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Adrienne L. Kaeppler. (2003). An Introduction to Dance Aesthetics. Yearbook for Traditional Music, 35, 153–162. http://www.jstor.org/stable/4149325?seq=1#page_scan_tab_contents
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Andrée Grau. (1992). Intercultural Research in the Performing Arts. Dance Research: The Journal of the Society for Dance Research, 10(2), 3–29. http://www.jstor.org/stable/1290652?seq=1#page_scan_tab_contents
Andrée Grau. (1993). John Blacking and the Development of Dance Anthropology in the United Kingdom. Dance Research Journal, 25(2), 21–31. https://roe.idm.oclc.org/login?url=http://www.jstor.org/stable/1478551?seq=1#page_scan_tab_contents
Ann Daly. (1987). The Balanchine Woman: Of Hummingbirds and Channel Swimmers. The Drama Review, 31(1), 8–21. http://www.jstor.org/stable/1145763?seq=1#page_scan_tab_contents
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Best, D. (1986). Culture-Consciousness: Understanding the Arts of other Cultures. Journal of Art & Design Education, 5(1–2), 33–44. https://doi.org/10.1111/j.1476-8070.1986.tb00185.x
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Brandstetter, G., Klein, G., Haller, M., & Lüken, H. (Eds.). (2013). Dance [and] theory: Vol. Critical dance studies. Transcript. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=1918302
Brown, C. (1994). Re-tracing our steps: the possibilities for feminist dance histories (electronic resource). In Dance history: an introduction (2nd ed, pp. 198–218). Routledge. https://www.dawsonera.com/readonline/9780203137369/startPage/198
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Carter, A. (1996). Bodies of knowledge: dance and feminist analysis. In Analysing performance: a critical reader (pp. 43–55). Manchester University Press. https://contentstore.cla.co.uk/secure/link?id=f71e5fcc-aa38-e811-80cd-005056af4099
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Catherine Foley. (2001). Perceptions of Irish Step Dance: National, Global, and Local. Dance Research Journal, 33(1), 34–45. https://roe.idm.oclc.org/login?url=http://www.jstor.org/stable/1478855?seq=1#page_scan_tab_contents
Cohen-Stratyner, B. (2001). Issues in Social and Vernacular Dance (Social Dance: Contexts and Definitions). Dance Research Journal, 33(2), 121–124. http://www.jstor.org/stable/1477809
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Dancing in the millennium (Conference), Congress on Research in Dance, Dance Critics Association, National Dance Association, & Society of Dance History Scholars. (2000). Dancing in the millennium: an international conference : proceedings : July 19-23, 2000, Washington Marriott Hotel, George Washington University, Kennedy Center. [np].
David, A. (2008). Local Diasporas / Global Trajectories: New aspects of religious ‘performance’ in British Tamil Hindu practice. Performance Research, 13(3), 89–99. https://doi.org/10.1080/13528160902819364
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David, A. R. (2007). Beyond the Silver Screen: Bollywood and Filmi Dance in the UK. South Asia Research, 27(1), 5–24.
David, A. R. (2009). Performing for the gods? Dance and embodied ritual in British Hindu temples. South Asian Popular Culture, 7(3), 217–231. https://doi.org/10.1080/14746680903125580
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Dodds, S. (2011a). Dancing on the canon: embodiments of value in popular dance. Palgrave Macmillan. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780230305656&uid=^u
Dodds, S. (2011b). Dancing on the canon: embodiments of value in popular dance. Palgrave Macmillan. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780230305656
Dodds, S. (2011c). Dancing on the canon: embodiments of value in popular dance (electronic resource). Palgrave Macmillan. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780230305656
Douglas, M. (2002). Purity and danger: an analysis of concept of pollution and taboo (electronic resource): Vol. Routledge classics. Routledge. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203361832
Dyck, N., & Archetti, E. P. (2003). Sport, dance and embodied identities. Berg.
Faultline/Bruise Blood in India/London. (n.d.). http://www.rescen.net/Shobana_Jeyasingh/HmH/delhi.html
Featherstone, M. & Nottingham Trent University. Theory, Culture & Society Centre. (2000). Body modification (electronic resource). Sage. http://site.ebrary.com/lib/roehampton/Doc?id=10567159
Foucault, M. (1991a). Discipline and punish: the birth of the prison. Penguin.
Foucault, M. (1991b). Docile Bodies. In Discipline and punish: the birth of the prison (pp. 135–141). Penguin. https://contentstore.cla.co.uk//secure/link?id=36ccb402-854a-e611-80bd-0cc47a6bddeb
Franco, S., Nordera, M., & Centre national de la danse (France). (2007). Dance discourses: keywords in dance research. Routledge. https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.roehampton.ac.uk/shibboleth&target=https://www.dawsonera.com/depp/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315539171
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Goffman, E. (1971). The presentation of self in everyday life: Vol. Pelican books. Penguin.
Gottschild, B. D. (2003). The Black Dancing Body: An Interview with Seán Curran. Dance Research Journal, 35(2), 27–42. http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=15644576&site=ehost-live
Grau, A. (1998). Myths of Origins (electronic resource). In The Routledge dance studies reader (pp. 197–202). Routledge. https://www.dawsonera.com/readonline/9780203445525/startPage/197
Grau, A. (2007). Dance, Identity, and Identification Processes in a Post-Colonial World. In Dance discourses: keywords in dance research (pp. 189–207). Routledge. https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.roehampton.ac.uk/shibboleth&target=https://www.dawsonera.com/depp/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315539171
Green, J. (2001a). Socially Constructed Bodies in American Dance Classrooms. Research in Dance Education, 2(2), 155–173.
Green, J. (2001b). Socially Constructed Bodies in American Dance Classrooms. Research in Dance Education, 2(2), 155–173. https://doi.org/10.1080/14647890120100782
Halifu Osumare. (2002). Global Breakdancing and the Intercultural Body. Dance Research Journal, 34(2), 30–45. http://www.jstor.org/stable/1478458?seq=1#page_scan_tab_contents
Hebdige, D. (1988). Chapter 7: Style as intentional communication, Style as ‘bricolage’, Style in revolt: Revolting style. In Subculture: the meaning of style: Vol. New accents (pp. 100–112). Routledge. https://contentstore.cla.co.uk//secure/link?id=d9a26751-864a-e611-80bd-0cc47a6bddeb
Houston, S. (n.d.). Feeling Lovely: An Examination of the Value of Beauty for People Dancing with Parkinson’s. Dance Research Journal, 47(1), 26–43. http://search.ebscohost.com/login.aspx?direct=true&db=s3h&AN=102874082&site=ehost-live
Houston, S. (2009a). The touch ‘taboo’ and the art of contact: an exploration of Contact Improvisation for prisoners. Research in Dance Education, 10(2), 97–113.
Houston, S. (2009b). The touch ‘taboo’ and the art of contact: an exploration of Contact Improvisation for prisoners. Research in Dance Education, 10(2), 97–113. https://doi.org/10.1080/14647890903019432
Houston, S. (2015). Feeling Lovely: An Examination of the Value of Beauty for People Dancing with Parkinson’s. Dance Research Journal, 47(1), 26–43. https://muse.jhu.edu/journals/dance_research_journal/v047/47.1.houston.html
Howson, A. (2013). The Body in Everyday Life. In The body in society: an introduction (Second edition, pp. 14–38). Polity. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780745676364
Jackson, S. J., & Hokowhitu, B. (2002). Sport, Tribes, and Technology. Journal of Sport and Social Issues, 26(2), 125–139. https://doi.org/10.1177/0193723502262002
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Juan, C. S. (2001). Ballroom Dance as an Indicator of Immigrant Identity in the Filipino Community. The Journal of American Culture, 24(3–4), 177–181. https://doi.org/10.1111/j.1537-4726.2001.2403_177.x
Judy van Zile. (1996). Non-Polynesian Dance in Hawai’i: Issues of Identity in a Multicultural Community. Dance Research Journal, 28(1), 28–50. http://www.jstor.org/stable/1478104?seq=1#page_scan_tab_contents
Kaeppler, A. (1996). Dance. In Encyclopedia of cultural anthropology (pp. 309–313). Distributed by Macmillan. https://contentstore.cla.co.uk//secure/link?id=171e36ea-854a-e611-80bd-0cc47a6bddeb
Kaufman, B. A., Warren, M. P., & Hamilton, L. (1996). Intervention in an elite ballet school. Women’s Studies International Forum, 19(5), 545–549. https://doi.org/10.1016/0277-5395(96)00049-0
Kenan Malik’s paper on the failures of multiculturalism. (n.d.-a). http://www.kenanmalik.com/papers/engelsberg_mc.html
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Khan, N. (2004). The Politics of Inclusion. Animated, Summer. http://www.communitydance.org.uk/DB/animated-library/the-politics-of-inclusion.html?ed=14061
Mauss, M. (1973). Techniques of the body. Economy and Society, 2(1), 70–88. https://contentstore.cla.co.uk//secure/link?id=a06654ca-854a-e611-80bd-0cc47a6bddeb
Meduri, A. (2003). ‘Multiple Pleasures’. In Taken by surprise: a dance improvisation reader (pp. 141–150). Wesleyan University Press. https://contentstore.cla.co.uk/secure/link?id=d4a671a6-5237-e811-80cd-005056af4099
MEDURI, A. (2008). Labels, Histories, Politics: Indian/South Asian Dance on the Global Stage. Dance Research, 26(2), 223–243. https://doi.org/10.3366/E0264287508000200
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Meduri, A., & Spear, J. L. (2004). Knowing the Dancer: East Meets West. Victorian Literature and Culture, 32(2), 435–448. http://www.jstor.org/stable/25058678?seq=1#page_scan_tab_contents
Meduri, Avanthi. (2004). Bharatanatyam as a Global Dance: Some Issues in Research, Teaching, and Practice. Dance Research Journal, 36, 11–29. http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=17332277&site=ehost-live
Meduri, Avanthi. (2008). The Transfiguration of Indian /Asian Dance in the United Kingdom: Contemporary Bharatanatyam in Global Contexts. Asian Theatre Journal, 25(Issue 2), 298–328. http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=34455109&site=ehost-live
MEDURI, AVANTHI1. (2009). AT HOME IN THE WORLD: BHARATA NATYAM ON THE GLOBAL STAGE. Asian Theatre Journal, 26, 378–382. http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=47549531&site=ehost-live
Miner, H. (1956). Body Ritual among the Nacirema. American Anthropologist, 58(3), 503–507. http://www.jstor.org/stable/665280
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Morris, G. (2009). Dance Studies/Cultural Studies. Dance Research Journal. Summer, 41(1), 82–100. http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=37375438&site=ehost-live
Munsi, U. S. (2008). Dance: transcending borders. Tulika Books.
Murray, David. (2000). Haka Fracas? The Dialectics of Identity in Discussions of a Contemporary Maori Dance. Australian Journal of Anthropology, 11(3). http://search.ebscohost.com/login.aspx?direct=true&db=aph&AN=3762264&site=ehost-live
Novack, C. (2010). Looking at movement as culture: Contact improvisation to disco. In The Routledge dance studies reader (2nd ed, pp. 168–180). Routledge. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203860984
Olsen, B. (1990). Roland Barthes: from sign to text. In Reading material culture: structuralism, hermeneutics and post-structuralism: Vol. Social archaeology (pp. 163–205). Basil Blackwell. https://contentstore.cla.co.uk/secure/link?id=5f9e17dd-ab38-e811-80cd-005056af4099
Osumare, H. (2002). Global Breakdancing and the Intercultural Body. Dance Research Journal, 34(2). https://doi.org/10.2307/1478458
Pavis, P. (1996). Introduction: Towards a Theory of Interculturalism in Theatre. In The intercultural performance reader (pp. 1–21). Routledge. https://contentstore.cla.co.uk/secure/link?id=b2b08461-5537-e811-80cd-005056af4099
Plancke, C. (2010). On dancing and fishing: joy and the celebration of fertility among the Punu of Congo-Brazzaville. Africa, 80(4), 620–641. http://search.ebscohost.com/login.aspx?direct=true&db=aph&AN=55512319&site=ehost-live
Prickett, S. (1994). The People: Issues of Identity Within the Revolutionary Dance,’ "Of, By and For the People: Dancing on the Left in the 1930s. Studies in Dance History, 1, 14–22.
Prickett, S. (2010a). Dancing the American Dream During World War II. In Dance and politics (pp. 167–192). P. Lang. https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.roehampton.ac.uk/shibboleth&target=https://www.dawsonera.com/depp/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9783035307474
Prickett, S. (2010b). The People’s Dance: workers, politics and movement in 1930s Britain. Dance History: Politics, Practices and Perspectives Conference Proceedings, 71–79. http://www.sdr-uk.org/temp/docs/2010_SDR_dance_history_symposium_proceedings.pdf
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Stacey Prickett. (2007). San Francisco Innovators and Iconoclasts: Dance and Politics in the Left Coast City. Dance Chronicle, 30(2), 237–290. http://www.jstor.org/stable/25598108?seq=1#page_scan_tab_contents
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