1.
Novack C. Looking at movement as culture: Contact improvisation to disco. In: The Routledge Dance Studies Reader. 2nd ed. Routledge; 2010:168-180. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203860984
2.
Kaeppler A. Dance. In: Encyclopedia of Cultural Anthropology. Distributed by Macmillan; 1996:309-313. https://contentstore.cla.co.uk//secure/link?id=171e36ea-854a-e611-80bd-0cc47a6bddeb
3.
Thomas H. The Body and Everyday Life. Vol The new sociology. Routledge; 2013. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203392348
4.
Thomas H. The Body and Everyday Life. Routledge; 2005. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203392348
5.
Wainwright SP, Turner BS. ‘Just Crumbling to Bits’? An Exploration of the Body,                Ageing, Injury and Career in Classical Ballet Dancers. Sociology. 2006;40(2):237-255. doi:10.1177/0038038506062031
6.
Banes S. Grand Union: The Presentation of Everyday Life as Dance. Dance Research Journal. 1978;10(2). doi:10.2307/1478002
7.
Dempster E. The Choreography of the Pedestrian. Performance Research. 2008;13(1):23-28. doi:10.1080/13528160802465458
8.
Foucault M. Docile Bodies. In: Discipline and Punish: The Birth of the Prison. Penguin; 1991:135-141. https://contentstore.cla.co.uk//secure/link?id=36ccb402-854a-e611-80bd-0cc47a6bddeb
9.
Shapiro SB. Dance, Power, and Difference: Critical and Feminist Perspectives on Dance Education. Human Kinetics; 1998.
10.
Murray, David. Haka Fracas? The Dialectics of Identity in Discussions of a Contemporary Maori Dance. Australian Journal of Anthropology. 2000;11(3). http://search.ebscohost.com/login.aspx?direct=true&db=aph&AN=3762264&site=ehost-live
11.
Jackson SJ, Hokowhitu B. Sport, Tribes, and Technology. Journal of Sport and Social Issues. 2002;26(2):125-139. doi:10.1177/0193723502262002
12.
Prickett S. Defying Britain’s Tick-Box Culture: Kathak in Dialogue with Hip-Hop. Dance Research. 2012;30(2):169-185. doi:10.3366/drs.2012.0045
13.
Osumare H. Global Breakdancing and the Intercultural Body. Dance Research Journal. 2002;34(2). doi:10.2307/1478458
14.
Albright AC. Choreographing Difference: The Body and Identity in Contemporary Dance. Wesleyan University Press; 1997. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=776743
15.
Dodds S. Dancing on the Canon: Embodiments of Value in Popular Dance. Palgrave Macmillan; 2011. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780230305656&uid=^u
16.
Adewole F. The Construction of the Black dance/ African Peoples dance sector in Britain. In: Adair C, Burt R, eds. British Dance: Black Routes. Routledge; 2017:125-148. https://contentstore.cla.co.uk/secure/link?id=a13d05f3-47cd-e811-80cd-005056af4099
17.
Khan N. The Politics of Inclusion. Animated. 2004;(Summer). http://www.communitydance.org.uk/DB/animated-library/the-politics-of-inclusion.html?ed=14061
18.
Munsi US. Dance: Transcending Borders. Tulika Books; 2008.
19.
Mitra R. Akram Khan: Dancing New Interculturalism. Palgrave Macmillan; 2015.
20.
Pavis P. Introduction: Towards a Theory of Interculturalism in Theatre. In: The Intercultural Performance Reader. Routledge; 1996:1-21. https://contentstore.cla.co.uk/secure/link?id=b2b08461-5537-e811-80cd-005056af4099
21.
Kenan Malik’s paper on the failures of multiculturalism. http://www.kenanmalik.com/papers/engelsberg_mc.html
22.
Balme CB. Theatrical Public Sphere. First paperback edition. Cambridge University Press; 2016.
23.
Barthes R. Striptease. In: What Is Dance?: Readings in Theory and Criticism. Oxford University Press; 1983:512-514. https://contentstore.cla.co.uk/secure/link?id=1d7ae52e-854a-e611-80bd-0cc47a6bddeb
24.
Dodds S. Dancing on the Canon: Embodiments of Value in Popular Dance. Palgrave Macmillan; 2011. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780230305656
25.
Cohen-Stratyner B. Issues in Social and Vernacular Dance (Social Dance: Contexts and Definitions). Dance Research Journal. 2001;33(2):121-124. http://www.jstor.org/stable/1477809
26.
Hebdige D. Chapter 7: Style as intentional communication, Style as ‘bricolage’, Style in revolt: Revolting style. In: Subculture: The Meaning of Style. Vol New accents. Routledge; 1988:100-112. https://contentstore.cla.co.uk//secure/link?id=d9a26751-864a-e611-80bd-0cc47a6bddeb
27.
Plancke C. On dancing and fishing: joy and the celebration of fertility among the Punu of Congo-Brazzaville. Africa. 2010;80(4):620-641. http://search.ebscohost.com/login.aspx?direct=true&db=aph&AN=55512319&site=ehost-live
28.
Houston S. Feeling Lovely: An Examination of the Value of Beauty for People Dancing with Parkinson’s. Dance Research Journal. 47(1):26-43. http://search.ebscohost.com/login.aspx?direct=true&db=s3h&AN=102874082&site=ehost-live
29.
David AR. Beyond the Silver Screen: Bollywood and Filmi Dance in the UK. South Asia Research. 2007;27(1):5-24.
30.
Shilling C. The civilized body. In: The Body and Social Theory. 2nd ed. SAGE; 2003:135-141. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781849206570
31.
Houston S. The touch ‘taboo’ and the art of contact: an exploration of Contact Improvisation for prisoners. Research in Dance Education. 2009;10(2):97-113.
32.
Miner H. Body Ritual among the Nacirema. American Anthropologist. 1956;58(3):503-507. http://www.jstor.org/stable/665280
33.
Howson A. The Body in Everyday Life. In: The Body in Society: An Introduction. Second edition. Polity; 2013:14-38. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780745676364
34.
Best D. Culture-Consciousness: Understanding the Arts of other Cultures. Journal of Art & Design Education. 1986;5(1-2):33-44. doi:10.1111/j.1476-8070.1986.tb00185.x
35.
Mauss M. Techniques of the body. Economy and Society. 1973;2(1):70-88. https://contentstore.cla.co.uk//secure/link?id=a06654ca-854a-e611-80bd-0cc47a6bddeb
36.
Green J. Socially Constructed Bodies in American Dance Classrooms. Research in Dance Education. 2001;2(2):155-173.
37.
Shilling C. The Body and Social Theory. 3rd ed. SAGE; 2012. http://sk.sagepub.com/books/the-body-and-social-theory
38.
Blacking J, National Association for Education in the Arts. Culture and the Arts: Paper Delivered at the University of London Institute of Education on 16 November 1985 to the National Association for Education in the Arts. Vol Take-up series 4. National Association for Education in the Arts; 1986.
39.
Bourdieu P. Practical Reason: On the Theory of Action. Polity Press; 1998.
40.
Brown C. Re-tracing our steps: the possibilities for feminist dance histories (electronic resource). In: Dance History: An Introduction. 2nd ed. Routledge; 1994:198-218. https://www.dawsonera.com/readonline/9780203137369/startPage/198
41.
Burt R. The Male Dancer: Bodies, Spectacle, Sexualities (Electronic Resource). 2nd ed. Routledge; 2007. https://www.dawsonera.com/abstract/9780203960974
42.
Carter A. Bodies of knowledge: dance and feminist analysis. In: Analysing Performance: A Critical Reader. Manchester University Press; 1996:43-55. https://contentstore.cla.co.uk/secure/link?id=f71e5fcc-aa38-e811-80cd-005056af4099
43.
Carter A. Dying Swans or Sitting Ducks? Performance Research. 1999;4(3):91-98. doi:10.1080/13528165.1999.10871700
44.
Ann Daly. The Balanchine Woman: Of Hummingbirds and Channel Swimmers. The Drama Review. 1987;31(1):8-21. http://www.jstor.org/stable/1145763?seq=1#page_scan_tab_contents
45.
Ann Daly. Trends in dance scholarship: feminist theory across the millennium divide. Dance Research Journal. 2000;32(1):39-42. http://www.jstor.org/stable/1478274?seq=1#page_scan_tab_contents
46.
Daly A. Critical Gestures: Writings on Dance and Culture. Wesleyan University Press; 2002.
47.
David AR. When the Body becomes the Dance - the ‘Orientalist’ Gaze and the Idealised Male Dancing Body. pulse. Published online 2006:13-15.
48.
David A. Local Diasporas / Global Trajectories: New aspects of religious ‘performance’ in British Tamil Hindu practice. Performance Research. 2008;13(3):89-99. doi:10.1080/13528160902819364
49.
David AR. Performing for the gods? Dance and embodied ritual in British Hindu temples. South Asian Popular Culture. 2009;7(3):217-231. doi:10.1080/14746680903125580
50.
Davis K. Embodied Practices: Feminist Perspectives on the Body. SAGE; 1997.
51.
Dancing in the millennium (Conference), Congress on Research in Dance, Dance Critics Association, National Dance Association, Society of Dance History Scholars. Dancing in the Millennium: An International Conference : Proceedings : July 19-23, 2000, Washington Marriott Hotel, George Washington University, Kennedy Center. [np]; 2000.
52.
Desmond J. Meaning in Motion: New Cultural Studies of Dance. Vol Post-contemporary interventions. Duke University Press; 1997.
53.
Desmond J. Embodying difference: issues in dance and cultural studies. In: The Routledge Dance Studies Reader. Routledge; 1997:154-162.
54.
Dils A, Albright AC. Moving History / Dancing Cultures: A Dance History Reader. Wesleyan University Press; 2001.
55.
Dodds S. Dancing on the Canon: Embodiments of Value in Popular Dance (Electronic Resource). Palgrave Macmillan; 2011. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780230305656
56.
Douglas M. Purity and Danger: An Analysis of Concept of Pollution and Taboo (Electronic Resource). Vol Routledge classics. Routledge; 2002. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203361832
57.
Dyck N, Archetti EP. Sport, Dance and Embodied Identities. Berg; 2003.
58.
Featherstone M, Nottingham Trent University. Theory, Culture & Society Centre. Body Modification (Electronic Resource). Sage; 2000. http://site.ebrary.com/lib/roehampton/Doc?id=10567159
59.
Catherine Foley. Perceptions of Irish Step Dance: National, Global, and Local. Dance Research Journal. 2001;33(1):34-45. https://roe.idm.oclc.org/login?url=http://www.jstor.org/stable/1478855?seq=1#page_scan_tab_contents
60.
Foucault M. Discipline and Punish: The Birth of the Prison. Penguin; 1991.
61.
Frosh JD. Dance Ethnography. In: Researching Dance: Evolving Modes of Inquiry. Dance Books; 1999:249-280.
62.
Goffman E. The Presentation of Self in Everyday Life. Vol Pelican books. Penguin; 1971.
63.
Franco S, Nordera M, Centre national de la danse (France). Dance Discourses: Keywords in Dance Research. Routledge; 2007. https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.roehampton.ac.uk/shibboleth&target=https://www.dawsonera.com/depp/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315539171
64.
Gottschild BD. The Black Dancing Body: An Interview with Seán Curran. Dance Research Journal. 2003;35(2):27-42. http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=15644576&site=ehost-live
65.
Grau A. Dance, Identity, and Identification Processes in a Post-Colonial World. In: Dance Discourses: Keywords in Dance Research. Routledge; 2007:189-207. https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.roehampton.ac.uk/shibboleth&target=https://www.dawsonera.com/depp/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315539171
66.
Andrée Grau. Intercultural Research in the Performing Arts. Dance Research: The Journal of the Society for Dance Research. 1992;10(2):3-29. http://www.jstor.org/stable/1290652?seq=1#page_scan_tab_contents
67.
Andrée Grau. John Blacking and the Development of Dance Anthropology in the United Kingdom. Dance Research Journal. 1993;25(2):21-31. https://roe.idm.oclc.org/login?url=http://www.jstor.org/stable/1478551?seq=1#page_scan_tab_contents
68.
Grau A. Myths of Origins (electronic resource). In: The Routledge Dance Studies Reader. Routledge; 1998:197-202. https://www.dawsonera.com/readonline/9780203445525/startPage/197
69.
Green J. Socially Constructed Bodies in American Dance Classrooms. Research in Dance Education. 2001;2(2):155-173. doi:10.1080/14647890120100782
70.
Um H kyung. Diasporas and Interculturalism in Asian Performing Arts: Translating Traditions. Curzon; 2001.
71.
Houston S. The touch ‘taboo’ and the art of contact: an exploration of Contact Improvisation for prisoners. Research in Dance Education. 2009;10(2):97-113. doi:10.1080/14647890903019432
72.
Houston S. Feeling Lovely: An Examination of the Value of Beauty for People Dancing with Parkinson’s. Dance Research Journal. 2015;47(1):26-43. https://muse.jhu.edu/journals/dance_research_journal/v047/47.1.houston.html
73.
Jasper L, Siddall J. Managing Dance: Current Issues and Future Strategies. Northcote House; 1999.
74.
Adrienne L. Kaeppler. An Introduction to Dance Aesthetics. Yearbook for Traditional Music. 2003;35:153-162. http://www.jstor.org/stable/4149325?seq=1#page_scan_tab_contents
75.
Kaufman BA, Warren MP, Hamilton L. Intervention in an elite ballet school. Women’s Studies International Forum. 1996;19(5):545-549. doi:10.1016/0277-5395(96)00049-0
76.
Meduri A. ‘Multiple Pleasures’. In: Taken by Surprise: A Dance Improvisation Reader. Wesleyan University Press; 2003:141-150. https://contentstore.cla.co.uk/secure/link?id=d4a671a6-5237-e811-80cd-005056af4099
77.
Meduri A, Spear JL. Knowing the Dancer: East Meets West. Victorian Literature and Culture. 2004;32(2):435-448. http://www.jstor.org/stable/25058678?seq=1#page_scan_tab_contents
78.
Morris G. Dance Studies/Cultural Studies. Dance Research Journal Summer. 2009;41(1):82-100. http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=37375438&site=ehost-live
79.
Morris G. Moving Words: Re-Writing Dance (Electronic Resource). Routledge; 1996. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203991190
80.
Olsen B. Roland Barthes: from sign to text. In: Reading Material Culture: Structuralism, Hermeneutics and Post-Structuralism. Vol Social archaeology. Basil Blackwell; 1990:163-205. https://contentstore.cla.co.uk/secure/link?id=5f9e17dd-ab38-e811-80cd-005056af4099
81.
Halifu Osumare. Global Breakdancing and the Intercultural Body. Dance Research Journal. 2002;34(2):30-45. http://www.jstor.org/stable/1478458?seq=1#page_scan_tab_contents
82.
Prickett S. Dancing the American Dream During World War II. In: Dance and Politics. P. Lang; 2010:167-192. https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.roehampton.ac.uk/shibboleth&target=https://www.dawsonera.com/depp/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9783035307474
83.
Prickett S. The People’s Dance: workers, politics and movement in 1930s Britain. Dance History: Politics, Practices and Perspectives Conference Proceedings. Published online 2010:71-79. http://www.sdr-uk.org/temp/docs/2010_SDR_dance_history_symposium_proceedings.pdf
84.
Stacey Prickett. San Francisco Innovators and Iconoclasts: Dance and Politics in the Left Coast City. Dance Chronicle. 2007;30(2):237-290. http://www.jstor.org/stable/25598108?seq=1#page_scan_tab_contents
85.
Prickett S. The People:  Issues of Identity Within the Revolutionary Dance,’ "Of, By and For the People:  Dancing on the Left in the 1930s. Studies in Dance History. 1994;1:14-22.
86.
Rapport N, Overing J. Social and Cultural Anthropology: The Key Concepts. Vol Routledge key guides. Routledge; 2000.
87.
Royce AP. Anthropology of the Performing Arts: Artistry, Virtuosity, and Interpretation in a Cross-Cultural Perspective. AltaMira Press; 2004.
88.
Juan CS. Ballroom Dance as an Indicator of Immigrant Identity in the Filipino Community. The Journal of American Culture. 2001;24(3-4):177-181. doi:10.1111/j.1537-4726.2001.2403_177.x
89.
Shilling C. The Body and Social Theory (Electronic Resource). 2nd ed. SAGE; 2003. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781849206570
90.
Swartz D. Culture & Power: The Sociology of Pierre Bourdieu. University of Chicago Press; 1997.
91.
Thomas H. The Body in Culture: Before the Body Project. In: The Body, Dance, and Cultural Theory. Palgrave Macmillan; 2003:9-33. https://contentstore.cla.co.uk/secure/link?id=b3a77bc7-5037-e811-80cd-005056af4099
92.
Turner BS. Regulating Bodies: Essays in Medical Sociology (Electronic Resource). Routledge; 1992. http://site.ebrary.com/lib/roehampton/Doc?id=10060633
93.
Turner BS. Orientalism, Postmodernism and Globalism (Electronic Resource). Routledge; 1994. http://site.ebrary.com/lib/roehampton/Doc?id=10058384
94.
Turner BS. The Body and Society: Explorations in Social Theory. Vol Theory, culture and society. 2nd ed. SAGE; 1996.
95.
Judy van Zile. Non-Polynesian Dance in Hawai’i: Issues of Identity in a Multicultural Community. Dance Research Journal. 1996;28(1):28-50. http://www.jstor.org/stable/1478104?seq=1#page_scan_tab_contents
96.
Williams D. Anthropology and the Dance: Ten Lectures. New ed. University of Illinois Press; 2003.
97.
Wulff H. Ballet across Borders: Career and Culture in the World of Dancers. Berg; 1998.
98.
Wulff H. Aesthetics at the ballet: looking at "national” style, body and clothing in the London dance world. In: British Subjects: An Anthropology of Britain. Berg; 2002:67-86. https://contentstore.cla.co.uk/secure/link?id=ebba4085-ab38-e811-80cd-005056af4099
99.
Meduri, Avanthi. The Transfiguration of Indian /Asian Dance in the United Kingdom: Contemporary Bharatanatyam in Global Contexts. Asian Theatre Journal. 2008;25(Issue 2):298-328. http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=34455109&site=ehost-live
100.
MEDURI A. Labels, Histories, Politics: Indian/South Asian Dance on the Global Stage. Dance Research. 2008;26(2):223-243. doi:10.3366/E0264287508000200
101.
Brandstetter G, Klein G, Haller M, Lüken H, eds. Dance [and] Theory. Vol Critical dance studies. Transcript; 2013. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=1918302
102.
Meduri, Avanthi. Bharatanatyam as a Global Dance: Some Issues in Research, Teaching, and Practice. Dance Research Journal. 2004;36:11-29. http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=17332277&site=ehost-live
103.
Spear JL, Meduri A. Knowing the Dancer: East Meets West. Victorian Literature and Culture. 2004;32(2):435-448. http://www.jstor.org/stable/25058678
104.
Faultline/Bruise Blood in India/London. http://www.rescen.net/Shobana_Jeyasingh/HmH/delhi.html
105.
MEDURI, AVANTHI1. AT HOME IN THE WORLD: BHARATA NATYAM ON THE GLOBAL STAGE. Asian Theatre Journal. 2009;26:378-382. http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=47549531&site=ehost-live
106.
Meduri A. Worlding Dance. Dance Research Journal. 2011;43(02):109-112. doi:10.1017/S0149767711000155
107.
Kenan Malik’s paper on the failures of multiculturalism. http://www.kenanmalik.com/papers/engelsberg_mc.html