[1]
Adewole, F. 2017. The Construction of the Black dance/ African Peoples dance sector in Britain. British dance: Black routes. C. Adair and R. Burt, eds. Routledge. 125–148.
[2]
Adrienne L. Kaeppler 2003. An Introduction to Dance Aesthetics. Yearbook for Traditional Music. 35, (2003), 153–162.
[3]
Albright, A.C. 1997. Choreographing difference: the body and identity in contemporary dance. Wesleyan University Press.
[4]
Andrée Grau 1992. Intercultural Research in the Performing Arts. Dance Research: The Journal of the Society for Dance Research. 10, 2 (1992), 3–29.
[5]
Andrée Grau 1993. John Blacking and the Development of Dance Anthropology in the United Kingdom. Dance Research Journal. 25, 2 (1993), 21–31.
[6]
Ann Daly 1987. The Balanchine Woman: Of Hummingbirds and Channel Swimmers. The Drama Review. 31, 1 (1987), 8–21.
[7]
Ann Daly 2000. Trends in dance scholarship: feminist theory across the millennium divide. Dance Research Journal. 32, 1 (2000), 39–42.
[8]
Balme, C.B. 2016. Theatrical public sphere. Cambridge University Press.
[9]
Banes, S. 1978. Grand Union: The Presentation of Everyday Life as Dance. Dance Research Journal. 10, 2 (Spring 1978). DOI:https://doi.org/10.2307/1478002.
[10]
Barthes, R. 1983. Striptease. What is dance?: readings in theory and criticism. Oxford University Press. 512–514.
[11]
Best, D. 1986. Culture-Consciousness: Understanding the Arts of other Cultures. Journal of Art & Design Education. 5, 1–2 (1986), 33–44. DOI:https://doi.org/10.1111/j.1476-8070.1986.tb00185.x.
[12]
Blacking, J. and National Association for Education in the Arts 1986. Culture and the arts: paper delivered at the University of London Institute of Education on 16 November 1985 to the National Association for Education in the Arts. National Association for Education in the Arts.
[13]
Bourdieu, P. 1998. Practical reason: on the theory of action. Polity Press.
[14]
Brandstetter, G. et al. eds. 2013. Dance [and] theory. Transcript.
[15]
Brown, C. 1994. Re-tracing our steps: the possibilities for feminist dance histories (electronic resource). Dance history: an introduction. Routledge. 198–218.
[16]
Burt, R. 2007. The male dancer: bodies, spectacle, sexualities (electronic resource). Routledge.
[17]
Carter, A. 1996. Bodies of knowledge: dance and feminist analysis. Analysing performance: a critical reader. Manchester University Press. 43–55.
[18]
Carter, A. 1999. Dying Swans or Sitting Ducks? Performance Research. 4, 3 (1999), 91–98. DOI:https://doi.org/10.1080/13528165.1999.10871700.
[19]
Catherine Foley 2001. Perceptions of Irish Step Dance: National, Global, and Local. Dance Research Journal. 33, 1 (2001), 34–45.
[20]
Cohen-Stratyner, B. 2001. Issues in Social and Vernacular Dance (Social Dance: Contexts and Definitions). Dance Research Journal. 33, 2 (2001), 121–124.
[21]
Daly, A. 2002. Critical gestures: writings on dance and culture. Wesleyan University Press.
[22]
Dancing in the millennium (Conference) et al. 2000. Dancing in the millennium: an international conference : proceedings : July 19-23, 2000, Washington Marriott Hotel, George Washington University, Kennedy Center. [np].
[23]
David, A. 2008. Local Diasporas / Global Trajectories: New aspects of religious ‘performance’ in British Tamil Hindu practice. Performance Research. 13, 3 (2008), 89–99. DOI:https://doi.org/10.1080/13528160902819364.
[24]
David, A.R. 2007. Beyond the Silver Screen: Bollywood and Filmi Dance in the UK. South Asia Research. 27, 1 (2007), 5–24.
[25]
David, A.R. 2009. Performing for the gods? Dance and embodied ritual in British Hindu temples. South Asian Popular Culture. 7, 3 (2009), 217–231. DOI:https://doi.org/10.1080/14746680903125580.
[26]
David, A.R. 2006. When the Body becomes the Dance - the ‘Orientalist’ Gaze and the Idealised Male Dancing Body. pulse. (2006), 13–15.
[27]
Davis, K. 1997. Embodied practices: feminist perspectives on the body. SAGE.
[28]
Dempster, E. 2008. The Choreography of the Pedestrian. Performance Research. 13, 1 (Mar. 2008), 23–28. DOI:https://doi.org/10.1080/13528160802465458.
[29]
Desmond, J. 1997. Embodying difference: issues in dance and cultural studies. The Routledge dance studies reader. Routledge. 154–162.
[30]
Desmond, J. 1997. Meaning in motion: new cultural studies of dance. Duke University Press.
[31]
Dils, A. and Albright, A.C. 2001. Moving history / dancing cultures: a dance history reader. Wesleyan University Press.
[32]
Dodds, S. 2011. Dancing on the canon: embodiments of value in popular dance. Palgrave Macmillan.
[33]
Dodds, S. 2011. Dancing on the canon: embodiments of value in popular dance. Palgrave Macmillan.
[34]
Dodds, S. 2011. Dancing on the canon: embodiments of value in popular dance (electronic resource). Palgrave Macmillan.
[35]
Douglas, M. 2002. Purity and danger: an analysis of concept of pollution and taboo (electronic resource). Routledge.
[36]
Dyck, N. and Archetti, E.P. 2003. Sport, dance and embodied identities. Berg.
[37]
Featherstone, M. and Nottingham Trent University. Theory, Culture & Society Centre 2000. Body modification (electronic resource). Sage.
[38]
Foucault, M. 1991. Discipline and punish: the birth of the prison. Penguin.
[39]
Foucault, M. 1991. Docile Bodies. Discipline and punish: the birth of the prison. Penguin. 135–141.
[40]
Franco, S. et al. 2007. Dance discourses: keywords in dance research. Routledge.
[41]
Frosh, J.D. 1999. Dance Ethnography. Researching dance: evolving modes of inquiry. Dance Books. 249–280.
[42]
Goffman, E. 1971. The presentation of self in everyday life. Penguin.
[43]
Gottschild, B.D. 2003. The Black Dancing Body: An Interview with Seán Curran. Dance Research Journal. 35, 2 (2003), 27–42.
[44]
Grau, A. 2007. Dance, Identity, and Identification Processes in a Post-Colonial World. Dance discourses: keywords in dance research. Routledge. 189–207.
[45]
Grau, A. 1998. Myths of Origins (electronic resource). The Routledge dance studies reader. Routledge. 197–202.
[46]
Green, J. 2001. Socially Constructed Bodies in American Dance Classrooms. Research in Dance Education. 2, 2 (2001), 155–173.
[47]
Green, J. 2001. Socially Constructed Bodies in American Dance Classrooms. Research in Dance Education. 2, 2 (2001), 155–173. DOI:https://doi.org/10.1080/14647890120100782.
[48]
Halifu Osumare 2002. Global Breakdancing and the Intercultural Body. Dance Research Journal. 34, 2 (2002), 30–45.
[49]
Hebdige, D. 1988. Chapter 7: Style as intentional communication, Style as ‘bricolage’, Style in revolt: Revolting style. Subculture: the meaning of style. Routledge. 100–112.
[50]
Houston, S. Feeling Lovely: An Examination of the Value of Beauty for People Dancing with Parkinson’s. Dance Research Journal. 47, 1, 26–43.
[51]
Houston, S. 2015. Feeling Lovely: An Examination of the Value of Beauty for People Dancing with Parkinson’s. Dance Research Journal. 47, 1 (2015), 26–43.
[52]
Houston, S. 2009. The touch ‘taboo’ and the art of contact: an exploration of Contact Improvisation for prisoners. Research in Dance Education. 10, 2 (2009), 97–113.
[53]
Houston, S. 2009. The touch ‘taboo’ and the art of contact: an exploration of Contact Improvisation for prisoners. Research in Dance Education. 10, 2 (2009), 97–113. DOI:https://doi.org/10.1080/14647890903019432.
[54]
Howson, A. 2013. The Body in Everyday Life. The body in society: an introduction. Polity. 14–38.
[55]
Jackson, S.J. and Hokowhitu, B. 2002. Sport, Tribes, and Technology. Journal of Sport and Social Issues. 26, 2 (May 2002), 125–139. DOI:https://doi.org/10.1177/0193723502262002.
[56]
Jasper, L. and Siddall, J. 1999. Managing dance: current issues and future strategies. Northcote House.
[57]
Juan, C.S. 2001. Ballroom Dance as an Indicator of Immigrant Identity in the Filipino Community. The Journal of American Culture. 24, 3–4 (2001), 177–181. DOI:https://doi.org/10.1111/j.1537-4726.2001.2403_177.x.
[58]
Judy van Zile 1996. Non-Polynesian Dance in Hawai’i: Issues of Identity in a Multicultural Community. Dance Research Journal. 28, 1 (1996), 28–50.
[59]
Kaeppler, A. 1996. Dance. Encyclopedia of cultural anthropology. Distributed by Macmillan. 309–313.
[60]
Kaufman, B.A. et al. 1996. Intervention in an elite ballet school. Women’s Studies International Forum. 19, 5 (1996), 545–549. DOI:https://doi.org/10.1016/0277-5395(96)00049-0.
[61]
Kenan Malik’s paper on the failures of multiculturalism: http://www.kenanmalik.com/papers/engelsberg_mc.html.
[62]
Kenan Malik’s paper on the failures of multiculturalism: http://www.kenanmalik.com/papers/engelsberg_mc.html.
[63]
Khan, N. 2004. The Politics of Inclusion. Animated. Summer (2004).
[64]
Mauss, M. 1973. Techniques of the body. Economy and Society. 2, 1 (1973), 70–88.
[65]
MEDURI, A. 2008. Labels, Histories, Politics: Indian/South Asian Dance on the Global Stage. Dance Research. 26, 2 (Oct. 2008), 223–243. DOI:https://doi.org/10.3366/E0264287508000200.
[66]
Meduri, A. 2003. ‘Multiple Pleasures’. Taken by surprise: a dance improvisation reader. Wesleyan University Press. 141–150.
[67]
Meduri, A. 2011. Worlding Dance. Dance Research Journal. 43, 02 (Dec. 2011), 109–112. DOI:https://doi.org/10.1017/S0149767711000155.
[68]
Meduri, A. and Spear, J.L. 2004. Knowing the Dancer: East Meets West. Victorian Literature and Culture. 32, 2 (2004), 435–448.
[69]
Meduri, Avanthi 2004. Bharatanatyam as a Global Dance: Some Issues in Research, Teaching, and Practice. Dance Research Journal. 36, (2004), 11–29.
[70]
Meduri, Avanthi 2008. The Transfiguration of Indian /Asian Dance in the United Kingdom: Contemporary Bharatanatyam in Global Contexts. Asian Theatre Journal. 25, Issue 2 (2008), 298–328.
[71]
MEDURI, AVANTHI1 2009. AT HOME IN THE WORLD: BHARATA NATYAM ON THE GLOBAL STAGE. Asian Theatre Journal. 26, (2009), 378–382.
[72]
Miner, H. 1956. Body Ritual among the Nacirema. American Anthropologist. 58, 3 (1956), 503–507.
[73]
Mitra, R. 2015. Akram Khan: dancing new interculturalism. Palgrave Macmillan.
[74]
Morris, G. 2009. Dance Studies/Cultural Studies. Dance Research Journal. Summer. 41, 1 (2009), 82–100.
[75]
Morris, G. 1996. Moving words: re-writing dance (electronic resource). Routledge.
[76]
Munsi, U.S. 2008. Dance: transcending borders. Tulika Books.
[77]
Murray, David 2000. Haka Fracas? The Dialectics of Identity in Discussions of a Contemporary Maori Dance. Australian Journal of Anthropology. 11, 3 (2000).
[78]
Novack, C. 2010. Looking at movement as culture: Contact improvisation to disco. The Routledge dance studies reader. Routledge. 168–180.
[79]
Olsen, B. 1990. Roland Barthes: from sign to text. Reading material culture: structuralism, hermeneutics and post-structuralism. Basil Blackwell. 163–205.
[80]
Osumare, H. 2002. Global Breakdancing and the Intercultural Body. Dance Research Journal. 34, 2 (Winter 2002). DOI:https://doi.org/10.2307/1478458.
[81]
Pavis, P. 1996. Introduction: Towards a Theory of Interculturalism in Theatre. The intercultural performance reader. Routledge. 1–21.
[82]
Plancke, C. 2010. On dancing and fishing: joy and the celebration of fertility among the Punu of Congo-Brazzaville. Africa. 80, 4 (2010), 620–641.
[83]
Prickett, S. 2010. Dancing the American Dream During World War II. Dance and politics. P. Lang. 167–192.
[84]
Prickett, S. 2012. Defying Britain’s Tick-Box Culture: Kathak in Dialogue with Hip-Hop. Dance Research. 30, 2 (2012), 169–185. DOI:https://doi.org/10.3366/drs.2012.0045.
[85]
Prickett, S. 1994. The People:  Issues of Identity Within the Revolutionary Dance,’ "Of, By and For the People:  Dancing on the Left in the 1930s. Studies in Dance History. 1, (1994), 14–22.
[86]
Prickett, S. 2010. The People’s Dance: workers, politics and movement in 1930s Britain. Dance History: Politics, Practices and Perspectives Conference Proceedings. (2010), 71–79.
[87]
Rapport, N. and Overing, J. 2000. Social and cultural anthropology: the key concepts. Routledge.
[88]
Royce, A.P. 2004. Anthropology of the performing arts: artistry, virtuosity, and interpretation in a cross-cultural perspective. AltaMira Press.
[89]
Shapiro, S.B. 1998. Dance, power, and difference: critical and feminist perspectives on dance education. Human Kinetics.
[90]
Shilling, C. 2012. The body and social theory. SAGE.
[91]
Shilling, C. 2003. The body and social theory (electronic resource). SAGE.
[92]
Shilling, C. 2003. The civilized body. The body and social theory. SAGE. 135–141.
[93]
Spear, J.L. and Meduri, A. 2004. Knowing the Dancer: East Meets West. Victorian Literature and Culture. 32, 2 (2004), 435–448.
[94]
Stacey Prickett 2007. San Francisco Innovators and Iconoclasts: Dance and Politics in the Left Coast City. Dance Chronicle. 30, 2 (2007), 237–290.
[95]
Swartz, D. 1997. Culture & power: the sociology of Pierre Bourdieu. University of Chicago Press.
[96]
Thomas, H. 2013. The body and everyday life. Routledge.
[97]
Thomas, H. 2005. The body and everyday life. Routledge.
[98]
Thomas, H. 2003. The Body in Culture: Before the Body Project. The body, dance, and cultural theory. Palgrave Macmillan. 9–33.
[99]
Turner, B.S. 1994. Orientalism, postmodernism and globalism (electronic resource). Routledge.
[100]
Turner, B.S. 1992. Regulating bodies: essays in medical sociology (electronic resource). Routledge.
[101]
Turner, B.S. 1996. The body and society: explorations in social theory. SAGE.
[102]
Um, H. 2001. Diasporas and interculturalism in Asian performing arts: translating traditions. Curzon.
[103]
Wainwright, S.P. and Turner, B.S. 2006. ‘Just Crumbling to Bits’? An Exploration of the Body,                Ageing, Injury and Career in Classical Ballet Dancers. Sociology. 40, 2 (Apr. 2006), 237–255. DOI:https://doi.org/10.1177/0038038506062031.
[104]
Williams, D. 2003. Anthropology and the dance: ten lectures. University of Illinois Press.
[105]
Wulff, H. 2002. Aesthetics at the ballet: looking at "national” style, body and clothing in the London dance world. British subjects: an anthropology of Britain. Berg. 67–86.
[106]
Wulff, H. 1998. Ballet across borders: career and culture in the world of dancers. Berg.
[107]
Faultline/Bruise Blood in India/London.