[1]
Alston, Joshua 2012. NBC’s Smash can be the next Glee – by not being the next Glee : Guardian TV and Radio Blog. guardian.co.uk.
[2]
Attenborough, Richard and Dante, Nicholas 2008. A chorus line. Optimum Home Entertainment.
[3]
Atypon Systems Studies in Musical Theatre. Atypon Link.
[4]
Auslander, Philip 2004. Performance Analysis and Popular Music: A Manifesto. Contemporary Theatre Review. 14, 1 (2004), 1–13. DOI:https://doi.org/10.1080/1026716032000128674.
[5]
Auslander, Philip 2006. Performing glam rock: gender and theatricality in popular music. University of Michigan Press.
[6]
Banfield, S 1996. Company. Sondheim’s Broadway musicals. University of Michigan Press. 147–176.
[7]
Bannister, Matthew and ebrary, Inc 2006. White boys, white noise: masculinities and 1980s indie guitar rock. Ashgate.
[8]
Bennett, Andy 2004. Remembering Woodstock. Ashgate.
[9]
Brecht, Bertolt and Willett, John 1974. Brecht on theatre: the development of an aesthetic. Eyre Methuen.
[10]
Burger, A. 2010. Wicked and Wonderful Witches : Narrative and Gender Negotiations from The Wizard of Oz to Wicked. Beyond adaptation: essays on radical transformations of original works. McFarland & Co. 123–132.
[11]
Cohen, Sara 2007. Decline, Renewal and the City in Popular Music Culture: Beyond the Beatles. Ashgate.
[12]
Collins, Karen 2008. From Pac-Man to Pop Music: Interactive Audio in Games and New Media. Ashgate.
[13]
Del Deo, A. and Stern, J.D. 2008. Every little step: the journey of ‘A Chorus Line’. Sony Pictures.
[14]
Draper, Natalie 2010. Concept meets narrative in Sondheim’s ‘Company’: Metadrama as a method of analysis. Studies in Musical Theatre. 4, 2 (2010), 171–183. DOI:https://doi.org/10.1386/smt.4.2.171_1.
[15]
Ellis, Sarah, T. 2011. ‘No day but today’: Queer temporality in Rent. Studies in Musical Theatre. 5, 2 (2011), 195–207. DOI:https://doi.org/10.1386/smt.5.2.195_1.
[16]
Everett, W.A. and Laird, P.R. eds. From Hair to Rent: is ‘rockâ€TM a four-letter word on Broadway? The Cambridge companion to the musical. Cambridge University Press. 235–249.
[17]
Everett, W.A. and Laird, P.R. eds. The creation of a Broadway musical: Stephen Schwartz, Winnie Holzman, and Wicked. The Cambridge companion to the musical. Cambridge University Press. 340–352.
[18]
Fetterman, William 1997. John Cage’s theatre pieces. Harwood Academic Publishers.
[19]
Fouz-Hernandez, Santiago 2004. Madonna’s Drowned Worlds. Ashgate Publishing.
[20]
Garland, Judy et al. 2001. The wizard of Oz. Warner Home Video.
[21]
Gelles, Barrie 2011. Glee and the ‘Ghosting’ of the Musical Theatre Canon. Popular Entertainment Studies. 2, 2 (2011), 89–111.
[22]
Greif, Michael and Warren, Michael John 2009. Rent. Sony Pictures Home Ent.
[23]
Hawkins, Stan 2002. Settling the pop score: pop texts and identity politics. Ashgate.
[24]
Inglis, Ian and ebrary, Inc 2006. Performance and popular music: history, place and time. Ashgate.
[25]
Isherwood, Charles 2007. On This Rock, Build a Future for Musicals.
[26]
Jones, Carys Wyn 2008. The rock canon: canonical values in the reception of rock albums. Ashgate.
[27]
Laird, Paul, R. 2011. ‘It Couldn’t Happen Here in Oz’: Wicked and the creation of a ‘critic-proof’ musical. Studies in Musical Theatre. 5, 1 (2011), 35–47. DOI:https://doi.org/10.1386/smt.5.1.35_1.
[28]
Lamb, Andrew 2000. 150 years of popular musical theatre. Yale University Press.
[29]
Lehman, Engel and Kissel, Howard 2004. Romance. Words with music. Roundhouse [distributor]. 106–119.
[30]
Leonard, Marion 2007. Gender in the Music Industry: Rock, Discourse and Girl Power. Ashgate.
[31]
Lodge, Mary Jo 2007. Beyond ‘Jumping the Shark’: the new television musical. Studies in Musical Theatre. 1, 3 (2007), 293–305. DOI:https://doi.org/10.1386/smt.1.3.293_1.
[32]
Lundskaer-Nielsen, Miranda 2008. Directors and the New Musical Drama. Palgrave Macmillan.
[33]
McMillin, Scott 2006. The musical as drama: a study of the principles and conventions behind musical shows from Kern to Sondheim. Princeton University Press.
[34]
McNulty, C 2008. ‘Spring Awakening’ is all about the strife. latimes.
[35]
Meizel, Katherine 2009. Making the Dream a Reality (Show): The Celebration of Failure in American Idol. Popular Music and Society. 32, 4 (2009), 475–488.
[36]
Mendes, Sam 1997. Company. BBC.
[37]
Miller, Scott 2007. Strike up the band: a new history of musical theatre. Heinemann.
[38]
Moore, Allan F. 2001. Rock, the primary text: developing a musicology of rock. Ashgate.
[39]
Moore, Tracey 2006. Teaching the Broadway singing style in the era of American Idol. Studies in Musical Theatre. 1, 1 (2006), 85–95. DOI:https://doi.org/10.1386/smt.1.1.85_1.
[40]
Peddie, Ian 2006. The Resisting Muse. Ashgate.
[41]
Prece, Paul and William A., E. 2008. The megamusical: the creation, internationalisation and impact of a genre. The Cambridge Companion to the Musical. Cambridge University Press. 250–269.
[42]
Price, Lonny 2011. Sondheim: The birthday concert: the birthday concert. Decca.
[43]
Rapaport, Pola and Held, Wolfgang 2007. Hair: Let the sun shine in : the musical that transformed a generation. Alive Mind.
[44]
Rebellato, Dan 2011. Does the mega-musical boom mean theatre’s bust?: Guardian Theatre Blog. guardian.co.uk.
[45]
Reising, Russell 2006. Speak To Me. Ashgate.
[46]
Siropoulos, Vagelis 2010. Cats, Postdramatic Blockbuster Aesthetics and the Triumph of the Megamusical. Image & Narrative. 11, 3 (2010), 128–145.
[47]
Siropoulos, Vagelis 2011. Megamusicals, spectacle and the postdramatic aesthetics of late capitalism. Studies in Musical Theatre. 5, 1 (2011), 13–34. DOI:https://doi.org/10.1386/smt.5.1.13_1.
[48]
Siropoulos, Vagelis 2010. The Bohemian Iconoclast and the Corporate Giant: Julie Taymor’s Staging of Disney’s The Lion King, or The Portrait of the Avant-Garde Artist as a Corporate Employee. Gramma: Journal of Theory and Criticism. 10, (2010), 137–150.
[49]
Sondheim, S. and Doyle, J. 2007. Company: a musical comedy. Image Entertainment.
[50]
Sondheim, Stephen and Burton, Tim 2008. Sweeney Todd: the demon barber of Fleet Street. Warner Home Video.
[51]
Sondheim, Stephen and Furth, George 1996. Company. Nick Hern.
[52]
Sternfeld, J. 2007. The megamusical. Indiana University Press.
[53]
Sternfeld, Jessica 2006. ‘To Love Another Person Is to See the Face of God’ Les Misérables. The megamusical. Indiana University Press. 175–225.
[54]
Swayne, Steve and ebrary, Inc 2007. How Sondheim found his sound. University of Michigan Press.
[55]
Tate, Joseph 2005. Music and Art of Radiohead. Ashgate.
[56]
Vandevender, Bryan M 2009. A substitute for love: the performance of sex in ‘Spring Awakening’. Studies in Musical Theatre. 3, 3 (2009), 293–302. DOI:https://doi.org/10.1386/smt.3.3.293/1.
[57]
Whedon, Joss 2002. Once more with feeling: Buffy the Vampire Slayer script book. Pocket.
[58]
Whiteley, Sheila et al. 2004. Music, space and place: popular music and cultural identity. Ashgate.
[59]
Wolf, Stacy 2011. It’s all about popular : Wicked divas and internet girl fans. Changed for good: a feminist history of the Broadway musical. Oxford University Press. 219–236.
[60]
Wolf, Stacy Ellen 2008. ‘Defying Gravity’: Queer Conventions in the Musical Wicked. Theatre Journal. 60, 1 (2008), 1–21. DOI:https://doi.org/10.1353/tj.2008.0075.
[61]
Woll, Allen 1989. Black musical theatre: from Coontown to Dreamgirls. Louisiana State University Press.
[62]
Wollman, E. 2010. The theater will rock: a history of the rock musical, from Hair to Hedwig. University of Michigan Press.
[63]
Wollman, Elizabeth and Sternfeld, Jessica 2011. Musical theatre and the almighty dollar: What a tangled web they weave. Studies in Musical Theatre. 5, 1 (2011), 3–12. DOI:https://doi.org/10.1386/smt.5.1.3_2.
[64]
Young-Gerber, Christine 2010. ‘Attention must be paid’, cried the balladeer: The concept musical defined. Studies in Musical Theatre. 4, 3 (2010), 331–342. DOI:https://doi.org/10.1386/smt.4.3.331_1.
[65]
2006. Buffy the vampire slayer: Season 6. 20th Century Fox Home Entertainment.
[66]
Glee - Season 1 [DVD].
[67]
Glee - Season 2 [DVD].
[68]
Glee - Season 4 [DVD].
[69]
2012. Glee: Season 3. 20th Century Fox Home Ent.
[70]
2006. Phantom of the opera: behind the mask. BBC 2.
[71]
Smash - Season 1 [DVD].
[72]
1994. The Sondheim review. International Bibliography of Theatre&Dance with Full Text, (1994).
[73]
2008. The Stephen Sondheim Collection. Bmg.