Bibliography for Music, Theatre and Performance - (DRA020N233S) BETA

1.

Svich C. Mitchell and Trask’s Hedwig and the Angry Inch [Internet]. Abingdon: Taylor & Francis Group; 2019. Available from: https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=5798077

2.

Osatinski AS. Disney Theatrical Productions: producing Broadway musicals the Disney way [Internet]. London: Routledge; 2019. Available from: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780429023361&uid=^u

3.

Hurwitz N. A history of the American musical theatre: no business like it [Internet]. New York: Routledge; 2014. Available from: https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=1721114

4.

Everett WA. The musical: a research and information guide [Internet]. New York: Routledge; 2004. Available from: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203891193&uid=^u

5.

Rodosthenous G. Twenty-First Century Musicals: From Stage to Screen [Internet]. London: Taylor & Francis Ltd; 2017. Available from: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9781315626123&uid=^u

6.

Sternfeld J, Wollman EL, editors. The Routledge companion to the contemporary musical. New York, NY: Routledge; 2020.

7.

Kemp R. Embodied acting : what neuroscience tells us about performance [Internet]. London: Routledge; 2012. Available from: https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=1024593

8.

Baker A. Circle Mirror Transformation. London: Faber and Faber; 2013.

9.

Walsh PJ, O’Brien N. Stanislavski in practice - the film: Part one: Work on the actor. London: Routledge, Taylor & Francis Group; 2015.

10.

Moseley N. Meisner in practice : a guide for actors, directors and teachers. London, UK: Nick Hern Books; 2012.

11.

Esper W. Actor’s art and craft : William Esper teaches the Meisner technique. William Esper, Damon DiMarco. New York: Anchor; 2009.

12.

Alfreds M. Different every night: freeing the actor. London: Nick Hern Books; 2007.

13.

Donnellan D. Actor and the target. Declan Donnellan [Internet]. Rev. ed. London: Nick Hern; 2005. Available from: https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=1128729

14.

Deer J. Directing in musical theatre: an essential guide. London: Routledge; 2013.

15.

Purdy S. Musical theatre song : a comprehensive course in selection, preparation and presentation for the modern performer. London: Bloomsbury Methuen Drama; 2016.

16.

Henshall R. So you want to be in musicals? London, UK: Nick Hern Books; 2012.

17.

Henson D, Pickering K. Musical theatre: a workbook. Basingstoke, Hampshire: Palgrave Macmillan; 2013.

18.

Streeton J, Raymond P, Royal Academy of Dramatic Art (Great Britain). Singing on stage: an actors’ guide. London: Bloomsbury Methuen Drama; 2014.

19.

Franceschina JC. Putting it together : music theorythrough musical theatre. New York: Oxford University Press; 2015.

20.

Deer J. Acting in musical theatre : a comprehensive course. 2nd ed. London: Routledge; 2015.

21.

Kayes G. Singing and the actor [Internet]. 2nd ed. London: A. & C. Black; 2004. Available from: http://site.ebrary.com/lib/roehampton/Doc?id=10639168

22.

Harvard P. Acting through song : techniques and exercises for musical-theatre actors. London: Nick Hern; 2013.

23.

Woolford J. How musicals work [Internet]. London: Nick Hern Books; 2012. Available from: https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=1184922

24.

Wollman EL. Critical companion to the Americanstage musical. Elizabeth L. Wollman. London: Bloomsbury Methuen Drama; 2017.

25.

Gordon R, Jubin O, Taylor M. British musical theatre since 1950. London: Bloomsbury Methuen Drama; 2016.

26.

Taylor M, Symonds D. Studying musical theatre: theory and practice. London: Palgrave Macmillan; 2014.

27.

Schuller JE, Schrader VL. ‘Beautiful as you feel’: Feminism and post-feminism in Beautiful: The Carole King Musical. Studies in Musical Theatre. 2017 Mar 1;11(1):51–64.

28.

Burger, A. Wicked and Wonderful Witches : Narrative and Gender Negotiations from The Wizard of Oz to Wicked. Beyond adaptation: essays on radical transformations of original works. Jefferson, N.C.: McFarland & Co; 2010. p. 123–132.

29.

Laird, Paul, R. ‘It Couldn’t Happen Here in Oz’: Wicked and the creation of a ‘critic-proof’ musical. Studies in Musical Theatre. 2011;5(1):35–47.

30.

Wolf, Stacy. It’s all about popular : Wicked divas and internet girl fans. Changed for good: a feminist history of the Broadway musical. New York: Oxford University Press; 2011. p. 219–236.

31.

Everett WA, Laird PR, editors. The creation of a Broadway musical: Stephen Schwartz, Winnie Holzman, and Wicked. The Cambridge companion to the musical. Third edition. [Cambridge, U.K.]: Cambridge University Press; p. 340–352.

32.

Ellis, Sarah, T. ‘No day but today’: Queer temporality in Rent. Studies in Musical Theatre. 2011;5(2):195–207.

33.

Everett WA, Laird PR, editors. From Hair to Rent: is ‘rockâ€^TM a four-letter word on Broadway? The Cambridge companion to the musical. Third edition. [Cambridge, U.K.]: Cambridge University Press; p. 235–249.

34.

Wolf, Stacy Ellen. ‘Defying Gravity’: Queer Conventions in the Musical Wicked. Theatre Journal. 2008;60(1):1–21.

35.

Lehman, Engel, Kissel, Howard. Romance. Words with music [Internet]. New ed. New York: Roundhouse [distributor]; 2004. p. 106–119. Available from: https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=1753156

36.

Vandevender, Bryan M. A substitute for love: the performance of sex in ‘Spring Awakening’. Studies in Musical Theatre. 2009;3(3):293–302.

37.

Gelles, Barrie. Glee and the ‘Ghosting’ of the Musical Theatre Canon. Popular Entertainment Studies. School of Drama, Fine Art and Music, Faculty of Education & Arts, The University of Newcastle, Australia; 2011;2(2):89–111.

38.

Lodge, Mary Jo. Beyond ‘Jumping the Shark’: the new television musical. Studies in Musical Theatre. 2007;1(3):293–305.

39.

Prece, Paul, William A. E. The megamusical: the creation, internationalisation and impact of a genre. The Cambridge Companion to the Musical [Internet]. Cambridge: Cambridge University Press; 2008. p. 250–269. Available from: http://dx.doi.org/10.1017/CCOL9780521862387

40.

Siropoulos, Vagelis. Cats, Postdramatic Blockbuster Aesthetics and the Triumph of the Megamusical. Image & Narrative. 2010;11(3):128–145.

41.

Sternfeld, Jessica. ‘To Love Another Person Is to See the Face of God’ Les Misérables. The megamusical [Internet]. Bloomington: Indiana University Press; 2006. p. 175–225. Available from: https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=312916

42.

Siropoulos, Vagelis. The Bohemian Iconoclast and the Corporate Giant: Julie Taymor’s Staging of Disney’s The Lion King, or The Portrait of the Avant-Garde Artist as a Corporate Employee. Gramma: Journal of Theory and Criticism. School of English, Aristotle University of Thessaloniki, Greece; 2010;10:137–150.

43.

Siropoulos, Vagelis. Megamusicals, spectacle and the postdramatic aesthetics of late capitalism. Studies in Musical Theatre. 2011;5(1):13–34.

44.

Wollman, Elizabeth, Sternfeld, Jessica. Musical theatre and the almighty dollar: What a tangled web they weave. Studies in Musical Theatre. 2011;5(1):3–12.

45.

Banfield, S. Company. Sondheim’s Broadway musicals. Ann Arbor, Mich: University of Michigan Press; 1996. p. 147–176.

46.

Draper, Natalie. Concept meets narrative in Sondheim’s ‘Company’: Metadrama as a method of analysis. Studies in Musical Theatre. 2010;4(2):171–183.

47.

Young-Gerber, Christine. ‘Attention must be paid’, cried the balladeer: The concept musical defined. Studies in Musical Theatre. 2010;4(3):331–342.

48.

Miller, Scott. Strike up the band: a new history of musical theatre. Portsmouth, NH: Heinemann; 2007.

49.

Sternfeld J. The megamusical [Internet]. Bloomington, Ind: Indiana University Press; 2007. Available from: https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=312916

50.

Wollman E. The theater will rock: a history of the rock musical, from Hair to Hedwig [Internet]. Ann Arbor, Mich: University of Michigan Press; 2010. Available from: http://site.ebrary.com/lib/roehampton/Doc?id=10395622

51.

Swayne, Steve, ebrary, Inc. How Sondheim found his sound [Internet]. 1st ed. Ann Arbor [Mich.]: University of Michigan Press; 2007. Available from: https://roe.idm.oclc.org/login?url=https://www.jstor.org/stable/10.3998/mpub.99247

52.

Sondheim, Stephen, Furth, George. Company. London: Nick Hern; 1996.

53.

McMillin, Scott. The musical as drama: a study of the principles and conventions behind musical shows from Kern to Sondheim [Internet]. Oxford: Princeton University Press; 2006. Available from: http://site.ebrary.com/lib/roehampton/Doc?id=10961871

54.

Woll, Allen. Black musical theatre: from Coontown to Dreamgirls. Baton Rouge: Louisiana State University Press; 1989.

55.

Lundskaer-Nielsen, Miranda. Directors and the New Musical Drama [Internet]. Palgrave Macmillan; 2008. Available from: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780230611245&uid=^u

56.

Greif, Michael, Warren, Michael John. Rent. [UK]: Sony Pictures Home Ent; 2009.

57.

Garland, Judy, Baum, L. Frank, Fleming, Victor. The wizard of Oz. [U.K.]: Warner Home Video; 2001.

58.

Sondheim S, Doyle J. Company: a musical comedy. Image Entertainment; 2007.

59.

Mendes, Sam. Company. London: BBC; 1997.

60.

Attenborough, Richard, Dante, Nicholas. A chorus line. [UK]: Optimum Home Entertainment; 2008.

61.

Rapaport, Pola, Held, Wolfgang. Hair: Let the sun shine in : the musical that transformed a generation. New York: Alive Mind; 2007.

62.

Price, Lonny. Sondheim: The birthday concert: the birthday concert. Decca; 2011.

63.

The Stephen Sondheim Collection. Bmg; 2008.

64.

Phantom of the opera: behind the mask. London: BBC 2; 2006.

65.

Sondheim, Stephen, Burton, Tim. Sweeney Todd: the demon barber of Fleet Street. Widescreen. [UK]: Warner Home Video; 2008.

66.

Glee: Season 3. [UK]: 20th Century Fox Home Ent; 2012.

67.

Del Deo A, Stern JD. Every little step: the journey of ‘A Chorus Line’. U.S.A.: Sony Pictures; 2008.

68.

The Sondheim review. Chicago, IL: Sondheim Review; 1994;International Bibliography of Theatre&Dance with Full Text.

69.

Atypon Systems. Studies in Musical Theatre. Bristol, United Kingdom: Intellect, Ltd; Atypon Link.

70.

Rosenhaus S, Cohen A. Writing musical theater. Basingstoke: Palgrave Macmillan; 2006.

71.

Cramer L. Creating musical theatre : conversations with Broadway directors and choreographers. London: Bloomsbury Methuen Drama; 2013.

72.

Viertel J. Secret life of the american musical: how broadway shows are built. First paperback edition. New York: Sarah Crichton Books,Farrar, Straus and Grioux; 2017.

73.

Riedel M. Razzle Dazzle: The Battle for Broadway. First Simon&Schuster hardcover edition. Simon & Schuster; 2015.

74.

Lloyd Webber A. Unmasked. London: HarperCollinsPublishers; 2018.

75.

Casado D. Teaching Musical Theatre : The Essential Handbook: 16 Ready-To-Go Lesson Plans to Build a Better Actor. Beat by Beat Press; 2017.

76.

21st century musical theatre : 50 songs from shows since 2000. Women’s edition. Milwaukee, WI: Hal Leonard Corporation; 2016.

77.

McCarter J. Hamilton, the revolution : being the complete libretto of the Broadway musical, with a true account of its creation, and concise remarks onhip-hop, the power of stories, andthe new America. by Lin-Manuel Miranda and Jeremy McCarter. London: Little, Brown; 2016.

78.

McMillin S. The musical as drama: a study of the principles and conventions behind musical shows from Kern to Sondheim [Internet]. Princeton, N.J.: Princeton University Press; 2006. Available from: http://site.ebrary.com/lib/roehampton/Doc?id=10961871

79.

McLamore A. Musical Theater : An Appreciation. Second edition. New York: Routledge; 2018.

80.

Whitfield S. Boublil and Schönberg’s Les Misérables. London: Routledge; 2018.

81.

Jubin O. Sondheim and Lapine’s Into the wood+. London: Routledge; 2018.

82.

Jubin O. Sondheim and Lapine’s Into the wood+. London: Routledge; 2018.

83.

Fleming J (Author). Davies and Penhall’s Sunny afternoo+. Abingdon, Oxon: Routledge; 2017.

84.

Hurwitz N. Songwriters of the American musical theatre : a style guide for singers. London, [England: Routledge; 2017.

85.

Hausam W. New American musical : an anthology from the end of the century. 1st ed. New York, NY: Theatre Communications Group; 2003.

86.

Ian Bradley. You’ve Got to Have a Dream. SCM Press;

87.

Caldarone M, Lloyd-Williams M. Actions: the actors’ thesaurus [Internet]. London: Nick Hern; 2004. Available from: https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=5149866

88.

Meisner S, Longwell D. Sanford Meisner on acting. New York: Vintage Books; 1987.

89.

Moseley N. Actioning - and how to do it. London: Nick Hern Books; 2016.

90.

O’Brien N. Stanislavski in practice : exercises for students [Internet]. Second edition. New York: Routledge; 2017. Available from: https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=5049728

91.

O’Brien N. Stanislavski in practice : the film part two : work on a role. Abingdon, Oxon: Routledge; 2016.

92.

Cannon D, Brosnan P. In-depth acting. London: Oberon Books; 2012.

93.

Churcher M. Screen acting workshop. London: Nick Hern Books; 2011.