1.
Svich, C. Mitchell and Trask’s Hedwig and the Angry Inch. (Taylor & Francis Group, 2019).
2.
Osatinski, A. S. Disney Theatrical Productions: producing Broadway musicals the Disney way. (Routledge, 2019).
3.
Hurwitz, N. A history of the American musical theatre: no business like it. (Routledge, 2014).
4.
Everett, W. A. The musical: a research and information guide. (Routledge, 2004).
5.
Rodosthenous, G. Twenty-First Century Musicals: From Stage to Screen. (Taylor & Francis Ltd, 2017).
6.
The Routledge companion to the contemporary musical. (Routledge, 2020).
7.
Kemp, R. Embodied acting : what neuroscience tells us about performance. (Routledge, 2012).
8.
Baker, A. Circle Mirror Transformation. (Faber and Faber, 2013).
9.
Walsh, P. J. & O’Brien, N. Stanislavski in practice - the film: Part one: Work on the actor. (Routledge, Taylor & Francis Group, 2015).
10.
Moseley, N. Meisner in practice : a guide for actors, directors and teachers. (Nick Hern Books, 2012).
11.
Esper, W. Actor’s art and craft : William Esper teaches the Meisner technique. William Esper, Damon DiMarco. (Anchor, 2009).
12.
Alfreds, M. Different every night: freeing the actor. (Nick Hern Books, 2007).
13.
Donnellan, D. Actor and the target. Declan Donnellan. (Nick Hern, 2005).
14.
Deer, J. Directing in musical theatre: an essential guide. (Routledge, 2013).
15.
Purdy, S. Musical theatre song : a comprehensive course in selection, preparation and presentation for the modern performer. (Bloomsbury Methuen Drama, 2016).
16.
Henshall, R. So you want to be in musicals? (Nick Hern Books, 2012).
17.
Henson, D. & Pickering, K. Musical theatre: a workbook. (Palgrave Macmillan, 2013).
18.
Streeton, J., Raymond, P., & Royal Academy of Dramatic Art (Great Britain). Singing on stage: an actors’ guide. (Bloomsbury Methuen Drama, 2014).
19.
Franceschina, J. C. Putting it together : music theorythrough musical theatre. (Oxford University Press, 2015).
20.
Deer, J. Acting in musical theatre : a comprehensive course. (Routledge, 2015).
21.
Kayes, G. Singing and the actor. (A. & C. Black, 2004).
22.
Harvard, P. Acting through song : techniques and exercises for musical-theatre actors. (Nick Hern, 2013).
23.
Woolford, J. How musicals work. (Nick Hern Books, 2012).
24.
Wollman, E. L. Critical companion to the Americanstage musical. Elizabeth L. Wollman. (Bloomsbury Methuen Drama, 2017).
25.
Gordon, R., Jubin, O. & Taylor, M. British musical theatre since 1950. (Bloomsbury Methuen Drama, 2016).
26.
Taylor, M. & Symonds, D. Studying musical theatre: theory and practice. (Palgrave Macmillan, 2014).
27.
Schuller, J. E. & Schrader, V. L. ‘Beautiful as you feel’: Feminism and post-feminism in Beautiful: The Carole King Musical. Studies in Musical Theatre 11, 51–64 (2017).
28.
Burger, A. Wicked and Wonderful Witches : Narrative and Gender Negotiations from The Wizard of Oz to Wicked. in Beyond adaptation: essays on radical transformations of original works 123–132 (McFarland & Co, 2010).
29.
Laird, Paul, R. ‘It Couldn’t Happen Here in Oz’: Wicked and the creation of a ‘critic-proof’ musical. Studies in Musical Theatre 5, 35–47 (2011).
30.
Wolf, Stacy. It’s all about popular : Wicked divas and internet girl fans. in Changed for good: a feminist history of the Broadway musical 219–236 (Oxford University Press, 2011).
31.
The creation of a Broadway musical: Stephen Schwartz, Winnie Holzman, and Wicked. in The Cambridge companion to the musical (eds. Everett, W. A. & Laird, P. R.) 340–352 (Cambridge University Press).
32.
Ellis, Sarah, T. ‘No day but today’: Queer temporality in Rent. Studies in Musical Theatre 5, 195–207 (2011).
33.
From Hair to Rent: is ‘rockâ€TM a four-letter word on Broadway? in The Cambridge companion to the musical (eds. Everett, W. A. & Laird, P. R.) 235–249 (Cambridge University Press).
34.
Wolf, Stacy Ellen. ‘Defying Gravity’: Queer Conventions in the Musical Wicked. Theatre Journal 60, 1–21 (2008).
35.
Lehman, Engel & Kissel, Howard. Romance. in Words with music 106–119 (Roundhouse [distributor], 2004).
36.
Vandevender, Bryan M. A substitute for love: the performance of sex in ‘Spring Awakening’. Studies in Musical Theatre 3, 293–302 (2009).
37.
Gelles, Barrie. Glee and the ‘Ghosting’ of the Musical Theatre Canon. Popular Entertainment Studies 2, 89–111 (2011).
38.
Lodge, Mary Jo. Beyond ‘Jumping the Shark’: the new television musical. Studies in Musical Theatre 1, 293–305 (2007).
39.
Prece, Paul & William A., E. The megamusical: the creation, internationalisation and impact of a genre. in The Cambridge Companion to the Musical vol. Cambridge Companions to Music 250–269 (Cambridge University Press, 2008).
40.
Siropoulos, Vagelis. Cats, Postdramatic Blockbuster Aesthetics and the Triumph of the Megamusical. Image & Narrative 11, 128–145 (2010).
41.
Sternfeld, Jessica. ‘To Love Another Person Is to See the Face of God’ Les Misérables. in The megamusical vol. Profiles in popular music 175–225 (Indiana University Press, 2006).
42.
Siropoulos, Vagelis. The Bohemian Iconoclast and the Corporate Giant: Julie Taymor’s Staging of Disney’s The Lion King, or The Portrait of the Avant-Garde Artist as a Corporate Employee. Gramma: Journal of Theory and Criticism 10, 137–150 (2010).
43.
Siropoulos, Vagelis. Megamusicals, spectacle and the postdramatic aesthetics of late capitalism. Studies in Musical Theatre 5, 13–34 (2011).
44.
Wollman, Elizabeth & Sternfeld, Jessica. Musical theatre and the almighty dollar: What a tangled web they weave. Studies in Musical Theatre 5, 3–12 (2011).
45.
Banfield, S. Company. in Sondheim’s Broadway musicals vol. The Michigan American music series 147–176 (University of Michigan Press, 1996).
46.
Draper, Natalie. Concept meets narrative in Sondheim’s ‘Company’: Metadrama as a method of analysis. Studies in Musical Theatre 4, 171–183 (2010).
47.
Young-Gerber, Christine. ‘Attention must be paid’, cried the balladeer: The concept musical defined. Studies in Musical Theatre 4, 331–342 (2010).
48.
Miller, Scott. Strike up the band: a new history of musical theatre. (Heinemann, 2007).
49.
Sternfeld, J. The megamusical. (Indiana University Press, 2007).
50.
Wollman, E. The theater will rock: a history of the rock musical, from Hair to Hedwig. (University of Michigan Press, 2010).
51.
Swayne, Steve & ebrary, Inc. How Sondheim found his sound. (University of Michigan Press, 2007).
52.
Sondheim, Stephen & Furth, George. Company. (Nick Hern, 1996).
53.
McMillin, Scott. The musical as drama: a study of the principles and conventions behind musical shows from Kern to Sondheim. (Princeton University Press, 2006).
54.
Woll, Allen. Black musical theatre: from Coontown to Dreamgirls. (Louisiana State University Press, 1989).
55.
Lundskaer-Nielsen, Miranda. Directors and the New Musical Drama. (Palgrave Macmillan, 2008).
56.
Greif, Michael & Warren, Michael John. Rent. (2009).
57.
Garland, Judy, Baum, L. Frank, & Fleming, Victor. The wizard of Oz. (2001).
58.
Sondheim, S. & Doyle, J. Company: a musical comedy. (2007).
59.
Mendes, Sam. Company. vol. Performance (1997).
60.
Attenborough, Richard & Dante, Nicholas. A chorus line. (2008).
61.
Rapaport, Pola & Held, Wolfgang. Hair: Let the sun shine in : the musical that transformed a generation. (2007).
62.
Price, Lonny. Sondheim: The birthday concert: the birthday concert. (2011).
63.
The Stephen Sondheim Collection. (2008).
64.
Phantom of the opera: behind the mask. (2006).
65.
Sondheim, Stephen & Burton, Tim. Sweeney Todd: the demon barber of Fleet Street. (2008).
66.
Glee: Season 3. (2012).
67.
Del Deo, A. & Stern, J. D. Every little step: the journey of ‘A Chorus Line’. (2008).
68.
The Sondheim review. International Bibliography of Theatre&Dance with Full Text, (1994).
69.
Atypon Systems. Studies in Musical Theatre. Atypon Link,.
70.
Rosenhaus, S. & Cohen, A. Writing musical theater. (Palgrave Macmillan, 2006).
71.
Cramer, L. Creating musical theatre : conversations with Broadway directors and choreographers. (Bloomsbury Methuen Drama, 2013).
72.
Viertel, J. Secret life of the american musical: how broadway shows are built. (Sarah Crichton Books,Farrar, Straus and Grioux, 2017).
73.
Riedel, M. Razzle Dazzle: The Battle for Broadway. (Simon & Schuster, 2015).
74.
Lloyd Webber, A. Unmasked. (HarperCollinsPublishers, 2018).
75.
Casado, D. Teaching Musical Theatre : The Essential Handbook: 16 Ready-To-Go Lesson Plans to Build a Better Actor. (Beat by Beat Press, 2017).
76.
21st century musical theatre : 50 songs from shows since 2000. (Hal Leonard Corporation, 2016).
77.
McCarter, J. Hamilton, the revolution : being the complete libretto of the Broadway musical, with a true account of its creation, and concise remarks onhip-hop, the power of stories, andthe new America. by Lin-Manuel Miranda and Jeremy McCarter. (Little, Brown, 2016).
78.
McMillin, S. The musical as drama: a study of the principles and conventions behind musical shows from Kern to Sondheim. (Princeton University Press, 2006).
79.
McLamore, A. Musical Theater : An Appreciation. (Routledge, 2018).
80.
Whitfield, S. Boublil and Schönberg’s Les Misérables. (Routledge, 2018).
81.
Jubin, O. Sondheim and Lapine’s Into the wood+. (Routledge, 2018).
82.
Jubin, O. Sondheim and Lapine’s Into the wood+. (Routledge, 2018).
83.
Fleming, J. (Author). Davies and Penhall’s Sunny afternoo+. (Routledge, 2017).
84.
Hurwitz, N. Songwriters of the American musical theatre : a style guide for singers. (Routledge, 2017).
85.
Hausam, W. New American musical : an anthology from the end of the century. (Theatre Communications Group, 2003).
86.
Ian Bradley. You’ve Got to Have a Dream. (SCM Press).
87.
Caldarone, M. & Lloyd-Williams, M. Actions: the actors’ thesaurus. (Nick Hern, 2004).
88.
Meisner, S. & Longwell, D. Sanford Meisner on acting. (Vintage Books, 1987).
89.
Moseley, N. Actioning - and how to do it. (Nick Hern Books, 2016).
90.
O’Brien, N. Stanislavski in practice : exercises for students. (Routledge, 2017).
91.
O’Brien, N. Stanislavski in practice : the film part two : work on a role. (Routledge, 2016).
92.
Cannon, D. & Brosnan, P. In-depth acting. (Oberon Books, 2012).
93.
Churcher, M. Screen acting workshop. (Nick Hern Books, 2011).