Bibliography for Music and Dance - (DAN020L410S)

Acocella, Joan, Lynn Garafola, and Jonnie Green. 1992. ‘The Rite of Spring Considered as a Nineteenth-Century Ballet’. Ballet Review 20 (2 (Summer)): 68–99.

Acocella, Joan Ross, and Mark Morris. 1993. Mark Morris. New York: Farrar Straus Giroux.

Albright, Daniel. 2000a. Untwisting the Serpent: Modernism in Music, Literature, and Other Arts. Chicago, Ill: University of Chicago Press.

———. 2000b. Untwisting the Serpent: Modernism in Music, Literature, and Other Arts. Chicago, Ill: University of Chicago Press.

‘American Ballet Theatre (01) Chopin Les Sylphides - YouTube’. n.d. https://www.youtube.com/watch?v=LBJNc3h7Hp8.

Bernard, Michel and Centre National de la Danse. 2001. De La Création Chorégraphique. Paris: Centre national de la danse.

Bracewell, Michael, and Suzanne Cotter. 2010. Michael Clark. London: Violette Editions.

Cage, John. 1968. Silence: Lectures and Writings by John Cage. London: Calder and Boyars.

Celant, Germano. 1999. Merce Cunningham. Milano: Charta.

Chion, Michael. 1994. ‘Lines and Points: Horizontal and Vertical Perspectives on Audio-Visual Relations’. In Audio-Vision: Sound on Screen, 35–65. New York: Columbia University Press.

Chion, Michel, and Claudia Gorbman. 1994. Audio-Vision: Sound on Screen. New York: Columbia University Press.

‘Chopin’s Valse Op. 70, No.1’. n.d. http://conquest.imslp.info/files/imglnks/usimg/b/b1/IMSLP82917-PMLP02375-FChopin_Waltzes_Op70.pdf.

Cohan, Robert. 1992. Choreographers/Composers/Collaboration. Vol. Choreography and dance. Chur: Harwood Academic.

Cook, Nicholas. 2000. Analysing Musical Multimedia. Oxford: Oxford University Press.

Copeland, Roger. 2004. Merce Cunningham: The Modernizing of Modern Dance. Electronic resource. London: Routledge. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203641989&uid=^u.

Copeland, Roger, and Marshall Cohen. 1983. What Is Dance?: Readings in Theory and Criticism. Oxford: Oxford University Press.

Crimp, Douglas. n.d. ‘Yvonne Rainer, Muciz Lover.’ Grey Room, no. 22: 48–67. http://search.ebscohost.com/login.aspx?direct=true&db=aph&AN=19508361&site=ehost-live.

Davies, Stephen. 1994a. ‘Music and Language’. In Musical Meaning and Expression, 39–49. Ithaca, N. Y.: Cornell University Press.

———. 1994b. Musical Meaning and Expression. Ithaca, N. Y.: Cornell University Press.

Dayan, Peter. 2011. Art as Music, Music as Poetry, Poetry as Art, from Whistler to Stravinsky and Beyond. Electronic resource. Farnham: Ashgate. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9781409427933&uid=^u.

Denby, Edwin, Robert Cornfield, and William MacKay. 1986. Dance Writings. London: Dance Books.

Harris-Warrick, Rebecca, and Carol G. Marsh. 1994. Musical Theatre at the Court of Louis XIV: Le Mariage de La Grosse Cathos. Vol. Cambridge musical texts and monographs. Cambridge: Cambridge University Press.

Hodgins, Paul. 1992. Relationships between Score and Choreography in Twentieth-Century Dance: Music, Movement and Metaphor. Lampeter: Edwin Mellen Press.

Hodson, Millicent, and Igor Stravinsky. 1996. Nijinsky’s Crime against Grace: Reconstruction Score of the Original Choreography for Le Sacre Du Printemps. Vol. Dance&music series. Stuyvesant, NY: Pendragon Press.

Humphrey, Doris, and Barbara Pollack. 1997a. The Art of Making Dances. London: Dance.

———. 1997b. The Art of Making Dances. London: Dance.

‘Joffrey Ballet 1987 Rite of Spring (3 of 3)’. 30AD. https://www.youtube.com/watch?v=C_7ndqgwxcM.

‘Joffrey Ballet 1989 Rite of Spring (1 of 3)’. 30AD. https://www.youtube.com/watch?v=jF1OQkHybEQ.

‘Joffrey Ballet Rite of Spring 1987 (2 of 3)’. 30AD. https://www.youtube.com/watch?v=iH1t0pCchxM.

Jordan, Stephanie. 2000a. ‘Hearing the Dance, Watching the Music + Notes’. In Moving Music: Dialogues with Music in Twentieth-Century Ballet. London: Dance.

———. 2000b. Moving Music: Dialogues with Music in Twentieth-Century Ballet. London: Dance.

———. 2000c. Moving Music: Dialogues with Music in Twentieth-Century Ballet. London: Dance.

———. 2000d. Moving Music: Dialogues with Music in Twentieth-Century Ballet. London: Dance.

———. 2000e. Moving Music: Dialogues with Music in Twentieth-Century Ballet. London: Dance.

———. 2007. Stravinsky Dances: Re-Visions across a Century. Alton: Dance Books.

———. 2015a. ‘A Framework for Analysis’. In Mark Morris: Musician, Choreographer, 91–123. Alton: Dance.

———. 2015b. Mark Morris: Musician, Choreographer. Alton: Dance.

Jordan, Stephanie and George Balanchine Foundation. 2002. ‘Music Dances: Balanchine Choreographs Stravinsky’. Videorecording. New York: George Balanchine Foundation.

Joseph, Charles M. 2002. Stravinsky & Balanchine: A Journey of Invention. Electronic resource. New Haven: Yale University Press. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=3420344.

———. 2011. Stravinsky’s Ballets. New Haven, [Conn.]: Yale University Press.

Lawson, Joan. 1973a. A History of Ballet and Its Makers. London (9 Cecil Court, W.C.2): Dance Books.

———. 1973b. ‘Fokine on Les Sylphides’. In A History of Ballet and Its Makers, 100–101. London: Dance Books.

Ma, Yo-Yo, Barbara Willis Sweete, Mark Morris, Atom Egoyan, and Mark Morris Dance Group. 1998. ‘Yo-Yo Ma: Inspired by Bach, Vol.2: Falling down Stairs ; Sarabande’. Videorecording. New York: Sony Classical.

Making Music for Modern Dance: Collaboration in the Formative Years of a New American Art. 2011. New York: Oxford University Press.

‘Mark Morris Dido and Aeneas Dido’s Lament - YouTube’. n.d. https://www.youtube.com/watch?v=ZrzC_KLI8KM.

McMains, Juliet, and Ben Thomas. 2013. ‘Translating from Pitch to Plié: Music Theory for Dance Scholars and Close Movement Analysis for Music Scholars’. Dance Chronicle 36 (2): 196–217. https://doi.org/10.1080/01472526.2013.792714.

‘Meredith Monk - Media - Book of Days’. n.d. http://www.meredithmonk.org/media/opera.html.

Monk, Meredith, and John R. Killacky. 2006. ‘Meredith Monk: Ellis Island; Book of Days’. Videorecording. [New York, N.Y.]: [The House Foundation for the Arts].

‘Month in the Country Part 1’. 11AD. https://www.youtube.com/watch?v=DqWSu5ij1Bw.

‘Month in the Country Part 2’. 12AD. https://www.youtube.com/watch?v=aD1WGzkjR9g.

‘Month in the Country Part 3’. 13AD. https://www.youtube.com/watch?v=yLYdYV6reeg.

‘Month in the Country Part 4’. 14AD. https://www.youtube.com/watch?v=NW5XN4gTrpM.

‘Month in the Country Part 5’. 15AD. https://www.youtube.com/watch?v=gud8TqrVeQY.

Morgenroth, Joyce. 2004. Speaking of Dance: Twelve Contemporary Choreographers on Their Craft. London: Routledge.

‘Music Theory for Musicians and Normal People’. n.d. http://tobyrush.com/theorypages/index.html.

Music-Dance : Sound and Motion in Contemporary Discourse. 2018. Abingdon, Oxon: Routledge.

‘Musictheory.Net’. n.d. http://www.musictheory.net/.

Nureyev, Rudolf, Pina Bausch, Igor Stravinsky, and Tanztheater (Wuppertal, Germany). 1980. ‘Invitation to the Dance’. Videorecording. London: BBC.

Oliveros, Pauline. 2005. Deep Listening: A Composer’s Sound Practice. New York: IUniverse.

‘Roehampton University: Stravinsky the Global Dancer. Database.’ n.d. http://ws1.roehampton.ac.uk/stravinsky/.

Sawyer, Elizabeth. 1986. Dance with the Music: The World of the Ballet Musician. Cambridge: Cambridge University Press.

Schroedter, Stephanie. 2012. Bewegungen Zwischen Hören Und Sehen: Denkbewegungen Über Bewegungskünste. Würzburg: Königshausen & Neumann.

Servos, Norbert, and Gert Weigelt. 1984. Pina Bausch - Wuppertal Dance Theater, or, The Art of Training a Goldfish: Excursions into Dance. Köln: Ballett-Büchnen-Verlag.

Smith, Marian. 2010. Ballet and Opera in the Age of ‘Giselle’. Princeton University Press. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9781400832477&uid=^u.

‘Stravinsky- Rite of Spring “Opening”’. 27AD. https://www.youtube.com/watch?v=NOTjyCM3Ou4&feature=fvwrel.

‘Stravinsky- Rite of Spring “Sacrificial Dance”’. 27AD. https://www.youtube.com/watch?v=s7pV2cX0qxs&feature=channel&list=UL.

Taylor, Eric and Associated Board of the Royal Schools of Music. 1989. The AB Guide to Music Theory. London: Associated Board of the Royal Schools of Music.

Teck, Katherine. 1989. Music for the Dance: Reflections on a Collaborative Art. Vol. Contributions to the study of music and dance. London: Greenwood Press.

‘Teoria : Music Theory Web’. n.d. http://www.teoria.com/.

Twiner, Anthony, and Richard Muncey. 1986. The Muncey Music Book. London: Dance.

Walsh, Stephen. 1999. Stravinsky: A Creative Spring : Russia and France, 1882-1934. Electronic resource. 1st ed. New York: Alfred A. Knopf.

Zbikowski, Lawrence M. 2002. ‘Music Theory, Multimedia and the Construction of Meaning’. Integral, 251–68. https://moodle.roehampton.ac.uk/mod/resource/view.php?id=173637.

Bibliography for Music and Dance - (DAN020L410S) BETA