Acocella, Joan, Lynn Garafola, and Jonnie Green. ‘The Rite of Spring Considered as a Nineteenth-Century Ballet’. Ballet Review 20.2 (Summer) (1992): 68–99. Print.
Acocella, Joan Ross, and Mark Morris. Mark Morris. New York: Farrar Straus Giroux, 1993. Print.
Albright, Daniel. Untwisting the Serpent: Modernism in Music, Literature, and Other Arts. Chicago, Ill: University of Chicago Press, 2000. Print.
---. Untwisting the Serpent: Modernism in Music, Literature, and Other Arts. Chicago, Ill: University of Chicago Press, 2000. Print.
‘American Ballet Theatre (01) Chopin Les Sylphides - YouTube’. Web. <https://www.youtube.com/watch?v=LBJNc3h7Hp8>.
Bernard, Michel and Centre National de la Danse. De La Création Chorégraphique. Paris: Centre national de la danse, 2001. Print.
Bracewell, Michael, and Suzanne Cotter. Michael Clark. London: Violette Editions, 2010. Print.
Cage, John. Silence: Lectures and Writings by John Cage. London: Calder and Boyars, 1968. Print.
Celant, Germano. Merce Cunningham. Milano: Charta, 1999. Print.
Chion, Michael. ‘Lines and Points: Horizontal and Vertical Perspectives on Audio-Visual Relations’. Audio-Vision: Sound on Screen. New York: Columbia University Press, 1994. 35–65. Print.
Chion, Michel, and Claudia Gorbman. Audio-Vision: Sound on Screen. New York: Columbia University Press, 1994. Print.
‘Chopin’s Valse Op. 70, No.1’. Web. <http://conquest.imslp.info/files/imglnks/usimg/b/b1/IMSLP82917-PMLP02375-FChopin_Waltzes_Op70.pdf>.
Cohan, Robert. Choreographers/Composers/Collaboration. Choreography and dance. Chur: Harwood Academic, 1992. Print.
Cook, Nicholas. Analysing Musical Multimedia. Oxford: Oxford University Press, 2000. Print.
Copeland, Roger. Merce Cunningham: The Modernizing of Modern Dance. London: Routledge, 2004. Web. <https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203641989&uid=^u>.
Copeland, Roger, and Marshall Cohen. What Is Dance?: Readings in Theory and Criticism. Oxford: Oxford University Press, 1983. Print.
Crimp, Douglas. ‘Yvonne Rainer, Muciz Lover.’ Grey Room 22 48–67. Web. <http://search.ebscohost.com/login.aspx?direct=true&amp;db=aph&amp;AN=19508361&amp;site=ehost-live>.
Davies, Stephen. ‘Music and Language’. Musical Meaning and Expression. Ithaca, N. Y.: Cornell University Press, 1994. 39–49. Print.
---. Musical Meaning and Expression. Ithaca, N. Y.: Cornell University Press, 1994. Print.
Dayan, Peter. Art as Music, Music as Poetry, Poetry as Art, from Whistler to Stravinsky and Beyond. Farnham: Ashgate, 2011. Web. <https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9781409427933&uid=^u>.
Denby, Edwin, Robert Cornfield, and William MacKay. Dance Writings. London: Dance Books, 1986. Print.
Harris-Warrick, Rebecca, and Carol G. Marsh. Musical Theatre at the Court of Louis XIV: Le Mariage de La Grosse Cathos. Cambridge musical texts and monographs. Cambridge: Cambridge University Press, 1994. Print.
Hodgins, Paul. Relationships between Score and Choreography in Twentieth-Century Dance: Music, Movement and Metaphor. Lampeter: Edwin Mellen Press, 1992. Print.
Hodson, Millicent, and Igor Stravinsky. Nijinsky’s Crime against Grace: Reconstruction Score of the Original Choreography for Le Sacre Du Printemps. Dance&music series. Stuyvesant, NY: Pendragon Press, 1996. Print.
Humphrey, Doris, and Barbara Pollack. The Art of Making Dances. London: Dance, 1997. Print.
---. The Art of Making Dances. London: Dance, 1997. Print.
‘Joffrey Ballet 1987 Rite of Spring (3 of 3)’. 30AD. Web. <https://www.youtube.com/watch?v=C_7ndqgwxcM>.
‘Joffrey Ballet 1989 Rite of Spring (1 of 3)’. 30AD. Web. <https://www.youtube.com/watch?v=jF1OQkHybEQ>.
‘Joffrey Ballet Rite of Spring 1987 (2 of 3)’. 30AD. Web. <https://www.youtube.com/watch?v=iH1t0pCchxM>.
Jordan, Stephanie. ‘A Framework for Analysis’. Mark Morris: Musician, Choreographer. Alton: Dance, 2015. 91–123. Print.
---. ‘Hearing the Dance, Watching the Music + Notes’. Moving Music: Dialogues with Music in Twentieth-Century Ballet. London: Dance, 2000. Print.
---. Mark Morris: Musician, Choreographer. Alton: Dance, 2015. Print.
---. Moving Music: Dialogues with Music in Twentieth-Century Ballet. London: Dance, 2000. Print.
---. Moving Music: Dialogues with Music in Twentieth-Century Ballet. London: Dance, 2000. Print.
---. Moving Music: Dialogues with Music in Twentieth-Century Ballet. London: Dance, 2000. Print.
---. Moving Music: Dialogues with Music in Twentieth-Century Ballet. London: Dance, 2000. Print.
---. Stravinsky Dances: Re-Visions across a Century. Alton: Dance Books, 2007. Print.
Jordan, Stephanie and George Balanchine Foundation. ‘Music Dances: Balanchine Choreographs Stravinsky’. 2002 : n. pag. Print.
Joseph, Charles M. Stravinsky & Balanchine: A Journey of Invention. New Haven: Yale University Press, 2002. Web. <https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=3420344>.
---. Stravinsky’s Ballets. New Haven, [Conn.]: Yale University Press, 2011. Print.
Lawson, Joan. A History of Ballet and Its Makers. London (9 Cecil Court, W.C.2): Dance Books, 1973. Print.
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Ma, Yo-Yo et al. ‘Yo-Yo Ma: Inspired by Bach, Vol.2: Falling down Stairs ; Sarabande’. 1998 : n. pag. Print.
Making Music for Modern Dance: Collaboration in the Formative Years of a New American Art. New York: Oxford University Press, 2011. Print.
‘Mark Morris Dido and Aeneas Dido’s Lament - YouTube’. Web. <https://www.youtube.com/watch?v=ZrzC_KLI8KM>.
McMains, Juliet, and Ben Thomas. ‘Translating from Pitch to Plié: Music Theory for Dance Scholars and Close Movement Analysis for Music Scholars’. Dance Chronicle 36.2 (2013): 196–217. Web.
‘Meredith Monk - Media - Book of Days’. N.p., n.d. Web. <http://www.meredithmonk.org/media/opera.html>.
Monk, Meredith, and John R. Killacky. ‘Meredith Monk: Ellis Island; Book of Days’. 2006 : n. pag. Print.
‘Month in the Country Part 1’. 11AD. Web. <https://www.youtube.com/watch?v=DqWSu5ij1Bw>.
‘Month in the Country Part 2’. 12AD. Web. <https://www.youtube.com/watch?v=aD1WGzkjR9g>.
‘Month in the Country Part 3’. 13AD. Web. <https://www.youtube.com/watch?v=yLYdYV6reeg>.
‘Month in the Country Part 4’. 14AD. Web. <https://www.youtube.com/watch?v=NW5XN4gTrpM>.
‘Month in the Country Part 5’. 15AD. Web. <https://www.youtube.com/watch?v=gud8TqrVeQY>.
Morgenroth, Joyce. Speaking of Dance: Twelve Contemporary Choreographers on Their Craft. London: Routledge, 2004. Print.
‘Music Theory for Musicians and Normal People’. N.p., n.d. Web. <http://tobyrush.com/theorypages/index.html>.
Music-Dance : Sound and Motion in Contemporary Discourse. Abingdon, Oxon: Routledge, 2018. Print.
‘Musictheory.Net’. N.p., n.d. Web. <http://www.musictheory.net/>.
Nureyev, Rudolf et al. ‘Invitation to the Dance’. 1980 : n. pag. Print.
Oliveros, Pauline. Deep Listening: A Composer’s Sound Practice. New York: IUniverse, 2005. Print.
‘Roehampton University: Stravinsky the Global Dancer. Database.’ N.p., n.d. Web. <http://ws1.roehampton.ac.uk/stravinsky/>.
Sawyer, Elizabeth. Dance with the Music: The World of the Ballet Musician. Cambridge: Cambridge University Press, 1986. Print.
Schroedter, Stephanie. Bewegungen Zwischen Hören Und Sehen: Denkbewegungen Über Bewegungskünste. Würzburg: Königshausen & Neumann, 2012. Print.
Servos, Norbert, and Gert Weigelt. Pina Bausch - Wuppertal Dance Theater, or, The Art of Training a Goldfish: Excursions into Dance. Köln: Ballett-Büchnen-Verlag, 1984. Print.
Smith, Marian. Ballet and Opera in the Age of ‘Giselle’. Princeton University Press, 2010. Web. <https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9781400832477&uid=^u>.
‘Stravinsky- Rite of Spring “Opening”’. 27AD. Web. <https://www.youtube.com/watch?v=NOTjyCM3Ou4&amp;feature=fvwrel>.
‘Stravinsky- Rite of Spring “Sacrificial Dance”’. 27AD. Web. <https://www.youtube.com/watch?v=s7pV2cX0qxs&amp;feature=channel&amp;list=UL>.
Taylor, Eric and Associated Board of the Royal Schools of Music. The AB Guide to Music Theory. London: Associated Board of the Royal Schools of Music, 1989. Print.
Teck, Katherine. Music for the Dance: Reflections on a Collaborative Art. Contributions to the study of music and dance. London: Greenwood Press, 1989. Print.
‘Teoria : Music Theory Web’. N.p., n.d. Web. <http://www.teoria.com/>.
Twiner, Anthony, and Richard Muncey. The Muncey Music Book. London: Dance, 1986. Print.
Walsh, Stephen. Stravinsky: A Creative Spring : Russia and France, 1882-1934. 1st ed. New York: Alfred A. Knopf, 1999. Print.
Zbikowski, Lawrence M. ‘Music Theory, Multimedia and the Construction of Meaning’. Integral (2002): 251–268. Web. <https://moodle.roehampton.ac.uk/mod/resource/view.php?id=173637>.