Bibliography for Dance, Culture and Society - (DAN020N258A) BETA

1.

Novack C. Looking at movement as culture: Contact improvisation to disco. In: The Routledge dance studies reader [Internet]. 2nd ed. London: Routledge; 2010. p. 168–80. Available from: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203860984

2.

Kaeppler A. Dance. In: Encyclopedia of cultural anthropology [Internet]. London: Distributed by Macmillan; 1996. p. 309–13. Available from: https://contentstore.cla.co.uk//secure/link?id=171e36ea-854a-e611-80bd-0cc47a6bddeb

3.

Thomas H. The body and everyday life [Internet]. Vol. The new sociology. London: Routledge; 2013. Available from: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203392348

4.

Thomas H. The body and everyday life [Internet]. London: Routledge; 2005. Available from: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203392348

5.

Wainwright SP, Turner BS. ‘Just Crumbling to Bits’? An Exploration of the Body,                Ageing, Injury and Career in Classical Ballet Dancers. Sociology. 2006 Apr;40(2):237–55.

6.

Banes S. Grand Union: The Presentation of Everyday Life as Dance. Dance Research Journal. 1978 Spring;10(2).

7.

Dempster E. The Choreography of the Pedestrian. Performance Research. 2008 Mar;13(1):23–8.

8.

Foucault M. Docile Bodies. In: Discipline and punish: the birth of the prison [Internet]. London: Penguin; 1991. p. 135–41. Available from: https://contentstore.cla.co.uk//secure/link?id=36ccb402-854a-e611-80bd-0cc47a6bddeb

9.

Shapiro SB. Dance, power, and difference: critical and feminist perspectives on dance education. Champaign, IL: Human Kinetics; 1998.

10.

Murray, David. Haka Fracas? The Dialectics of Identity in Discussions of a Contemporary Maori Dance. Australian Journal of Anthropology [Internet]. 2000;11(3). Available from: http://search.ebscohost.com/login.aspx?direct=true&db=aph&AN=3762264&site=ehost-live

11.

Jackson SJ, Hokowhitu B. Sport, Tribes, and Technology. Journal of Sport and Social Issues. 2002 May;26(2):125–39.

12.

Prickett S. Defying Britain’s Tick-Box Culture: Kathak in Dialogue with Hip-Hop. Dance Research. 2012;30(2):169–85.

13.

Osumare H. Global Breakdancing and the Intercultural Body. Dance Research Journal. 2002 Winter;34(2).

14.

Albright AC. Choreographing difference: the body and identity in contemporary dance [Internet]. Hanover, N.H.: Wesleyan University Press; 1997. Available from: https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=776743

15.

Dodds S. Dancing on the canon: embodiments of value in popular dance [Internet]. Basingstoke: Palgrave Macmillan; 2011. Available from: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780230305656&uid=^u

16.

Adewole F. The Construction of the Black dance/ African Peoples dance sector in Britain. In: Adair C, Burt R, editors. British dance: Black routes [Internet]. London: Routledge; 2017. p. 125–48. Available from: https://contentstore.cla.co.uk/secure/link?id=a13d05f3-47cd-e811-80cd-005056af4099

17.

Khan N. The Politics of Inclusion. Animated [Internet]. 2004;(Summer). Available from: http://www.communitydance.org.uk/DB/animated-library/the-politics-of-inclusion.html?ed=14061

18.

Munsi US. Dance: transcending borders. New Delhi: Tulika Books; 2008.

19.

Mitra R. Akram Khan: dancing new interculturalism. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan; 2015.

20.

Pavis P. Introduction: Towards a Theory of Interculturalism in Theatre. In: The intercultural performance reader [Internet]. London: Routledge; 1996. p. 1–21. Available from: https://contentstore.cla.co.uk/secure/link?id=b2b08461-5537-e811-80cd-005056af4099

21.

Kenan Malik’s paper on the failures of multiculturalism [Internet]. Available from: http://www.kenanmalik.com/papers/engelsberg_mc.html

22.

Balme CB. Theatrical public sphere. First paperback edition. Cambridge, United Kingdom: Cambridge University Press; 2016.

23.

Barthes R. Striptease. In: What is dance?: readings in theory and criticism [Internet]. Oxford: Oxford University Press; 1983. p. 512–4. Available from: https://contentstore.cla.co.uk/secure/link?id=1d7ae52e-854a-e611-80bd-0cc47a6bddeb

24.

Dodds S. Dancing on the canon: embodiments of value in popular dance [Internet]. Basingstoke: Palgrave Macmillan; 2011. Available from: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780230305656

25.

Cohen-Stratyner B. Issues in Social and Vernacular Dance (Social Dance: Contexts and Definitions). Dance Research Journal [Internet]. 2001;33(2):121–4. Available from: http://www.jstor.org/stable/1477809

26.

Hebdige D. Chapter 7: Style as intentional communication, Style as ‘bricolage’, Style in revolt: Revolting style. In: Subculture: the meaning of style [Internet]. London: Routledge; 1988. p. 100–12. Available from: https://contentstore.cla.co.uk//secure/link?id=d9a26751-864a-e611-80bd-0cc47a6bddeb

27.

Plancke C. On dancing and fishing: joy and the celebration of fertility among the Punu of Congo-Brazzaville. Africa [Internet]. 2010;80(4):620–41. Available from: http://search.ebscohost.com/login.aspx?direct=true&db=aph&AN=55512319&site=ehost-live

28.

Houston S. Feeling Lovely: An Examination of the Value of Beauty for People Dancing with Parkinson’s. Dance Research Journal [Internet]. 47(1):26–43. Available from: http://search.ebscohost.com/login.aspx?direct=true&db=s3h&AN=102874082&site=ehost-live

29.

David AR. Beyond the Silver Screen: Bollywood and Filmi Dance in the UK. South Asia Research. 2007;27(1):5–24.

30.

Shilling C. The civilized body. In: The body and social theory [Internet]. 2nd ed. London: SAGE; 2003. p. 135–41. Available from: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781849206570

31.

Houston S. The touch ‘taboo’ and the art of contact: an exploration of Contact Improvisation for prisoners. Research in Dance Education. 2009;10(2):97–113.

32.

Miner H. Body Ritual among the Nacirema. American Anthropologist [Internet]. 1956;58(3):503–7. Available from: http://www.jstor.org/stable/665280

33.

Howson A. The Body in Everyday Life. In: The body in society: an introduction [Internet]. Second edition. Cambridge: Polity; 2013. p. 14–38. Available from: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780745676364

34.

Best D. Culture-Consciousness: Understanding the Arts of other Cultures. Journal of Art & Design Education [Internet]. 1986;5(1–2):33–44. Available from: https://contentstore.cla.co.uk//secure/link?id=9cfc0d83-854a-e611-80bd-0cc47a6bddeb

35.

Mauss M. Techniques of the body. Economy and Society [Internet]. 1973;2(1):70–88. Available from: https://contentstore.cla.co.uk//secure/link?id=a06654ca-854a-e611-80bd-0cc47a6bddeb

36.

Green J. Socially Constructed Bodies in American Dance Classrooms. Research in Dance Education. 2001;2(2):155–73.

37.

Shilling C. The body and social theory [Internet]. 3rd ed. London: SAGE; 2012. Available from: http://sk.sagepub.com/books/the-body-and-social-theory

38.

Blacking J, National Association for Education in the Arts. Culture and the arts: paper delivered at the University of London Institute of Education on 16 November 1985 to the National Association for Education in the Arts. Vol. Take-up series 4. London: National Association for Education in the Arts; 1986.

39.

Bourdieu P. Practical reason: on the theory of action. Cambridge: Polity Press; 1998.

40.

Brown C. Re-tracing our steps: the possibilities for feminist dance histories (electronic resource). In: Dance history: an introduction [Internet]. 2nd ed. London: Routledge; 1994. p. 198–218. Available from: https://www.dawsonera.com/readonline/9780203137369/startPage/198

41.

Burt R. The male dancer: bodies, spectacle, sexualities (electronic resource) [Internet]. 2nd ed. London: Routledge; 2007. Available from: https://www.dawsonera.com/abstract/9780203960974

42.

Carter A. Bodies of knowledge: dance and feminist analysis. In: Analysing performance: a critical reader [Internet]. Manchester: Manchester University Press; 1996. p. 43–55. Available from: https://contentstore.cla.co.uk/secure/link?id=f71e5fcc-aa38-e811-80cd-005056af4099

43.

Carter A. Dying Swans or Sitting Ducks? Performance Research. 1999;4(3):91–8.

44.

Ann Daly. The Balanchine Woman: Of Hummingbirds and Channel Swimmers. The Drama Review [Internet]. 1987;31(1):8–21. Available from: http://www.jstor.org/stable/1145763?seq=1#page_scan_tab_contents

45.

Ann Daly. Trends in dance scholarship: feminist theory across the millennium divide. Dance Research Journal [Internet]. 2000;32(1):39–42. Available from: http://www.jstor.org/stable/1478274?seq=1#page_scan_tab_contents

46.

Daly A. Critical gestures: writings on dance and culture. Hanover, N.H.: Wesleyan University Press; 2002.

47.

David AR. When the Body becomes the Dance - the ‘Orientalist’ Gaze and the Idealised Male Dancing Body. pulse. 2006;13–5.

48.

David A. Local Diasporas / Global Trajectories: New aspects of religious ‘performance’ in British Tamil Hindu practice. Performance Research. 2008;13(3):89–99.

49.

David AR. Performing for the gods? Dance and embodied ritual in British Hindu temples. South Asian Popular Culture. 2009;7(3):217–31.

50.

Davis K. Embodied practices: feminist perspectives on the body. London: SAGE; 1997.

51.

Dancing in the millennium (Conference), Congress on Research in Dance, Dance Critics Association, National Dance Association, Society of Dance History Scholars. Dancing in the millennium: an international conference : proceedings : July 19-23, 2000, Washington Marriott Hotel, George Washington University, Kennedy Center. [np]; 2000.

52.

Desmond J. Meaning in motion: new cultural studies of dance. Vol. Post-contemporary interventions. Durham, N.C.: Duke University Press; 1997.

53.

Desmond J. Embodying difference: issues in dance and cultural studies. In: The Routledge dance studies reader. London: Routledge; 1997. p. 154–62.

54.

Dils A, Albright AC. Moving history / dancing cultures: a dance history reader. Middletown, Conn: Wesleyan University Press; 2001.

55.

Dodds S. Dancing on the canon: embodiments of value in popular dance (electronic resource) [Internet]. Basingstoke: Palgrave Macmillan; 2011. Available from: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780230305656

56.

Douglas M. Purity and danger: an analysis of concept of pollution and taboo (electronic resource) [Internet]. Vol. Routledge classics. London: Routledge; 2002. Available from: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203361832

57.

Dyck N, Archetti EP. Sport, dance and embodied identities. Oxford: Berg; 2003.

58.

Featherstone M, Nottingham Trent University. Theory, Culture & Society Centre. Body modification (electronic resource) [Internet]. London: Sage; 2000. Available from: http://site.ebrary.com/lib/roehampton/Doc?id=10567159

59.

Catherine Foley. Perceptions of Irish Step Dance: National, Global, and Local. Dance Research Journal [Internet]. 2001;33(1):34–45. Available from: https://roe.idm.oclc.org/login?url=http://www.jstor.org/stable/1478855?seq=1#page_scan_tab_contents

60.

Foucault M. Discipline and punish: the birth of the prison. London: Penguin; 1991.

61.

Frosh JD. Dance Ethnography. In: Researching dance: evolving modes of inquiry. London: Dance Books; 1999. p. 249–80.

62.

Goffman E. The presentation of self in everyday life. Vol. Pelican books. Harmondsworth: Penguin; 1971.

63.

Franco S, Nordera M, Centre national de la danse (France). Dance discourses: keywords in dance research [Internet]. London: Routledge; 2007. Available from: https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.roehampton.ac.uk/shibboleth&target=https://www.dawsonera.com/depp/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315539171

64.

Gottschild BD. The Black Dancing Body: An Interview with Seán Curran. Dance Research Journal [Internet]. 2003;35(2):27–42. Available from: http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=15644576&site=ehost-live

65.

Grau A. Dance, Identity, and Identification Processes in a Post-Colonial World. In: Dance discourses: keywords in dance research [Internet]. London: Routledge; 2007. p. 189–207. Available from: https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.roehampton.ac.uk/shibboleth&target=https://www.dawsonera.com/depp/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315539171

66.

Andrée Grau. Intercultural Research in the Performing Arts. Dance Research: The Journal of the Society for Dance Research [Internet]. 1992;10(2):3–29. Available from: http://www.jstor.org/stable/1290652?seq=1#page_scan_tab_contents

67.

Andrée Grau. John Blacking and the Development of Dance Anthropology in the United Kingdom. Dance Research Journal [Internet]. 1993;25(2):21–31. Available from: https://roe.idm.oclc.org/login?url=http://www.jstor.org/stable/1478551?seq=1#page_scan_tab_contents

68.

Grau A. Myths of Origins (electronic resource). In: The Routledge dance studies reader [Internet]. London: Routledge; 1998. p. 197–202. Available from: https://www.dawsonera.com/readonline/9780203445525/startPage/197

69.

Green J. Socially Constructed Bodies in American Dance Classrooms. Research in Dance Education. 2001;2(2):155–73.

70.

Um H kyung. Diasporas and interculturalism in Asian performing arts: translating traditions. Richmond: Curzon; 2001.

71.

Houston S. The touch ‘taboo’ and the art of contact: an exploration of Contact Improvisation for prisoners. Research in Dance Education. 2009;10(2):97–113.

72.

Houston S. Feeling Lovely: An Examination of the Value of Beauty for People Dancing with Parkinson’s. Dance Research Journal [Internet]. 2015;47(1):26–43. Available from: https://muse.jhu.edu/journals/dance_research_journal/v047/47.1.houston.html

73.

Jasper L, Siddall J. Managing dance: current issues and future strategies. Horndon: Northcote House; 1999.

74.

Adrienne L. Kaeppler. An Introduction to Dance Aesthetics. Yearbook for Traditional Music [Internet]. 2003;35:153–62. Available from: http://www.jstor.org/stable/4149325?seq=1#page_scan_tab_contents

75.

Kaufman BA, Warren MP, Hamilton L. Intervention in an elite ballet school. Women’s Studies International Forum. 1996;19(5):545–9.

76.

Meduri A. ‘Multiple Pleasures’. In: Taken by surprise: a dance improvisation reader [Internet]. Hanover, N.H.: Wesleyan University Press; 2003. p. 141–50. Available from: https://contentstore.cla.co.uk/secure/link?id=d4a671a6-5237-e811-80cd-005056af4099

77.

Meduri A, Spear JL. Knowing the Dancer: East Meets West. Victorian Literature and Culture [Internet]. 2004;32(2):435–48. Available from: http://www.jstor.org/stable/25058678?seq=1#page_scan_tab_contents

78.

Morris G. Dance Studies/Cultural Studies. Dance Research Journal Summer [Internet]. 2009;41(1):82–100. Available from: http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=37375438&site=ehost-live

79.

Morris G. Moving words: re-writing dance (electronic resource) [Internet]. London: Routledge; 1996. Available from: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203991190

80.

Olsen B. Roland Barthes: from sign to text. In: Reading material culture: structuralism, hermeneutics and post-structuralism [Internet]. Oxford: Basil Blackwell; 1990. p. 163–205. Available from: https://contentstore.cla.co.uk/secure/link?id=5f9e17dd-ab38-e811-80cd-005056af4099

81.

Halifu Osumare. Global Breakdancing and the Intercultural Body. Dance Research Journal [Internet]. 2002;34(2):30–45. Available from: http://www.jstor.org/stable/1478458?seq=1#page_scan_tab_contents

82.

Prickett S. Dancing the American Dream During World War II. In: Dance and politics [Internet]. Oxford: P. Lang; 2010. p. 167–92. Available from: https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.roehampton.ac.uk/shibboleth&target=https://www.dawsonera.com/depp/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9783035307474

83.

Prickett S. The People’s Dance: workers, politics and movement in 1930s Britain. Dance History: Politics, Practices and Perspectives Conference Proceedings [Internet]. 2010;71–9. Available from: http://www.sdr-uk.org/temp/docs/2010_SDR_dance_history_symposium_proceedings.pdf

84.

Stacey Prickett. San Francisco Innovators and Iconoclasts: Dance and Politics in the Left Coast City. Dance Chronicle [Internet]. 2007;30(2):237–90. Available from: http://www.jstor.org/stable/25598108?seq=1#page_scan_tab_contents

85.

Prickett S. The People:  Issues of Identity Within the Revolutionary Dance,’ "Of, By and For the People:  Dancing on the Left in the 1930s. Studies in Dance History. 1994;1:14–22.

86.

Rapport N, Overing J. Social and cultural anthropology: the key concepts. Vol. Routledge key guides. London: Routledge; 2000.

87.

Royce AP. Anthropology of the performing arts: artistry, virtuosity, and interpretation in a cross-cultural perspective. Walnut Creek, CA: AltaMira Press; 2004.

88.

Juan CS. Ballroom Dance as an Indicator of Immigrant Identity in the Filipino Community. The Journal of American Culture. 2001;24(3–4):177–81.

89.

Shilling C. The body and social theory (electronic resource) [Internet]. 2nd ed. London: SAGE; 2003. Available from: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781849206570

90.

Swartz D. Culture & power: the sociology of Pierre Bourdieu. Chicago: University of Chicago Press; 1997.

91.

Thomas H. The Body in Culture: Before the Body Project. In: The body, dance, and cultural theory [Internet]. Basingstoke: Palgrave Macmillan; 2003. p. 9–33. Available from: https://contentstore.cla.co.uk/secure/link?id=b3a77bc7-5037-e811-80cd-005056af4099

92.

Turner BS. Regulating bodies: essays in medical sociology (electronic resource) [Internet]. London: Routledge; 1992. Available from: http://site.ebrary.com/lib/roehampton/Doc?id=10060633

93.

Turner BS. Orientalism, postmodernism and globalism (electronic resource) [Internet]. London: Routledge; 1994. Available from: http://site.ebrary.com/lib/roehampton/Doc?id=10058384

94.

Turner BS. The body and society: explorations in social theory. 2nd ed. Vol. Theory, culture and society. London: SAGE; 1996.

95.

Judy van Zile. Non-Polynesian Dance in Hawai’i: Issues of Identity in a Multicultural Community. Dance Research Journal [Internet]. 1996;28(1):28–50. Available from: http://www.jstor.org/stable/1478104?seq=1#page_scan_tab_contents

96.

Williams D. Anthropology and the dance: ten lectures. New ed. Urbana, Ill: University of Illinois Press; 2003.

97.

Wulff H. Ballet across borders: career and culture in the world of dancers. Oxford: Berg; 1998.

98.

Wulff H. Aesthetics at the ballet: looking at "national” style, body and clothing in the London dance world. In: British subjects: an anthropology of Britain [Internet]. Oxford: Berg; 2002. p. 67–86. Available from: https://contentstore.cla.co.uk/secure/link?id=ebba4085-ab38-e811-80cd-005056af4099

99.

Meduri, Avanthi. The Transfiguration of Indian /Asian Dance in the United Kingdom: Contemporary Bharatanatyam in Global Contexts. Asian Theatre Journal [Internet]. 2008;25(Issue 2):298–328. Available from: http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=34455109&site=ehost-live

100.

MEDURI A. Labels, Histories, Politics: Indian/South Asian Dance on the Global Stage. Dance Research. 2008 Oct;26(2):223–43.

101.

Brandstetter G, Klein G, Haller M, Lüken H, editors. Dance [and] theory [Internet]. Vol. Critical dance studies. Bielefeld: Transcript; 2013. Available from: https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=1918302

102.

Meduri, Avanthi. Bharatanatyam as a Global Dance: Some Issues in Research, Teaching, and Practice. Dance Research Journal [Internet]. 2004;36:11–29. Available from: http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=17332277&site=ehost-live

103.

Spear JL, Meduri A. Knowing the Dancer: East Meets West. Victorian Literature and Culture [Internet]. 2004;32(2):435–48. Available from: http://www.jstor.org/stable/25058678

104.

Faultline/Bruise Blood in India/London. Available from: http://www.rescen.net/Shobana_Jeyasingh/HmH/delhi.html

105.

MEDURI, AVANTHI1. AT HOME IN THE WORLD: BHARATA NATYAM ON THE GLOBAL STAGE. Asian Theatre Journal [Internet]. 2009;26:378–82. Available from: http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=47549531&site=ehost-live

106.

Meduri A. Worlding Dance. Dance Research Journal. 2011 Dec;43(02):109–12.

107.

Kenan Malik’s paper on the failures of multiculturalism [Internet]. Available from: http://www.kenanmalik.com/papers/engelsberg_mc.html