1.
Jordan, S.: Hearing the Dance, watching the music + notes. In: Moving music: dialogues with music in twentieth-century ballet. Dance, London (2000).
2.
Jordan, S.: A Framework for Analysis. In: Mark Morris: musician, choreographer. pp. 91–123. Dance, Alton (2015).
3.
Jordan, S.: Mark Morris: musician, choreographer. Dance, Alton (2015).
4.
Taylor, E., Associated Board of the Royal Schools of Music: The AB guide to music theory. Associated Board of the Royal Schools of Music, London (1989).
5.
Twiner, A., Muncey, R.: The Muncey music book. Dance, London (1986).
6.
Jordan, S.: Moving music: dialogues with music in twentieth-century ballet. Dance, London (2000).
7.
Cook, N.: Analysing musical multimedia. Oxford University Press, Oxford (2000).
8.
Albright, D.: Untwisting the serpent: modernism in music, literature, and other arts. University of Chicago Press, Chicago, Ill (2000).
9.
Meredith Monk - Media - Book of Days, http://www.meredithmonk.org/media/opera.html.
10.
Monk, M., Killacky, J.R.: Meredith Monk: Ellis Island; Book of days, (2006).
11.
Oliveros, P.: Deep listening: a composer’s sound practice. IUniverse, New York (2005).
12.
Jordan, S.: Moving music: dialogues with music in twentieth-century ballet. Dance, London (2000).
13.
Davies, S.: Music and Language. In: Musical meaning and expression. pp. 39–49. Cornell University Press, Ithaca, N. Y. (1994).
14.
American Ballet Theatre (01) Chopin Les Sylphides - YouTube, https://www.youtube.com/watch?v=LBJNc3h7Hp8.
15.
Chopin’s Valse op. 70, no.1, http://conquest.imslp.info/files/imglnks/usimg/b/b1/IMSLP82917-PMLP02375-FChopin_Waltzes_Op70.pdf.
16.
Lawson, J.: Fokine on Les Sylphides. In: A history of ballet and its makers. pp. 100–101. Dance Books, London (1973).
17.
Jordan, S.: Moving music: dialogues with music in twentieth-century ballet. Dance, London (2000).
18.
Humphrey, D., Pollack, B.: The art of making dances. Dance, London (1997).
19.
McMains, J., Thomas, B.: Translating from Pitch to Plié: Music Theory for Dance Scholars and Close Movement Analysis for Music Scholars. Dance Chronicle. 36, 196–217 (2013). https://doi.org/10.1080/01472526.2013.792714.
20.
Mark Morris Dido and Aeneas Dido’s Lament - YouTube, https://www.youtube.com/watch?v=ZrzC_KLI8KM.
21.
Jordan, S.: Moving music: dialogues with music in twentieth-century ballet. Dance, London (2000).
22.
Month in the Country Part 1, https://www.youtube.com/watch?v=DqWSu5ij1Bw, (11)AD.
23.
Month in the Country Part 2, https://www.youtube.com/watch?v=aD1WGzkjR9g, (12)AD.
24.
Month in the Country Part 3, https://www.youtube.com/watch?v=yLYdYV6reeg, (13)AD.
25.
Month in the Country Part 4, https://www.youtube.com/watch?v=NW5XN4gTrpM, (14)AD.
26.
Month in the Country Part 5, https://www.youtube.com/watch?v=gud8TqrVeQY, (15)AD.
27.
Chion, M.: Lines and points: Horizontal and vertical perspectives on audio-visual relations. In: Audio-vision: sound on screen. pp. 35–65. Columbia University Press, New York (1994).
28.
Zbikowski, L.M.: Music Theory, Multimedia and the Construction of Meaning. Integral. 251–268 (2002).
29.
Crimp, D.: Yvonne Rainer, Muciz Lover. Grey Room. 48–67.
30.
Acocella, J.R., Morris, M.: Mark Morris. Farrar Straus Giroux, New York (1993).
31.
Celant, G.: Merce Cunningham. Charta, Milano (1999).
32.
Joffrey Ballet 1989 Rite of Spring (1 of 3), https://www.youtube.com/watch?v=jF1OQkHybEQ, (30)AD.
33.
Joffrey Ballet Rite of Spring 1987 (2 of 3), https://www.youtube.com/watch?v=iH1t0pCchxM, (30)AD.
34.
Joffrey Ballet 1987 Rite of Spring (3 of 3), https://www.youtube.com/watch?v=C_7ndqgwxcM, (30)AD.
35.
Stravinsky- Rite of Spring ‘Opening’, https://www.youtube.com/watch?v=NOTjyCM3Ou4&feature=fvwrel, (27)AD.
36.
Stravinsky- Rite of Spring ‘Sacrificial Dance’, https://www.youtube.com/watch?v=s7pV2cX0qxs&feature=channel&list=UL, (27)AD.
37.
Hodson, M., Stravinsky, I.: Nijinsky’s crime against grace: reconstruction score of the original choreography for Le sacre du printemps. Pendragon Press, Stuyvesant, NY (1996).
38.
Servos, N., Weigelt, G.: Pina Bausch - Wuppertal dance theater, or, The art of training a goldfish: excursions into dance. Ballett-Büchnen-Verlag, Köln (1984).
39.
Roehampton University: Stravinsky the Global Dancer. Database., http://ws1.roehampton.ac.uk/stravinsky/.
40.
Acocella, J., Garafola, L., Green, J.: The Rite of Spring Considered as a Nineteenth-Century Ballet. Ballet Review. 20, 68–99 (1992).
41.
Music-dance : sound and motion in contemporary discourse. Routledge, Abingdon, Oxon (2018).
42.
Albright, D.: Untwisting the serpent: modernism in music, literature, and other arts. University of Chicago Press, Chicago, Ill (2000).
43.
Bernard, M., Centre National de la Danse: De la création chorégraphique. Centre national de la danse, Paris (2001).
44.
Cage, J.: Silence: lectures and writings by John Cage. Calder and Boyars, London (1968).
45.
Chion, M., Gorbman, C.: Audio-vision: sound on screen. Columbia University Press, New York (1994).
46.
Cohan, R.: Choreographers/composers/collaboration. Harwood Academic, Chur (1992).
47.
Bracewell, M., Cotter, S.: Michael Clark. Violette Editions, London (2010).
48.
Copeland, R.: Merce Cunningham: the modernizing of modern dance. Routledge, London (2004).
49.
Copeland, R., Cohen, M.: What is dance?: readings in theory and criticism. Oxford University Press, Oxford (1983).
50.
Davies, S.: Musical meaning and expression. Cornell University Press, Ithaca, N. Y. (1994).
51.
Dayan, P.: Art as music, music as poetry, poetry as art, from Whistler to Stravinsky and beyond. Ashgate, Farnham (2011).
52.
Denby, E., Cornfield, R., MacKay, W.: Dance writings. Dance Books, London (1986).
53.
Humphrey, D., Pollack, B.: The art of making dances. Dance, London (1997).
54.
Joseph, C.M.: Stravinsky’s ballets. Yale University Press, New Haven, [Conn.] (2011).
55.
Harris-Warrick, R., Marsh, C.G.: Musical theatre at the court of Louis XIV: Le mariage de la Grosse Cathos. Cambridge University Press, Cambridge (1994).
56.
Hodgins, P.: Relationships between score and choreography in twentieth-century dance: music, movement and metaphor. Edwin Mellen Press, Lampeter (1992).
57.
Jordan, S.: Stravinsky dances: re-visions across a century. Dance Books, Alton (2007).
58.
Jordan, S., George Balanchine Foundation: Music dances: Balanchine choreographs Stravinsky, (2002).
59.
Joseph, C.M.: Stravinsky & Balanchine: a journey of invention. Yale University Press, New Haven (2002).
60.
Lawson, J.: A history of ballet and its makers. Dance Books, London (9 Cecil Court, W.C.2) (1973).
61.
Ma, Y.-Y., Sweete, B.W., Morris, M., Egoyan, A., Mark Morris Dance Group: Yo-Yo Ma: inspired by Bach, Vol.2: Falling down stairs ; Sarabande, (1998).
62.
Morgenroth, J.: Speaking of dance: twelve contemporary choreographers on their craft. Routledge, London (2004).
63.
Nureyev, R., Bausch, P., Stravinsky, I., Tanztheater (Wuppertal, Germany): Invitation to the dance, (1980).
64.
Sawyer, E.: Dance with the music: the world of the ballet musician. Cambridge University Press, Cambridge (1986).
65.
Schroedter, S.: Bewegungen zwischen Hören und Sehen: Denkbewegungen über Bewegungskünste. Königshausen & Neumann, Würzburg (2012).
66.
Smith, M.: Ballet and Opera in the Age of ‘Giselle’. Princeton University Press (2010).
67.
Teck, K.: Music for the dance: reflections on a collaborative art. Greenwood Press, London (1989).
68.
Making music for modern dance: collaboration in the formative years of a new American art. Oxford University Press, New York (2011).
69.
Walsh, S.: Stravinsky: a creative spring : Russia and France, 1882-1934. Alfred A. Knopf, New York (1999).
70.
Music Theory for Musicians and Normal People, http://tobyrush.com/theorypages/index.html.
71.
musictheory.net, http://www.musictheory.net/.
72.
teoria : Music Theory Web, http://www.teoria.com/.
