Baker, A. (2013) Circle Mirror Transformation. London: Faber and Faber.
Banfield, S (1996) ‘Company’, in Sondheim’s Broadway musicals. Ann Arbor, Mich: University of Michigan Press, pp. 147–176.
Burger, A. (2010) ‘Wicked and Wonderful Witches : Narrative and Gender Negotiations from The Wizard of Oz to Wicked’, in Beyond adaptation: essays on radical transformations of original works. Jefferson, N.C.: McFarland & Co, pp. 123–132.
Caldarone, M. and Lloyd-Williams, M. (2004) Actions: the actors’ thesaurus. London: Nick Hern. Available at: https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=5149866.
Cannon, D. and Brosnan, P. (2012) In-depth acting. London: Oberon Books.
Casado, D. (2017) Teaching Musical Theatre : The Essential Handbook: 16 Ready-To-Go Lesson Plans to Build a Better Actor. Beat by Beat Press.
Churcher, M. (2011) Screen acting workshop. London: Nick Hern Books.
Cramer, L. (2013) Creating musical theatre : conversations with Broadway directors and choreographers. London: Bloomsbury Methuen Drama.
Deer, J. (2013) Directing in musical theatre: an essential guide. London: Routledge.
Deer, J. (2015) Acting in musical theatre : a comprehensive course. 2nd ed. London: Routledge.
Del Deo, A. and Stern, J.D. (2008) ‘Every little step: the journey of “A Chorus Line”’. U.S.A.: Sony Pictures.
Donnellan, D. (2005) Actor and the target. Declan Donnellan. Rev. ed. London: Nick Hern. Available at: https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=1128729.
Draper, Natalie (2010) ‘Concept meets narrative in Sondheim’s “Company”: Metadrama as a method of analysis’, Studies in Musical Theatre, 4(2), pp. 171–183. Available at: https://doi.org/10.1386/smt.4.2.171_1.
Ellis, Sarah, T. (2011) ‘“No day but today”: Queer temporality in Rent’, Studies in Musical Theatre, 5(2), pp. 195–207. Available at: https://doi.org/10.1386/smt.5.2.195_1.
Esper, W. (2009) Actor’s art and craft : William Esper teaches the Meisner technique. William Esper, Damon DiMarco. New York: Anchor.
Everett, W.A. (2004) The musical: a research and information guide. New York: Routledge. Available at: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203891193&uid=^u.
Everett, W.A. and Laird, P.R. (eds) (no date a) ‘From Hair to Rent: is ‘rockâ€TM a four-letter word on Broadway?’, in The Cambridge companion to the musical. Third edition. [Cambridge, U.K.]: Cambridge University Press, pp. 235–249.
Everett, W.A. and Laird, P.R. (eds) (no date b) ‘The creation of a Broadway musical: Stephen Schwartz, Winnie Holzman, and Wicked’, in The Cambridge companion to the musical. Third edition. [Cambridge, U.K.]: Cambridge University Press, pp. 340–352.
Fleming, J. (Author) (2017) Davies and Penhall’s Sunny afternoo+. Abingdon, Oxon: Routledge.
Franceschina, J.C. (2015) Putting it together : music theorythrough musical theatre. New York: Oxford University Press.
Garland, Judy, Baum, L. Frank, and Fleming, Victor (2001) ‘The wizard of Oz’. [U.K.]: Warner Home Video.
Gelles, Barrie (2011) ‘Glee and the “Ghosting” of the Musical Theatre Canon’, Popular Entertainment Studies, 2(2), pp. 89–111.
‘Glee: Season 3’ (2012). [UK]: 20th Century Fox Home Ent.
Gordon, R., Jubin, O. and Taylor, M. (2016) British musical theatre since 1950. London: Bloomsbury Methuen Drama.
Greif, Michael and Warren, Michael John (2009) ‘Rent’. [UK]: Sony Pictures Home Ent.
Harvard, P. (2013) Acting through song : techniques and exercises for musical-theatre actors. London: Nick Hern.
Hausam, W. (2003) New American musical : an anthology from the end of the century. 1st edn. New York, NY: Theatre Communications Group.
Henshall, R. (2012) So you want to be in musicals? London, UK: Nick Hern Books.
Henson, D. and Pickering, K. (2013) Musical theatre: a workbook. Basingstoke, Hampshire: Palgrave Macmillan.
Hurwitz, N. (2014) A history of the American musical theatre: no business like it. New York: Routledge. Available at: https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=1721114.
Hurwitz, N. (2017) Songwriters of the American musical theatre : a style guide for singers. London, [England: Routledge.
Ian Bradley (no date) You’ve Got to Have a Dream [Paperback]. SCM Press.
Jubin, O. (2018a) Sondheim and Lapine’s Into the wood+. London: Routledge.
Jubin, O. (2018b) Sondheim and Lapine’s Into the wood+. London: Routledge.
Kayes, G. (2004) Singing and the actor. 2nd ed. London: A. & C. Black. Available at: http://site.ebrary.com/lib/roehampton/Doc?id=10639168.
Kemp, R. (2012) Embodied acting : what neuroscience tells us about performance. London: Routledge. Available at: https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=1024593.
Laird, Paul, R. (2011) ‘“It Couldn’t Happen Here in Oz”: Wicked and the creation of a “critic-proof” musical’, Studies in Musical Theatre, 5(1), pp. 35–47. Available at: https://doi.org/10.1386/smt.5.1.35_1.
Lehman, Engel and Kissel, Howard (2004) ‘Romance’, in Words with music. New ed. New York: Roundhouse [distributor], pp. 106–119. Available at: https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=1753156.
Lloyd Webber, A. (2018) Unmasked. London: HarperCollinsPublishers.
Lodge, Mary Jo (2007) ‘Beyond “Jumping the Shark”: the new television musical’, Studies in Musical Theatre, 1(3), pp. 293–305. Available at: https://doi.org/10.1386/smt.1.3.293_1.
Lundskaer-Nielsen, Miranda (2008) Directors and the New Musical Drama. Palgrave Macmillan. Available at: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780230611245&uid=^u.
McCarter, J. (2016) Hamilton, the revolution : being the complete libretto of the Broadway musical, with a true account of its creation, and concise remarks onhip-hop, the power of stories, andthe new America. by Lin-Manuel Miranda and Jeremy McCarter. London: Little, Brown.
McLamore, A. (2018) Musical Theater : An Appreciation. Second edition. New York: Routledge.
McMillin, S. (2006) The musical as drama: a study of the principles and conventions behind musical shows from Kern to Sondheim. Princeton, N.J.: Princeton University Press. Available at: http://site.ebrary.com/lib/roehampton/Doc?id=10961871.
McMillin, Scott (2006) The musical as drama: a study of the principles and conventions behind musical shows from Kern to Sondheim. Oxford: Princeton University Press. Available at: http://site.ebrary.com/lib/roehampton/Doc?id=10961871.
Meisner, S. and Longwell, D. (1987) Sanford Meisner on acting. New York: Vintage Books.
Mendes, Sam (1997) ‘Company’. London: BBC.
Miller, Scott (2007) Strike up the band: a new history of musical theatre. Portsmouth, NH: Heinemann.
Moseley, N. (2012) Meisner in practice : a guide for actors, directors and teachers. London, UK: Nick Hern Books.
Moseley, N. (2016) Actioning - and how to do it. London: Nick Hern Books.
O’Brien, N. (2016) Stanislavski in practice : the film part two : work on a role. Abingdon, Oxon: Routledge.
O’Brien, N. (2017) Stanislavski in practice : exercises for students. Second edition. New York: Routledge. Available at: https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=5049728.
Osatinski, A.S. (2019) Disney Theatrical Productions: producing Broadway musicals the Disney way. London: Routledge. Available at: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780429023361&uid=^u.
‘Phantom of the opera: behind the mask’ (2006). London: BBC 2.
Prece, Paul and William A., E. (2008) ‘The megamusical: the creation, internationalisation and impact of a genre’, in The Cambridge Companion to the Musical. Cambridge: Cambridge University Press, pp. 250–269. Available at: https://doi.org/10.1017/CCOL9780521862387.015.
Price, Lonny (2011) ‘Sondheim: The birthday concert: the birthday concert’. Decca.
Purdy, S. (2016) Musical theatre song : a comprehensive course in selection, preparation and presentation for the modern performer. London: Bloomsbury Methuen Drama.
Rapaport, Pola and Held, Wolfgang (2007) ‘Hair: Let the sun shine in : the musical that transformed a generation’. New York: Alive Mind.
Riedel, M. (2015) Razzle Dazzle: The Battle for Broadway. First Simon&Schuster hardcover edition. Simon & Schuster.
Rodosthenous, G. (2017) Twenty-First Century Musicals: From Stage to Screen. London: Taylor & Francis Ltd. Available at: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9781315626123&uid=^u.
Rosenhaus, S. and Cohen, A. (2006) Writing musical theater. Basingstoke: Palgrave Macmillan.
Schuller, J.E. and Schrader, V.L. (2017) ‘“Beautiful as you feel”: Feminism and post-feminism in Beautiful: The Carole King Musical’, Studies in Musical Theatre, 11(1), pp. 51–64. Available at: https://doi.org/10.1386/smt.11.1.51_1.
Siropoulos, Vagelis (2010a) ‘Cats, Postdramatic Blockbuster Aesthetics and the Triumph of the Megamusical’, Image & Narrative, 11(3), pp. 128–145.
Siropoulos, Vagelis (2010b) ‘The Bohemian Iconoclast and the Corporate Giant: Julie Taymor’s Staging of Disney’s The Lion King, or The Portrait of the Avant-Garde Artist as a Corporate Employee’, Gramma: Journal of Theory and Criticism, 10, pp. 137–150.
Siropoulos, Vagelis (2011) ‘Megamusicals, spectacle and the postdramatic aesthetics of late capitalism’, Studies in Musical Theatre, 5(1), pp. 13–34. Available at: https://doi.org/10.1386/smt.5.1.13_1.
Sondheim, S. and Doyle, J. (2007) ‘Company: a musical comedy’. Image Entertainment.
Sondheim, Stephen and Burton, Tim (2008) ‘Sweeney Todd: the demon barber of Fleet Street’. [UK]: Warner Home Video.
Sondheim, Stephen and Furth, George (1996) Company. London: Nick Hern.
Sternfeld, J. (2007) The megamusical. Bloomington, Ind: Indiana University Press. Available at: https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=312916.
Sternfeld, J. and Wollman, E.L. (eds) (2020) The Routledge companion to the contemporary musical. New York, NY: Routledge.
Sternfeld, Jessica (2006) ‘“To Love Another Person Is to See the Face of God” Les Misérables’, in The megamusical. Bloomington: Indiana University Press, pp. 175–225. Available at: https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=312916.
Streeton, J., Raymond, P., and Royal Academy of Dramatic Art (Great Britain) (2014) Singing on stage: an actors’ guide. London: Bloomsbury Methuen Drama.
Svich, C. (2019) Mitchell and Trask’s Hedwig and the Angry Inch. Abingdon: Taylor & Francis Group. Available at: https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=5798077.
Swayne, Steve and ebrary, Inc (2007) How Sondheim found his sound [electronic resource]. 1st ed. Ann Arbor [Mich.]: University of Michigan Press. Available at: https://roe.idm.oclc.org/login?url=https://www.jstor.org/stable/10.3998/mpub.99247.
Taylor, M. and Symonds, D. (2014) Studying musical theatre: theory and practice. London: Palgrave Macmillan.
‘The Sondheim review’ (1994), International Bibliography of Theatre&Dance with Full Text.
‘The Stephen Sondheim Collection’ (2008). Bmg.
Vandevender, Bryan M (2009) ‘A substitute for love: the performance of sex in “Spring Awakening”’, Studies in Musical Theatre, 3(3), pp. 293–302. Available at: https://doi.org/10.1386/smt.3.3.293/1.
Viertel, J. (2017) Secret life of the american musical: how broadway shows are built. First paperback edition. New York: Sarah Crichton Books,Farrar, Straus and Grioux.
Walsh, P.J. and O’Brien, N. (2015) Stanislavski in practice - the film: Part one: Work on the actor [dvd]. London: Routledge, Taylor & Francis Group.
Whitfield, S. (2018) Boublil and Schönberg’s Les Misérables. London: Routledge.
Wolf, Stacy (2011) ‘It’s all about popular : Wicked divas and internet girl fans’, in Changed for good: a feminist history of the Broadway musical. New York: Oxford University Press, pp. 219–236.
Wolf, Stacy Ellen (2008) ‘“Defying Gravity”: Queer Conventions in the Musical Wicked’, Theatre Journal, 60(1), pp. 1–21. Available at: https://doi.org/10.1353/tj.2008.0075.
Woll, Allen (1989) Black musical theatre: from Coontown to Dreamgirls. Baton Rouge: Louisiana State University Press.
Wollman, E. (2010) The theater will rock: a history of the rock musical, from Hair to Hedwig. Ann Arbor, Mich: University of Michigan Press. Available at: http://site.ebrary.com/lib/roehampton/Doc?id=10395622.
Wollman, E.L. (2017) Critical companion to the Americanstage musical. Elizabeth L. Wollman. London: Bloomsbury Methuen Drama.
Wollman, Elizabeth and Sternfeld, Jessica (2011) ‘Musical theatre and the almighty dollar: What a tangled web they weave’, Studies in Musical Theatre, 5(1), pp. 3–12. Available at: https://doi.org/10.1386/smt.5.1.3_2.
Woolford, J. (2012) How musicals work. London: Nick Hern Books. Available at: https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=1184922.
Young-Gerber, Christine (2010) ‘“Attention must be paid”, cried the balladeer: The concept musical defined’, Studies in Musical Theatre, 4(3), pp. 331–342. Available at: https://doi.org/10.1386/smt.4.3.331_1.
