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Kaeppler A. Dance. In: Encyclopedia of cultural anthropology. London: : Distributed by Macmillan 1996. 309–13.https://contentstore.cla.co.uk//secure/link?id=171e36ea-854a-e611-80bd-0cc47a6bddeb
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Thomas H. The body and everyday life. London: : Routledge 2013. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203392348
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Thomas H. The body and everyday life. London: : Routledge 2005. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203392348
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Wainwright SP, Turner BS. ‘Just Crumbling to Bits’? An Exploration of the Body, Ageing, Injury and Career in Classical Ballet Dancers. Sociology 2006;40:237–55. doi:10.1177/0038038506062031
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Banes S. Grand Union: The Presentation of Everyday Life as Dance. Dance Research Journal 1978;10. doi:10.2307/1478002
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Dempster E. The Choreography of the Pedestrian. Performance Research 2008;13:23–8. doi:10.1080/13528160802465458
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Shapiro SB. Dance, power, and difference: critical and feminist perspectives on dance education. Champaign, IL: : Human Kinetics 1998.
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Murray, David. Haka Fracas? The Dialectics of Identity in Discussions of a Contemporary Maori Dance. Australian Journal of Anthropology 2000;11.http://search.ebscohost.com/login.aspx?direct=true&db=aph&AN=3762264&site=ehost-live
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Jackson SJ, Hokowhitu B. Sport, Tribes, and Technology. Journal of Sport and Social Issues 2002;26:125–39. doi:10.1177/0193723502262002
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Prickett S. Defying Britain’s Tick-Box Culture: Kathak in Dialogue with Hip-Hop. Dance Research 2012;30:169–85. doi:10.3366/drs.2012.0045
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Osumare H. Global Breakdancing and the Intercultural Body. Dance Research Journal 2002;34. doi:10.2307/1478458
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Albright AC. Choreographing difference: the body and identity in contemporary dance. Hanover, N.H.: : Wesleyan University Press 1997. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=776743
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Dodds S. Dancing on the canon: embodiments of value in popular dance. Basingstoke: : Palgrave Macmillan 2011. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780230305656&uid=^u
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Adewole F. The Construction of the Black dance/ African Peoples dance sector in Britain. In: Adair C, Burt R, eds. British dance: Black routes. London: : Routledge 2017. 125–48.https://contentstore.cla.co.uk/secure/link?id=a13d05f3-47cd-e811-80cd-005056af4099
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Khan N. The Politics of Inclusion. Animated Published Online First: 2004.http://www.communitydance.org.uk/DB/animated-library/the-politics-of-inclusion.html?ed=14061
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Munsi US. Dance: transcending borders. New Delhi: : Tulika Books 2008.
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Mitra R. Akram Khan: dancing new interculturalism. Houndmills, Basingstoke, Hampshire: : Palgrave Macmillan 2015.
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Pavis P. Introduction: Towards a Theory of Interculturalism in Theatre. In: The intercultural performance reader. London: : Routledge 1996. 1–21.https://contentstore.cla.co.uk/secure/link?id=b2b08461-5537-e811-80cd-005056af4099
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Kenan Malik’s paper on the failures of multiculturalism. http://www.kenanmalik.com/papers/engelsberg_mc.html
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Balme CB. Theatrical public sphere. First paperback edition. Cambridge, United Kingdom: : Cambridge University Press 2016.
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Barthes R. Striptease. In: What is dance?: readings in theory and criticism. Oxford: : Oxford University Press 1983. 512–4.https://contentstore.cla.co.uk/secure/link?id=1d7ae52e-854a-e611-80bd-0cc47a6bddeb
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Dodds S. Dancing on the canon: embodiments of value in popular dance. Basingstoke: : Palgrave Macmillan 2011. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780230305656
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Cohen-Stratyner B. Issues in Social and Vernacular Dance (Social Dance: Contexts and Definitions). Dance Research Journal 2001;33:121–4.http://www.jstor.org/stable/1477809
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Hebdige D. Chapter 7: Style as intentional communication, Style as ‘bricolage’, Style in revolt: Revolting style. In: Subculture: the meaning of style. London: : Routledge 1988. 100–12.https://contentstore.cla.co.uk//secure/link?id=d9a26751-864a-e611-80bd-0cc47a6bddeb
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Plancke C. On dancing and fishing: joy and the celebration of fertility among the Punu of Congo-Brazzaville. Africa 2010;80:620–41.http://search.ebscohost.com/login.aspx?direct=true&db=aph&AN=55512319&site=ehost-live
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Houston S. Feeling Lovely: An Examination of the Value of Beauty for People Dancing with Parkinson’s. Dance Research Journal;47:26–43.http://search.ebscohost.com/login.aspx?direct=true&db=s3h&AN=102874082&site=ehost-live
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David AR. Beyond the Silver Screen: Bollywood and Filmi Dance in the UK. South Asia Research 2007;27:5–24.
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Shilling C. The civilized body. In: The body and social theory. London: : SAGE 2003. 135–41.https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781849206570
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Houston S. The touch ‘taboo’ and the art of contact: an exploration of Contact Improvisation for prisoners. Research in Dance Education 2009;10:97–113.
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Miner H. Body Ritual among the Nacirema. American Anthropologist 1956;58:503–7.http://www.jstor.org/stable/665280
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Howson A. The Body in Everyday Life. In: The body in society: an introduction. Cambridge: : Polity 2013. 14–38.https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780745676364
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Mauss M. Techniques of the body. Economy and Society 1973;2:70–88.https://contentstore.cla.co.uk//secure/link?id=a06654ca-854a-e611-80bd-0cc47a6bddeb
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Green J. Socially Constructed Bodies in American Dance Classrooms. Research in Dance Education 2001;2:155–73.
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Shilling C. The body and social theory. 3rd ed. London: : SAGE 2012. http://sk.sagepub.com/books/the-body-and-social-theory
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Blacking J, National Association for Education in the Arts. Culture and the arts: paper delivered at the University of London Institute of Education on 16 November 1985 to the National Association for Education in the Arts. London: : National Association for Education in the Arts 1986.
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Burt R. The male dancer: bodies, spectacle, sexualities (electronic resource). 2nd ed. London: : Routledge 2007. https://www.dawsonera.com/abstract/9780203960974
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Carter A. Bodies of knowledge: dance and feminist analysis. In: Analysing performance: a critical reader. Manchester: : Manchester University Press 1996. 43–55.https://contentstore.cla.co.uk/secure/link?id=f71e5fcc-aa38-e811-80cd-005056af4099
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Carter A. Dying Swans or Sitting Ducks? Performance Research 1999;4:91–8. doi:10.1080/13528165.1999.10871700
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Ann Daly. The Balanchine Woman: Of Hummingbirds and Channel Swimmers. The Drama Review 1987;31:8–21.http://www.jstor.org/stable/1145763?seq=1#page_scan_tab_contents
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Ann Daly. Trends in dance scholarship: feminist theory across the millennium divide. Dance Research Journal 2000;32:39–42.http://www.jstor.org/stable/1478274?seq=1#page_scan_tab_contents
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David AR. When the Body becomes the Dance - the ‘Orientalist’ Gaze and the Idealised Male Dancing Body. pulse 2006;:13–5.
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David A. Local Diasporas / Global Trajectories: New aspects of religious ‘performance’ in British Tamil Hindu practice. Performance Research 2008;13:89–99. doi:10.1080/13528160902819364
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David AR. Performing for the gods? Dance and embodied ritual in British Hindu temples. South Asian Popular Culture 2009;7:217–31. doi:10.1080/14746680903125580
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Dancing in the millennium (Conference), Congress on Research in Dance, Dance Critics Association, et al. Dancing in the millennium: an international conference : proceedings : July 19-23, 2000, Washington Marriott Hotel, George Washington University, Kennedy Center. [np] 2000.
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Dils A, Albright AC. Moving history / dancing cultures: a dance history reader. Middletown, Conn: : Wesleyan University Press 2001.
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Dodds S. Dancing on the canon: embodiments of value in popular dance (electronic resource). Basingstoke: : Palgrave Macmillan 2011. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780230305656
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Douglas M. Purity and danger: an analysis of concept of pollution and taboo (electronic resource). London: : Routledge 2002. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203361832
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Featherstone M, Nottingham Trent University. Theory, Culture & Society Centre. Body modification (electronic resource). London: : Sage 2000. http://site.ebrary.com/lib/roehampton/Doc?id=10567159
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Catherine Foley. Perceptions of Irish Step Dance: National, Global, and Local. Dance Research Journal 2001;33:34–45.https://roe.idm.oclc.org/login?url=http://www.jstor.org/stable/1478855?seq=1#page_scan_tab_contents
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Foucault M. Discipline and punish: the birth of the prison. London: : Penguin 1991.
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Franco S, Nordera M, Centre national de la danse (France). Dance discourses: keywords in dance research. London: : Routledge 2007. https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.roehampton.ac.uk/shibboleth&target=https://www.dawsonera.com/depp/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315539171
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Gottschild BD. The Black Dancing Body: An Interview with Seán Curran. Dance Research Journal 2003;35:27–42.http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=15644576&site=ehost-live
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Grau A. Dance, Identity, and Identification Processes in a Post-Colonial World. In: Dance discourses: keywords in dance research. London: : Routledge 2007. 189–207.https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.roehampton.ac.uk/shibboleth&target=https://www.dawsonera.com/depp/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315539171
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Andrée Grau. Intercultural Research in the Performing Arts. Dance Research: The Journal of the Society for Dance Research 1992;10:3–29.http://www.jstor.org/stable/1290652?seq=1#page_scan_tab_contents
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Andrée Grau. John Blacking and the Development of Dance Anthropology in the United Kingdom. Dance Research Journal 1993;25:21–31.https://roe.idm.oclc.org/login?url=http://www.jstor.org/stable/1478551?seq=1#page_scan_tab_contents
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Grau A. Myths of Origins (electronic resource). In: The Routledge dance studies reader. London: : Routledge 1998. 197–202.https://www.dawsonera.com/readonline/9780203445525/startPage/197
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Houston S. Feeling Lovely: An Examination of the Value of Beauty for People Dancing with Parkinson’s. Dance Research Journal 2015;47:26–43.https://muse.jhu.edu/journals/dance_research_journal/v047/47.1.houston.html
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Meduri A, Spear JL. Knowing the Dancer: East Meets West. Victorian Literature and Culture 2004;32:435–48.http://www.jstor.org/stable/25058678?seq=1#page_scan_tab_contents
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Morris G. Dance Studies/Cultural Studies. Dance Research Journal Summer 2009;41:82–100.http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=37375438&site=ehost-live
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Morris G. Moving words: re-writing dance (electronic resource). London: : Routledge 1996. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203991190
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Olsen B. Roland Barthes: from sign to text. In: Reading material culture: structuralism, hermeneutics and post-structuralism. Oxford: : Basil Blackwell 1990. 163–205.https://contentstore.cla.co.uk/secure/link?id=5f9e17dd-ab38-e811-80cd-005056af4099
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Halifu Osumare. Global Breakdancing and the Intercultural Body. Dance Research Journal 2002;34:30–45.http://www.jstor.org/stable/1478458?seq=1#page_scan_tab_contents
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Prickett S. Dancing the American Dream During World War II. In: Dance and politics. Oxford: : P. Lang 2010. 167–92.https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.roehampton.ac.uk/shibboleth&target=https://www.dawsonera.com/depp/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9783035307474
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Prickett S. The People’s Dance: workers, politics and movement in 1930s Britain. Dance History: Politics, Practices and Perspectives Conference Proceedings 2010;:71–9.http://www.sdr-uk.org/temp/docs/2010_SDR_dance_history_symposium_proceedings.pdf
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Stacey Prickett. San Francisco Innovators and Iconoclasts: Dance and Politics in the Left Coast City. Dance Chronicle 2007;30:237–90.http://www.jstor.org/stable/25598108?seq=1#page_scan_tab_contents
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Prickett S. The People: Issues of Identity Within the Revolutionary Dance,’ "Of, By and For the People: Dancing on the Left in the 1930s. Studies in Dance History 1994;1:14–22.
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Juan CS. Ballroom Dance as an Indicator of Immigrant Identity in the Filipino Community. The Journal of American Culture 2001;24:177–81. doi:10.1111/j.1537-4726.2001.2403_177.x
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Turner BS. Regulating bodies: essays in medical sociology (electronic resource). London: : Routledge 1992. http://site.ebrary.com/lib/roehampton/Doc?id=10060633
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Turner BS. Orientalism, postmodernism and globalism (electronic resource). London: : Routledge 1994. http://site.ebrary.com/lib/roehampton/Doc?id=10058384
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Judy van Zile. Non-Polynesian Dance in Hawai’i: Issues of Identity in a Multicultural Community. Dance Research Journal 1996;28:28–50.http://www.jstor.org/stable/1478104?seq=1#page_scan_tab_contents
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Wulff H. Ballet across borders: career and culture in the world of dancers. Oxford: : Berg 1998.
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Wulff H. Aesthetics at the ballet: looking at "national” style, body and clothing in the London dance world. In: British subjects: an anthropology of Britain. Oxford: : Berg 2002. 67–86.https://contentstore.cla.co.uk/secure/link?id=ebba4085-ab38-e811-80cd-005056af4099
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Meduri, Avanthi. The Transfiguration of Indian /Asian Dance in the United Kingdom: Contemporary Bharatanatyam in Global Contexts. Asian Theatre Journal 2008;25:298–328.http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=34455109&site=ehost-live
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Brandstetter G, Klein G, Haller M, et al., editors. Dance [and] theory. Bielefeld: : Transcript 2013. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=1918302
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Meduri, Avanthi. Bharatanatyam as a Global Dance: Some Issues in Research, Teaching, and Practice. Dance Research Journal 2004;36:11–29.http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=17332277&site=ehost-live
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Spear JL, Meduri A. Knowing the Dancer: East Meets West. Victorian Literature and Culture 2004;32:435–48.http://www.jstor.org/stable/25058678
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MEDURI, AVANTHI1. AT HOME IN THE WORLD: BHARATA NATYAM ON THE GLOBAL STAGE. Asian Theatre Journal 2009;26:378–82.http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=47549531&site=ehost-live
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Meduri A. Worlding Dance. Dance Research Journal 2011;43:109–12. doi:10.1017/S0149767711000155
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Kenan Malik’s paper on the failures of multiculturalism. http://www.kenanmalik.com/papers/engelsberg_mc.html
