1
Svich C. Mitchell and Trask’s Hedwig and the Angry Inch. Abingdon: : Taylor & Francis Group 2019. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=5798077
2
Osatinski AS. Disney Theatrical Productions: producing Broadway musicals the Disney way. London: : Routledge 2019. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780429023361&uid=^u
3
Hurwitz N. A history of the American musical theatre: no business like it. New York: : Routledge 2014. https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=1721114
4
Everett WA. The musical: a research and information guide. New York: : Routledge 2004. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203891193&uid=^u
5
Rodosthenous G. Twenty-First Century Musicals: From Stage to Screen. London: : Taylor & Francis Ltd 2017. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9781315626123&uid=^u
6
Sternfeld J, Wollman EL, editors. The Routledge companion to the contemporary musical. New York, NY: : Routledge 2020.
7
Kemp R. Embodied acting : what neuroscience tells us about performance. London: : Routledge 2012. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=1024593
8
Baker A. Circle Mirror Transformation. London: : Faber and Faber 2013.
9
Walsh PJ, O’Brien N. Stanislavski in practice - the film: Part one: Work on the actor. London: : Routledge, Taylor & Francis Group 2015.
10
Moseley N. Meisner in practice : a guide for actors, directors and teachers. London, UK: : Nick Hern Books 2012.
11
Esper W. Actor’s art and craft : William Esper teaches the Meisner technique. William Esper, Damon DiMarco. New York: : Anchor 2009.
12
Alfreds M. Different every night: freeing the actor. London: : Nick Hern Books 2007.
13
Donnellan D. Actor and the target. Declan Donnellan. Rev. ed. London: : Nick Hern 2005. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=1128729
14
Deer J. Directing in musical theatre: an essential guide. London: : Routledge 2013.
15
Purdy S. Musical theatre song : a comprehensive course in selection, preparation and presentation for the modern performer. London: : Bloomsbury Methuen Drama 2016.
16
Henshall R. So you want to be in musicals? London, UK: : Nick Hern Books 2012.
17
Henson D, Pickering K. Musical theatre: a workbook. Basingstoke, Hampshire: : Palgrave Macmillan 2013.
18
Streeton J, Raymond P, Royal Academy of Dramatic Art (Great Britain). Singing on stage: an actors’ guide. London: : Bloomsbury Methuen Drama 2014.
19
Franceschina JC. Putting it together : music theorythrough musical theatre. New York: : Oxford University Press 2015.
20
Deer J. Acting in musical theatre : a comprehensive course. 2nd ed. London: : Routledge 2015.
21
Kayes G. Singing and the actor. 2nd ed. London: : A. & C. Black 2004. http://site.ebrary.com/lib/roehampton/Doc?id=10639168
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Harvard P. Acting through song : techniques and exercises for musical-theatre actors. London: : Nick Hern 2013.
23
Woolford J. How musicals work. London: : Nick Hern Books 2012. https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=1184922
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Wollman EL. Critical companion to the Americanstage musical. Elizabeth L. Wollman. London: : Bloomsbury Methuen Drama 2017.
25
Gordon R, Jubin O, Taylor M. British musical theatre since 1950. London: : Bloomsbury Methuen Drama 2016.
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Taylor M, Symonds D. Studying musical theatre: theory and practice. London: : Palgrave Macmillan 2014.
27
Schuller JE, Schrader VL. ‘Beautiful as you feel’: Feminism and post-feminism in Beautiful: The Carole King Musical. Studies in Musical Theatre 2017;11:51–64. doi:10.1386/smt.11.1.51_1
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Burger, A. Wicked and Wonderful Witches : Narrative and Gender Negotiations from The Wizard of Oz to Wicked. In: Beyond adaptation: essays on radical transformations of original works. Jefferson, N.C.: : McFarland & Co 2010. 123–32.
29
Laird, Paul, R. ‘It Couldn’t Happen Here in Oz’: Wicked and the creation of a ‘critic-proof’ musical. Studies in Musical Theatre 2011;5:35–47. doi:10.1386/smt.5.1.35_1
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Wolf, Stacy. It’s all about popular : Wicked divas and internet girl fans. In: Changed for good: a feminist history of the Broadway musical. New York: : Oxford University Press 2011. 219–36.
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Everett WA, Laird PR, editors. The creation of a Broadway musical: Stephen Schwartz, Winnie Holzman, and Wicked. In: The Cambridge companion to the musical. [Cambridge, U.K.]: : Cambridge University Press 340–52.
32
Ellis, Sarah, T. ‘No day but today’: Queer temporality in Rent. Studies in Musical Theatre 2011;5:195–207. doi:10.1386/smt.5.2.195_1
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Everett WA, Laird PR, editors. From Hair to Rent: is ‘rockâ€TM a four-letter word on Broadway? In: The Cambridge companion to the musical. [Cambridge, U.K.]: : Cambridge University Press 235–49.
34
Wolf, Stacy Ellen. ‘Defying Gravity’: Queer Conventions in the Musical Wicked. Theatre Journal 2008;60:1–21. doi:10.1353/tj.2008.0075
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Lehman, Engel, Kissel, Howard. Romance. In: Words with music. New York: : Roundhouse [distributor] 2004. 106–19.https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=1753156
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Vandevender, Bryan M. A substitute for love: the performance of sex in ‘Spring Awakening’. Studies in Musical Theatre 2009;3:293–302. doi:10.1386/smt.3.3.293/1
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Gelles, Barrie. Glee and the ‘Ghosting’ of the Musical Theatre Canon. Popular Entertainment Studies 2011;2:89–111.
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Lodge, Mary Jo. Beyond ‘Jumping the Shark’: the new television musical. Studies in Musical Theatre 2007;1:293–305. doi:10.1386/smt.1.3.293_1
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Prece, Paul, William A. E. The megamusical: the creation, internationalisation and impact of a genre. In: The Cambridge Companion to the Musical. Cambridge: : Cambridge University Press 2008. 250–69. doi:10.1017/CCOL9780521862387.015
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Siropoulos, Vagelis. Cats, Postdramatic Blockbuster Aesthetics and the Triumph of the Megamusical. Image & Narrative 2010;11:128–45.
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Sternfeld, Jessica. ‘To Love Another Person Is to See the Face of God’ Les Misérables. In: The megamusical. Bloomington: : Indiana University Press 2006. 175–225.https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=312916
42
Siropoulos, Vagelis. The Bohemian Iconoclast and the Corporate Giant: Julie Taymor’s Staging of Disney’s The Lion King, or The Portrait of the Avant-Garde Artist as a Corporate Employee. Gramma: Journal of Theory and Criticism 2010;10:137–50.
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Siropoulos, Vagelis. Megamusicals, spectacle and the postdramatic aesthetics of late capitalism. Studies in Musical Theatre 2011;5:13–34. doi:10.1386/smt.5.1.13_1
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Wollman, Elizabeth, Sternfeld, Jessica. Musical theatre and the almighty dollar: What a tangled web they weave. Studies in Musical Theatre 2011;5:3–12. doi:10.1386/smt.5.1.3_2
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Banfield, S. Company. In: Sondheim’s Broadway musicals. Ann Arbor, Mich: : University of Michigan Press 1996. 147–76.
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Draper, Natalie. Concept meets narrative in Sondheim’s ‘Company’: Metadrama as a method of analysis. Studies in Musical Theatre 2010;4:171–83. doi:10.1386/smt.4.2.171_1
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Young-Gerber, Christine. ‘Attention must be paid’, cried the balladeer: The concept musical defined. Studies in Musical Theatre 2010;4:331–42. doi:10.1386/smt.4.3.331_1
48
Miller, Scott. Strike up the band: a new history of musical theatre. Portsmouth, NH: : Heinemann 2007.
49
Sternfeld J. The megamusical. Bloomington, Ind: : Indiana University Press 2007. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=312916
50
Wollman E. The theater will rock: a history of the rock musical, from Hair to Hedwig. Ann Arbor, Mich: : University of Michigan Press 2010. http://site.ebrary.com/lib/roehampton/Doc?id=10395622
51
Swayne, Steve, ebrary, Inc. How Sondheim found his sound. 1st ed. Ann Arbor [Mich.]: : University of Michigan Press 2007. https://roe.idm.oclc.org/login?url=https://www.jstor.org/stable/10.3998/mpub.99247
52
Sondheim, Stephen, Furth, George. Company. London: : Nick Hern 1996.
53
McMillin, Scott. The musical as drama: a study of the principles and conventions behind musical shows from Kern to Sondheim. Oxford: : Princeton University Press 2006. http://site.ebrary.com/lib/roehampton/Doc?id=10961871
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Woll, Allen. Black musical theatre: from Coontown to Dreamgirls. Baton Rouge: : Louisiana State University Press 1989.
55
Lundskaer-Nielsen, Miranda. Directors and the New Musical Drama. Palgrave Macmillan 2008. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780230611245&uid=^u
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Greif, Michael, Warren, Michael John. Rent. 2009.
57
Garland, Judy, Baum, L. Frank, Fleming, Victor. The wizard of Oz. 2001.
58
Sondheim S, Doyle J. Company: a musical comedy. 2007.
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Mendes, Sam. Company. 1997;Performance.
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Attenborough, Richard, Dante, Nicholas. A chorus line. 2008.
61
Rapaport, Pola, Held, Wolfgang. Hair: Let the sun shine in : the musical that transformed a generation. 2007.
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Price, Lonny. Sondheim: The birthday concert: the birthday concert. 2011.
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The Stephen Sondheim Collection. 2008.
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Phantom of the opera: behind the mask. 2006.
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Sondheim, Stephen, Burton, Tim. Sweeney Todd: the demon barber of Fleet Street. 2008.
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Del Deo A, Stern JD. Every little step: the journey of ‘A Chorus Line’. 2008.
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The Sondheim review. 1994;International Bibliography of Theatre&Dance with Full Text.
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Atypon Systems. Studies in Musical Theatre. ;Atypon Link.
70
Rosenhaus S, Cohen A. Writing musical theater. Basingstoke: : Palgrave Macmillan 2006.
71
Cramer L. Creating musical theatre : conversations with Broadway directors and choreographers. London: : Bloomsbury Methuen Drama 2013.
72
Viertel J. Secret life of the american musical: how broadway shows are built. First paperback edition. New York: : Sarah Crichton Books,Farrar, Straus and Grioux 2017.
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Riedel M. Razzle Dazzle: The Battle for Broadway. First Simon&Schuster hardcover edition. Simon & Schuster 2015.
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Lloyd Webber A. Unmasked. London: : HarperCollinsPublishers 2018.
75
Casado D. Teaching Musical Theatre : The Essential Handbook: 16 Ready-To-Go Lesson Plans to Build a Better Actor. Beat by Beat Press 2017.
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21st century musical theatre : 50 songs from shows since 2000. Women’s edition. Milwaukee, WI: : Hal Leonard Corporation 2016.
77
McCarter J. Hamilton, the revolution : being the complete libretto of the Broadway musical, with a true account of its creation, and concise remarks onhip-hop, the power of stories, andthe new America. by Lin-Manuel Miranda and Jeremy McCarter. London: : Little, Brown 2016.
78
McMillin S. The musical as drama: a study of the principles and conventions behind musical shows from Kern to Sondheim. Princeton, N.J.: : Princeton University Press 2006. http://site.ebrary.com/lib/roehampton/Doc?id=10961871
79
McLamore A. Musical Theater : An Appreciation. Second edition. New York: : Routledge 2018.
80
Whitfield S. Boublil and Schönberg’s Les Misérables. London: : Routledge 2018.
81
Jubin O. Sondheim and Lapine’s Into the wood+. London: : Routledge 2018.
82
Jubin O. Sondheim and Lapine’s Into the wood+. London: : Routledge 2018.
83
Fleming J (Author). Davies and Penhall’s Sunny afternoo+. Abingdon, Oxon: : Routledge 2017.
84
Hurwitz N. Songwriters of the American musical theatre : a style guide for singers. London, [England: : Routledge 2017.
85
Hausam W. New American musical : an anthology from the end of the century. 1st ed. New York, NY: : Theatre Communications Group 2003.
86
Ian Bradley. You’ve Got to Have a Dream. SCM Press
87
Caldarone M, Lloyd-Williams M. Actions: the actors’ thesaurus. London: : Nick Hern 2004. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=5149866
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Meisner S, Longwell D. Sanford Meisner on acting. New York: : Vintage Books 1987.
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Moseley N. Actioning - and how to do it. London: : Nick Hern Books 2016.
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O’Brien N. Stanislavski in practice : exercises for students. Second edition. New York: : Routledge 2017. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=5049728
91
O’Brien N. Stanislavski in practice : the film part two : work on a role. Abingdon, Oxon: : Routledge 2016.
92
Cannon D, Brosnan P. In-depth acting. London: : Oberon Books 2012.
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Churcher M. Screen acting workshop. London: : Nick Hern Books 2011.
