Bibliography for Music and Dance - (DAN020L410S)

[1]
S. Jordan, ‘Hearing the Dance, watching the music + notes’, in Moving music: dialogues with music in twentieth-century ballet, London: Dance, 2000.

[2]
S. Jordan, ‘A Framework for Analysis’, in Mark Morris: musician, choreographer, Alton: Dance, 2015, pp. 91–123.

[3]
S. Jordan, Mark Morris: musician, choreographer. Alton: Dance, 2015.

[4]
E. Taylor and Associated Board of the Royal Schools of Music, The AB guide to music theory. London: Associated Board of the Royal Schools of Music, 1989.

[5]
A. Twiner and R. Muncey, The Muncey music book. London: Dance, 1986.

[6]
S. Jordan, Moving music: dialogues with music in twentieth-century ballet. London: Dance, 2000.

[7]
N. Cook, Analysing musical multimedia. Oxford: Oxford University Press, 2000.

[8]
D. Albright, Untwisting the serpent: modernism in music, literature, and other arts. Chicago, Ill: University of Chicago Press, 2000.

[9]
‘Meredith Monk - Media - Book of Days’. [Online]. Available: http://www.meredithmonk.org/media/opera.html

[10]
M. Monk and J. R. Killacky, ‘Meredith Monk: Ellis Island; Book of days’. [The House Foundation for the Arts], [New York, N.Y.], 2006.

[11]
P. Oliveros, Deep listening: a composer’s sound practice. New York: IUniverse, 2005.

[12]
S. Jordan, Moving music: dialogues with music in twentieth-century ballet. London: Dance, 2000.

[13]
S. Davies, ‘Music and Language’, in Musical meaning and expression, Ithaca, N. Y.: Cornell University Press, 1994, pp. 39–49.

[14]
‘American Ballet Theatre (01) Chopin Les Sylphides - YouTube’. [Online]. Available: https://www.youtube.com/watch?v=LBJNc3h7Hp8

[15]
‘Chopin’s Valse op. 70, no.1’. [Online]. Available: http://conquest.imslp.info/files/imglnks/usimg/b/b1/IMSLP82917-PMLP02375-FChopin_Waltzes_Op70.pdf

[16]
J. Lawson, ‘Fokine on Les Sylphides’, in A history of ballet and its makers, London: Dance Books, 1973, pp. 100–101.

[17]
S. Jordan, Moving music: dialogues with music in twentieth-century ballet. London: Dance, 2000.

[18]
D. Humphrey and B. Pollack, The art of making dances. London: Dance, 1997.

[19]
J. McMains and B. Thomas, ‘Translating from Pitch to Plié: Music Theory for Dance Scholars and Close Movement Analysis for Music Scholars’, Dance Chronicle, vol. 36, no. 2, pp. 196–217, May 2013, doi: 10.1080/01472526.2013.792714.

[20]
‘Mark Morris Dido and Aeneas Dido’s Lament - YouTube’. [Online]. Available: https://www.youtube.com/watch?v=ZrzC_KLI8KM

[21]
S. Jordan, Moving music: dialogues with music in twentieth-century ballet. London: Dance, 2000.

[22]
‘Month in the Country Part 1’. 11AD [Online]. Available: https://www.youtube.com/watch?v=DqWSu5ij1Bw

[23]
‘Month in the Country Part 2’. 12AD [Online]. Available: https://www.youtube.com/watch?v=aD1WGzkjR9g

[24]
‘Month in the Country Part 3’. 13AD [Online]. Available: https://www.youtube.com/watch?v=yLYdYV6reeg

[25]
‘Month in the Country Part 4’. 14AD [Online]. Available: https://www.youtube.com/watch?v=NW5XN4gTrpM

[26]
‘Month in the Country Part 5’. 15AD [Online]. Available: https://www.youtube.com/watch?v=gud8TqrVeQY

[27]
M. Chion, ‘Lines and points: Horizontal and vertical perspectives on audio-visual relations’, in Audio-vision: sound on screen, New York: Columbia University Press, 1994, pp. 35–65.

[28]
L. M. Zbikowski, ‘Music Theory, Multimedia and the Construction of Meaning’, Integral, pp. 251–268, 2002 [Online]. Available: https://moodle.roehampton.ac.uk/mod/resource/view.php?id=173637

[29]
D. Crimp, ‘Yvonne Rainer, Muciz Lover.’, Grey Room, no. 22, pp. 48–67 [Online]. Available: http://search.ebscohost.com/login.aspx?direct=true&db=aph&AN=19508361&site=ehost-live

[30]
J. R. Acocella and M. Morris, Mark Morris. New York: Farrar Straus Giroux, 1993.

[31]
G. Celant, Merce Cunningham. Milano: Charta, 1999.

[32]
‘Joffrey Ballet 1989 Rite of Spring (1 of 3)’. 30AD [Online]. Available: https://www.youtube.com/watch?v=jF1OQkHybEQ

[33]
‘Joffrey Ballet Rite of Spring 1987 (2 of 3)’. 30AD [Online]. Available: https://www.youtube.com/watch?v=iH1t0pCchxM

[34]
‘Joffrey Ballet 1987 Rite of Spring (3 of 3)’. 30AD [Online]. Available: https://www.youtube.com/watch?v=C_7ndqgwxcM

[35]
‘Stravinsky- Rite of Spring “Opening”’. 27AD [Online]. Available: https://www.youtube.com/watch?v=NOTjyCM3Ou4&feature=fvwrel

[36]
‘Stravinsky- Rite of Spring “Sacrificial Dance”’. 27AD [Online]. Available: https://www.youtube.com/watch?v=s7pV2cX0qxs&feature=channel&list=UL

[37]
M. Hodson and I. Stravinsky, Nijinsky’s crime against grace: reconstruction score of the original choreography for Le sacre du printemps, vol. Dance&music series. Stuyvesant, NY: Pendragon Press, 1996.

[38]
N. Servos and G. Weigelt, Pina Bausch - Wuppertal dance theater, or, The art of training a goldfish: excursions into dance. Köln: Ballett-Büchnen-Verlag, 1984.

[39]
‘Roehampton University: Stravinsky the Global Dancer. Database.’ [Online]. Available: http://ws1.roehampton.ac.uk/stravinsky/

[40]
J. Acocella, L. Garafola, and J. Green, ‘The Rite of Spring Considered as a Nineteenth-Century Ballet’, Ballet Review, vol. 20, no. 2 (Summer), pp. 68–99, 1992.

[41]
Music-dance : sound and motion in contemporary discourse. Abingdon, Oxon: Routledge, 2018.

[42]
D. Albright, Untwisting the serpent: modernism in music, literature, and other arts. Chicago, Ill: University of Chicago Press, 2000.

[43]
M. Bernard and Centre National de la Danse, De la création chorégraphique. Paris: Centre national de la danse, 2001.

[44]
J. Cage, Silence: lectures and writings by John Cage. London: Calder and Boyars, 1968.

[45]
M. Chion and C. Gorbman, Audio-vision: sound on screen. New York: Columbia University Press, 1994.

[46]
R. Cohan, Choreographers/composers/collaboration, vol. Choreography and dance. Chur: Harwood Academic, 1992.

[47]
M. Bracewell and S. Cotter, Michael Clark. London: Violette Editions, 2010.

[48]
R. Copeland, Merce Cunningham: the modernizing of modern dance. London: Routledge, 2004 [Online]. Available: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203641989&uid=^u

[49]
R. Copeland and M. Cohen, What is dance?: readings in theory and criticism. Oxford: Oxford University Press, 1983.

[50]
S. Davies, Musical meaning and expression. Ithaca, N. Y.: Cornell University Press, 1994.

[51]
P. Dayan, Art as music, music as poetry, poetry as art, from Whistler to Stravinsky and beyond. Farnham: Ashgate, 2011 [Online]. Available: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9781409427933&uid=^u

[52]
E. Denby, R. Cornfield, and W. MacKay, Dance writings. London: Dance Books, 1986.

[53]
D. Humphrey and B. Pollack, The art of making dances. London: Dance, 1997.

[54]
C. M. Joseph, Stravinsky’s ballets. New Haven, [Conn.]: Yale University Press, 2011.

[55]
R. Harris-Warrick and C. G. Marsh, Musical theatre at the court of Louis XIV: Le mariage de la Grosse Cathos, vol. Cambridge musical texts and monographs. Cambridge: Cambridge University Press, 1994.

[56]
P. Hodgins, Relationships between score and choreography in twentieth-century dance: music, movement and metaphor. Lampeter: Edwin Mellen Press, 1992.

[57]
S. Jordan, Stravinsky dances: re-visions across a century. Alton: Dance Books, 2007.

[58]
S. Jordan and George Balanchine Foundation, ‘Music dances: Balanchine choreographs Stravinsky’. George Balanchine Foundation, New York, 2002.

[59]
C. M. Joseph, Stravinsky & Balanchine: a journey of invention. New Haven: Yale University Press, 2002 [Online]. Available: https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=3420344

[60]
J. Lawson, A history of ballet and its makers. London (9 Cecil Court, W.C.2): Dance Books, 1973.

[61]
Y.-Y. Ma, B. W. Sweete, M. Morris, A. Egoyan, and Mark Morris Dance Group, ‘Yo-Yo Ma: inspired by Bach, Vol.2: Falling down stairs ; Sarabande’. Sony Classical, New York, 1998.

[62]
J. Morgenroth, Speaking of dance: twelve contemporary choreographers on their craft. London: Routledge, 2004.

[63]
R. Nureyev, P. Bausch, I. Stravinsky, and Tanztheater (Wuppertal, Germany), ‘Invitation to the dance’. BBC, London, 1980.

[64]
E. Sawyer, Dance with the music: the world of the ballet musician. Cambridge: Cambridge University Press, 1986.

[65]
S. Schroedter, Bewegungen zwischen Hören und Sehen: Denkbewegungen über Bewegungskünste. Würzburg: Königshausen & Neumann, 2012.

[66]
M. Smith, Ballet and Opera in the Age of ‘Giselle’. Princeton University Press, 2010 [Online]. Available: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9781400832477&uid=^u

[67]
K. Teck, Music for the dance: reflections on a collaborative art, vol. Contributions to the study of music and dance. London: Greenwood Press, 1989.

[68]
Making music for modern dance: collaboration in the formative years of a new American art. New York: Oxford University Press, 2011.

[69]
S. Walsh, Stravinsky: a creative spring : Russia and France, 1882-1934, 1st ed. New York: Alfred A. Knopf, 1999.

[70]
‘Music Theory for Musicians and Normal People’. [Online]. Available: http://tobyrush.com/theorypages/index.html

[71]
‘musictheory.net’. [Online]. Available: http://www.musictheory.net/

[72]
‘teoria : Music Theory Web’. [Online]. Available: http://www.teoria.com/

Bibliography for Music and Dance - (DAN020L410S) BETA