Bibliography for Music, Theatre and Performance - (DRA020N233S) BETA

21st Century Musical Theatre : 50 Songs from Shows since 2000. 2016. Women’s edition. Milwaukee, WI: Hal Leonard Corporation.

Alfreds, Mike. 2007. Different Every Night: Freeing the Actor. London: Nick Hern Books.

Attenborough, Richard and Dante, Nicholas. 2008. ‘A Chorus Line’. Videorecording. [UK]: Optimum Home Entertainment.

Atypon Systems. n.d. ‘Studies in Musical Theatre’. Electronic resource Atypon Link.

Baker, Annie. 2013. Circle Mirror Transformation. London: Faber and Faber.

Banfield, S. 1996. ‘Company’. In Sondheim’s Broadway Musicals, The Michigan American music series:147–76. Ann Arbor, Mich: University of Michigan Press.

Burger, A. 2010. ‘Wicked and Wonderful Witches : Narrative and Gender Negotiations from The Wizard of Oz to Wicked’. Electronic resource. In Beyond Adaptation: Essays on Radical Transformations of Original Works, 123–32. Jefferson, N.C.: McFarland & Co.

Caldarone, Marina, and Maggie Lloyd-Williams. 2004. Actions: The Actors’ Thesaurus. London: Nick Hern. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=5149866.

Cannon, Dee, and Pierce Brosnan. 2012. In-Depth Acting. London: Oberon Books.

Casado, Denver. 2017. Teaching Musical Theatre : The Essential Handbook: 16 Ready-To-Go Lesson Plans to Build a Better Actor. Beat by Beat Press.

Churcher, Mel. 2011. Screen Acting Workshop. London: Nick Hern Books.

Cramer, Lyn. 2013. Creating Musical Theatre : Conversations with Broadway Directors and Choreographers. London: Bloomsbury Methuen Drama.

Deer, Joe. 2013. Directing in Musical Theatre: An Essential Guide. London: Routledge.

———. 2015. Acting in Musical Theatre : A Comprehensive Course. 2nd ed. London: Routledge.

Del Deo, Adam, and James D. Stern. 2008. ‘Every Little Step: The Journey of “A Chorus Line”’. Videorecording. U.S.A.: Sony Pictures.

Donnellan, Declan. 2005. Actor and the Target. Declan Donnellan. Rev. ed. London: Nick Hern. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=1128729.

Draper, Natalie. 2010. ‘Concept Meets Narrative in Sondheim’s “Company”: Metadrama as a Method of Analysis’. Studies in Musical Theatre 4 (2): 171–83. https://doi.org/10.1386/smt.4.2.171_1.

Ellis, Sarah, T. 2011. ‘“No Day but Today”: Queer Temporality in Rent’. Studies in Musical Theatre 5 (2): 195–207. https://doi.org/10.1386/smt.5.2.195_1.

Esper, William. 2009. Actor’s Art and Craft : William Esper Teaches the Meisner Technique. William Esper, Damon DiMarco. New York: Anchor.

Everett, William A. 2004. The Musical: A Research and Information Guide. New York: Routledge. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203891193&uid=^u.

Everett, William A., and Paul R. Laird, eds. n.d. ‘From Hair to Rent: Is €˜rockâ€^TM a Four-Letter Word on Broadway?’ In The Cambridge Companion to the Musical, Third edition, 235–49. [Cambridge, U.K.]: Cambridge University Press.

———, eds. n.d. ‘The Creation of a Broadway Musical: Stephen Schwartz, Winnie Holzman, and Wicked’. In The Cambridge Companion to the Musical, Third edition, 340–52. [Cambridge, U.K.]: Cambridge University Press.

Fleming, John (Author). 2017. Davies and Penhall’s Sunny Afternoo+. Abingdon, Oxon: Routledge.

Franceschina, John Charles. 2015. Putting It Together : Music Theorythrough Musical Theatre. New York: Oxford University Press.

Garland, Judy, Baum, L. Frank, and Fleming, Victor. 2001. ‘The Wizard of Oz’. Videorecording. [U.K.]: Warner Home Video.

Gelles, Barrie. 2011. ‘Glee and the “Ghosting” of the Musical Theatre Canon’. Popular Entertainment Studies 2 (2): 89–111.

‘Glee: Season 3’. 2012. Videorecording. [UK]: 20th Century Fox Home Ent.

Gordon, Robert, Olaf Jubin, and Millie Taylor. 2016. British Musical Theatre since 1950. London: Bloomsbury Methuen Drama.

Greif, Michael and Warren, Michael John. 2009. ‘Rent’. Videorecording. [UK]: Sony Pictures Home Ent.

Harvard, Paul. 2013. Acting through Song : Techniques and Exercises for Musical-Theatre Actors. London: Nick Hern.

Hausam, Wiley. 2003. New American Musical : An Anthology from the End of the Century. 1st ed. New York, NY: Theatre Communications Group.

Henshall, Ruthie. 2012. So You Want to Be in Musicals? London, UK: Nick Hern Books.

Henson, David, and Kenneth Pickering. 2013. Musical Theatre: A Workbook. Basingstoke, Hampshire: Palgrave Macmillan.

Hurwitz, Nathaniel. 2014. A History of the American Musical Theatre: No Business like It. New York: Routledge. https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=1721114.

———. 2017. Songwriters of the American Musical Theatre : A Style Guide for Singers. London, [England: Routledge.

Ian Bradley. n.d. You’ve Got to Have a Dream. Paperback. SCM Press.

Jubin, Olaf. 2018a. Sondheim and Lapine’s Into the Wood+. London: Routledge.

———. 2018b. Sondheim and Lapine’s Into the Wood+. London: Routledge.

Kayes, Gillyanne. 2004. Singing and the Actor. 2nd ed. London: A. & C. Black. http://site.ebrary.com/lib/roehampton/Doc?id=10639168.

Kemp, Rick. 2012. Embodied Acting : What Neuroscience Tells Us about Performance. London: Routledge. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=1024593.

Laird, Paul, R. 2011. ‘“It Couldn’t Happen Here in Oz”: Wicked and the Creation of a “Critic-Proof” Musical’. Studies in Musical Theatre 5 (1): 35–47. https://doi.org/10.1386/smt.5.1.35_1.

Lehman, Engel and Kissel, Howard. 2004. ‘Romance’. In Words with Music, New ed, 106–19. New York: Roundhouse [distributor]. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=1753156.

Lloyd Webber, Andrew. 2018. Unmasked. London: HarperCollinsPublishers.

Lodge, Mary Jo. 2007. ‘Beyond “Jumping the Shark”: The New Television Musical’. Studies in Musical Theatre 1 (3): 293–305. https://doi.org/10.1386/smt.1.3.293_1.

Lundskaer-Nielsen, Miranda. 2008. Directors and the New Musical Drama. Palgrave Macmillan. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780230611245&uid=^u.

McCarter, Jeremy. 2016. Hamilton, the Revolution : Being the Complete Libretto of the Broadway Musical, with a True Account of Its Creation, and Concise Remarks Onhip-Hop, the Power of Stories, Andthe New America. by Lin-Manuel Miranda and Jeremy McCarter. London: Little, Brown.

McLamore, Alyson. 2018. Musical Theater : An Appreciation. Second edition. New York: Routledge.

McMillin, Scott. 2006. The Musical as Drama: A Study of the Principles and Conventions behind Musical Shows from Kern to Sondheim. Oxford: Princeton University Press. http://site.ebrary.com/lib/roehampton/Doc?id=10961871.

McMillin, Scott. 2006. The Musical as Drama: A Study of the Principles and Conventions behind Musical Shows from Kern to Sondheim. Princeton, N.J.: Princeton University Press. http://site.ebrary.com/lib/roehampton/Doc?id=10961871.

Meisner, Sanford, and Dennis Longwell. 1987. Sanford Meisner on Acting. New York: Vintage Books.

Mendes, Sam. 1997. ‘Company’. Videorecording. London: BBC.

Miller, Scott. 2007. Strike up the Band: A New History of Musical Theatre. Portsmouth, NH: Heinemann.

Moseley, Nick. 2012. Meisner in Practice : A Guide for Actors, Directors and Teachers. London, UK: Nick Hern Books.

———. 2016. Actioning - and How to Do It. London: Nick Hern Books.

O’Brien, Nick. 2016. Stanislavski in Practice : The Film Part Two : Work on a Role. Abingdon, Oxon: Routledge.

———. 2017. Stanislavski in Practice : Exercises for Students. Second edition. New York: Routledge. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=5049728.

Osatinski, Amy S. 2019. Disney Theatrical Productions: Producing Broadway Musicals the Disney Way. London: Routledge. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780429023361&uid=^u.

‘Phantom of the Opera: Behind the Mask’. 2006. Videorecording. London: BBC 2.

Prece, Paul, and Everett William A. 2008. ‘The Megamusical: The Creation, Internationalisation and Impact of a Genre’. Electronic resource. In The Cambridge Companion to the Musical, Cambridge Companions to Music:250–69. Cambridge: Cambridge University Press. https://doi.org/10.1017/CCOL9780521862387.015.

Price, Lonny. 2011. ‘Sondheim: The Birthday Concert: The Birthday Concert’. Videorecording. Decca.

Purdy, Stephen. 2016. Musical Theatre Song : A Comprehensive Course in Selection, Preparation and Presentation for the Modern Performer. London: Bloomsbury Methuen Drama.

Rapaport, Pola and Held, Wolfgang. 2007. ‘Hair: Let the Sun Shine in : The Musical That Transformed a Generation’. Videorecording. New York: Alive Mind.

Riedel, Michael. 2015. Razzle Dazzle: The Battle for Broadway. First Simon&Schuster hardcover edition. Simon & Schuster.

Rodosthenous, George. 2017. Twenty-First Century Musicals: From Stage to Screen. London: Taylor & Francis Ltd. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9781315626123&uid=^u.

Rosenhaus, Steve, and Allen Cohen. 2006. Writing Musical Theater. Basingstoke: Palgrave Macmillan.

Schuller, Julia Elizabeth, and Valerie Lynn Schrader. 2017. ‘“Beautiful as You Feel”: Feminism and Post-Feminism in Beautiful: The Carole King Musical’. Studies in Musical Theatre 11 (1): 51–64. https://doi.org/10.1386/smt.11.1.51_1.

Siropoulos, Vagelis. 2010a. ‘Cats, Postdramatic Blockbuster Aesthetics and the Triumph of the Megamusical’. Image & Narrative 11 (3): 128–45.

———. 2010b. ‘The Bohemian Iconoclast and the Corporate Giant: Julie Taymor’s Staging of Disney’s The Lion King, or The Portrait of the Avant-Garde Artist as a Corporate Employee’. Gramma: Journal of Theory and Criticism 10: 137–50.

———. 2011. ‘Megamusicals, Spectacle and the Postdramatic Aesthetics of Late Capitalism’. Studies in Musical Theatre 5 (1): 13–34. https://doi.org/10.1386/smt.5.1.13_1.

Sondheim, Stephen and Burton, Tim. 2008. ‘Sweeney Todd: The Demon Barber of Fleet Street’. Videorecording. [UK]: Warner Home Video.

Sondheim, Stephen, and John Doyle. 2007. ‘Company: A Musical Comedy’. Videorecording. Image Entertainment.

Sondheim, Stephen and Furth, George. 1996. Company. London: Nick Hern.

Sternfeld, Jessica. 2006. ‘“To Love Another Person Is to See the Face of God” Les Misérables’. Electronic resource. In The Megamusical, Profiles in popular music:175–225. Bloomington: Indiana University Press. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=312916.

Sternfeld, Jessica. 2007. The Megamusical. Bloomington, Ind: Indiana University Press. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=312916.

Sternfeld, Jessica, and Elizabeth L. Wollman, eds. 2020. The Routledge Companion to the Contemporary Musical. New York, NY: Routledge.

Streeton, Jane, Philip Raymond, and Royal Academy of Dramatic Art (Great Britain). 2014. Singing on Stage: An Actors’ Guide. London: Bloomsbury Methuen Drama.

Svich, Caridad. 2019. Mitchell and Trask’s Hedwig and the Angry Inch. Abingdon: Taylor & Francis Group. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=5798077.

Swayne, Steve and ebrary, Inc. 2007. How Sondheim Found His Sound. Electronic resource. 1st ed. Ann Arbor [Mich.]: University of Michigan Press. https://roe.idm.oclc.org/login?url=https://www.jstor.org/stable/10.3998/mpub.99247.

Taylor, Millie, and Dominic Symonds. 2014. Studying Musical Theatre: Theory and Practice. London: Palgrave Macmillan.

‘The Sondheim Review’. 1994. Electronic resource International Bibliography of Theatre&Dance with Full Text.

‘The Stephen Sondheim Collection’. 2008. Bmg.

Vandevender, Bryan M. 2009. ‘A Substitute for Love: The Performance of Sex in “Spring Awakening”’. Studies in Musical Theatre 3 (3): 293–302. https://doi.org/10.1386/smt.3.3.293/1.

Viertel, Jack. 2017. Secret Life of the American Musical: How Broadway Shows Are Built. First paperback edition. New York: Sarah Crichton Books,Farrar, Straus and Grioux.

Walsh, Peter J., and Nick O’Brien. 2015. Stanislavski in Practice - the Film: Part One: Work on the Actor. Dvd. London: Routledge, Taylor & Francis Group.

Whitfield, Sarah. 2018. Boublil and Schönberg’s Les Misérables. London: Routledge.

Wolf, Stacy. 2011. ‘It’s All about Popular : Wicked Divas and Internet Girl Fans’. Electronic resource. In Changed for Good: A Feminist History of the Broadway Musical, 219–36. New York: Oxford University Press.

Wolf, Stacy Ellen. 2008. ‘“Defying Gravity”: Queer Conventions in the Musical Wicked’. Theatre Journal 60 (1): 1–21. https://doi.org/10.1353/tj.2008.0075.

Woll, Allen. 1989. Black Musical Theatre: From Coontown to Dreamgirls. Baton Rouge: Louisiana State University Press.

Wollman, Elizabeth. 2010. The Theater Will Rock: A History of the Rock Musical, from Hair to Hedwig. Ann Arbor, Mich: University of Michigan Press. http://site.ebrary.com/lib/roehampton/Doc?id=10395622.

Wollman, Elizabeth L. 2017. Critical Companion to the Americanstage Musical. Elizabeth L. Wollman. London: Bloomsbury Methuen Drama.

Wollman, Elizabeth and Sternfeld, Jessica. 2011. ‘Musical Theatre and the Almighty Dollar: What a Tangled Web They Weave’. Studies in Musical Theatre 5 (1): 3–12. https://doi.org/10.1386/smt.5.1.3_2.

Woolford, Julian. 2012. How Musicals Work. London: Nick Hern Books. https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=1184922.

Young-Gerber, Christine. 2010. ‘“Attention Must Be Paid”, Cried the Balladeer: The Concept Musical Defined’. Studies in Musical Theatre 4 (3): 331–42. https://doi.org/10.1386/smt.4.3.331_1.