Bibliography for Dance, Culture and Society - (DAN020N258A) BETA

Adewole, Funmi. 2017. ‘The Construction of the Black Dance/ African Peoples Dance Sector in Britain’. In British Dance: Black Routes, edited by Christy Adair and Ramsay Burt, 125–48. London: Routledge. https://contentstore.cla.co.uk/secure/link?id=a13d05f3-47cd-e811-80cd-005056af4099.

Adrienne L. Kaeppler. 2003. ‘An Introduction to Dance Aesthetics’. Yearbook for Traditional Music 35: 153–62. http://www.jstor.org/stable/4149325?seq=1#page_scan_tab_contents.

Albright, Ann Cooper. 1997. Choreographing Difference: The Body and Identity in Contemporary Dance. Hanover, N.H.: Wesleyan University Press. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=776743.

Andrée Grau. 1992. ‘Intercultural Research in the Performing Arts’. Dance Research: The Journal of the Society for Dance Research 10 (2): 3–29. http://www.jstor.org/stable/1290652?seq=1#page_scan_tab_contents.

———. 1993. ‘John Blacking and the Development of Dance Anthropology in the United Kingdom’. Dance Research Journal 25 (2): 21–31. https://roe.idm.oclc.org/login?url=http://www.jstor.org/stable/1478551?seq=1#page_scan_tab_contents.

Ann Daly. 1987. ‘The Balanchine Woman: Of Hummingbirds and Channel Swimmers’. The Drama Review 31 (1): 8–21. http://www.jstor.org/stable/1145763?seq=1#page_scan_tab_contents.

———. 2000. ‘Trends in Dance Scholarship: Feminist Theory across the Millennium Divide’. Dance Research Journal 32 (1): 39–42. http://www.jstor.org/stable/1478274?seq=1#page_scan_tab_contents.

Balme, Christopher B. 2016. Theatrical Public Sphere. First paperback edition. Cambridge, United Kingdom: Cambridge University Press.

Banes, Sally. 1978. ‘Grand Union: The Presentation of Everyday Life as Dance’. Dance Research Journal 10 (2). https://doi.org/10.2307/1478002.

Barthes, Roland. 1983. ‘Striptease’. In What Is Dance?: Readings in Theory and Criticism, 512–14. Oxford: Oxford University Press. https://contentstore.cla.co.uk/secure/link?id=1d7ae52e-854a-e611-80bd-0cc47a6bddeb.

Best, David. 1986. ‘Culture-Consciousness: Understanding the Arts of Other Cultures’. Journal of Art & Design Education 5 (1–2): 33–44. https://doi.org/10.1111/j.1476-8070.1986.tb00185.x.

Blacking, John and National Association for Education in the Arts. 1986. Culture and the Arts: Paper Delivered at the University of London Institute of Education on 16 November 1985 to the National Association for Education in the Arts. Vol. Take-up series 4. London: National Association for Education in the Arts.

Bourdieu, Pierre. 1998. Practical Reason: On the Theory of Action. Cambridge: Polity Press.

Brandstetter, Gabriele, Gabriele Klein, Melanie Haller, and Heike Lüken, eds. 2013. Dance [and] Theory. Vol. Critical dance studies. Bielefeld: Transcript. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=1918302.

Brown, Carol. 1994. ‘Re-Tracing Our Steps: The Possibilities for Feminist Dance Histories (Electronic Resource)’. In Dance History: An Introduction, 2nd ed, 198–218. London: Routledge. https://www.dawsonera.com/readonline/9780203137369/startPage/198.

Burt, Ramsay. 2007. The Male Dancer: Bodies, Spectacle, Sexualities (Electronic Resource). 2nd ed. London: Routledge. https://www.dawsonera.com/abstract/9780203960974.

Carter, Alexandra. 1996. ‘Bodies of Knowledge: Dance and Feminist Analysis’. In Analysing Performance: A Critical Reader, 43–55. Manchester: Manchester University Press. https://contentstore.cla.co.uk/secure/link?id=f71e5fcc-aa38-e811-80cd-005056af4099.

———. 1999. ‘Dying Swans or Sitting Ducks?’ Performance Research 4 (3): 91–98. https://doi.org/10.1080/13528165.1999.10871700.

Catherine Foley. 2001. ‘Perceptions of Irish Step Dance: National, Global, and Local’. Dance Research Journal 33 (1): 34–45. https://roe.idm.oclc.org/login?url=http://www.jstor.org/stable/1478855?seq=1#page_scan_tab_contents.

Cohen-Stratyner, Barbara. 2001. ‘Issues in Social and Vernacular Dance (Social Dance: Contexts and Definitions)’. Dance Research Journal 33 (2): 121–24. http://www.jstor.org/stable/1477809.

Daly, Ann. 2002. Critical Gestures: Writings on Dance and Culture. Hanover, N.H.: Wesleyan University Press.

Dancing in the millennium (Conference), Congress on Research in Dance, Dance Critics Association, National Dance Association, and Society of Dance History Scholars. 2000. Dancing in the Millennium: An International Conference : Proceedings : July 19-23, 2000, Washington Marriott Hotel, George Washington University, Kennedy Center. [np].

David, A. R. 2007. ‘Beyond the Silver Screen: Bollywood and Filmi Dance in the UK’. South Asia Research 27 (1): 5–24.

David, Ann. 2008. ‘Local Diasporas / Global Trajectories: New Aspects of Religious “Performance” in British Tamil Hindu Practice’. Performance Research 13 (3): 89–99. https://doi.org/10.1080/13528160902819364.

David, Ann R. 2006. ‘When the Body Becomes the Dance - the “Orientalist” Gaze and the Idealised Male Dancing Body’. Pulse, 13–15.

———. 2009. ‘Performing for the Gods? Dance and Embodied Ritual in British Hindu Temples’. South Asian Popular Culture 7 (3): 217–31. https://doi.org/10.1080/14746680903125580.

Davis, Kathy. 1997. Embodied Practices: Feminist Perspectives on the Body. London: SAGE.

Dempster, Elisabeth. 2008. ‘The Choreography of the Pedestrian’. Performance Research 13 (1): 23–28. https://doi.org/10.1080/13528160802465458.

Desmond, Jane. 1997a. ‘Embodying Difference: Issues in Dance and Cultural Studies’. In The Routledge Dance Studies Reader, 154–62. London: Routledge.

———. 1997b. Meaning in Motion: New Cultural Studies of Dance. Vol. Post-contemporary interventions. Durham, N.C.: Duke University Press.

Dils, Ann, and Ann Cooper Albright. 2001. Moving History / Dancing Cultures: A Dance History Reader. Middletown, Conn: Wesleyan University Press.

Dodds, Sherril. 2011a. Dancing on the Canon: Embodiments of Value in Popular Dance. Basingstoke: Palgrave Macmillan. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780230305656&uid=^u.

———. 2011b. Dancing on the Canon: Embodiments of Value in Popular Dance. Basingstoke: Palgrave Macmillan. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780230305656.

———. 2011c. Dancing on the Canon: Embodiments of Value in Popular Dance (Electronic Resource). Basingstoke: Palgrave Macmillan. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780230305656.

Douglas, Mary. 2002. Purity and Danger: An Analysis of Concept of Pollution and Taboo (Electronic Resource). Vol. Routledge classics. London: Routledge. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203361832.

Dyck, Noel, and Eduardo P. Archetti. 2003. Sport, Dance and Embodied Identities. Oxford: Berg.

‘Faultline/Bruise Blood in India/London’. n.d. http://www.rescen.net/Shobana_Jeyasingh/HmH/delhi.html.

Featherstone, Mike and Nottingham Trent University. Theory, Culture & Society Centre. 2000. Body Modification (Electronic Resource). London: Sage. http://site.ebrary.com/lib/roehampton/Doc?id=10567159.

Foucault, Michel. 1991a. Discipline and Punish: The Birth of the Prison. London: Penguin.

———. 1991b. ‘Docile Bodies’. In Discipline and Punish: The Birth of the Prison, 135–41. London: Penguin. https://contentstore.cla.co.uk//secure/link?id=36ccb402-854a-e611-80bd-0cc47a6bddeb.

Franco, Susanne, Marina Nordera, and Centre national de la danse (France). 2007. Dance Discourses: Keywords in Dance Research. London: Routledge. https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.roehampton.ac.uk/shibboleth&target=https://www.dawsonera.com/depp/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315539171.

Frosh, Joan D. 1999. ‘Dance Ethnography’. In Researching Dance: Evolving Modes of Inquiry, 249–80. London: Dance Books.

Goffman, Erving. 1971. The Presentation of Self in Everyday Life. Vol. Pelican books. Harmondsworth: Penguin.

Gottschild, Brenda Dixon. 2003. ‘The Black Dancing Body: An Interview with Seán Curran.’ Dance Research Journal 35 (2): 27–42. http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=15644576&site=ehost-live.

Grau, Andrée. 1998. ‘Myths of Origins (Electronic Resource)’. In The Routledge Dance Studies Reader, 197–202. London: Routledge. https://www.dawsonera.com/readonline/9780203445525/startPage/197.

———. 2007. ‘Dance, Identity, and Identification Processes in a Post-Colonial World’. In Dance Discourses: Keywords in Dance Research, 189–207. London: Routledge. https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.roehampton.ac.uk/shibboleth&target=https://www.dawsonera.com/depp/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315539171.

Green, Jill. 2001a. ‘Socially Constructed Bodies in American Dance Classrooms’. Research in Dance Education 2 (2): 155–73.

———. 2001b. ‘Socially Constructed Bodies in American Dance Classrooms’. Research in Dance Education 2 (2): 155–73. https://doi.org/10.1080/14647890120100782.

Halifu Osumare. 2002. ‘Global Breakdancing and the Intercultural Body’. Dance Research Journal 34 (2): 30–45. http://www.jstor.org/stable/1478458?seq=1#page_scan_tab_contents.

Hebdige, Dick. 1988. ‘Chapter 7: Style as Intentional Communication, Style as “Bricolage”, Style in Revolt: Revolting Style’. In Subculture: The Meaning of Style, New accents:100–112. London: Routledge. https://contentstore.cla.co.uk//secure/link?id=d9a26751-864a-e611-80bd-0cc47a6bddeb.

Houston, Sara. 2009a. ‘The Touch “Taboo” and the Art of Contact: An Exploration of Contact Improvisation for Prisoners’. Research in Dance Education 10 (2): 97–113.

———. 2009b. ‘The Touch “Taboo” and the Art of Contact: An Exploration of Contact Improvisation for Prisoners’. Research in Dance Education 10 (2): 97–113. https://doi.org/10.1080/14647890903019432.

———. 2015. ‘Feeling Lovely: An Examination of the Value of Beauty for People Dancing with Parkinson’s’. Dance Research Journal 47 (1): 26–43. https://muse.jhu.edu/journals/dance_research_journal/v047/47.1.houston.html.

———. n.d. ‘Feeling Lovely: An Examination of the Value of Beauty for People Dancing with Parkinson’s’. Dance Research Journal 47 (1): 26–43. http://search.ebscohost.com/login.aspx?direct=true&db=s3h&AN=102874082&site=ehost-live.

Howson, Alexandra. 2013. ‘The Body in Everyday Life’. In The Body in Society: An Introduction, Second edition, 14–38. Cambridge: Polity. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780745676364.

Jackson, Steven J., and Brendan Hokowhitu. 2002. ‘Sport, Tribes, and Technology’. Journal of Sport and Social Issues 26 (2): 125–39. https://doi.org/10.1177/0193723502262002.

Jasper, Linda, and Jeanette Siddall. 1999. Managing Dance: Current Issues and Future Strategies. Horndon: Northcote House.

Juan, Carolina San. 2001. ‘Ballroom Dance as an Indicator of Immigrant Identity in the Filipino Community’. The Journal of American Culture 24 (3–4): 177–81. https://doi.org/10.1111/j.1537-4726.2001.2403_177.x.

Judy van Zile. 1996. ‘Non-Polynesian Dance in Hawai’i: Issues of Identity in a Multicultural Community’. Dance Research Journal 28 (1): 28–50. http://www.jstor.org/stable/1478104?seq=1#page_scan_tab_contents.

Kaeppler, Adrienne. 1996. ‘Dance’. In Encyclopedia of Cultural Anthropology, 309–13. London: Distributed by Macmillan. https://contentstore.cla.co.uk//secure/link?id=171e36ea-854a-e611-80bd-0cc47a6bddeb.

Kaufman, Becky A., Michelle P. Warren, and Linda Hamilton. 1996. ‘Intervention in an Elite Ballet School’. Women’s Studies International Forum 19 (5): 545–49. https://doi.org/10.1016/0277-5395(96)00049-0.

‘Kenan Malik’s Paper on the Failures of Multiculturalism’. n.d. http://www.kenanmalik.com/papers/engelsberg_mc.html.

‘———’. n.d. http://www.kenanmalik.com/papers/engelsberg_mc.html.

Khan, Naseem. 2004. ‘The Politics of Inclusion’. Animated, no. Summer. http://www.communitydance.org.uk/DB/animated-library/the-politics-of-inclusion.html?ed=14061.

Mauss, Marcel. 1973. ‘Techniques of the Body’. Economy and Society 2 (1): 70–88. https://contentstore.cla.co.uk//secure/link?id=a06654ca-854a-e611-80bd-0cc47a6bddeb.

Meduri, Avanthi. 2003. ‘“Multiple Pleasures”’. In Taken by Surprise: A Dance Improvisation Reader, 141–50. Hanover, N.H.: Wesleyan University Press. https://contentstore.cla.co.uk/secure/link?id=d4a671a6-5237-e811-80cd-005056af4099.

Meduri, Avanthi. 2004. ‘Bharatanatyam as a Global Dance: Some Issues in Research, Teaching, and Practice.’ Dance Research Journal 36: 11–29. http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=17332277&site=ehost-live.

———. 2008. ‘The Transfiguration of Indian /Asian Dance in the United Kingdom: Contemporary Bharatanatyam in Global Contexts.’ Asian Theatre Journal 25 (Issue 2): 298–328. http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=34455109&site=ehost-live.

MEDURI, AVANTHI. 2008. ‘Labels, Histories, Politics: Indian/South Asian Dance on the Global Stage’. Dance Research 26 (2): 223–43. https://doi.org/10.3366/E0264287508000200.

Meduri, Avanthi. 2011. ‘Worlding Dance’. Dance Research Journal 43 (02): 109–12. https://doi.org/10.1017/S0149767711000155.

Meduri, Avanthi, and Jeffrey L. Spear. 2004. ‘Knowing the Dancer: East Meets West’. Victorian Literature and Culture 32 (2): 435–48. http://www.jstor.org/stable/25058678?seq=1#page_scan_tab_contents.

MEDURI, AVANTHI1. 2009. ‘AT HOME IN THE WORLD: BHARATA NATYAM ON THE GLOBAL STAGE.’ Asian Theatre Journal 26: 378–82. http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=47549531&site=ehost-live.

Miner, Horace. 1956. ‘Body Ritual among the Nacirema’. American Anthropologist 58 (3): 503–7. http://www.jstor.org/stable/665280.

Mitra, Royona. 2015. Akram Khan: Dancing New Interculturalism. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan.

Morris, Gay. 1996. Moving Words: Re-Writing Dance (Electronic Resource). London: Routledge. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203991190.

———. 2009. ‘Dance Studies/Cultural Studies.’ Dance Research Journal. Summer 41 (1): 82–100. http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=37375438&site=ehost-live.

Munsi, Urmimala Sarkar. 2008. Dance: Transcending Borders. New Delhi: Tulika Books.

Murray, David. 2000. ‘Haka Fracas? The Dialectics of Identity in Discussions of a Contemporary Maori Dance.’ Australian Journal of Anthropology 11 (3). http://search.ebscohost.com/login.aspx?direct=true&db=aph&AN=3762264&site=ehost-live.

Novack, Cynthia. 2010. ‘Looking at Movement as Culture: Contact Improvisation to Disco’. In The Routledge Dance Studies Reader, 2nd ed, 168–80. London: Routledge. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203860984.

Olsen, Bjørnar. 1990. ‘Roland Barthes: From Sign to Text’. In Reading Material Culture: Structuralism, Hermeneutics and Post-Structuralism, Social archaeology:163–205. Oxford: Basil Blackwell. https://contentstore.cla.co.uk/secure/link?id=5f9e17dd-ab38-e811-80cd-005056af4099.

Osumare, Halifu. 2002. ‘Global Breakdancing and the Intercultural Body’. Dance Research Journal 34 (2). https://doi.org/10.2307/1478458.

Pavis, Patrice. 1996. ‘Introduction: Towards a Theory of Interculturalism in Theatre’. In The Intercultural Performance Reader, 1–21. London: Routledge. https://contentstore.cla.co.uk/secure/link?id=b2b08461-5537-e811-80cd-005056af4099.

Plancke, Carine. 2010. ‘On Dancing and Fishing: Joy and the Celebration of Fertility among the Punu of Congo-Brazzaville.’ Africa 80 (4): 620–41. http://search.ebscohost.com/login.aspx?direct=true&db=aph&AN=55512319&site=ehost-live.

Prickett, Stacey. 1994. ‘The People:  Issues of Identity Within the Revolutionary Dance,’ "Of, By and For the People:  Dancing on the Left in the 1930s’. Studies in Dance History 1: 14–22.

———. 2010a. ‘Dancing the American Dream During World War II’. In Dance and Politics, 167–92. Oxford: P. Lang. https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.roehampton.ac.uk/shibboleth&target=https://www.dawsonera.com/depp/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9783035307474.

———. 2010b. ‘The People’s Dance: Workers, Politics and Movement in 1930s Britain’. Dance History: Politics, Practices and Perspectives Conference Proceedings, 71–79. http://www.sdr-uk.org/temp/docs/2010_SDR_dance_history_symposium_proceedings.pdf.

———. 2012. ‘Defying Britain’s Tick-Box Culture: Kathak in Dialogue with Hip-Hop’. Dance Research 30 (2): 169–85. https://doi.org/10.3366/drs.2012.0045.

Rapport, Nigel, and Joanna Overing. 2000. Social and Cultural Anthropology: The Key Concepts. Vol. Routledge key guides. London: Routledge.

Royce, Anya Peterson. 2004. Anthropology of the Performing Arts: Artistry, Virtuosity, and Interpretation in a Cross-Cultural Perspective. Walnut Creek, CA: AltaMira Press.

Shapiro, Sherry B. 1998. Dance, Power, and Difference: Critical and Feminist Perspectives on Dance Education. Champaign, IL: Human Kinetics.

Shilling, Chris. 2003a. The Body and Social Theory (Electronic Resource). 2nd ed. London: SAGE. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781849206570.

———. 2003b. ‘The Civilized Body’. In The Body and Social Theory, 2nd ed, 135–41. London: SAGE. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781849206570.

———. 2012. The Body and Social Theory. 3rd ed. London: SAGE. http://sk.sagepub.com/books/the-body-and-social-theory.

Spear, Jeffrey L., and Avanthi Meduri. 2004. ‘Knowing the Dancer: East Meets West’. Victorian Literature and Culture 32 (2): 435–48. http://www.jstor.org/stable/25058678.

Stacey Prickett. 2007. ‘San Francisco Innovators and Iconoclasts: Dance and Politics in the Left Coast City’. Dance Chronicle 30 (2): 237–90. http://www.jstor.org/stable/25598108?seq=1#page_scan_tab_contents.

Swartz, David. 1997. Culture & Power: The Sociology of Pierre Bourdieu. Chicago: University of Chicago Press.

Thomas, Helen. 2003. ‘The Body in Culture: Before the Body Project’. In The Body, Dance, and Cultural Theory, 9–33. Basingstoke: Palgrave Macmillan. https://contentstore.cla.co.uk/secure/link?id=b3a77bc7-5037-e811-80cd-005056af4099.

———. 2005. The Body and Everyday Life. London: Routledge. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203392348.

———. 2013. The Body and Everyday Life. Vol. The new sociology. London: Routledge. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203392348.

Turner, Bryan S. 1992. Regulating Bodies: Essays in Medical Sociology (Electronic Resource). London: Routledge. http://site.ebrary.com/lib/roehampton/Doc?id=10060633.

———. 1994. Orientalism, Postmodernism and Globalism (Electronic Resource). London: Routledge. http://site.ebrary.com/lib/roehampton/Doc?id=10058384.

———. 1996. The Body and Society: Explorations in Social Theory. 2nd ed. Vol. Theory, culture and society. London: SAGE.

Um, Hae-kyung. 2001. Diasporas and Interculturalism in Asian Performing Arts: Translating Traditions. Richmond: Curzon.

Wainwright, Steven P., and Bryan S. Turner. 2006. ‘“Just Crumbling to Bits”? An Exploration of the Body,                Ageing, Injury and Career in Classical Ballet Dancers’. Sociology 40 (2): 237–55. https://doi.org/10.1177/0038038506062031.

Williams, Drid. 2003. Anthropology and the Dance: Ten Lectures. New ed. Urbana, Ill: University of Illinois Press.

Wulff, Helena. 1998. Ballet across Borders: Career and Culture in the World of Dancers. Oxford: Berg.

———. 2002. ‘Aesthetics at the Ballet: Looking at "national” Style, Body and Clothing in the London Dance World’. In British Subjects: An Anthropology of Britain, 67–86. Oxford: Berg. https://contentstore.cla.co.uk/secure/link?id=ebba4085-ab38-e811-80cd-005056af4099.