Bibliography for Music and Dance - (DAN020L410S)

Acocella, J., Garafola, L., & Green, J. (1992). The Rite of Spring Considered as a Nineteenth-Century Ballet. Ballet Review, 20(2 (Summer)), 68–99.

Acocella, J. R., & Morris, M. (1993). Mark Morris. Farrar Straus Giroux.

Albright, D. (2000a). Untwisting the serpent: modernism in music, literature, and other arts. University of Chicago Press.

Albright, D. (2000b). Untwisting the serpent: modernism in music, literature, and other arts. University of Chicago Press.

American Ballet Theatre (01) Chopin Les Sylphides - YouTube. (n.d.). https://www.youtube.com/watch?v=LBJNc3h7Hp8

Bernard, M. & Centre National de la Danse. (2001). De la création chorégraphique. Centre national de la danse.

Bracewell, M., & Cotter, S. (2010). Michael Clark. Violette Editions.

Cage, J. (1968). Silence: lectures and writings by John Cage. Calder and Boyars.

Celant, G. (1999). Merce Cunningham. Charta.

Chion, M. (1994). Lines and points: Horizontal and vertical perspectives on audio-visual relations. In Audio-vision: sound on screen (pp. 35–65). Columbia University Press.

Chion, M., & Gorbman, C. (1994). Audio-vision: sound on screen. Columbia University Press.

Chopin’s Valse op. 70, no.1. (n.d.). http://conquest.imslp.info/files/imglnks/usimg/b/b1/IMSLP82917-PMLP02375-FChopin_Waltzes_Op70.pdf

Cohan, R. (1992). Choreographers/composers/collaboration: Vol. Choreography and dance. Harwood Academic.

Cook, N. (2000). Analysing musical multimedia. Oxford University Press.

Copeland, R. (2004). Merce Cunningham: the modernizing of modern dance [Electronic resource]. Routledge. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203641989&uid=^u

Copeland, R., & Cohen, M. (1983). What is dance?: readings in theory and criticism. Oxford University Press.

Crimp, D. (n.d.). Yvonne Rainer, Muciz Lover. Grey Room, 22, 48–67. http://search.ebscohost.com/login.aspx?direct=true&db=aph&AN=19508361&site=ehost-live

Davies, S. (1994a). Music and Language. In Musical meaning and expression (pp. 39–49). Cornell University Press.

Davies, S. (1994b). Musical meaning and expression. Cornell University Press.

Dayan, P. (2011). Art as music, music as poetry, poetry as art, from Whistler to Stravinsky and beyond [Electronic resource]. Ashgate. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9781409427933&uid=^u

Denby, E., Cornfield, R., & MacKay, W. (1986). Dance writings. Dance Books.

Harris-Warrick, R., & Marsh, C. G. (1994). Musical theatre at the court of Louis XIV: Le mariage de la Grosse Cathos: Vol. Cambridge musical texts and monographs. Cambridge University Press.

Hodgins, P. (1992). Relationships between score and choreography in twentieth-century dance: music, movement and metaphor. Edwin Mellen Press.

Hodson, M., & Stravinsky, I. (1996). Nijinsky’s crime against grace: reconstruction score of the original choreography for Le sacre du printemps: Vol. Dance&music series. Pendragon Press.

Humphrey, D., & Pollack, B. (1997a). The art of making dances. Dance.

Humphrey, D., & Pollack, B. (1997b). The art of making dances. Dance.

Joffrey Ballet 1987 Rite of Spring (3 of 3). (30 C.E.). https://www.youtube.com/watch?v=C_7ndqgwxcM

Joffrey Ballet 1989 Rite of Spring (1 of 3). (30 C.E.). https://www.youtube.com/watch?v=jF1OQkHybEQ

Joffrey Ballet Rite of Spring 1987 (2 of 3). (30 C.E.). https://www.youtube.com/watch?v=iH1t0pCchxM

Jordan, S. (2000a). Hearing the Dance, watching the music + notes. In Moving music: dialogues with music in twentieth-century ballet. Dance.

Jordan, S. (2000b). Moving music: dialogues with music in twentieth-century ballet. Dance.

Jordan, S. (2000c). Moving music: dialogues with music in twentieth-century ballet. Dance.

Jordan, S. (2000d). Moving music: dialogues with music in twentieth-century ballet. Dance.

Jordan, S. (2000e). Moving music: dialogues with music in twentieth-century ballet. Dance.

Jordan, S. (2007). Stravinsky dances: re-visions across a century. Dance Books.

Jordan, S. (2015a). A Framework for Analysis. In Mark Morris: musician, choreographer (pp. 91–123). Dance.

Jordan, S. (2015b). Mark Morris: musician, choreographer. Dance.

Jordan, S. & George Balanchine Foundation. (2002). Music dances: Balanchine choreographs Stravinsky [Videorecording]. George Balanchine Foundation.

Joseph, C. M. (2002). Stravinsky & Balanchine: a journey of invention [Electronic resource]. Yale University Press. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=3420344

Joseph, C. M. (2011). Stravinsky’s ballets. Yale University Press.

Lawson, J. (1973a). A history of ballet and its makers. Dance Books.

Lawson, J. (1973b). Fokine on Les Sylphides. In A history of ballet and its makers (pp. 100–101). Dance Books.

Ma, Y.-Y., Sweete, B. W., Morris, M., Egoyan, A., & Mark Morris Dance Group. (1998). Yo-Yo Ma: inspired by Bach, Vol.2: Falling down stairs ; Sarabande [Videorecording]. Sony Classical.

Making music for modern dance: collaboration in the formative years of a new American art. (2011). Oxford University Press.

Mark Morris Dido and Aeneas Dido’s Lament - YouTube. (n.d.). https://www.youtube.com/watch?v=ZrzC_KLI8KM

McMains, J., & Thomas, B. (2013). Translating from Pitch to Plié: Music Theory for Dance Scholars and Close Movement Analysis for Music Scholars. Dance Chronicle, 36(2), 196–217. https://doi.org/10.1080/01472526.2013.792714

Meredith Monk - Media - Book of Days. (n.d.). http://www.meredithmonk.org/media/opera.html

Monk, M., & Killacky, J. R. (2006). Meredith Monk: Ellis Island; Book of days [Videorecording]. [The House Foundation for the Arts].

Month in the Country Part 1. (11 C.E.). https://www.youtube.com/watch?v=DqWSu5ij1Bw

Month in the Country Part 2. (12 C.E.). https://www.youtube.com/watch?v=aD1WGzkjR9g

Month in the Country Part 3. (13 C.E.). https://www.youtube.com/watch?v=yLYdYV6reeg

Month in the Country Part 4. (14 C.E.). https://www.youtube.com/watch?v=NW5XN4gTrpM

Month in the Country Part 5. (15 C.E.). https://www.youtube.com/watch?v=gud8TqrVeQY

Morgenroth, J. (2004). Speaking of dance: twelve contemporary choreographers on their craft. Routledge.

Music Theory for Musicians and Normal People. (n.d.). http://tobyrush.com/theorypages/index.html

Music-dance : sound and motion in contemporary discourse. (2018). Routledge.

musictheory.net. (n.d.). http://www.musictheory.net/

Nureyev, R., Bausch, P., Stravinsky, I., & Tanztheater (Wuppertal, Germany). (1980). Invitation to the dance [Videorecording]. BBC.

Oliveros, P. (2005). Deep listening: a composer’s sound practice. IUniverse.

Roehampton University: Stravinsky the Global Dancer. Database. (n.d.). http://ws1.roehampton.ac.uk/stravinsky/

Sawyer, E. (1986). Dance with the music: the world of the ballet musician. Cambridge University Press.

Schroedter, S. (2012). Bewegungen zwischen Hören und Sehen: Denkbewegungen über Bewegungskünste. Königshausen & Neumann.

Servos, N., & Weigelt, G. (1984). Pina Bausch - Wuppertal dance theater, or, The art of training a goldfish: excursions into dance. Ballett-Büchnen-Verlag.

Smith, M. (2010). Ballet and Opera in the Age of ‘Giselle’. Princeton University Press. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9781400832477&uid=^u

Stravinsky- Rite of Spring ‘Opening’. (27 C.E.). https://www.youtube.com/watch?v=NOTjyCM3Ou4&feature=fvwrel

Stravinsky- Rite of Spring ‘Sacrificial Dance’. (27 C.E.). https://www.youtube.com/watch?v=s7pV2cX0qxs&feature=channel&list=UL

Taylor, E. & Associated Board of the Royal Schools of Music. (1989). The AB guide to music theory. Associated Board of the Royal Schools of Music.

Teck, K. (1989). Music for the dance: reflections on a collaborative art: Vol. Contributions to the study of music and dance. Greenwood Press.

teoria : Music Theory Web. (n.d.). http://www.teoria.com/

Twiner, A., & Muncey, R. (1986). The Muncey music book. Dance.

Walsh, S. (1999). Stravinsky: a creative spring : Russia and France, 1882-1934 (1st ed) [Electronic resource]. Alfred A. Knopf.

Zbikowski, L. M. (2002). Music Theory, Multimedia and the Construction of Meaning. Integral, 251–268. https://moodle.roehampton.ac.uk/mod/resource/view.php?id=173637

Bibliography for Music and Dance - (DAN020L410S) BETA