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Jordan S. Hearing the Dance, watching the music + notes. In: Moving music: dialogues with music in twentieth-century ballet. London: : Dance 2000.
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Jordan S. A Framework for Analysis. In: Mark Morris: musician, choreographer. Alton: : Dance 2015. 91–123.
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Jordan S. Mark Morris: musician, choreographer. Alton: : Dance 2015.
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Taylor E, Associated Board of the Royal Schools of Music. The AB guide to music theory. London: : Associated Board of the Royal Schools of Music 1989.
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Twiner A, Muncey R. The Muncey music book. London: : Dance 1986.
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Jordan S. Moving music: dialogues with music in twentieth-century ballet. London: : Dance 2000.
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Cook N. Analysing musical multimedia. Oxford: : Oxford University Press 2000.
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Albright D. Untwisting the serpent: modernism in music, literature, and other arts. Chicago, Ill: : University of Chicago Press 2000.
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Meredith Monk - Media - Book of Days. http://www.meredithmonk.org/media/opera.html
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Monk M, Killacky JR. Meredith Monk: Ellis Island; Book of days. 2006.
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Oliveros P. Deep listening: a composer’s sound practice. New York: : IUniverse 2005.
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Jordan S. Moving music: dialogues with music in twentieth-century ballet. London: : Dance 2000.
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Davies S. Music and Language. In: Musical meaning and expression. Ithaca, N. Y.: : Cornell University Press 1994. 39–49.
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American Ballet Theatre (01) Chopin Les Sylphides - YouTube. https://www.youtube.com/watch?v=LBJNc3h7Hp8
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Chopin’s Valse op. 70, no.1. http://conquest.imslp.info/files/imglnks/usimg/b/b1/IMSLP82917-PMLP02375-FChopin_Waltzes_Op70.pdf
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Lawson J. Fokine on Les Sylphides. In: A history of ballet and its makers. London: : Dance Books 1973. 100–1.
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Jordan S. Moving music: dialogues with music in twentieth-century ballet. London: : Dance 2000.
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Humphrey D, Pollack B. The art of making dances. London: : Dance 1997.
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McMains J, Thomas B. Translating from Pitch to Plié: Music Theory for Dance Scholars and Close Movement Analysis for Music Scholars. Dance Chronicle 2013;36:196–217. doi:10.1080/01472526.2013.792714
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Mark Morris Dido and Aeneas Dido’s Lament - YouTube. https://www.youtube.com/watch?v=ZrzC_KLI8KM
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Jordan S. Moving music: dialogues with music in twentieth-century ballet. London: : Dance 2000.
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Month in the Country Part 1. 11AD.https://www.youtube.com/watch?v=DqWSu5ij1Bw
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Month in the Country Part 2. 12AD.https://www.youtube.com/watch?v=aD1WGzkjR9g
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Month in the Country Part 3. 13AD.https://www.youtube.com/watch?v=yLYdYV6reeg
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Month in the Country Part 4. 14AD.https://www.youtube.com/watch?v=NW5XN4gTrpM
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Month in the Country Part 5. 15AD.https://www.youtube.com/watch?v=gud8TqrVeQY
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Chion M. Lines and points: Horizontal and vertical perspectives on audio-visual relations. In: Audio-vision: sound on screen. New York: : Columbia University Press 1994. 35–65.
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Zbikowski LM. Music Theory, Multimedia and the Construction of Meaning. Integral 2002;:251–68.https://moodle.roehampton.ac.uk/mod/resource/view.php?id=173637
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Crimp D. Yvonne Rainer, Muciz Lover. Grey Room;:48–67.http://search.ebscohost.com/login.aspx?direct=true&db=aph&AN=19508361&site=ehost-live
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Acocella JR, Morris M. Mark Morris. New York: : Farrar Straus Giroux 1993.
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Celant G. Merce Cunningham. Milano: : Charta 1999.
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Joffrey Ballet 1989 Rite of Spring (1 of 3). 30AD.https://www.youtube.com/watch?v=jF1OQkHybEQ
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Joffrey Ballet Rite of Spring 1987 (2 of 3). 30AD.https://www.youtube.com/watch?v=iH1t0pCchxM
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Joffrey Ballet 1987 Rite of Spring (3 of 3). 30AD.https://www.youtube.com/watch?v=C_7ndqgwxcM
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Stravinsky- Rite of Spring ‘Opening’. 27AD.https://www.youtube.com/watch?v=NOTjyCM3Ou4&feature=fvwrel
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Stravinsky- Rite of Spring ‘Sacrificial Dance’. 27AD.https://www.youtube.com/watch?v=s7pV2cX0qxs&feature=channel&list=UL
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Hodson M, Stravinsky I. Nijinsky’s crime against grace: reconstruction score of the original choreography for Le sacre du printemps. Stuyvesant, NY: : Pendragon Press 1996.
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Servos N, Weigelt G. Pina Bausch - Wuppertal dance theater, or, The art of training a goldfish: excursions into dance. Köln: : Ballett-Büchnen-Verlag 1984.
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Roehampton University: Stravinsky the Global Dancer. Database. http://ws1.roehampton.ac.uk/stravinsky/
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Acocella J, Garafola L, Green J. The Rite of Spring Considered as a Nineteenth-Century Ballet. Ballet Review 1992;20:68–99.
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Music-dance : sound and motion in contemporary discourse. Abingdon, Oxon: : Routledge 2018.
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Albright D. Untwisting the serpent: modernism in music, literature, and other arts. Chicago, Ill: : University of Chicago Press 2000.
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Bernard M, Centre National de la Danse. De la création chorégraphique. Paris: : Centre national de la danse 2001.
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Cage J. Silence: lectures and writings by John Cage. London: : Calder and Boyars 1968.
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Chion M, Gorbman C. Audio-vision: sound on screen. New York: : Columbia University Press 1994.
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Cohan R. Choreographers/composers/collaboration. Chur: : Harwood Academic 1992.
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Bracewell M, Cotter S. Michael Clark. London: : Violette Editions 2010.
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Copeland R. Merce Cunningham: the modernizing of modern dance. London: : Routledge 2004. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203641989&uid=^u
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Copeland R, Cohen M. What is dance?: readings in theory and criticism. Oxford: : Oxford University Press 1983.
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Davies S. Musical meaning and expression. Ithaca, N. Y.: : Cornell University Press 1994.
51
Dayan P. Art as music, music as poetry, poetry as art, from Whistler to Stravinsky and beyond. Farnham: : Ashgate 2011. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9781409427933&uid=^u
52
Denby E, Cornfield R, MacKay W. Dance writings. London: : Dance Books 1986.
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Humphrey D, Pollack B. The art of making dances. London: : Dance 1997.
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Joseph CM. Stravinsky’s ballets. New Haven, [Conn.]: : Yale University Press 2011.
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Harris-Warrick R, Marsh CG. Musical theatre at the court of Louis XIV: Le mariage de la Grosse Cathos. Cambridge: : Cambridge University Press 1994.
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Hodgins P. Relationships between score and choreography in twentieth-century dance: music, movement and metaphor. Lampeter: : Edwin Mellen Press 1992.
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Jordan S. Stravinsky dances: re-visions across a century. Alton: : Dance Books 2007.
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Jordan S, George Balanchine Foundation. Music dances: Balanchine choreographs Stravinsky. 2002.
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Joseph CM. Stravinsky & Balanchine: a journey of invention. New Haven: : Yale University Press 2002. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=3420344
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Lawson J. A history of ballet and its makers. London (9 Cecil Court, W.C.2): : Dance Books 1973.
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Ma Y-Y, Sweete BW, Morris M, et al. Yo-Yo Ma: inspired by Bach, Vol.2: Falling down stairs ; Sarabande. 1998.
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Morgenroth J. Speaking of dance: twelve contemporary choreographers on their craft. London: : Routledge 2004.
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Nureyev R, Bausch P, Stravinsky I, et al. Invitation to the dance. 1980.
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Sawyer E. Dance with the music: the world of the ballet musician. Cambridge: : Cambridge University Press 1986.
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Schroedter S. Bewegungen zwischen Hören und Sehen: Denkbewegungen über Bewegungskünste. Würzburg: : Königshausen & Neumann 2012.
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Smith M. Ballet and Opera in the Age of ‘Giselle’. Princeton University Press 2010. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9781400832477&uid=^u
67
Teck K. Music for the dance: reflections on a collaborative art. London: : Greenwood Press 1989.
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Making music for modern dance: collaboration in the formative years of a new American art. New York: : Oxford University Press 2011.
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Walsh S. Stravinsky: a creative spring : Russia and France, 1882-1934. 1st ed. New York: : Alfred A. Knopf 1999.
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Music Theory for Musicians and Normal People. http://tobyrush.com/theorypages/index.html
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musictheory.net. http://www.musictheory.net/
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teoria : Music Theory Web. http://www.teoria.com/